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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C5AEC it is the complementary color #F3A513. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C5AEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C5AEC shade: #115AE7, #226CFA, #337EFF, #4490FF and #55A2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C5AEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C5AEC shade: #0C5AEC, #0048D9, #0036C6, #0024B3 and #0012A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C5AEC shade: #0C5AED, #0C1EED, #370CED, #740CED and #B00CED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C5AEC shade: #0C5AED, #0C1EED and #0C0CED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C5AEC shade matches the following richer shades: #0C5AED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C5AEC shade: #0C5AED, #2060D9, #3467C4, #496DB0 and #5D739C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C5AEC shade: #0CD3ED, #0C97ED, #0C5BED, #0C1FED and #350CED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C5AEC shade: #083C9F, #0A4BC6, #0C5AED, #2F73F4 and #568DF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C5AEC shade: #0C5AEC, #CB0CED and #B5ED0C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C5AEC shade: #0C5AEC, #ED0C5B and #5BED0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C5AEC shade: #0C5AEC, #CB0CED, #ED9E0C and #2EED0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C5AEC shade: #0C5AEC, #ED0CCB, #ED9E0C and #0CED2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 62 / 0 / 7

HEX #0C5AEC

RGB 12 90 236

HSL 219.11, 0.9%, 0.49%

LAB 43.43, 35.93, -78.72

 

Complementary color

CMYK 0 / 32 / 92 / 5

HEX #F3A513

RGB 243 165 19

HSL 39.11, 0.9%, 0.51%

LAB 73.55, 19.06, 74.92

 

CMYK 93 / 61 / 0 / 9

HEX #115AE7

RGB 17 90 231

HSL 219.53, 0.86%, 0.49%

LAB 43.06, 34.19, -76.49

 

CMYK 86 / 57 / 0 / 2

HEX #226CFA

RGB 34 108 250

HSL 219.44, 0.96%, 0.56%

LAB 49.46, 30.69, -76.69

 

CMYK 80 / 51 / 0 / 0

HEX #337EFF

RGB 51 126 255

HSL 217.94, 1%, 0.6%

LAB 54.91, 22.52, -70.58

 

CMYK 73 / 44 / 0 / 0

HEX #4490FF

RGB 68 144 255

HSL 215.61, 1%, 0.63%

LAB 60.24, 13.33, -61.96

 

CMYK 67 / 36 / 0 / 0

HEX #55A2FF

RGB 85 162 255

HSL 212.82, 1%, 0.67%

LAB 65.74, 5.07, -53.17

 

CMYK 95 / 62 / 0 / 7

HEX #0C5AEC

RGB 12 90 236

HSL 219.11, 0.9%, 0.49%

LAB 43.43, 35.93, -78.72

 

CMYK 100 / 67 / 0 / 15

HEX #0048D9

RGB 0 72 217

HSL 220.09, 1%, 0.43%

LAB 37.2, 39.95, -78.16

 

CMYK 100 / 73 / 0 / 22

HEX #0036C6

RGB 0 54 198

HSL 223.64, 1%, 0.39%

LAB 31.15, 44.15, -77.13

 

CMYK 100 / 80 / 0 / 30

HEX #0024B3

RGB 0 36 179

HSL 227.93, 1%, 0.35%

LAB 25.31, 47.86, -75.58

 

CMYK 100 / 89 / 0 / 37

HEX #0012A0

RGB 0 18 160

HSL 233.25, 1%, 0.31%

LAB 19.93, 50.26, -73.06

 

CMYK 95 / 62 / 0 / 7

HEX #0C5AED

RGB 12 90 237

HSL 219.2, 0.9%, 0.49%

LAB 43.51, 36.31, -79.14

 

CMYK 95 / 87 / 0 / 7

HEX #0C1EED

RGB 12 30 237

HSL 235.2, 0.9%, 0.49%

LAB 32.08, 68.27, -98.07

 

CMYK 77 / 95 / 0 / 7

HEX #370CED

RGB 55 12 237

HSL 251.47, 0.9%, 0.49%

LAB 32.23, 73.77, -97.77

 

CMYK 51 / 95 / 0 / 7

HEX #740CED

RGB 116 12 237

HSL 267.73, 0.9%, 0.49%

LAB 38, 77.08, -88.02

 

CMYK 26 / 95 / 0 / 7

HEX #B00CED

RGB 176 12 237

HSL 283.73, 0.9%, 0.49%

LAB 46.46, 83.36, -73.82

 

CMYK 95 / 62 / 0 / 7

HEX #0C5AED

RGB 12 90 237

HSL 219.2, 0.9%, 0.49%

LAB 43.51, 36.31, -79.14

 

CMYK 95 / 87 / 0 / 7

HEX #0C1EED

RGB 12 30 237

HSL 235.2, 0.9%, 0.49%

LAB 32.08, 68.27, -98.07

 

CMYK 95 / 95 / 0 / 7

HEX #0C0CED

RGB 12 12 237

HSL 240, 0.9%, 0.49%

LAB 30.53, 73, -100.65

 

CMYK 95 / 62 / 0 / 7

HEX #0C5AED

RGB 12 90 237

HSL 219.2, 0.9%, 0.49%

LAB 43.51, 36.31, -79.14

 

CMYK 95 / 62 / 0 / 7

HEX #0C5AED

RGB 12 90 237

HSL 219.2, 0.9%, 0.49%

LAB 43.51, 36.31, -79.14

 

CMYK 85 / 56 / 0 / 15

HEX #2060D9

RGB 32 96 217

HSL 219.24, 0.74%, 0.49%

LAB 43.77, 25.73, -67.37

 

