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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D8DEC it is the complementary color #F27213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D8DEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D8DEC shade: #128DE7, #239FFA, #34B1FF, #45C3FF and #56D5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D8DEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D8DEC shade: #0D8DEC, #007BD9, #0069C6, #0057B3 and #0045A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D8DEC shade: #0C8DED, #0C50ED, #0C14ED, #410CED and #7D0CED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D8DEC shade: #0C8DED, #0C50ED, #0C14ED and #0C0CED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D8DEC shade matches the following richer shades: #0C8DED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D8DEC shade: #0C8DED, #208AD9, #3487C4, #4984B0 and #5D819C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D8DEC shade: #0CEDD3, #0CCBED, #0C8FED, #0C53ED and #0C17ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D8DEC shade: #085E9F, #0A76C6, #0C8DED, #2FA0F4 and #56B2F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D8DEC shade: #0D8DEC, #970CED and #E9ED0C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D8DEC shade: #0D8DEC, #ED0C8F and #8FED0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D8DEC shade: #0D8DEC, #970CED, #ED6A0C and #62ED0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D8DEC shade: #0D8DEC, #DA0CED, #ED6A0C and #1FED0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 40 / 0 / 7

HEX #0D8DEC

RGB 13 141 236

HSL 205.56, 0.9%, 0.49%

LAB 57.26, 3.85, -56.32

 

Complementary color

CMYK 0 / 53 / 92 / 5

HEX #F27213

RGB 242 114 19

HSL 25.56, 0.9%, 0.51%

LAB 62.47, 44.85, 66.99

 

CMYK 92 / 39 / 0 / 9

HEX #128DE7

RGB 18 141 231

HSL 205.35, 0.86%, 0.49%

LAB 57.02, 2.14, -53.92

 

CMYK 86 / 36 / 0 / 2

HEX #239FFA

RGB 35 159 250

HSL 205.4, 0.96%, 0.56%

LAB 63.39, -0.46, -54.25

 

CMYK 80 / 31 / 0 / 0

HEX #34B1FF

RGB 52 177 255

HSL 203.05, 1%, 0.6%

LAB 69.04, -7.51, -48.02

 

CMYK 73 / 24 / 0 / 0

HEX #45C3FF

RGB 69 195 255

HSL 199.35, 1%, 0.64%

LAB 74.52, -15.41, -39.42

 

CMYK 66 / 16 / 0 / 0

HEX #56D5FF

RGB 86 213 255

HSL 194.91, 1%, 0.67%

LAB 80.06, -22.39, -30.81

 

CMYK 94 / 40 / 0 / 7

HEX #0D8DEC

RGB 13 141 236

HSL 205.56, 0.9%, 0.49%

LAB 57.26, 3.85, -56.32

 

CMYK 100 / 43 / 0 / 15

HEX #007BD9

RGB 0 123 217

HSL 205.99, 1%, 0.43%

LAB 50.89, 7.11, -55.89

 

CMYK 100 / 47 / 0 / 22

HEX #0069C6

RGB 0 105 198

HSL 208.18, 1%, 0.39%

LAB 44.49, 10.93, -55.33

 

CMYK 100 / 51 / 0 / 30

HEX #0057B3

RGB 0 87 179

HSL 210.84, 1%, 0.35%

LAB 37.97, 14.99, -54.79

 

CMYK 100 / 57 / 0 / 37

HEX #0045A0

RGB 0 69 160

HSL 214.13, 1%, 0.31%

LAB 31.33, 19.34, -54.24

 

CMYK 95 / 41 / 0 / 7

HEX #0C8DED

RGB 12 141 237

HSL 205.6, 0.9%, 0.49%

LAB 57.31, 4.2, -56.8

 

CMYK 95 / 66 / 0 / 7

HEX #0C50ED

RGB 12 80 237

HSL 221.87, 0.9%, 0.49%

LAB 41.1, 42.61, -83.1

 

CMYK 95 / 92 / 0 / 7

HEX #0C14ED

RGB 12 20 237

HSL 237.87, 0.9%, 0.49%

LAB 31.1, 71.26, -99.71

 

CMYK 73 / 95 / 0 / 7

HEX #410CED

RGB 65 12 237

HSL 254.13, 0.9%, 0.49%

LAB 32.92, 74.11, -96.6

 

CMYK 47 / 95 / 0 / 7

HEX #7D0CED

RGB 125 12 237

HSL 270.13, 0.9%, 0.49%

LAB 39.13, 77.83, -86.11

 

CMYK 95 / 41 / 0 / 7

HEX #0C8DED

RGB 12 141 237

HSL 205.6, 0.9%, 0.49%

LAB 57.31, 4.2, -56.8

 

CMYK 95 / 66 / 0 / 7

HEX #0C50ED

RGB 12 80 237

HSL 221.87, 0.9%, 0.49%

LAB 41.1, 42.61, -83.1

 

CMYK 95 / 92 / 0 / 7

HEX #0C14ED

RGB 12 20 237

HSL 237.87, 0.9%, 0.49%

LAB 31.1, 71.26, -99.71

 

CMYK 95 / 95 / 0 / 7

HEX #0C0CED

RGB 12 12 237

HSL 240, 0.9%, 0.49%

LAB 30.53, 73, -100.65

 

CMYK 95 / 41 / 0 / 7

HEX #0C8DED

RGB 12 141 237

HSL 205.6, 0.9%, 0.49%

LAB 57.31, 4.2, -56.8

 

CMYK 95 / 41 / 0 / 7

HEX #0C8DED

RGB 12 141 237

HSL 205.6, 0.9%, 0.49%

LAB 57.31, 4.2, -56.8

 

