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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C6284 it is the complementary color #F39D7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C6284. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C6284 shade: #11627F, #227492, #3386A5, #4498B8 and #55AACB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C6284. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C6284 shade: #0C6284, #005071, #003E5E, #002C4B and #001A38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C6284 shade: #0C6182, #0C4182, #0C2182, #170C82 and #370C82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C6284 shade: #0C6182, #0C4182, #0C2182 and #0C0C82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C6284 shade matches the following richer shades: #0C6182 and #00668E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C6284 shade: #0C6182, #175C77, #23576B, #2E5260 and #3A4D54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C6284 shade: #0C8265, #0C8082, #0C6182, #0C4182 and #0C2182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C6284 shade: #052837, #08455C, #0C6182, #0F7DA8 and #1399CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C6284 shade: #0C6284, #450C82 and #82740C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C6284 shade: #0C6284, #820C61 and #61820C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C6284 shade: #0C6284, #450C82, #822D0C and #49820C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C6284 shade: #0C6284, #680C82, #822D0C and #25820C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 26 / 0 / 48

HEX #0C6284

RGB 12 98 132

HSL 197, 0.83%, 0.28%

LAB 38.69, -10.53, -25.5

 

Complementary color

CMYK 0 / 35 / 49 / 5

HEX #F39D7B

RGB 243 157 123

HSL 17, 0.83%, 0.72%

LAB 72.63, 28.48, 31.03

 

CMYK 87 / 23 / 0 / 50

HEX #11627F

RGB 17 98 127

HSL 195.82, 0.76%, 0.28%

LAB 38.53, -12.06, -22.7

 

CMYK 77 / 21 / 0 / 43

HEX #227492

RGB 34 116 146

HSL 196.07, 0.62%, 0.35%

LAB 45.51, -13.63, -23.27

 

CMYK 69 / 19 / 0 / 35

HEX #3386A5

RGB 51 134 165

HSL 196.32, 0.53%, 0.42%

LAB 52.37, -14.73, -23.76

 

CMYK 63 / 17 / 0 / 28

HEX #4498B8

RGB 68 152 184

HSL 196.55, 0.46%, 0.49%

LAB 59.11, -15.53, -24.2

 

CMYK 58 / 16 / 0 / 20

HEX #55AACB

RGB 85 170 203

HSL 196.78, 0.53%, 0.56%

LAB 65.74, -16.12, -24.59

 

CMYK 91 / 26 / 0 / 48

HEX #0C6284

RGB 12 98 132

HSL 197, 0.83%, 0.28%

LAB 38.69, -10.53, -25.5

 

CMYK 100 / 29 / 0 / 56

HEX #005071

RGB 0 80 113

HSL 197.52, 1%, 0.22%

LAB 31.65, -7.97, -24.81

 

CMYK 100 / 34 / 0 / 63

HEX #003E5E

RGB 0 62 94

HSL 200.43, 1%, 0.18%

LAB 24.49, -4.42, -23.93

 

CMYK 100 / 41 / 0 / 71

HEX #002C4B

RGB 0 44 75

HSL 204.8, 1%, 0.15%

LAB 17.03, -0.53, -23.12

 

CMYK 100 / 54 / 0 / 78

HEX #001A38

RGB 0 26 56

HSL 212.14, 1%, 0.11%

LAB 9.19, 3.93, -22.39

 

CMYK 91 / 25 / 0 / 49

HEX #0C6182

RGB 12 97 130

HSL 196.78, 0.83%, 0.28%

LAB 38.27, -10.71, -24.94

 

CMYK 91 / 50 / 0 / 49

HEX #0C4182

RGB 12 65 130

HSL 213.05, 0.83%, 0.28%

LAB 28.04, 10.06, -41.18

 

CMYK 91 / 75 / 0 / 49

HEX #0C2182

RGB 12 33 130

HSL 229.32, 0.83%, 0.28%

LAB 19.13, 32.42, -55.72

 

CMYK 82 / 91 / 0 / 49

HEX #170C82

RGB 23 12 130

HSL 245.59, 0.83%, 0.28%

LAB 15.78, 44.08, -61.26

 

CMYK 58 / 91 / 0 / 49

HEX #370C82

RGB 55 12 130

HSL 261.86, 0.83%, 0.28%

LAB 18.74, 46.37, -56.26

 

CMYK 91 / 25 / 0 / 49

HEX #0C6182

RGB 12 97 130

HSL 196.78, 0.83%, 0.28%

LAB 38.27, -10.71, -24.94

 

CMYK 91 / 50 / 0 / 49

HEX #0C4182

RGB 12 65 130

HSL 213.05, 0.83%, 0.28%

LAB 28.04, 10.06, -41.18

 

CMYK 91 / 75 / 0 / 49

HEX #0C2182

RGB 12 33 130

HSL 229.32, 0.83%, 0.28%

LAB 19.13, 32.42, -55.72

 

CMYK 91 / 91 / 0 / 49

HEX #0C0C82

RGB 12 12 130

HSL 240, 0.83%, 0.28%

LAB 15.24, 43.69, -62.19

 

CMYK 91 / 25 / 0 / 49

HEX #0C6182

RGB 12 97 130

HSL 196.78, 0.83%, 0.28%

LAB 38.27, -10.71, -24.94

 

CMYK 100 / 28 / 0 / 44

HEX #00668E

RGB 0 102 142

HSL 196.9, 1%, 0.28%

LAB 40.34, -9.71, -28.97

 

CMYK 91 / 25 / 0 / 49

HEX #0C6182

RGB 12 97 130

HSL 196.78, 0.83%, 0.28%

LAB 38.27, -10.71, -24.94

 

