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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C97CE it is the complementary color #F36831. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C97CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C97CE shade: #1197C9, #22A9DC, #33BBEF, #44CDFF and #55DFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C97CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C97CE shade: #0C97CE, #0085BB, #0073A8, #006195 and #004F82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C97CE shade: #0C97CF, #0C63CF, #0C2ECF, #1E0CCF and #520CCF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C97CE shade: #0C97CF, #0C63CF, #0C2ECF and #0C0CCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C97CE shade matches the following richer shades: #0C97CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C97CE shade: #0C97CF, #1D90BD, #2F88AB, #41809A and #537988

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C97CE shade: #0CCF9E, #0CCBCF, #0C97CF, #0C63CF and #0C2FCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C97CE shade: #075E81, #097BA8, #0C97CF, #13B2F1 and #3ABFF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C97CE shade: #0C97CE, #6A0CCF and #CFB80C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C97CE shade: #0C97CE, #CF0C97 and #97CF0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C97CE shade: #0C97CE, #6A0CCF, #CF430C and #70CF0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C97CE shade: #0C97CE, #A40CCF, #CF430C and #36CF0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 27 / 0 / 19

HEX #0C97CE

RGB 12 151 206

HSL 197.01, 0.89%, 0.43%

LAB 58.67, -13.18, -37.36

 

Complementary color

CMYK 0 / 57 / 80 / 5

HEX #F36831

RGB 243 104 49

HSL 17.01, 0.89%, 0.57%

LAB 60.94, 50.62, 55.3

 

CMYK 92 / 25 / 0 / 21

HEX #1197C9

RGB 17 151 201

HSL 196.3, 0.84%, 0.43%

LAB 58.48, -14.78, -34.84

 

CMYK 85 / 23 / 0 / 14

HEX #22A9DC

RGB 34 169 220

HSL 196.45, 0.73%, 0.5%

LAB 64.87, -16.81, -35.44

 

CMYK 79 / 22 / 0 / 6

HEX #33BBEF

RGB 51 187 239

HSL 196.6, 0.85%, 0.57%

LAB 71.2, -18.45, -35.98

 

CMYK 73 / 20 / 0 / 0

HEX #44CDFF

RGB 68 205 255

HSL 196.04, 1%, 0.63%

LAB 77.35, -20.72, -35.03

 

CMYK 67 / 13 / 0 / 0

HEX #55DFFF

RGB 85 223 255

HSL 191.29, 1%, 0.67%

LAB 82.87, -27.5, -26.5

 

CMYK 94 / 27 / 0 / 19

HEX #0C97CE

RGB 12 151 206

HSL 197.01, 0.89%, 0.43%

LAB 58.67, -13.18, -37.36

 

CMYK 100 / 29 / 0 / 27

HEX #0085BB

RGB 0 133 187

HSL 197.33, 1%, 0.37%

LAB 52.25, -10.49, -36.67

 

CMYK 100 / 32 / 0 / 34

HEX #0073A8

RGB 0 115 168

HSL 198.93, 1%, 0.33%

LAB 45.76, -7.27, -35.88

 

CMYK 100 / 35 / 0 / 42

HEX #006195

RGB 0 97 149

HSL 200.94, 1%, 0.29%

LAB 39.1, -3.86, -35.12

 

CMYK 100 / 39 / 0 / 49

HEX #004F82

RGB 0 79 130

HSL 203.54, 1%, 0.25%

LAB 32.27, -0.22, -34.41

 

CMYK 94 / 27 / 0 / 19

HEX #0C97CF

RGB 12 151 207

HSL 197.23, 0.89%, 0.43%

LAB 58.71, -12.81, -37.85

 

CMYK 94 / 52 / 0 / 19

HEX #0C63CF

RGB 12 99 207

HSL 213.23, 0.89%, 0.43%

LAB 43.52, 18.82, -62.08

 

CMYK 94 / 78 / 0 / 19

HEX #0C2ECF

RGB 12 46 207

HSL 229.54, 0.89%, 0.43%

LAB 30.73, 52.11, -83.07

 

CMYK 86 / 94 / 0 / 19

HEX #1E0CCF

RGB 30 12 207

HSL 245.54, 0.89%, 0.43%

LAB 26.86, 65.6, -89.5

 

CMYK 60 / 94 / 0 / 19

HEX #520CCF

RGB 82 12 207

HSL 261.54, 0.89%, 0.43%

LAB 30.79, 67.77, -82.86

 

CMYK 94 / 27 / 0 / 19

HEX #0C97CF

RGB 12 151 207

HSL 197.23, 0.89%, 0.43%

LAB 58.71, -12.81, -37.85

 

CMYK 94 / 52 / 0 / 19

HEX #0C63CF

RGB 12 99 207

HSL 213.23, 0.89%, 0.43%

LAB 43.52, 18.82, -62.08

 

CMYK 94 / 78 / 0 / 19

HEX #0C2ECF

RGB 12 46 207

HSL 229.54, 0.89%, 0.43%

LAB 30.73, 52.11, -83.07

 

CMYK 94 / 94 / 0 / 19

HEX #0C0CCF

RGB 12 12 207

HSL 240, 0.89%, 0.43%

LAB 26.29, 65.33, -90.47

 

CMYK 94 / 27 / 0 / 19

HEX #0C97CF

RGB 12 151 207

HSL 197.23, 0.89%, 0.43%

LAB 58.71, -12.81, -37.85

 

CMYK 94 / 27 / 0 / 19

HEX #0C97CF

RGB 12 151 207

HSL 197.23, 0.89%, 0.43%

LAB 58.71, -12.81, -37.85

 

