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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D4DC2 it is the complementary color #F2B23D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D4DC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D4DC2 shade: #124DBD, #235FD0, #3471E3, #4583F6 and #5695FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D4DC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D4DC2 shade: #0D4DC2, #003BAF, #00299C, #001789 and #000576

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D4DC2 shade: #0D4DC3, #0D1CC3, #2F0DC3, #600DC3 and #910DC3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D4DC2 shade: #0D4DC3, #0D1CC3 and #0D0DC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D4DC2 shade matches the following richer shades: #0D4DC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D4DC2 shade: #0D4DC3, #1E52B2, #2F57A1, #405C90 and #51617F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D4DC2 shade: #0DB1C3, #0D80C3, #0D50C3, #0D1FC3 and #2B0DC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D4DC2 shade: #082F76, #0A3E9C, #0D4DC3, #105DEA and #3276F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D4DC2 shade: #0D4DC2, #A50DC3 and #99C30D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D4DC2 shade: #0D4DC2, #C30D50 and #50C30D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D4DC2 shade: #0D4DC2, #A50DC3, #C3800D and #2BC30D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D4DC2 shade: #0D4DC2, #C30DAB, #C3800D and #0DC325

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 60 / 0 / 24

HEX #0D4DC2

RGB 13 77 194

HSL 218.78, 0.87%, 0.41%

LAB 36.53, 28.22, -65.93

 

Complementary color

CMYK 0 / 26 / 75 / 5

HEX #F2B23D

RGB 242 178 61

HSL 38.78, 0.87%, 0.59%

LAB 76.71, 12.9, 65.43

 

CMYK 90 / 59 / 0 / 26

HEX #124DBD

RGB 18 77 189

HSL 219.3, 0.83%, 0.41%

LAB 36.2, 26.47, -63.55

 

CMYK 83 / 54 / 0 / 18

HEX #235FD0

RGB 35 95 208

HSL 219.19, 0.71%, 0.48%

LAB 42.91, 23.14, -63.62

 

CMYK 77 / 50 / 0 / 11

HEX #3471E3

RGB 52 113 227

HSL 219.09, 0.76%, 0.55%

LAB 49.6, 20.4, -63.56

 

CMYK 72 / 47 / 0 / 4

HEX #4583F6

RGB 69 131 246

HSL 218.98, 0.91%, 0.62%

LAB 56.24, 18.14, -63.44

 

CMYK 66 / 42 / 0 / 0

HEX #5695FF

RGB 86 149 255

HSL 217.63, 1%, 0.67%

LAB 62.25, 12.85, -58.72

 

CMYK 93 / 60 / 0 / 24

HEX #0D4DC2

RGB 13 77 194

HSL 218.78, 0.87%, 0.41%

LAB 36.53, 28.22, -65.93

 

CMYK 100 / 66 / 0 / 31

HEX #003BAF

RGB 0 59 175

HSL 219.77, 1%, 0.34%

LAB 29.97, 32.28, -65.48

 

CMYK 100 / 74 / 0 / 39

HEX #00299C

RGB 0 41 156

HSL 224.23, 1%, 0.31%

LAB 23.63, 36.7, -64.46

 

CMYK 100 / 83 / 0 / 46

HEX #001789

RGB 0 23 137

HSL 229.93, 1%, 0.27%

LAB 17.55, 40.49, -62.77

 

CMYK 100 / 96 / 0 / 54

HEX #000576

RGB 0 5 118

HSL 237.46, 1%, 0.23%

LAB 12.07, 42.53, -59.8

 

CMYK 93 / 61 / 0 / 24

HEX #0D4DC3

RGB 13 77 195

HSL 218.9, 0.88%, 0.41%

LAB 36.62, 28.61, -66.37

 

CMYK 93 / 86 / 0 / 24

HEX #0D1CC3

RGB 13 28 195

HSL 235.05, 0.88%, 0.41%

LAB 26.32, 56.97, -83.38

 

CMYK 76 / 93 / 0 / 24

HEX #2F0DC3

RGB 47 13 195

HSL 251.21, 0.88%, 0.41%

LAB 26.25, 62.77, -83.46

 

CMYK 51 / 93 / 0 / 24

HEX #600DC3

RGB 96 13 195

HSL 267.36, 0.88%, 0.41%

LAB 31.15, 65.88, -75.19

 

CMYK 26 / 93 / 0 / 24

HEX #910DC3

RGB 145 13 195

HSL 283.52, 0.88%, 0.41%

LAB 38.28, 71.48, -63.2

 

CMYK 93 / 61 / 0 / 24

HEX #0D4DC3

RGB 13 77 195

HSL 218.9, 0.88%, 0.41%

LAB 36.62, 28.61, -66.37

 

CMYK 93 / 86 / 0 / 24

HEX #0D1CC3

RGB 13 28 195

HSL 235.05, 0.88%, 0.41%

LAB 26.32, 56.97, -83.38

 

CMYK 93 / 93 / 0 / 24

HEX #0D0DC3

RGB 13 13 195

HSL 240, 0.88%, 0.41%

LAB 24.68, 61.94, -86.12

 

CMYK 93 / 61 / 0 / 24

HEX #0D4DC3

RGB 13 77 195

HSL 218.9, 0.88%, 0.41%

LAB 36.62, 28.61, -66.37

 

CMYK 93 / 61 / 0 / 24

HEX #0D4DC3

RGB 13 77 195

HSL 218.9, 0.88%, 0.41%

LAB 36.62, 28.61, -66.37

 

