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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D7552 it is the complementary color #F28AAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D7552. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D7552 shade: #12754D, #238760, #349973, #45AB86 and #56BD99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D7552. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D7552 shade: #0D7552, #00633F, #00512C, #003F19 and #002D06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D7552 shade: #0C7250, #0C7234, #0C7219, #1B720C and #37720C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D7552 shade: #0C7250, #0C726B, #0C5E72, #0C4272 and #0C2772

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D7552 shade matches the following richer shades: #0C7250 and #027D53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D7552 shade: #0C7250, #17684D, #215E49, #2B5346 and #364942

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D7552 shade: #0C7218, #0C7233, #0C724F, #0C726A and #0C6072

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D7552 shade: #04281C, #084D36, #0C7250, #10976A and #15BD84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D7552 shade: #0D7552, #0C1C72 and #72260C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D7552 shade: #0D7552, #4F0C72 and #724F0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D7552 shade: #0D7552, #0C1C72, #720C30 and #72630C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D7552 shade: #0D7552, #1C0C72, #720C30 and #63720C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 30 / 54

HEX #0D7552

RGB 13 117 82

HSL 159.81, 0.8%, 0.25%

LAB 43.39, -36.39, 11.71

 

Complementary color

CMYK 0 / 43 / 29 / 5

HEX #F28AAD

RGB 242 138 173

HSL 339.81, 0.8%, 0.75%

LAB 69.52, 43.57, -0.93

 

CMYK 85 / 0 / 34 / 54

HEX #12754D

RGB 18 117 77

HSL 155.76, 0.73%, 0.26%

LAB 43.34, -37.11, 14.59

 

CMYK 74 / 0 / 29 / 47

HEX #238760

RGB 35 135 96

HSL 156.6, 0.59%, 0.33%

LAB 50.13, -37.98, 12.98

 

CMYK 66 / 0 / 25 / 40

HEX #349973

RGB 52 153 115

HSL 157.43, 0.49%, 0.4%

LAB 56.83, -38.42, 11.58

 

CMYK 60 / 0 / 22 / 33

HEX #45AB86

RGB 69 171 134

HSL 158.24, 0.43%, 0.47%

LAB 63.44, -38.59, 10.34

 

CMYK 54 / 0 / 19 / 26

HEX #56BD99

RGB 86 189 153

HSL 159.03, 0.44%, 0.54%

LAB 69.95, -38.62, 9.22

 

CMYK 89 / 0 / 30 / 54

HEX #0D7552

RGB 13 117 82

HSL 159.81, 0.8%, 0.25%

LAB 43.39, -36.39, 11.71

 

CMYK 100 / 0 / 36 / 61

HEX #00633F

RGB 0 99 63

HSL 158.18, 1%, 0.19%

LAB 36.52, -34.66, 13.56

 

CMYK 100 / 0 / 46 / 68

HEX #00512C

RGB 0 81 44

HSL 152.59, 1%, 0.16%

LAB 29.58, -31.77, 15.76

 

CMYK 100 / 0 / 60 / 75

HEX #003F19

RGB 0 63 25

HSL 143.81, 1%, 0.12%

LAB 22.39, -28.53, 18.07

 

CMYK 100 / 0 / 87 / 82

HEX #002D06

RGB 0 45 6

HSL 128, 1%, 0.09%

LAB 14.9, -24.68, 18.74

 

CMYK 89 / 0 / 30 / 55

HEX #0C7250

RGB 12 114 80

HSL 160, 0.81%, 0.25%

LAB 42.3, -35.71, 11.38

 

CMYK 89 / 0 / 54 / 55

HEX #0C7234

RGB 12 114 52

HSL 143.53, 0.81%, 0.25%

LAB 41.78, -41.61, 26.71

 

CMYK 89 / 0 / 78 / 55

HEX #0C7219

RGB 12 114 25

HSL 127.65, 0.81%, 0.25%

LAB 41.51, -45.04, 39.17

 

CMYK 76 / 0 / 89 / 55

HEX #1B720C

RGB 27 114 12

HSL 111.18, 0.81%, 0.25%

LAB 41.68, -43.78, 43.56

 

CMYK 52 / 0 / 89 / 55

HEX #37720C

RGB 55 114 12

HSL 94.71, 0.81%, 0.25%

LAB 42.57, -36.5, 44.68

 

CMYK 89 / 0 / 30 / 55

HEX #0C7250

RGB 12 114 80

HSL 160, 0.81%, 0.25%

LAB 42.3, -35.71, 11.38

 

CMYK 89 / 0 / 6 / 55

HEX #0C726B

RGB 12 114 107

HSL 175.88, 0.81%, 0.25%

LAB 43.02, -28.03, -3.75

 

CMYK 89 / 18 / 0 / 55

HEX #0C5E72

RGB 12 94 114

HSL 191.76, 0.81%, 0.25%

LAB 36.55, -15.04, -17.79

 

CMYK 89 / 42 / 0 / 55

HEX #0C4272

RGB 12 66 114

HSL 208.24, 0.81%, 0.25%

LAB 27.27, 2.54, -32.35

 

CMYK 89 / 66 / 0 / 55

HEX #0C2772

RGB 12 39 114

HSL 224.12, 0.81%, 0.25%

LAB 18.99, 21.86, -45.75

 

CMYK 89 / 0 / 30 / 55

HEX #0C7250

RGB 12 114 80

HSL 160, 0.81%, 0.25%

LAB 42.3, -35.71, 11.38

 

CMYK 98 / 0 / 34 / 51

HEX #027D53

RGB 2 125 83

HSL 159.51, 0.97%, 0.25%

LAB 46.05, -40.23, 14.78

 

