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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0BF892 it is the complementary color #F4076D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0BF892. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0BF892 shade: #10F88D, #21FFA0, #32FFB3, #43FFC6 and #54FFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0BF892. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0BF892 shade: #0BF892, #00E67F, #00D46C, #00C259 and #00B046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0BF892 shade: #0CF792, #0CF753, #0CF713, #44F70C and #84F70C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0BF892 shade: #0CF792, #0CF7D1, #0CDDF7, #0C9EF7 and #0C5FF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0BF892 shade matches the following richer shades: #0CF792

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0BF892 shade: #0CF792, #20E38F, #35CF8C, #49BA89 and #5DA687

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0BF892 shade: #0CF714, #0CF753, #0CF791, #0CF7D0 and #0CE0F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0BF892 shade: #05AC64, #06D47B, #0CF792, #34F8A4 and #5CF9B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0BF892 shade: #0BF892, #0C43F7 and #F7330C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0BF892 shade: #0BF892, #910CF7 and #F7910C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0BF892 shade: #0BF892, #0C43F7, #F70C72 and #F7C00C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0BF892 shade: #0BF892, #1C0CF7, #F70C72 and #E7F70C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 41 / 3

HEX #0BF892

RGB 11 248 146

HSL 154.18, 0.94%, 0.51%

LAB 86.64, -71.22, 35.52

 

Complementary color

CMYK 0 / 97 / 55 / 4

HEX #F4076D

RGB 244 7 109

HSL 334.18, 0.94%, 0.49%

LAB 52.39, 80.38, 11.7

 

CMYK 94 / 0 / 43 / 3

HEX #10F88D

RGB 16 248 141

HSL 152.33, 0.94%, 0.52%

LAB 86.59, -71.95, 37.92

 

CMYK 87 / 0 / 37 / 0

HEX #21FFA0

RGB 33 255 160

HSL 154.32, 1%, 0.56%

LAB 89.1, -69.99, 31.84

 

CMYK 80 / 0 / 30 / 0

HEX #32FFB3

RGB 50 255 179

HSL 157.76, 1%, 0.6%

LAB 89.6, -64.88, 22.96

 

CMYK 74 / 0 / 22 / 0

HEX #43FFC6

RGB 67 255 198

HSL 161.81, 1%, 0.63%

LAB 90.23, -58.96, 14.14

 

CMYK 67 / 0 / 15 / 0

HEX #54FFD9

RGB 84 255 217

HSL 166.67, 1%, 0.66%

LAB 90.97, -52.29, 5.44

 

CMYK 96 / 0 / 41 / 3

HEX #0BF892

RGB 11 248 146

HSL 154.18, 0.94%, 0.51%

LAB 86.64, -71.22, 35.52

 

CMYK 100 / 0 / 45 / 10

HEX #00E67F

RGB 0 230 127

HSL 153.13, 1%, 0.45%

LAB 80.81, -68.98, 37.34

 

CMYK 100 / 0 / 49 / 17

HEX #00D46C

RGB 0 212 108

HSL 150.57, 1%, 0.42%

LAB 74.93, -66.33, 39.24

 

CMYK 100 / 0 / 54 / 24

HEX #00C259

RGB 0 194 89

HSL 147.53, 1%, 0.38%

LAB 68.97, -63.53, 41.13

 

CMYK 100 / 0 / 60 / 31

HEX #00B046

RGB 0 176 70

HSL 143.86, 1%, 0.35%

LAB 62.92, -60.52, 42.93

 

CMYK 95 / 0 / 41 / 3

HEX #0CF792

RGB 12 247 146

HSL 154.21, 0.94%, 0.51%

LAB 86.34, -70.86, 35.13

 

CMYK 95 / 0 / 66 / 3

HEX #0CF753

RGB 12 247 83

HSL 138.13, 0.94%, 0.51%

LAB 85.62, -79.71, 62.82

 

CMYK 95 / 0 / 92 / 3

HEX #0CF713

RGB 12 247 19

HSL 121.79, 0.94%, 0.51%

LAB 85.33, -83.45, 79.58

 

CMYK 72 / 0 / 95 / 3

HEX #44F70C

RGB 68 247 12

HSL 105.7, 0.94%, 0.51%

LAB 85.89, -78.41, 81.01

 

CMYK 47 / 0 / 95 / 3

HEX #84F70C

RGB 132 247 12

HSL 89.36, 0.94%, 0.51%

LAB 87.7, -63.64, 83.23

 

CMYK 95 / 0 / 41 / 3

HEX #0CF792

RGB 12 247 146

HSL 154.21, 0.94%, 0.51%

LAB 86.34, -70.86, 35.13

 

CMYK 95 / 0 / 15 / 3

HEX #0CF7D1

RGB 12 247 209

HSL 170.3, 0.94%, 0.51%

LAB 87.58, -57.01, 4.59

 

CMYK 95 / 11 / 0 / 3

HEX #0CDDF7

RGB 12 221 247

HSL 186.64, 0.94%, 0.51%

LAB 81.02, -34.96, -25.19

 

CMYK 95 / 36 / 0 / 3

HEX #0C9EF7

RGB 12 158 247

HSL 202.72, 0.94%, 0.51%

LAB 62.72, -2.04, -53.7

 

CMYK 95 / 62 / 0 / 3

HEX #0C5FF7

RGB 12 95 247

HSL 218.81, 0.94%, 0.51%

LAB 45.6, 36.89, -81.33

 

CMYK 95 / 0 / 41 / 3

HEX #0CF792

RGB 12 247 146

HSL 154.21, 0.94%, 0.51%

LAB 86.34, -70.86, 35.13

 

CMYK 95 / 0 / 41 / 3

HEX #0CF792

RGB 12 247 146

HSL 154.21, 0.94%, 0.51%

LAB 86.34, -70.86, 35.13

 

