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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D026D it is the complementary color #F2FD92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D026D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D026D shade: #120268, #23147B, #34268E, #4538A1 and #564AB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D026D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D026D shade: #0D026D, #00005A, #000047, #000034 and #000021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D026D shade: #0D026D, #2A026D, #47026D, #64026D and #6D025A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D026D shade: #0D026D and #02026D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D026D shade matches the following richer shades: #0D026D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D026D shade: #0D026D, #140B64, #1B145B, #221D52 and #2A2649

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D026D shade: #02306D, #02146D, #0D026D, #29026D and #46026D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D026D shade: #03001D, #080145, #0D026D, #120396 and #1703BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D026D shade: #0D026D, #6D024D and #226D02

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D026D shade: #0D026D, #6D0D02 and #026D0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D026D shade: #0D026D, #6D024D, #636D02 and #026D22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D026D shade: #0D026D, #6D022D, #636D02 and #026D42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 98 / 0 / 57

HEX #0D026D

RGB 13 2 109

HSL 246.17, 0.96%, 0.22%

LAB 10.8, 41.58, -56.05

 

Complementary color

CMYK 4 / 0 / 42 / 1

HEX #F2FD92

RGB 242 253 146

HSL 66.17, 0.96%, 0.78%

LAB 96.49, -18.92, 49.83

 

CMYK 83 / 98 / 0 / 59

HEX #120268

RGB 18 2 104

HSL 249.41, 0.96%, 0.21%

LAB 10.35, 40.31, -53.5

 

CMYK 72 / 84 / 0 / 52

HEX #23147B

RGB 35 20 123

HSL 248.74, 0.72%, 0.28%

LAB 16.93, 39.19, -54.87

 

CMYK 63 / 73 / 0 / 44

HEX #34268E

RGB 52 38 142

HSL 248.08, 0.58%, 0.35%

LAB 23.9, 37.52, -55.3

 

CMYK 57 / 65 / 0 / 37

HEX #4538A1

RGB 69 56 161

HSL 247.43, 0.48%, 0.43%

LAB 31.04, 35.65, -55.2

 

CMYK 52 / 59 / 0 / 29

HEX #564AB4

RGB 86 74 180

HSL 246.79, 0.42%, 0.5%

LAB 38.15, 33.92, -54.93

 

CMYK 88 / 98 / 0 / 57

HEX #0D026D

RGB 13 2 109

HSL 246.17, 0.96%, 0.22%

LAB 10.8, 41.58, -56.05

 

CMYK 100 / 100 / 0 / 65

HEX #00005A

RGB 0 0 90

HSL 240, 1%, 0.18%

LAB 6.67, 36.68, -50.3

 

CMYK 100 / 100 / 0 / 72

HEX #000047

RGB 0 0 71

HSL 240, 1%, 0.14%

LAB 4.11, 27.68, -41.39

 

CMYK 100 / 100 / 0 / 80

HEX #000034

RGB 0 0 52

HSL 240, 1%, 0.1%

LAB 2.24, 15.74, -30.68

 

CMYK 100 / 100 / 0 / 87

HEX #000021

RGB 0 0 33

HSL 240, 1%, 0.06%

LAB 0.99, 6.97, -18.06

 

CMYK 88 / 98 / 0 / 57

HEX #0D026D

RGB 13 2 109

HSL 246.17, 0.96%, 0.22%

LAB 10.8, 41.58, -56.05

 

CMYK 61 / 98 / 0 / 57

HEX #2A026D

RGB 42 2 109

HSL 262.43, 0.96%, 0.22%

LAB 13.47, 42.99, -51.53

 

CMYK 35 / 98 / 0 / 57

HEX #47026D

RGB 71 2 109

HSL 278.69, 0.96%, 0.22%

LAB 17.86, 46.03, -44.14

 

CMYK 8 / 98 / 0 / 57

HEX #64026D

RGB 100 2 109

HSL 294.95, 0.96%, 0.22%

LAB 23.19, 50.53, -35.23

 

CMYK 0 / 98 / 17 / 57

HEX #6D025A

RGB 109 2 90

HSL 310.65, 0.96%, 0.22%

LAB 23.78, 49.23, -21.71

 

CMYK 88 / 98 / 0 / 57

HEX #0D026D

RGB 13 2 109

HSL 246.17, 0.96%, 0.22%

LAB 10.8, 41.58, -56.05

 

CMYK 98 / 98 / 0 / 57

HEX #02026D

RGB 2 2 109

HSL 240, 0.96%, 0.22%

LAB 10.26, 41.35, -56.96

 

CMYK 88 / 98 / 0 / 57

HEX #0D026D

RGB 13 2 109

HSL 246.17, 0.96%, 0.22%

LAB 10.8, 41.58, -56.05

 

CMYK 88 / 98 / 0 / 57

HEX #0D026D

RGB 13 2 109

HSL 246.17, 0.96%, 0.22%

LAB 10.8, 41.58, -56.05

 

CMYK 80 / 89 / 0 / 61

HEX #140B64

RGB 20 11 100

HSL 246.07, 0.8%, 0.22%

LAB 11.33, 34.91, -49.21

 

CMYK 70 / 78 / 0 / 64

HEX #1B145B

RGB 27 20 91

HSL 245.92, 0.64%, 0.22%

LAB 12.54, 27.47, -41.18

 