CMYK 85 / 24 / 0 / 26

HEX #1D90BD

RGB 29 144 189

HSL 196.88, 0.73%, 0.43%

LAB 55.97, -14.49, -31.96

 

CMYK 73 / 20 / 0 / 33

HEX #2F88AB

RGB 47 136 171

HSL 196.94, 0.57%, 0.43%

LAB 53.12, -14.41, -26.07

 

CMYK 58 / 17 / 0 / 40

HEX #41809A

RGB 65 128 154

HSL 197.53, 0.41%, 0.43%

LAB 50.56, -12.39, -20.1

 

CMYK 39 / 11 / 0 / 47

HEX #537988

RGB 83 121 136

HSL 196.98, 0.24%, 0.43%

LAB 48.63, -9.27, -12.41

 

CMYK 94 / 0 / 24 / 19

HEX #0CCF9E

RGB 12 207 158

HSL 164.92, 0.89%, 0.43%

LAB 74.3, -54.03, 12.52

 

CMYK 94 / 2 / 0 / 19

HEX #0CCBCF

RGB 12 203 207

HSL 181.23, 0.89%, 0.43%

LAB 74.38, -38.96, -13.81

 

CMYK 94 / 27 / 0 / 19

HEX #0C97CF

RGB 12 151 207

HSL 197.23, 0.89%, 0.43%

LAB 58.71, -12.81, -37.85

 

CMYK 94 / 52 / 0 / 19

HEX #0C63CF

RGB 12 99 207

HSL 213.23, 0.89%, 0.43%

LAB 43.52, 18.82, -62.08

 

CMYK 94 / 77 / 0 / 19

HEX #0C2FCF

RGB 12 47 207

HSL 229.23, 0.89%, 0.43%

LAB 30.92, 51.57, -82.76

 

CMYK 95 / 27 / 0 / 49

HEX #075E81

RGB 7 94 129

HSL 197.21, 0.9%, 0.27%

LAB 37.18, -9.62, -26.03

 

CMYK 95 / 27 / 0 / 34

HEX #097BA8

RGB 9 123 168

HSL 196.98, 0.9%, 0.35%

LAB 48.32, -11.56, -31.84

 

CMYK 94 / 27 / 0 / 19

HEX #0C97CF

RGB 12 151 207

HSL 197.23, 0.89%, 0.43%

LAB 58.71, -12.81, -37.85

 

CMYK 92 / 26 / 0 / 5

HEX #13B2F1

RGB 19 178 241

HSL 197.03, 0.89%, 0.51%

LAB 68.26, -15.13, -41.67

 

CMYK 76 / 21 / 0 / 5

HEX #3ABFF3

RGB 58 191 243

HSL 196.86, 0.89%, 0.59%

LAB 72.65, -18.5, -35.88

 

CMYK 94 / 27 / 0 / 19

HEX #0C97CE

RGB 12 151 206

HSL 197.01, 0.89%, 0.43%

LAB 58.67, -13.18, -37.36

 

CMYK 49 / 94 / 0 / 19

HEX #6A0CCF

RGB 106 12 207

HSL 268.92, 0.89%, 0.43%

LAB 33.63, 69.64, -78.06

 

CMYK 0 / 11 / 94 / 19

HEX #CFB80C

RGB 207 184 12

HSL 52.92, 0.89%, 0.43%

LAB 74.55, -6.67, 75

 

CMYK 94 / 27 / 0 / 19

HEX #0C97CE

RGB 12 151 206

HSL 197.01, 0.89%, 0.43%

LAB 58.67, -13.18, -37.36

 

CMYK 0 / 94 / 27 / 19

HEX #CF0C97

RGB 207 12 151

HSL 317.23, 0.89%, 0.43%

LAB 46.66, 75.74, -23.06

 

CMYK 27 / 0 / 94 / 19

HEX #97CF0C

RGB 151 207 12

HSL 77.23, 0.89%, 0.43%

LAB 76.82, -41.22, 74.95

 

CMYK 94 / 27 / 0 / 19

HEX #0C97CE

RGB 12 151 206

HSL 197.01, 0.89%, 0.43%

LAB 58.67, -13.18, -37.36

 

CMYK 49 / 94 / 0 / 19

HEX #6A0CCF

RGB 106 12 207

HSL 268.92, 0.89%, 0.43%

LAB 33.63, 69.64, -78.06

 

CMYK 0 / 68 / 94 / 19

HEX #CF430C

RGB 207 67 12

HSL 16.92, 0.89%, 0.43%

LAB 48.64, 53.28, 56.79

 

CMYK 46 / 0 / 94 / 19

HEX #70CF0C

RGB 112 207 12

HSL 89.23, 0.89%, 0.43%

LAB 74.89, -54.91, 72.59

 

CMYK 94 / 27 / 0 / 19

HEX #0C97CE

RGB 12 151 206

HSL 197.01, 0.89%, 0.43%

LAB 58.67, -13.18, -37.36

 

CMYK 21 / 94 / 0 / 19

HEX #A40CCF

RGB 164 12 207

HSL 286.77, 0.89%, 0.43%

LAB 42.25, 76.41, -63.6

 

CMYK 0 / 68 / 94 / 19

HEX #CF430C

RGB 207 67 12

HSL 16.92, 0.89%, 0.43%

LAB 48.64, 53.28, 56.79

 

CMYK 74 / 0 / 94 / 19

HEX #36CF0C

RGB 54 207 12

HSL 107.08, 0.89%, 0.43%

LAB 73.18, -68.8, 70.49

 

Description

Color code: HEX #0C97CE | qconv.com Color code: HEX #0C97CE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 151 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 151 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 27 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 27% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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