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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C3CCF it is the complementary color #F3C330. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C3CCF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C3CCF shade: #113CCA, #224EDD, #3360F0, #4472FF and #5584FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C3CCF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C3CCF shade: #0C3CCF, #002ABC, #0018A9, #000696 and #000083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C3CCF shade: #0C3CCF, #100CCF, #450CCF, #790CCF and #AE0CCF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C3CCF shade: #0C3CCF and #0C0CCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C3CCF shade matches the following richer shades: #0C3CCF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C3CCF shade: #0C3CCF, #1D45BD, #2F4EAB, #41579A and #536088

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C3CCF shade: #0CA4CF, #0C70CF, #0C3CCF, #0F0CCF and #430CCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C3CCF shade: #072581, #0930A8, #0C3CCF, #1349F1 and #3A67F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C3CCF shade: #0C3CCF, #C50CCF and #8ACF0C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C3CCF shade: #0C3CCF, #CF0C3C and #3CCF0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C3CCF shade: #0C3CCF, #C50CCF, #CF9E0C and #15CF0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C3CCF shade: #0C3CCF, #CF0C9E, #CF9E0C and #0CCF3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 71 / 0 / 19

HEX #0C3CCF

RGB 12 60 207

HSL 225.23, 0.89%, 0.43%

LAB 33.59, 44.04, -78.33

 

Complementary color

CMYK 0 / 20 / 80 / 5

HEX #F3C330

RGB 243 195 48

HSL 45.23, 0.89%, 0.57%

LAB 80.9, 3.98, 73.8

 

CMYK 92 / 70 / 0 / 21

HEX #113CCA

RGB 17 60 202

HSL 226.05, 0.84%, 0.43%

LAB 33.17, 42.39, -76.12

 

CMYK 85 / 65 / 0 / 13

HEX #224EDD

RGB 34 78 221

HSL 225.88, 0.73%, 0.5%

LAB 39.6, 38.92, -76.48

 

CMYK 79 / 60 / 0 / 6

HEX #3360F0

RGB 51 96 240

HSL 225.71, 0.86%, 0.57%

LAB 46.12, 35.81, -76.52

 

CMYK 73 / 55 / 0 / 0

HEX #4472FF

RGB 68 114 255

HSL 225.24, 1%, 0.63%

LAB 52.38, 31.7, -74.66

 

CMYK 67 / 48 / 0 / 0

HEX #5584FF

RGB 85 132 255

HSL 223.41, 1%, 0.67%

LAB 57.71, 22.91, -66

 

CMYK 94 / 71 / 0 / 19

HEX #0C3CCF

RGB 12 60 207

HSL 225.23, 0.89%, 0.43%

LAB 33.59, 44.04, -78.33

 

CMYK 100 / 78 / 0 / 26

HEX #002ABC

RGB 0 42 188

HSL 226.6, 1%, 0.37%

LAB 27.54, 47.64, -77.23

 

CMYK 100 / 86 / 0 / 34

HEX #0018A9

RGB 0 24 169

HSL 231.48, 1%, 0.33%

LAB 22.01, 50.51, -75.06

 

CMYK 100 / 96 / 0 / 41

HEX #000696

RGB 0 6 150

HSL 237.6, 1%, 0.29%

LAB 17.14, 51.36, -71.55

 

CMYK 100 / 100 / 0 / 49

HEX #000083

RGB 0 0 131

HSL 240, 1%, 0.26%

LAB 13.46, 48.31, -65.8

 

CMYK 94 / 71 / 0 / 19

HEX #0C3CCF

RGB 12 60 207

HSL 225.23, 0.89%, 0.43%

LAB 33.59, 44.04, -78.33

 

CMYK 92 / 94 / 0 / 19

HEX #100CCF

RGB 16 12 207

HSL 241.23, 0.89%, 0.43%

LAB 26.38, 65.38, -90.31

 

CMYK 67 / 94 / 0 / 19

HEX #450CCF

RGB 69 12 207

HSL 257.54, 0.89%, 0.43%

LAB 29.5, 67, -85.04

 

CMYK 42 / 94 / 0 / 19

HEX #790CCF

RGB 121 12 207

HSL 273.54, 0.89%, 0.43%

LAB 35.66, 71.1, -74.64

 

CMYK 16 / 94 / 0 / 19

HEX #AE0CCF

RGB 174 12 207

HSL 289.85, 0.89%, 0.43%

LAB 43.9, 77.85, -60.85

 

CMYK 94 / 71 / 0 / 19

HEX #0C3CCF

RGB 12 60 207

HSL 225.23, 0.89%, 0.43%

LAB 33.59, 44.04, -78.33

 

CMYK 94 / 94 / 0 / 19

HEX #0C0CCF

RGB 12 12 207

HSL 240, 0.89%, 0.43%

LAB 26.29, 65.33, -90.47

 

CMYK 94 / 71 / 0 / 19

HEX #0C3CCF

RGB 12 60 207

HSL 225.23, 0.89%, 0.43%

LAB 33.59, 44.04, -78.33

 

CMYK 94 / 71 / 0 / 19

HEX #0C3CCF

RGB 12 60 207

HSL 225.23, 0.89%, 0.43%

LAB 33.59, 44.04, -78.33

 

CMYK 85 / 63 / 0 / 26

HEX #1D45BD

RGB 29 69 189

HSL 225, 0.73%, 0.43%

LAB 34.38, 32.42, -66.51

 