CMYK 83 / 54 / 0 / 30

HEX #1E52B2

RGB 30 82 178

HSL 218.92, 0.71%, 0.41%

LAB 36.98, 19.59, -55.79

 

CMYK 71 / 46 / 0 / 37

HEX #2F57A1

RGB 47 87 161

HSL 218.95, 0.55%, 0.41%

LAB 37.83, 11.73, -44.28

 

CMYK 56 / 36 / 0 / 44

HEX #405C90

RGB 64 92 144

HSL 219, 0.38%, 0.41%

LAB 39.17, 5.68, -31.89

 

CMYK 36 / 24 / 0 / 50

HEX #51617F

RGB 81 97 127

HSL 219.13, 0.22%, 0.41%

LAB 40.95, 1.83, -18.74

 

CMYK 93 / 9 / 0 / 24

HEX #0DB1C3

RGB 13 177 195

HSL 185.93, 0.88%, 0.41%

LAB 66.11, -30.45, -19.73

 

CMYK 93 / 34 / 0 / 24

HEX #0D80C3

RGB 13 128 195

HSL 202.09, 0.88%, 0.41%

LAB 51.23, -4.05, -42.84

 

CMYK 93 / 59 / 0 / 24

HEX #0D50C3

RGB 13 80 195

HSL 217.91, 0.88%, 0.41%

LAB 37.41, 26.62, -65.07

 

CMYK 93 / 84 / 0 / 24

HEX #0D1FC3

RGB 13 31 195

HSL 234.07, 0.88%, 0.41%

LAB 26.75, 55.69, -82.66

 

CMYK 78 / 93 / 0 / 24

HEX #2B0DC3

RGB 43 13 195

HSL 249.89, 0.88%, 0.41%

LAB 25.99, 62.62, -83.91

 

CMYK 93 / 60 / 0 / 54

HEX #082F76

RGB 8 47 118

HSL 218.73, 0.87%, 0.25%

LAB 21.55, 17.49, -44.13

 

CMYK 94 / 60 / 0 / 39

HEX #0A3E9C

RGB 10 62 156

HSL 218.63, 0.88%, 0.33%

LAB 29.18, 22.97, -55.32

 

CMYK 93 / 61 / 0 / 24

HEX #0D4DC3

RGB 13 77 195

HSL 218.9, 0.88%, 0.41%

LAB 36.62, 28.61, -66.37

 

CMYK 93 / 60 / 0 / 8

HEX #105DEA

RGB 16 93 234

HSL 218.81, 0.87%, 0.49%

LAB 44.06, 33.37, -76.56

 

CMYK 79 / 51 / 0 / 6

HEX #3276F0

RGB 50 118 240

HSL 218.53, 0.86%, 0.57%

LAB 51.75, 21.88, -67.37

 

CMYK 93 / 60 / 0 / 24

HEX #0D4DC2

RGB 13 77 194

HSL 218.78, 0.87%, 0.41%

LAB 36.53, 28.22, -65.93

 

CMYK 15 / 93 / 0 / 24

HEX #A50DC3

RGB 165 13 195

HSL 290.11, 0.88%, 0.41%

LAB 41.58, 74.36, -57.71

 

CMYK 22 / 0 / 93 / 24

HEX #99C30D

RGB 153 195 13

HSL 73.85, 0.88%, 0.41%

LAB 73.44, -35.06, 72.21

 

CMYK 93 / 60 / 0 / 24

HEX #0D4DC2

RGB 13 77 194

HSL 218.78, 0.87%, 0.41%

LAB 36.53, 28.22, -65.93

 

CMYK 0 / 93 / 59 / 24

HEX #C30D50

RGB 195 13 80

HSL 337.91, 0.88%, 0.41%

LAB 41.95, 66.66, 13.69

 

CMYK 59 / 0 / 93 / 24

HEX #50C30D

RGB 80 195 13

HSL 97.91, 0.88%, 0.41%

LAB 70.01, -59.63, 68.01

 

CMYK 93 / 60 / 0 / 24

HEX #0D4DC2

RGB 13 77 194

HSL 218.78, 0.87%, 0.41%

LAB 36.53, 28.22, -65.93

 

CMYK 15 / 93 / 0 / 24

HEX #A50DC3

RGB 165 13 195

HSL 290.11, 0.88%, 0.41%

LAB 41.58, 74.36, -57.71

 

CMYK 0 / 34 / 93 / 24

HEX #C3800D

RGB 195 128 13

HSL 37.91, 0.88%, 0.41%

LAB 59.04, 18.11, 62.84

 

CMYK 78 / 0 / 93 / 24

HEX #2BC30D

RGB 43 195 13

HSL 110.11, 0.88%, 0.41%

LAB 69.16, -66.83, 66.97

 

CMYK 93 / 60 / 0 / 24

HEX #0D4DC2

RGB 13 77 194

HSL 218.78, 0.87%, 0.41%

LAB 36.53, 28.22, -65.93

 

CMYK 0 / 93 / 12 / 24

HEX #C30DAB

RGB 195 13 171

HSL 307.91, 0.88%, 0.41%

LAB 45.4, 75.77, -37.15

 

CMYK 0 / 34 / 93 / 24

HEX #C3800D

RGB 195 128 13

HSL 37.91, 0.88%, 0.41%

LAB 59.04, 18.11, 62.84

 

CMYK 93 / 0 / 81 / 24

HEX #0DC325

RGB 13 195 37

HSL 127.91, 0.88%, 0.41%

LAB 68.93, -68.61, 61.73

 

Description

Color code: HEX #0D4DC2 | qconv.com Color code: HEX #0D4DC2 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 77 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 77 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 60 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 60% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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