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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C5F63 it is the complementary color #F3A09C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C5F63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C5F63 shade: #115F5E, #227171, #338384, #449597 and #55A7AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C5F63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C5F63 shade: #0C5F63, #004D50, #003B3D, #00292A and #001717

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C5F63 shade: #0C5F63, #0C4863, #0C3063, #0C1963 and #170C63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C5F63 shade: #0C5F63, #0C4863, #0C3063, #0C1963 and #0C0C63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C5F63 shade matches the following richer shades: #0C5F63 and #03686C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C5F63 shade: #0C5F63, #15575A, #1E4F51, #274748 and #303E3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C5F63 shade: #0C6338, #0C634F, #0C6063, #0C4963 and #0C3263

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C5F63 shade: #03191A, #073C3F, #0C5F63, #108388 and #15A6AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C5F63 shade: #0C5F63, #200C63 and #63430C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C5F63 shade: #0C5F63, #630C60 and #60630C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C5F63 shade: #0C5F63, #200C63, #630F0C and #4F630C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C5F63 shade: #0C5F63, #3B0C63, #630F0C and #35630C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 4 / 0 / 61

HEX #0C5F63

RGB 12 95 99

HSL 182.76, 0.78%, 0.22%

LAB 36.3, -20.99, -8.89

 

Complementary color

CMYK 0 / 34 / 36 / 5

HEX #F3A09C

RGB 243 160 156

HSL 2.76, 0.78%, 0.78%

LAB 73.93, 30.37, 14.84

 

CMYK 82 / 0 / 1 / 63

HEX #115F5E

RGB 17 95 94

HSL 179.23, 0.7%, 0.22%

LAB 36.2, -22.18, -5.93

 

CMYK 70 / 0 / 0 / 56

HEX #227171

RGB 34 113 113

HSL 180, 0.54%, 0.29%

LAB 43.27, -23.08, -6.94

 

CMYK 61 / 1 / 0 / 48

HEX #338384

RGB 51 131 132

HSL 180.74, 0.44%, 0.36%

LAB 50.22, -23.61, -7.81

 

CMYK 55 / 1 / 0 / 41

HEX #449597

RGB 68 149 151

HSL 181.45, 0.38%, 0.43%

LAB 57.03, -23.91, -8.57

 

CMYK 50 / 2 / 0 / 33

HEX #55A7AA

RGB 85 167 170

HSL 182.12, 0.33%, 0.5%

LAB 63.73, -24.07, -9.26

 

CMYK 88 / 4 / 0 / 61

HEX #0C5F63

RGB 12 95 99

HSL 182.76, 0.78%, 0.22%

LAB 36.3, -20.99, -8.89

 

CMYK 100 / 4 / 0 / 69

HEX #004D50

RGB 0 77 80

HSL 182.25, 1%, 0.16%

LAB 29.13, -19.12, -7.71

 

CMYK 100 / 3 / 0 / 76

HEX #003B3D

RGB 0 59 61

HSL 181.97, 1%, 0.12%

LAB 21.82, -16.19, -6.21

 

CMYK 100 / 2 / 0 / 84

HEX #00292A

RGB 0 41 42

HSL 181.43, 1%, 0.08%

LAB 14.13, -13.11, -4.62

 

CMYK 100 / 0 / 0 / 91

HEX #001717

RGB 0 23 23

HSL 180, 1%, 0.05%

LAB 6.09, -7.38, -2.6

 

CMYK 88 / 4 / 0 / 61

HEX #0C5F63

RGB 12 95 99

HSL 182.76, 0.78%, 0.22%

LAB 36.3, -20.99, -8.89

 

CMYK 88 / 27 / 0 / 61

HEX #0C4863

RGB 12 72 99

HSL 198.62, 0.78%, 0.22%

LAB 28.42, -7.65, -20.98

 

CMYK 88 / 52 / 0 / 61

HEX #0C3063

RGB 12 48 99

HSL 215.17, 0.78%, 0.22%

LAB 20.41, 8.77, -33.69

 

CMYK 88 / 75 / 0 / 61

HEX #0C1963

RGB 12 25 99

HSL 231.03, 0.78%, 0.22%

LAB 13.68, 25.61, -44.68

 

CMYK 77 / 88 / 0 / 61

HEX #170C63

RGB 23 12 99

HSL 247.59, 0.78%, 0.22%

LAB 11.59, 34.32, -48.1

 

CMYK 88 / 4 / 0 / 61

HEX #0C5F63

RGB 12 95 99

HSL 182.76, 0.78%, 0.22%

LAB 36.3, -20.99, -8.89

 

CMYK 88 / 27 / 0 / 61

HEX #0C4863

RGB 12 72 99

HSL 198.62, 0.78%, 0.22%

LAB 28.42, -7.65, -20.98

 

CMYK 88 / 52 / 0 / 61

HEX #0C3063

RGB 12 48 99

HSL 215.17, 0.78%, 0.22%

LAB 20.41, 8.77, -33.69

 

CMYK 88 / 75 / 0 / 61

HEX #0C1963

RGB 12 25 99

HSL 231.03, 0.78%, 0.22%

LAB 13.68, 25.61, -44.68

 

CMYK 88 / 88 / 0 / 61

HEX #0C0C63

RGB 12 12 99

HSL 240, 0.78%, 0.22%

LAB 10.86, 33.6, -49.33

 

CMYK 88 / 4 / 0 / 61

HEX #0C5F63

RGB 12 95 99

HSL 182.76, 0.78%, 0.22%

LAB 36.3, -20.99, -8.89

 

CMYK 97 / 4 / 0 / 58

HEX #03686C

RGB 3 104 108

HSL 182.29, 0.95%, 0.22%

LAB 39.59, -23.29, -9.5

 