CMYK 86 / 0 / 37 / 11

HEX #20E38F

RGB 32 227 143

HSL 154.15, 0.78%, 0.51%

LAB 80.31, -63.62, 28.66

 

CMYK 74 / 0 / 32 / 19

HEX #35CF8C

RGB 53 207 140

HSL 153.9, 0.62%, 0.51%

LAB 74.37, -54.79, 22.23

 

CMYK 61 / 0 / 26 / 27

HEX #49BA89

RGB 73 186 137

HSL 153.98, 0.45%, 0.51%

LAB 68.27, -43.64, 15.5

 

CMYK 44 / 0 / 19 / 35

HEX #5DA687

RGB 93 166 135

HSL 154.52, 0.29%, 0.51%

LAB 62.8, -30.25, 9.01

 

CMYK 95 / 0 / 92 / 3

HEX #0CF714

RGB 12 247 20

HSL 122.04, 0.94%, 0.51%

LAB 85.33, -83.43, 79.46

 

CMYK 95 / 0 / 66 / 3

HEX #0CF753

RGB 12 247 83

HSL 138.13, 0.94%, 0.51%

LAB 85.62, -79.71, 62.82

 

CMYK 95 / 0 / 41 / 3

HEX #0CF791

RGB 12 247 145

HSL 153.96, 0.94%, 0.51%

LAB 86.33, -71.04, 35.61

 

CMYK 95 / 0 / 16 / 3

HEX #0CF7D0

RGB 12 247 208

HSL 170.04, 0.94%, 0.51%

LAB 87.56, -57.27, 5.08

 

CMYK 95 / 9 / 0 / 3

HEX #0CE0F7

RGB 12 224 247

HSL 185.87, 0.94%, 0.51%

LAB 81.9, -36.36, -23.86

 

CMYK 97 / 0 / 42 / 33

HEX #05AC64

RGB 5 172 100

HSL 154.13, 0.94%, 0.35%

LAB 62.05, -54.06, 26.8

 

CMYK 97 / 0 / 42 / 17

HEX #06D47B

RGB 6 212 123

HSL 154.08, 0.94%, 0.43%

LAB 75.17, -63.52, 32.05

 

CMYK 95 / 0 / 41 / 3

HEX #0CF792

RGB 12 247 146

HSL 154.21, 0.94%, 0.51%

LAB 86.34, -70.86, 35.13

 

CMYK 79 / 0 / 34 / 3

HEX #34F8A4

RGB 52 248 164

HSL 154.29, 0.93%, 0.59%

LAB 87.26, -65.22, 27.38

 

CMYK 63 / 0 / 27 / 2

HEX #5CF9B6

RGB 92 249 182

HSL 154.39, 0.93%, 0.67%

LAB 88.64, -56.4, 20.21

 

CMYK 96 / 0 / 41 / 3

HEX #0BF892

RGB 11 248 146

HSL 154.18, 0.94%, 0.51%

LAB 86.64, -71.22, 35.52

 

CMYK 95 / 73 / 0 / 3

HEX #0C43F7

RGB 12 67 247

HSL 225.96, 0.94%, 0.51%

LAB 39.25, 53.91, -91.79

 

CMYK 0 / 79 / 95 / 3

HEX #F7330C

RGB 247 51 12

HSL 9.96, 0.94%, 0.51%

LAB 54.21, 70.86, 63.9

 

CMYK 96 / 0 / 41 / 3

HEX #0BF892

RGB 11 248 146

HSL 154.18, 0.94%, 0.51%

LAB 86.64, -71.22, 35.52

 

CMYK 41 / 95 / 0 / 3

HEX #910CF7

RGB 145 12 247

HSL 273.96, 0.94%, 0.51%

LAB 42.76, 81.76, -85.69

 

CMYK 0 / 41 / 95 / 3

HEX #F7910C

RGB 247 145 12

HSL 33.96, 0.94%, 0.51%

LAB 69.51, 31.12, 73.4

 

CMYK 96 / 0 / 41 / 3

HEX #0BF892

RGB 11 248 146

HSL 154.18, 0.94%, 0.51%

LAB 86.64, -71.22, 35.52

 

CMYK 95 / 73 / 0 / 3

HEX #0C43F7

RGB 12 67 247

HSL 225.96, 0.94%, 0.51%

LAB 39.25, 53.91, -91.79

 

CMYK 0 / 95 / 54 / 3

HEX #F70C72

RGB 247 12 114

HSL 333.96, 0.94%, 0.51%

LAB 53.22, 81.02, 9.93

 

CMYK 0 / 22 / 95 / 3

HEX #F7C00C

RGB 247 192 12

HSL 45.96, 0.94%, 0.51%

LAB 80.46, 6.54, 81.08

 

CMYK 96 / 0 / 41 / 3

HEX #0BF892

RGB 11 248 146

HSL 154.18, 0.94%, 0.51%

LAB 86.64, -71.22, 35.52

 

CMYK 89 / 95 / 0 / 3

HEX #1C0CF7

RGB 28 12 247

HSL 244.09, 0.94%, 0.51%

LAB 32.31, 75.65, -103.33

 

CMYK 0 / 95 / 54 / 3

HEX #F70C72

RGB 247 12 114

HSL 333.96, 0.94%, 0.51%

LAB 53.22, 81.02, 9.93

 

CMYK 6 / 0 / 95 / 3

HEX #E7F70C

RGB 231 247 12

HSL 64.09, 0.94%, 0.51%

LAB 93.25, -27.51, 89.93

 

Description

Color code: HEX #0BF892 | qconv.com Color code: HEX #0BF892 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 248 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 248 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 41 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 41% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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