CMYK 59 / 65 / 0 / 68

HEX #221D52

RGB 34 29 82

HSL 245.66, 0.48%, 0.22%

LAB 14.56, 19.37, -31.76

 

CMYK 42 / 48 / 0 / 71

HEX #2A2649

RGB 42 38 73

HSL 246.86, 0.32%, 0.22%

LAB 17.27, 11.94, -21.23

 

CMYK 98 / 56 / 0 / 57

HEX #02306D

RGB 2 48 109

HSL 214.21, 0.96%, 0.22%

LAB 20.95, 12.35, -39.34

 

CMYK 98 / 82 / 0 / 57

HEX #02146D

RGB 2 20 109

HSL 229.91, 0.96%, 0.22%

LAB 13.34, 32.19, -51.84

 

CMYK 88 / 98 / 0 / 57

HEX #0D026D

RGB 13 2 109

HSL 246.17, 0.96%, 0.22%

LAB 10.8, 41.58, -56.05

 

CMYK 62 / 98 / 0 / 57

HEX #29026D

RGB 41 2 109

HSL 261.87, 0.96%, 0.22%

LAB 13.35, 42.91, -51.74

 

CMYK 36 / 98 / 0 / 57

HEX #46026D

RGB 70 2 109

HSL 278.13, 0.96%, 0.22%

LAB 17.69, 45.9, -44.42

 

CMYK 90 / 100 / 0 / 89

HEX #03001D

RGB 3 0 29

HSL 246.21, 1%, 0.06%

LAB 0.98, 6.42, -14.86

 

CMYK 88 / 99 / 0 / 73

HEX #080145

RGB 8 1 69

HSL 246.18, 0.97%, 0.14%

LAB 4.54, 27.39, -39.24

 

CMYK 88 / 98 / 0 / 57

HEX #0D026D

RGB 13 2 109

HSL 246.17, 0.96%, 0.22%

LAB 10.8, 41.58, -56.05

 

CMYK 88 / 98 / 0 / 41

HEX #120396

RGB 18 3 150

HSL 246.12, 0.96%, 0.3%

LAB 17.44, 52.56, -71.04

 

CMYK 88 / 98 / 0 / 25

HEX #1703BE

RGB 23 3 190

HSL 246.42, 0.97%, 0.38%

LAB 23.56, 63, -85.03

 

CMYK 88 / 98 / 0 / 57

HEX #0D026D

RGB 13 2 109

HSL 246.17, 0.96%, 0.22%

LAB 10.8, 41.58, -56.05

 

CMYK 0 / 98 / 29 / 57

HEX #6D024D

RGB 109 2 77

HSL 317.94, 0.96%, 0.22%

LAB 23.1, 47.5, -14.04

 

CMYK 69 / 0 / 98 / 57

HEX #226D02

RGB 34 109 2

HSL 102.06, 0.96%, 0.22%

LAB 40.05, -40.98, 44.66

 

CMYK 88 / 98 / 0 / 57

HEX #0D026D

RGB 13 2 109

HSL 246.17, 0.96%, 0.22%

LAB 10.8, 41.58, -56.05

 

CMYK 0 / 88 / 98 / 57

HEX #6D0D02

RGB 109 13 2

HSL 6.17, 0.96%, 0.22%

LAB 22.1, 39.84, 32.37

 

CMYK 98 / 0 / 88 / 57

HEX #026D0D

RGB 2 109 13

HSL 126.17, 0.96%, 0.22%

LAB 39.55, -45.25, 41.24

 

CMYK 88 / 98 / 0 / 57

HEX #0D026D

RGB 13 2 109

HSL 246.17, 0.96%, 0.22%

LAB 10.8, 41.58, -56.05

 

CMYK 0 / 98 / 29 / 57

HEX #6D024D

RGB 109 2 77

HSL 317.94, 0.96%, 0.22%

LAB 23.1, 47.5, -14.04

 

CMYK 9 / 0 / 98 / 57

HEX #636D02

RGB 99 109 2

HSL 65.61, 0.96%, 0.22%

LAB 43.65, -16.23, 49.02

 

CMYK 98 / 0 / 69 / 57

HEX #026D22

RGB 2 109 34

HSL 137.94, 0.96%, 0.22%

LAB 39.69, -43.4, 33.38

 

CMYK 88 / 98 / 0 / 57

HEX #0D026D

RGB 13 2 109

HSL 246.17, 0.96%, 0.22%

LAB 10.8, 41.58, -56.05

 

CMYK 0 / 98 / 59 / 57

HEX #6D022D

RGB 109 2 45

HSL 335.89, 0.96%, 0.22%

LAB 21.89, 44.28, 6.31

 

CMYK 9 / 0 / 98 / 57

HEX #636D02

RGB 99 109 2

HSL 65.61, 0.96%, 0.22%

LAB 43.65, -16.23, 49.02

 

CMYK 98 / 0 / 39 / 57

HEX #026D42

RGB 2 109 66

HSL 155.89, 0.96%, 0.22%

LAB 40.15, -37.81, 16.69

 

Description

Color code: HEX #0D026D | qconv.com Color code: HEX #0D026D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 2 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 2 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 98 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 98% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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