CMYK 85 / 36 / 0 / 15

HEX #208AD9

RGB 32 138 217

HSL 205.62, 0.74%, 0.49%

LAB 55.58, -0.56, -48.39

 

CMYK 73 / 31 / 0 / 23

HEX #3487C4

RGB 52 135 196

HSL 205.42, 0.58%, 0.49%

LAB 54.07, -4.43, -38.87

 

CMYK 59 / 25 / 0 / 31

HEX #4984B0

RGB 73 132 176

HSL 205.63, 0.41%, 0.49%

LAB 53.01, -5.94, -29.05

 

CMYK 40 / 17 / 0 / 39

HEX #5D819C

RGB 93 129 156

HSL 205.71, 0.25%, 0.49%

LAB 52.32, -5.41, -18.46

 

CMYK 95 / 0 / 11 / 7

HEX #0CEDD3

RGB 12 237 211

HSL 173.07, 0.9%, 0.49%

LAB 84.66, -52.47, -0.7

 

CMYK 95 / 14 / 0 / 7

HEX #0CCBED

RGB 12 203 237

HSL 189.07, 0.9%, 0.49%

LAB 75.39, -29.53, -28.46

 

CMYK 95 / 40 / 0 / 7

HEX #0C8FED

RGB 12 143 237

HSL 205.07, 0.9%, 0.49%

LAB 57.88, 3.01, -55.88

 

CMYK 95 / 65 / 0 / 7

HEX #0C53ED

RGB 12 83 237

HSL 221.07, 0.9%, 0.49%

LAB 41.81, 40.74, -81.94

 

CMYK 95 / 90 / 0 / 7

HEX #0C17ED

RGB 12 23 237

HSL 237.07, 0.9%, 0.49%

LAB 31.36, 70.46, -99.27

 

CMYK 95 / 41 / 0 / 38

HEX #085E9F

RGB 8 94 159

HSL 205.83, 0.9%, 0.33%

LAB 38.83, 2.51, -41.54

 

CMYK 95 / 40 / 0 / 22

HEX #0A76C6

RGB 10 118 198

HSL 205.53, 0.9%, 0.41%

LAB 48.38, 3.07, -49.08

 

CMYK 95 / 41 / 0 / 7

HEX #0C8DED

RGB 12 141 237

HSL 205.6, 0.9%, 0.49%

LAB 57.31, 4.2, -56.8

 

CMYK 81 / 34 / 0 / 4

HEX #2FA0F4

RGB 47 160 244

HSL 205.58, 0.9%, 0.57%

LAB 63.57, -2.28, -50.67

 

CMYK 65 / 28 / 0 / 4

HEX #56B2F6

RGB 86 178 246

HSL 205.5, 0.9%, 0.65%

LAB 69.81, -6.78, -41.88

 

CMYK 94 / 40 / 0 / 7

HEX #0D8DEC

RGB 13 141 236

HSL 205.56, 0.9%, 0.49%

LAB 57.26, 3.85, -56.32

 

CMYK 36 / 95 / 0 / 7

HEX #970CED

RGB 151 12 237

HSL 277.07, 0.9%, 0.49%

LAB 42.7, 80.4, -80.12

 

CMYK 2 / 0 / 95 / 7

HEX #E9ED0C

RGB 233 237 12

HSL 61.07, 0.9%, 0.49%

LAB 90.74, -21.96, 88.11

 

CMYK 94 / 40 / 0 / 7

HEX #0D8DEC

RGB 13 141 236

HSL 205.56, 0.9%, 0.49%

LAB 57.26, 3.85, -56.32

 

CMYK 0 / 95 / 40 / 7

HEX #ED0C8F

RGB 237 12 143

HSL 325.07, 0.9%, 0.49%

LAB 52.12, 81.12, -9.41

 

CMYK 40 / 0 / 95 / 7

HEX #8FED0C

RGB 143 237 12

HSL 85.07, 0.9%, 0.49%

LAB 85.22, -56.42, 81.44

 

CMYK 94 / 40 / 0 / 7

HEX #0D8DEC

RGB 13 141 236

HSL 205.56, 0.9%, 0.49%

LAB 57.26, 3.85, -56.32

 

CMYK 36 / 95 / 0 / 7

HEX #970CED

RGB 151 12 237

HSL 277.07, 0.9%, 0.49%

LAB 42.7, 80.4, -80.12

 

CMYK 0 / 55 / 95 / 7

HEX #ED6A0C

RGB 237 106 12

HSL 25.07, 0.9%, 0.49%

LAB 60.19, 46.73, 66.58

 

CMYK 59 / 0 / 95 / 7

HEX #62ED0C

RGB 98 237 12

HSL 97.07, 0.9%, 0.49%

LAB 83.54, -69.36, 79.39

 

CMYK 94 / 40 / 0 / 7

HEX #0D8DEC

RGB 13 141 236

HSL 205.56, 0.9%, 0.49%

LAB 57.26, 3.85, -56.32

 

CMYK 8 / 95 / 0 / 7

HEX #DA0CED

RGB 218 12 237

HSL 294.93, 0.9%, 0.49%

LAB 53.26, 89.23, -62.47

 

CMYK 0 / 55 / 95 / 7

HEX #ED6A0C

RGB 237 106 12

HSL 25.07, 0.9%, 0.49%

LAB 60.19, 46.73, 66.58

 

CMYK 87 / 0 / 95 / 7

HEX #1FED0C

RGB 31 237 12

HSL 114.93, 0.9%, 0.49%

LAB 82.32, -79.92, 77.88

 

Description

Color code: HEX #0D8DEC | qconv.com Color code: HEX #0D8DEC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 141 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 141 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 40 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 40% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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