CMYK 88 / 4 / 0 / 61

HEX #0C5F63

RGB 12 95 99

HSL 182.76, 0.78%, 0.22%

LAB 36.3, -20.99, -8.89

 

CMYK 77 / 3 / 0 / 65

HEX #15575A

RGB 21 87 90

HSL 182.61, 0.62%, 0.22%

LAB 33.38, -18.72, -7.64

 

CMYK 63 / 2 / 0 / 68

HEX #1E4F51

RGB 30 79 81

HSL 182.35, 0.46%, 0.22%

LAB 30.55, -15.62, -6.14

 

CMYK 46 / 1 / 0 / 72

HEX #274748

RGB 39 71 72

HSL 181.82, 0.3%, 0.22%

LAB 27.86, -11.45, -4.31

 

CMYK 24 / 2 / 0 / 75

HEX #303E3F

RGB 48 62 63

HSL 184, 0.14%, 0.22%

LAB 25.05, -5.4, -2.5

 

CMYK 88 / 0 / 43 / 61

HEX #0C6338

RGB 12 99 56

HSL 150.34, 0.78%, 0.22%

LAB 36.53, -35.08, 17.76

 

CMYK 88 / 0 / 20 / 61

HEX #0C634F

RGB 12 99 79

HSL 166.21, 0.78%, 0.22%

LAB 37.05, -29.32, 4.59

 

CMYK 88 / 3 / 0 / 61

HEX #0C6063

RGB 12 96 99

HSL 182.07, 0.78%, 0.22%

LAB 36.64, -21.52, -8.38

 

CMYK 88 / 26 / 0 / 61

HEX #0C4963

RGB 12 73 99

HSL 197.93, 0.78%, 0.22%

LAB 28.76, -8.28, -20.45

 

CMYK 88 / 49 / 0 / 61

HEX #0C3263

RGB 12 50 99

HSL 213.79, 0.78%, 0.22%

LAB 21.06, 7.32, -32.65

 

CMYK 88 / 4 / 0 / 90

HEX #03191A

RGB 3 25 26

HSL 182.61, 0.79%, 0.06%

LAB 7.13, -7.31, -3.35

 

CMYK 89 / 5 / 0 / 75

HEX #073C3F

RGB 7 60 63

HSL 183.21, 0.8%, 0.14%

LAB 22.43, -14.97, -6.62

 

CMYK 88 / 4 / 0 / 61

HEX #0C5F63

RGB 12 95 99

HSL 182.76, 0.78%, 0.22%

LAB 36.3, -20.99, -8.89

 

CMYK 88 / 4 / 0 / 47

HEX #108388

RGB 16 131 136

HSL 182.5, 0.79%, 0.3%

LAB 49.64, -26.83, -11.09

 

CMYK 88 / 4 / 0 / 32

HEX #15A6AD

RGB 21 166 173

HSL 182.76, 0.78%, 0.38%

LAB 62.04, -31.78, -13.63

 

CMYK 88 / 4 / 0 / 61

HEX #0C5F63

RGB 12 95 99

HSL 182.76, 0.78%, 0.22%

LAB 36.3, -20.99, -8.89

 

CMYK 68 / 88 / 0 / 61

HEX #200C63

RGB 32 12 99

HSL 253.79, 0.78%, 0.22%

LAB 12.42, 35.14, -46.7

 

CMYK 0 / 32 / 88 / 61

HEX #63430C

RGB 99 67 12

HSL 37.93, 0.78%, 0.22%

LAB 31.1, 8.74, 35.98

 

CMYK 88 / 4 / 0 / 61

HEX #0C5F63

RGB 12 95 99

HSL 182.76, 0.78%, 0.22%

LAB 36.3, -20.99, -8.89

 

CMYK 0 / 88 / 3 / 61

HEX #630C60

RGB 99 12 96

HSL 302.07, 0.78%, 0.22%

LAB 22.86, 45.88, -27.27

 

CMYK 3 / 0 / 88 / 61

HEX #60630C

RGB 96 99 12

HSL 62.07, 0.78%, 0.22%

LAB 40.31, -11.87, 43.77

 

CMYK 88 / 4 / 0 / 61

HEX #0C5F63

RGB 12 95 99

HSL 182.76, 0.78%, 0.22%

LAB 36.3, -20.99, -8.89

 

CMYK 68 / 88 / 0 / 61

HEX #200C63

RGB 32 12 99

HSL 253.79, 0.78%, 0.22%

LAB 12.42, 35.14, -46.7

 

CMYK 0 / 85 / 88 / 61

HEX #630F0C

RGB 99 15 12

HSL 2.07, 0.78%, 0.22%

LAB 20.13, 36.29, 25.44

 

CMYK 20 / 0 / 88 / 61

HEX #4F630C

RGB 79 99 12

HSL 73.79, 0.78%, 0.22%

LAB 38.92, -19.88, 42.03

 

CMYK 88 / 4 / 0 / 61

HEX #0C5F63

RGB 12 95 99

HSL 182.76, 0.78%, 0.22%

LAB 36.3, -20.99, -8.89

 

CMYK 40 / 88 / 0 / 61

HEX #3B0C63

RGB 59 12 99

HSL 272.41, 0.78%, 0.22%

LAB 15.97, 38.78, -40.73

 

CMYK 0 / 85 / 88 / 61

HEX #630F0C

RGB 99 15 12

HSL 2.07, 0.78%, 0.22%

LAB 20.13, 36.29, 25.44

 

CMYK 46 / 0 / 88 / 61

HEX #35630C

RGB 53 99 12

HSL 91.72, 0.78%, 0.22%

LAB 37.31, -30.74, 39.99

 

Description

Color code: HEX #0C5F63 | qconv.com Color code: HEX #0C5F63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 95 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 95 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 4 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 4% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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