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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C9FAA it is the complementary color #F36055. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C9FAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C9FAA shade: #119FA5, #22B1B8, #33C3CB, #44D5DE and #55E7F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C9FAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C9FAA shade: #0C9FAA, #008D97, #007B84, #006971 and #00575E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C9FAA shade: #0BA0AB, #0B75AB, #0B4AAB, #0B1FAB and #230BAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C9FAA shade: #0BA0AB, #0B75AB, #0B4AAB, #0B1FAB and #0B0BAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C9FAA shade matches the following richer shades: #0BA0AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C9FAA shade: #0BA0AB, #1A939C, #29868D, #387A7F and #476D70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C9FAA shade: #0BAB61, #0BAB8B, #0BA1AB, #0B76AB and #0B4BAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C9FAA shade: #06585E, #097C85, #0BA0AB, #0EC4D2 and #1AE0EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C9FAA shade: #0C9FAA, #360BAB and #AB760B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C9FAA shade: #0C9FAA, #AB0BA1 and #A1AB0B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C9FAA shade: #0C9FAA, #360BAB, #AB160B and #81AB0B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C9FAA shade: #0C9FAA, #660BAB, #AB160B and #51AB0B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 6 / 0 / 33

HEX #0C9FAA

RGB 12 159 170

HSL 184.18, 0.87%, 0.36%

LAB 59.69, -29.81, -15.5

 

Complementary color

CMYK 0 / 60 / 65 / 5

HEX #F36055

RGB 243 96 85

HSL 4.18, 0.87%, 0.64%

LAB 59.96, 55.79, 35.72

 

CMYK 90 / 4 / 0 / 35

HEX #119FA5

RGB 17 159 165

HSL 182.43, 0.81%, 0.36%

LAB 59.55, -31.17, -12.86

 

CMYK 82 / 4 / 0 / 28

HEX #22B1B8

RGB 34 177 184

HSL 182.8, 0.69%, 0.43%

LAB 65.94, -32.68, -13.88

 

CMYK 75 / 4 / 0 / 20

HEX #33C3CB

RGB 51 195 203

HSL 183.16, 0.6%, 0.5%

LAB 72.26, -33.83, -14.78

 

CMYK 69 / 4 / 0 / 13

HEX #44D5DE

RGB 68 213 222

HSL 183.51, 0.7%, 0.57%

LAB 78.51, -34.7, -15.59

 

CMYK 65 / 4 / 0 / 5

HEX #55E7F1

RGB 85 231 241

HSL 183.85, 0.85%, 0.64%

LAB 84.71, -35.36, -16.34

 

CMYK 93 / 6 / 0 / 33

HEX #0C9FAA

RGB 12 159 170

HSL 184.18, 0.87%, 0.36%

LAB 59.69, -29.81, -15.5

 

CMYK 100 / 7 / 0 / 41

HEX #008D97

RGB 0 141 151

HSL 183.97, 1%, 0.3%

LAB 53.26, -27.67, -14.37

 

CMYK 100 / 7 / 0 / 48

HEX #007B84

RGB 0 123 132

HSL 184.09, 1%, 0.26%

LAB 46.75, -25.01, -13.11

 

CMYK 100 / 7 / 0 / 56

HEX #006971

RGB 0 105 113

HSL 184.25, 1%, 0.22%

LAB 40.07, -22.28, -11.81

 

CMYK 100 / 7 / 0 / 63

HEX #00575E

RGB 0 87 94

HSL 184.47, 1%, 0.18%

LAB 33.19, -19.46, -10.48

 

CMYK 94 / 6 / 0 / 33

HEX #0BA0AB

RGB 11 160 171

HSL 184.13, 0.88%, 0.36%

LAB 60.03, -30.01, -15.55

 

CMYK 94 / 32 / 0 / 33

HEX #0B75AB

RGB 11 117 171

HSL 200.25, 0.88%, 0.36%

LAB 46.62, -6.82, -36.26

 

