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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0B95C5 it is the complementary color #F46A3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0B95C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0B95C5 shade: #1095C0, #21A7D3, #32B9E6, #43CBF9 and #54DDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0B95C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0B95C5 shade: #0B95C5, #0083B2, #00719F, #005F8C and #004D79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0B95C5 shade: #0B95C5, #0B63C5, #0B31C5, #170BC5 and #4A0BC5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0B95C5 shade: #0B95C5, #0B63C5, #0B31C5 and #0B0BC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0B95C5 shade matches the following richer shades: #0B95C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0B95C5 shade: #0B95C5, #1C8DB4, #2D85A3, #3E7D92 and #4F7481

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0B95C5 shade: #0BC590, #0BC5C2, #0B97C5, #0B65C5 and #0B33C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0B95C5 shade: #065A77, #09789E, #0B95C5, #0DB3EC and #30C0F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0B95C5 shade: #0B95C5, #5F0BC5 and #C5A90B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0B95C5 shade: #0B95C5, #C50B97 and #97C50B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0B95C5 shade: #0B95C5, #5F0BC5, #C53A0B and #71C50B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0B95C5 shade: #0B95C5, #970BC5, #C53A0B and #3AC50B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 24 / 0 / 23

HEX #0B95C5

RGB 11 149 197

HSL 195.48, 0.89%, 0.41%

LAB 57.65, -15.37, -33.88

 

Complementary color

CMYK 0 / 57 / 76 / 4

HEX #F46A3A

RGB 244 106 58

HSL 15.48, 0.89%, 0.59%

LAB 61.52, 50.36, 51.73

 

CMYK 92 / 22 / 0 / 25

HEX #1095C0

RGB 16 149 192

HSL 194.66, 0.85%, 0.41%

LAB 57.47, -16.96, -31.33

 

CMYK 84 / 21 / 0 / 17

HEX #21A7D3

RGB 33 167 211

HSL 194.83, 0.73%, 0.48%

LAB 63.89, -18.92, -31.99

 

CMYK 78 / 20 / 0 / 10

HEX #32B9E6

RGB 50 185 230

HSL 195, 0.78%, 0.55%

LAB 70.24, -20.48, -32.58

 

CMYK 73 / 18 / 0 / 2

HEX #43CBF9

RGB 67 203 249

HSL 195.16, 0.94%, 0.62%

LAB 76.52, -21.73, -33.1

 

CMYK 67 / 13 / 0 / 0

HEX #54DDFF

RGB 84 221 255

HSL 191.93, 1%, 0.66%

LAB 82.28, -26.66, -27.41

 

CMYK 94 / 24 / 0 / 23

HEX #0B95C5

RGB 11 149 197

HSL 195.48, 0.89%, 0.41%

LAB 57.65, -15.37, -33.88

 

CMYK 100 / 26 / 0 / 30

HEX #0083B2

RGB 0 131 178

HSL 195.84, 1%, 0.35%

LAB 51.21, -12.73, -33.13

 

CMYK 100 / 29 / 0 / 38

HEX #00719F

RGB 0 113 159

HSL 197.36, 1%, 0.31%

LAB 44.68, -9.58, -32.28

 

CMYK 100 / 32 / 0 / 45

HEX #005F8C

RGB 0 95 140

HSL 199.29, 1%, 0.27%

LAB 37.98, -6.26, -31.47

 

CMYK 100 / 36 / 0 / 53

HEX #004D79

RGB 0 77 121

HSL 201.82, 1%, 0.24%

LAB 31.09, -2.72, -30.69

 

CMYK 94 / 24 / 0 / 23

HEX #0B95C5

RGB 11 149 197

HSL 195.48, 0.89%, 0.41%

LAB 57.65, -15.37, -33.88

 

CMYK 94 / 50 / 0 / 23

HEX #0B63C5

RGB 11 99 197

HSL 211.61, 0.89%, 0.41%

LAB 42.8, 14.79, -57.48

 

CMYK 94 / 75 / 0 / 23

HEX #0B31C5

RGB 11 49 197

HSL 227.74, 0.89%, 0.41%

LAB 30.15, 47.02, -78.19

 

CMYK 88 / 94 / 0 / 23

HEX #170BC5

RGB 23 11 197

HSL 243.87, 0.89%, 0.41%

LAB 25.11, 63.08, -86.56

 

CMYK 62 / 94 / 0 / 23

HEX #4A0BC5

RGB 74 11 197

HSL 260.32, 0.89%, 0.41%

LAB 28.71, 65.04, -80.48

 

CMYK 94 / 24 / 0 / 23

HEX #0B95C5

RGB 11 149 197

HSL 195.48, 0.89%, 0.41%

LAB 57.65, -15.37, -33.88

 

CMYK 94 / 50 / 0 / 23

HEX #0B63C5

RGB 11 99 197

HSL 211.61, 0.89%, 0.41%

LAB 42.8, 14.79, -57.48

 

CMYK 94 / 75 / 0 / 23

HEX #0B31C5

RGB 11 49 197

HSL 227.74, 0.89%, 0.41%

LAB 30.15, 47.02, -78.19

 

CMYK 94 / 94 / 0 / 23

HEX #0B0BC5

RGB 11 11 197

HSL 240, 0.89%, 0.41%

LAB 24.77, 62.92, -87.15

 

CMYK 94 / 24 / 0 / 23

HEX #0B95C5

RGB 11 149 197

HSL 195.48, 0.89%, 0.41%

LAB 57.65, -15.37, -33.88

 

CMYK 94 / 24 / 0 / 23

HEX #0B95C5

RGB 11 149 197

HSL 195.48, 0.89%, 0.41%

LAB 57.65, -15.37, -33.88

 