CMYK 73 / 47 / 0 / 23

HEX #3467C4

RGB 52 103 196

HSL 218.75, 0.58%, 0.49%

LAB 44.82, 15.22, -53.59

 

CMYK 59 / 38 / 0 / 31

HEX #496DB0

RGB 73 109 176

HSL 219.03, 0.41%, 0.49%

LAB 46.3, 7.86, -39.58

 

CMYK 40 / 26 / 0 / 39

HEX #5D739C

RGB 93 115 156

HSL 219.05, 0.25%, 0.49%

LAB 48.25, 2.82, -24.72

 

CMYK 95 / 11 / 0 / 7

HEX #0CD3ED

RGB 12 211 237

HSL 186.93, 0.9%, 0.49%

LAB 77.75, -33.38, -24.85

 

CMYK 95 / 36 / 0 / 7

HEX #0C97ED

RGB 12 151 237

HSL 202.93, 0.9%, 0.49%

LAB 60.18, -1.71, -52.22

 

CMYK 95 / 62 / 0 / 7

HEX #0C5BED

RGB 12 91 237

HSL 218.93, 0.9%, 0.49%

LAB 43.76, 35.67, -78.74

 

CMYK 95 / 87 / 0 / 7

HEX #0C1FED

RGB 12 31 237

HSL 234.93, 0.9%, 0.49%

LAB 32.2, 67.92, -97.87

 

CMYK 78 / 95 / 0 / 7

HEX #350CED

RGB 53 12 237

HSL 250.93, 0.9%, 0.49%

LAB 32.11, 73.71, -97.98

 

CMYK 95 / 62 / 0 / 38

HEX #083C9F

RGB 8 60 159

HSL 219.34, 0.9%, 0.33%

LAB 28.87, 25.49, -57.66

 

CMYK 95 / 62 / 0 / 22

HEX #0A4BC6

RGB 10 75 198

HSL 219.26, 0.9%, 0.41%

LAB 36.32, 31.01, -68.62

 

CMYK 95 / 62 / 0 / 7

HEX #0C5AED

RGB 12 90 237

HSL 219.2, 0.9%, 0.49%

LAB 43.51, 36.31, -79.14

 

CMYK 81 / 53 / 0 / 4

HEX #2F73F4

RGB 47 115 244

HSL 219.29, 0.9%, 0.57%

LAB 51.15, 24.97, -70.58

 

CMYK 65 / 43 / 0 / 4

HEX #568DF6

RGB 86 141 246

HSL 219.38, 0.9%, 0.65%

LAB 59.6, 14.56, -58.01

 

CMYK 95 / 62 / 0 / 7

HEX #0C5AEC

RGB 12 90 236

HSL 219.11, 0.9%, 0.49%

LAB 43.43, 35.93, -78.72

 

CMYK 14 / 95 / 0 / 7

HEX #CB0CED

RGB 203 12 237

HSL 290.93, 0.9%, 0.49%

LAB 50.77, 87.02, -66.61

 

CMYK 24 / 0 / 95 / 7

HEX #B5ED0C

RGB 181 237 12

HSL 74.93, 0.9%, 0.49%

LAB 87.2, -42.81, 83.85

 

CMYK 95 / 62 / 0 / 7

HEX #0C5AEC

RGB 12 90 236

HSL 219.11, 0.9%, 0.49%

LAB 43.43, 35.93, -78.72

 

CMYK 0 / 95 / 62 / 7

HEX #ED0C5B

RGB 237 12 91

HSL 338.93, 0.9%, 0.49%

LAB 50.71, 77.34, 20.15

 

CMYK 62 / 0 / 95 / 7

HEX #5BED0C

RGB 91 237 12

HSL 98.93, 0.9%, 0.49%

LAB 83.35, -70.99, 79.15

 

CMYK 95 / 62 / 0 / 7

HEX #0C5AEC

RGB 12 90 236

HSL 219.11, 0.9%, 0.49%

LAB 43.43, 35.93, -78.72

 

CMYK 14 / 95 / 0 / 7

HEX #CB0CED

RGB 203 12 237

HSL 290.93, 0.9%, 0.49%

LAB 50.77, 87.02, -66.61

 

CMYK 0 / 33 / 95 / 7

HEX #ED9E0C

RGB 237 158 12

HSL 38.93, 0.9%, 0.49%

LAB 71.2, 20.12, 73.99

 

CMYK 81 / 0 / 95 / 7

HEX #2EED0C

RGB 46 237 12

HSL 110.93, 0.9%, 0.49%

LAB 82.47, -78.52, 78.08

 

CMYK 95 / 62 / 0 / 7

HEX #0C5AEC

RGB 12 90 236

HSL 219.11, 0.9%, 0.49%

LAB 43.43, 35.93, -78.72

 

CMYK 0 / 95 / 14 / 7

HEX #ED0CCB

RGB 237 12 203

HSL 309.07, 0.9%, 0.49%

LAB 54.64, 87.63, -40.75

 

CMYK 0 / 33 / 95 / 7

HEX #ED9E0C

RGB 237 158 12

HSL 38.93, 0.9%, 0.49%

LAB 71.2, 20.12, 73.99

 

CMYK 95 / 0 / 81 / 7

HEX #0CED2E

RGB 12 237 46

HSL 129.07, 0.9%, 0.49%

LAB 82.29, -79.77, 71.76

 

Description

Color code: HEX #0C5AEC | qconv.com Color code: HEX #0C5AEC | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 90 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 90 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 62 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 62% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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