CMYK 94 / 57 / 0 / 33

HEX #0B4AAB

RGB 11 74 171

HSL 216.38, 0.88%, 0.36%

LAB 33.79, 20.93, -56.83

 

CMYK 94 / 82 / 0 / 33

HEX #0B1FAB

RGB 11 31 171

HSL 232.5, 0.88%, 0.36%

LAB 23.64, 48.05, -73.54

 

CMYK 80 / 94 / 0 / 33

HEX #230BAB

RGB 35 11 171

HSL 249, 0.88%, 0.36%

LAB 22.08, 56.48, -76.12

 

CMYK 94 / 6 / 0 / 33

HEX #0BA0AB

RGB 11 160 171

HSL 184.13, 0.88%, 0.36%

LAB 60.03, -30.01, -15.55

 

CMYK 94 / 32 / 0 / 33

HEX #0B75AB

RGB 11 117 171

HSL 200.25, 0.88%, 0.36%

LAB 46.62, -6.82, -36.26

 

CMYK 94 / 57 / 0 / 33

HEX #0B4AAB

RGB 11 74 171

HSL 216.38, 0.88%, 0.36%

LAB 33.79, 20.93, -56.83

 

CMYK 94 / 82 / 0 / 33

HEX #0B1FAB

RGB 11 31 171

HSL 232.5, 0.88%, 0.36%

LAB 23.64, 48.05, -73.54

 

CMYK 94 / 94 / 0 / 33

HEX #0B0BAB

RGB 11 11 171

HSL 240, 0.88%, 0.36%

LAB 21.02, 55.91, -77.91

 

CMYK 94 / 6 / 0 / 33

HEX #0BA0AB

RGB 11 160 171

HSL 184.13, 0.88%, 0.36%

LAB 60.03, -30.01, -15.55

 

CMYK 94 / 6 / 0 / 33

HEX #0BA0AB

RGB 11 160 171

HSL 184.13, 0.88%, 0.36%

LAB 60.03, -30.01, -15.55

 

CMYK 83 / 6 / 0 / 39

HEX #1A939C

RGB 26 147 156

HSL 184.15, 0.71%, 0.36%

LAB 55.57, -27.55, -13.73

 

CMYK 71 / 5 / 0 / 45

HEX #29868D

RGB 41 134 141

HSL 184.2, 0.55%, 0.36%

LAB 51.2, -24.07, -11.62

 

CMYK 56 / 4 / 0 / 50

HEX #387A7F

RGB 56 122 127

HSL 184.23, 0.39%, 0.36%

LAB 47.36, -19.35, -9.13

 

CMYK 37 / 3 / 0 / 56

HEX #476D70

RGB 71 109 112

HSL 184.39, 0.22%, 0.36%

LAB 43.43, -12.56, -5.96

 

CMYK 94 / 0 / 43 / 33

HEX #0BAB61

RGB 11 171 97

HSL 152.25, 0.88%, 0.36%

LAB 61.71, -54.01, 27.95

 

CMYK 94 / 0 / 19 / 33

HEX #0BAB8B

RGB 11 171 139

HSL 168, 0.88%, 0.36%

LAB 62.56, -44.42, 6.18

 

CMYK 94 / 6 / 0 / 33

HEX #0BA1AB

RGB 11 161 171

HSL 183.75, 0.88%, 0.36%

LAB 60.34, -30.5, -15.07

 

CMYK 94 / 31 / 0 / 33

HEX #0B76AB

RGB 11 118 171

HSL 199.88, 0.88%, 0.36%

LAB 46.93, -7.41, -35.77

 

CMYK 94 / 56 / 0 / 33

HEX #0B4BAB

RGB 11 75 171

HSL 216, 0.88%, 0.36%

LAB 34.07, 20.25, -56.37

 