CMYK 73 / 54 / 0 / 33

HEX #2F4EAB

RGB 47 78 171

HSL 225, 0.57%, 0.43%

LAB 35.97, 21.46, -53.24

 

CMYK 58 / 44 / 0 / 40

HEX #41579A

RGB 65 87 154

HSL 225.17, 0.41%, 0.43%

LAB 38.33, 12.56, -39.24

 

CMYK 39 / 29 / 0 / 47

HEX #536088

RGB 83 96 136

HSL 225.28, 0.24%, 0.43%

LAB 41.19, 5.68, -23.81

 

CMYK 94 / 21 / 0 / 19

HEX #0CA4CF

RGB 12 164 207

HSL 193.23, 0.89%, 0.43%

LAB 62.62, -19.85, -31.75

 

CMYK 94 / 46 / 0 / 19

HEX #0C70CF

RGB 12 112 207

HSL 209.23, 0.89%, 0.43%

LAB 47.2, 10.45, -56.13

 

CMYK 94 / 71 / 0 / 19

HEX #0C3CCF

RGB 12 60 207

HSL 225.23, 0.89%, 0.43%

LAB 33.59, 44.04, -78.33

 

CMYK 93 / 94 / 0 / 19

HEX #0F0CCF

RGB 15 12 207

HSL 240.92, 0.89%, 0.43%

LAB 26.36, 65.36, -90.35

 

CMYK 68 / 94 / 0 / 19

HEX #430CCF

RGB 67 12 207

HSL 256.92, 0.89%, 0.43%

LAB 29.31, 66.89, -85.35

 

CMYK 95 / 71 / 0 / 49

HEX #072581

RGB 7 37 129

HSL 225.25, 0.9%, 0.27%

LAB 19.86, 29.12, -53.9

 

CMYK 95 / 71 / 0 / 34

HEX #0930A8

RGB 9 48 168

HSL 225.28, 0.9%, 0.35%

LAB 26.73, 37.08, -66.61

 

CMYK 94 / 71 / 0 / 19

HEX #0C3CCF

RGB 12 60 207

HSL 225.23, 0.89%, 0.43%

LAB 33.59, 44.04, -78.33

 

CMYK 92 / 70 / 0 / 5

HEX #1349F1

RGB 19 73 241

HSL 225.41, 0.89%, 0.51%

LAB 40.01, 48.51, -87.17

 

CMYK 76 / 58 / 0 / 5

HEX #3A67F3

RGB 58 103 243

HSL 225.41, 0.89%, 0.59%

LAB 48.35, 33.18, -74.56

 

CMYK 94 / 71 / 0 / 19

HEX #0C3CCF

RGB 12 60 207

HSL 225.23, 0.89%, 0.43%

LAB 33.59, 44.04, -78.33

 

CMYK 5 / 94 / 0 / 19

HEX #C50CCF

RGB 197 12 207

HSL 296.92, 0.89%, 0.43%

LAB 47.8, 81.39, -54.36

 

CMYK 33 / 0 / 94 / 19

HEX #8ACF0C

RGB 138 207 12

HSL 81.23, 0.89%, 0.43%

LAB 76.1, -46.07, 74.07

 

CMYK 94 / 71 / 0 / 19

HEX #0C3CCF

RGB 12 60 207

HSL 225.23, 0.89%, 0.43%

LAB 33.59, 44.04, -78.33

 

CMYK 0 / 94 / 71 / 19

HEX #CF0C3C

RGB 207 12 60

HSL 345.23, 0.89%, 0.43%

LAB 44.02, 68.65, 29.37

 

CMYK 71 / 0 / 94 / 19

HEX #3CCF0C

RGB 60 207 12

HSL 105.23, 0.89%, 0.43%

LAB 73.29, -67.8, 70.63

 

CMYK 94 / 71 / 0 / 19

HEX #0C3CCF

RGB 12 60 207

HSL 225.23, 0.89%, 0.43%

LAB 33.59, 44.04, -78.33

 

CMYK 5 / 94 / 0 / 19

HEX #C50CCF

RGB 197 12 207

HSL 296.92, 0.89%, 0.43%

LAB 47.8, 81.39, -54.36

 

CMYK 0 / 24 / 94 / 19

HEX #CF9E0C

RGB 207 158 12

HSL 44.92, 0.89%, 0.43%

LAB 67.83, 7.08, 70.03

 

CMYK 90 / 0 / 94 / 19

HEX #15CF0C

RGB 21 207 12

HSL 117.23, 0.89%, 0.43%

LAB 72.77, -72.45, 69.98

 

CMYK 94 / 71 / 0 / 19

HEX #0C3CCF

RGB 12 60 207

HSL 225.23, 0.89%, 0.43%

LAB 33.59, 44.04, -78.33

 

CMYK 0 / 94 / 24 / 19

HEX #CF0C9E

RGB 207 12 158

HSL 315.08, 0.89%, 0.43%

LAB 46.97, 76.54, -26.78

 

CMYK 0 / 24 / 94 / 19

HEX #CF9E0C

RGB 207 158 12

HSL 44.92, 0.89%, 0.43%

LAB 67.83, 7.08, 70.03

 

CMYK 94 / 0 / 71 / 19

HEX #0CCF3C

RGB 12 207 60

HSL 134.77, 0.89%, 0.43%

LAB 72.91, -70.4, 58.11

 

Description

Color code: HEX #0C3CCF | qconv.com Color code: HEX #0C3CCF | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 60 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 60 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 71 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 71% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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