CMYK 84 / 22 / 0 / 29

HEX #1C8DB4

RGB 28 141 180

HSL 195.39, 0.73%, 0.41%

LAB 54.65, -16.11, -28.89

 

CMYK 72 / 18 / 0 / 36

HEX #2D85A3

RGB 45 133 163

HSL 195.25, 0.57%, 0.41%

LAB 51.81, -15.75, -23.47

 

CMYK 58 / 14 / 0 / 43

HEX #3E7D92

RGB 62 125 146

HSL 195, 0.4%, 0.41%

LAB 49.21, -13.87, -17.5

 

CMYK 39 / 10 / 0 / 49

HEX #4F7481

RGB 79 116 129

HSL 195.6, 0.24%, 0.41%

LAB 46.63, -9.51, -11.3

 

CMYK 94 / 0 / 27 / 23

HEX #0BC590

RGB 11 197 144

HSL 162.9, 0.89%, 0.41%

LAB 70.88, -53.55, 15.22

 

CMYK 94 / 0 / 2 / 23

HEX #0BC5C2

RGB 11 197 194

HSL 179.03, 0.89%, 0.41%

LAB 72.16, -40.17, -10.07

 

CMYK 94 / 23 / 0 / 23

HEX #0B97C5

RGB 11 151 197

HSL 194.84, 0.89%, 0.41%

LAB 58.26, -16.46, -32.93

 

CMYK 94 / 49 / 0 / 23

HEX #0B65C5

RGB 11 101 197

HSL 210.97, 0.89%, 0.41%

LAB 43.37, 13.49, -56.55

 

CMYK 94 / 74 / 0 / 23

HEX #0B33C5

RGB 11 51 197

HSL 227.1, 0.89%, 0.41%

LAB 30.57, 45.85, -77.5

 

CMYK 95 / 24 / 0 / 53

HEX #065A77

RGB 6 90 119

HSL 195.4, 0.9%, 0.25%

LAB 35.37, -11.22, -22.72

 

CMYK 94 / 24 / 0 / 38

HEX #09789E

RGB 9 120 158

HSL 195.3, 0.89%, 0.33%

LAB 46.92, -13.59, -28.18

 

CMYK 94 / 24 / 0 / 23

HEX #0B95C5

RGB 11 149 197

HSL 195.48, 0.89%, 0.41%

LAB 57.65, -15.37, -33.88

 

CMYK 94 / 24 / 0 / 7

HEX #0DB3EC

RGB 13 179 236

HSL 195.34, 0.9%, 0.49%

LAB 68.3, -17.62, -38.89

 

CMYK 80 / 21 / 0 / 5

HEX #30C0F2

RGB 48 192 242

HSL 195.46, 0.88%, 0.57%

LAB 72.72, -20.33, -35.24

 

CMYK 94 / 24 / 0 / 23

HEX #0B95C5

RGB 11 149 197

HSL 195.48, 0.89%, 0.41%

LAB 57.65, -15.37, -33.88

 

CMYK 52 / 94 / 0 / 23

HEX #5F0BC5

RGB 95 11 197

HSL 267.1, 0.89%, 0.41%

LAB 31.12, 66.59, -76.41

 

CMYK 0 / 14 / 94 / 23

HEX #C5A90B

RGB 197 169 11

HSL 50.97, 0.89%, 0.41%

LAB 69.66, -3.25, 71.06

 

CMYK 94 / 24 / 0 / 23

HEX #0B95C5

RGB 11 149 197

HSL 195.48, 0.89%, 0.41%

LAB 57.65, -15.37, -33.88

 

CMYK 0 / 94 / 23 / 23

HEX #C50B97

RGB 197 11 151

HSL 314.84, 0.89%, 0.41%

LAB 44.72, 73.83, -26.21

 

CMYK 23 / 0 / 94 / 23

HEX #97C50B

RGB 151 197 11

HSL 74.84, 0.89%, 0.41%

LAB 73.89, -36.79, 72.74

 

CMYK 94 / 24 / 0 / 23

HEX #0B95C5

RGB 11 149 197

HSL 195.48, 0.89%, 0.41%

LAB 57.65, -15.37, -33.88

 

CMYK 52 / 94 / 0 / 23

HEX #5F0BC5

RGB 95 11 197

HSL 267.1, 0.89%, 0.41%

LAB 31.12, 66.59, -76.41

 

CMYK 0 / 71 / 94 / 23

HEX #C53A0B

RGB 197 58 11

HSL 15.16, 0.89%, 0.41%

LAB 45.53, 53.44, 54.2

 

CMYK 43 / 0 / 94 / 23

HEX #71C50B

RGB 113 197 11

HSL 87.1, 0.89%, 0.41%

LAB 71.87, -50.73, 70.28

 

CMYK 94 / 24 / 0 / 23

HEX #0B95C5

RGB 11 149 197

HSL 195.48, 0.89%, 0.41%

LAB 57.65, -15.37, -33.88

 

CMYK 23 / 94 / 0 / 23

HEX #970BC5

RGB 151 11 197

HSL 285.16, 0.89%, 0.41%

LAB 39.33, 72.92, -62.63

 

CMYK 0 / 71 / 94 / 23

HEX #C53A0B

RGB 197 58 11

HSL 15.16, 0.89%, 0.41%

LAB 45.53, 53.44, 54.2

 

CMYK 71 / 0 / 94 / 23

HEX #3AC50B

RGB 58 197 11

HSL 104.84, 0.89%, 0.41%

LAB 70.08, -65.08, 68.08

 

Description

Color code: HEX #0B95C5 | qconv.com Color code: HEX #0B95C5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 149 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 149 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 24 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 24% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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