CMYK 94 / 6 / 0 / 63

HEX #06585E

RGB 6 88 94

HSL 184.09, 0.88%, 0.2%

LAB 33.62, -19.48, -9.82

 

CMYK 93 / 7 / 0 / 48

HEX #097C85

RGB 9 124 133

HSL 184.35, 0.87%, 0.28%

LAB 47.19, -24.7, -13.03

 

CMYK 94 / 6 / 0 / 33

HEX #0BA0AB

RGB 11 160 171

HSL 184.13, 0.88%, 0.36%

LAB 60.03, -30.01, -15.55

 

CMYK 93 / 7 / 0 / 18

HEX #0EC4D2

RGB 14 196 210

HSL 184.29, 0.88%, 0.44%

LAB 72.38, -34.73, -18.45

 

CMYK 89 / 6 / 0 / 6

HEX #1AE0EF

RGB 26 224 239

HSL 184.23, 0.87%, 0.52%

LAB 81.71, -38.33, -19.89

 

CMYK 93 / 6 / 0 / 33

HEX #0C9FAA

RGB 12 159 170

HSL 184.18, 0.87%, 0.36%

LAB 59.69, -29.81, -15.5

 

CMYK 68 / 94 / 0 / 33

HEX #360BAB

RGB 54 11 171

HSL 256.13, 0.88%, 0.36%

LAB 23.55, 57.34, -73.62

 

CMYK 0 / 31 / 94 / 33

HEX #AB760B

RGB 171 118 11

HSL 40.13, 0.88%, 0.36%

LAB 53.64, 12.9, 57.95

 

CMYK 93 / 6 / 0 / 33

HEX #0C9FAA

RGB 12 159 170

HSL 184.18, 0.87%, 0.36%

LAB 59.69, -29.81, -15.5

 

CMYK 0 / 94 / 6 / 33

HEX #AB0BA1

RGB 171 11 161

HSL 303.75, 0.88%, 0.36%

LAB 40.36, 70.2, -39.44

 

CMYK 6 / 0 / 94 / 33

HEX #A1AB0B

RGB 161 171 11

HSL 63.75, 0.88%, 0.36%

LAB 67.07, -20.22, 67.72

 

CMYK 93 / 6 / 0 / 33

HEX #0C9FAA

RGB 12 159 170

HSL 184.18, 0.87%, 0.36%

LAB 59.69, -29.81, -15.5

 

CMYK 68 / 94 / 0 / 33

HEX #360BAB

RGB 54 11 171

HSL 256.13, 0.88%, 0.36%

LAB 23.55, 57.34, -73.62

 

CMYK 0 / 87 / 94 / 33

HEX #AB160B

RGB 171 22 11

HSL 4.13, 0.88%, 0.36%

LAB 36.47, 56.32, 45.97

 

CMYK 25 / 0 / 94 / 33

HEX #81AB0B

RGB 129 171 11

HSL 75.75, 0.88%, 0.36%

LAB 64.82, -33.75, 64.98

 

CMYK 93 / 6 / 0 / 33

HEX #0C9FAA

RGB 12 159 170

HSL 184.18, 0.87%, 0.36%

LAB 59.69, -29.81, -15.5

 

CMYK 40 / 94 / 0 / 33

HEX #660BAB

RGB 102 11 171

HSL 274.13, 0.88%, 0.36%

LAB 29.42, 61.49, -63.72

 

CMYK 0 / 87 / 94 / 33

HEX #AB160B

RGB 171 22 11

HSL 4.13, 0.88%, 0.36%

LAB 36.47, 56.32, 45.97

 

CMYK 53 / 0 / 94 / 33

HEX #51AB0B

RGB 81 171 11

HSL 93.75, 0.88%, 0.36%

LAB 62.42, -50.81, 62.04

 

Description

Color code: HEX #0C9FAA | qconv.com Color code: HEX #0C9FAA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 159 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 159 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 6 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 6% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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