CMYK 89 / 0 / 30 / 55

HEX #0C7250

RGB 12 114 80

HSL 160, 0.81%, 0.25%

LAB 42.3, -35.71, 11.38

 

CMYK 78 / 0 / 26 / 59

HEX #17684D

RGB 23 104 77

HSL 160, 0.64%, 0.25%

LAB 38.93, -30.81, 8.5

 

CMYK 65 / 0 / 22 / 63

HEX #215E49

RGB 33 94 73

HSL 159.34, 0.48%, 0.25%

LAB 35.62, -25.26, 6.3

 

CMYK 48 / 0 / 16 / 67

HEX #2B5346

RGB 43 83 70

HSL 160.5, 0.32%, 0.25%

LAB 32.13, -17.7, 3.25

 

CMYK 26 / 0 / 10 / 71

HEX #364942

RGB 54 73 66

HSL 157.89, 0.15%, 0.25%

LAB 29.27, -9.19, 1.76

 

CMYK 89 / 0 / 79 / 55

HEX #0C7218

RGB 12 114 24

HSL 127.06, 0.81%, 0.25%

LAB 41.5, -45.13, 39.54

 

CMYK 89 / 0 / 55 / 55

HEX #0C7233

RGB 12 114 51

HSL 142.94, 0.81%, 0.25%

LAB 41.77, -41.78, 27.23

 

CMYK 89 / 0 / 31 / 55

HEX #0C724F

RGB 12 114 79

HSL 159.41, 0.81%, 0.25%

LAB 42.27, -35.96, 11.94

 

CMYK 89 / 0 / 7 / 55

HEX #0C726A

RGB 12 114 106

HSL 175.29, 0.81%, 0.25%

LAB 42.99, -28.34, -3.19

 

CMYK 89 / 16 / 0 / 55

HEX #0C6072

RGB 12 96 114

HSL 190.59, 0.81%, 0.25%

LAB 37.22, -16.18, -16.76

 

CMYK 90 / 0 / 30 / 84

HEX #04281C

RGB 4 40 28

HSL 160, 0.82%, 0.09%

LAB 13.4, -16.47, 4.29

 

CMYK 90 / 0 / 30 / 70

HEX #084D36

RGB 8 77 54

HSL 160, 0.81%, 0.17%

LAB 28.45, -26.52, 8.02

 

CMYK 89 / 0 / 30 / 55

HEX #0C7250

RGB 12 114 80

HSL 160, 0.81%, 0.25%

LAB 42.3, -35.71, 11.38

 

CMYK 89 / 0 / 30 / 41

HEX #10976A

RGB 16 151 106

HSL 160, 0.81%, 0.33%

LAB 55.36, -44.29, 14.51

 

CMYK 89 / 0 / 30 / 26

HEX #15BD84

RGB 21 189 132

HSL 159.64, 0.8%, 0.41%

LAB 68.18, -52.77, 17.94

 

CMYK 89 / 0 / 30 / 54

HEX #0D7552

RGB 13 117 82

HSL 159.81, 0.8%, 0.25%

LAB 43.39, -36.39, 11.71

 

CMYK 89 / 75 / 0 / 55

HEX #0C1C72

RGB 12 28 114

HSL 230.59, 0.81%, 0.25%

LAB 16.12, 29.52, -50.46

 

CMYK 0 / 67 / 89 / 55

HEX #72260C

RGB 114 38 12

HSL 15.29, 0.81%, 0.25%

LAB 26.71, 32.26, 33.1

 

CMYK 89 / 0 / 30 / 54

HEX #0D7552

RGB 13 117 82

HSL 159.81, 0.8%, 0.25%

LAB 43.39, -36.39, 11.71

 

CMYK 31 / 89 / 0 / 55

HEX #4F0C72

RGB 79 12 114

HSL 279.41, 0.81%, 0.25%

LAB 20.6, 45.6, -42.86

 

CMYK 0 / 31 / 89 / 55

HEX #724F0C

RGB 114 79 12

HSL 39.41, 0.81%, 0.25%

LAB 36.36, 8.79, 41.22

 

CMYK 89 / 0 / 30 / 54

HEX #0D7552

RGB 13 117 82

HSL 159.81, 0.8%, 0.25%

LAB 43.39, -36.39, 11.71

 

CMYK 89 / 75 / 0 / 55

HEX #0C1C72

RGB 12 28 114

HSL 230.59, 0.81%, 0.25%

LAB 16.12, 29.52, -50.46

 

CMYK 0 / 89 / 58 / 55

HEX #720C30

RGB 114 12 48

HSL 338.82, 0.81%, 0.25%

LAB 23.85, 43.69, 7.13

 

CMYK 0 / 13 / 89 / 55

HEX #72630C

RGB 114 99 12

HSL 51.18, 0.81%, 0.25%

LAB 42.04, -3.12, 45.92

 

CMYK 89 / 0 / 30 / 54

HEX #0D7552

RGB 13 117 82

HSL 159.81, 0.8%, 0.25%

LAB 43.39, -36.39, 11.71

 

CMYK 75 / 89 / 0 / 55

HEX #1C0C72

RGB 28 12 114

HSL 249.41, 0.81%, 0.25%

LAB 13.97, 39.47, -54

 

CMYK 0 / 89 / 58 / 55

HEX #720C30

RGB 114 12 48

HSL 338.82, 0.81%, 0.25%

LAB 23.85, 43.69, 7.13

 

CMYK 13 / 0 / 89 / 55

HEX #63720C

RGB 99 114 12

HSL 68.82, 0.81%, 0.25%

LAB 45.24, -18.62, 48.02

 

Description

Color code: HEX #0D7552 | qconv.com Color code: HEX #0D7552 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 117 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 117 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 30 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 30% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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