CMYK 81 / 23 / 0 / 53

HEX #175C77

RGB 23 92 119

HSL 196.88, 0.68%, 0.28%

LAB 36.31, -10.9, -21.24

 

CMYK 67 / 19 / 0 / 58

HEX #23576B

RGB 35 87 107

HSL 196.67, 0.51%, 0.28%

LAB 34.47, -10.42, -16.61

 

CMYK 52 / 15 / 0 / 62

HEX #2E5260

RGB 46 82 96

HSL 196.8, 0.35%, 0.28%

LAB 32.83, -8.61, -12.16

 

CMYK 31 / 8 / 0 / 67

HEX #3A4D54

RGB 58 77 84

HSL 196.15, 0.18%, 0.28%

LAB 31.46, -5.48, -6.55

 

CMYK 91 / 0 / 22 / 49

HEX #0C8265

RGB 12 130 101

HSL 165.25, 0.83%, 0.28%

LAB 48.24, -37.11, 7.38

 

CMYK 91 / 2 / 0 / 49

HEX #0C8082

RGB 12 128 130

HSL 181.02, 0.83%, 0.28%

LAB 48.42, -27.54, -9.4

 

CMYK 91 / 25 / 0 / 49

HEX #0C6182

RGB 12 97 130

HSL 196.78, 0.83%, 0.28%

LAB 38.27, -10.71, -24.94

 

CMYK 91 / 50 / 0 / 49

HEX #0C4182

RGB 12 65 130

HSL 213.05, 0.83%, 0.28%

LAB 28.04, 10.06, -41.18

 

CMYK 91 / 75 / 0 / 49

HEX #0C2182

RGB 12 33 130

HSL 229.32, 0.83%, 0.28%

LAB 19.13, 32.42, -55.72

 

CMYK 91 / 27 / 0 / 78

HEX #052837

RGB 5 40 55

HSL 198, 0.83%, 0.12%

LAB 14.54, -5.94, -13.19

 

CMYK 91 / 25 / 0 / 64

HEX #08455C

RGB 8 69 92

HSL 196.43, 0.84%, 0.2%

LAB 26.96, -8.98, -18.75

 

CMYK 91 / 25 / 0 / 49

HEX #0C6182

RGB 12 97 130

HSL 196.78, 0.83%, 0.28%

LAB 38.27, -10.71, -24.94

 

CMYK 91 / 26 / 0 / 34

HEX #0F7DA8

RGB 15 125 168

HSL 196.86, 0.84%, 0.36%

LAB 49, -12.41, -30.77

 

CMYK 91 / 26 / 0 / 19

HEX #1399CE

RGB 19 153 206

HSL 197.01, 0.83%, 0.44%

LAB 59.32, -13.99, -36.33

 

CMYK 91 / 26 / 0 / 48

HEX #0C6284

RGB 12 98 132

HSL 197, 0.83%, 0.28%

LAB 38.69, -10.53, -25.5

 

CMYK 47 / 91 / 0 / 49

HEX #450C82

RGB 69 12 130

HSL 268.98, 0.83%, 0.28%

LAB 20.6, 47.93, -53.14

 

CMYK 0 / 11 / 91 / 49

HEX #82740C

RGB 130 116 12

HSL 52.88, 0.83%, 0.28%

LAB 48.59, -5.13, 51.9

 

CMYK 91 / 26 / 0 / 48

HEX #0C6284

RGB 12 98 132

HSL 197, 0.83%, 0.28%

LAB 38.69, -10.53, -25.5

 

CMYK 0 / 91 / 25 / 49

HEX #820C61

RGB 130 12 97

HSL 316.78, 0.83%, 0.28%

LAB 29.09, 52.92, -17.72

 

CMYK 25 / 0 / 91 / 49

HEX #61820C

RGB 97 130 12

HSL 76.78, 0.83%, 0.28%

LAB 50.14, -27.6, 52.05

 

CMYK 91 / 26 / 0 / 48

HEX #0C6284

RGB 12 98 132

HSL 197, 0.83%, 0.28%

LAB 38.69, -10.53, -25.5

 

CMYK 47 / 91 / 0 / 49

HEX #450C82

RGB 69 12 130

HSL 268.98, 0.83%, 0.28%

LAB 20.6, 47.93, -53.14

 

CMYK 0 / 65 / 91 / 49

HEX #822D0C

RGB 130 45 12

HSL 16.78, 0.83%, 0.28%

LAB 30.99, 35.13, 37.88

 

CMYK 44 / 0 / 91 / 49

HEX #49820C

RGB 73 130 12

HSL 88.98, 0.83%, 0.28%

LAB 48.77, -37.03, 50.35

 

CMYK 91 / 26 / 0 / 48

HEX #0C6284

RGB 12 98 132

HSL 197, 0.83%, 0.28%

LAB 38.69, -10.53, -25.5

 

CMYK 20 / 91 / 0 / 49

HEX #680C82

RGB 104 12 130

HSL 286.78, 0.83%, 0.28%

LAB 26.21, 53.08, -43.74

 

CMYK 0 / 65 / 91 / 49

HEX #822D0C

RGB 130 45 12

HSL 16.78, 0.83%, 0.28%

LAB 30.99, 35.13, 37.88

 

CMYK 72 / 0 / 91 / 49

HEX #25820C

RGB 37 130 12

HSL 107.29, 0.83%, 0.28%

LAB 47.48, -47.3, 48.73

 

Description

Color code: HEX #0C6284 | qconv.com Color code: HEX #0C6284 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 98 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 98 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 26 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 26% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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