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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0B7FB7 it is the complementary color #F48048. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0B7FB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0B7FB7 shade: #107FB2, #2191C5, #32A3D8, #43B5EB and #54C7FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0B7FB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0B7FB7 shade: #0B7FB7, #006DA4, #005B91, #00497E and #00376B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0B7FB7 shade: #0A7EB7, #0A50B7, #0A21B7, #210AB7 and #500AB7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0B7FB7 shade: #0A7EB7, #0A50B7, #0A21B7 and #0A0AB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0B7FB7 shade matches the following richer shades: #0A7EB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0B7FB7 shade: #0A7EB7, #1A79A7, #2A7497, #396E88 and #496978

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0B7FB7 shade: #0AB791, #0AAEB7, #0A80B7, #0A52B7 and #0A24B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0B7FB7 shade: #064869, #086390, #0A7EB7, #0C9ADE and #22AEF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0B7FB7 shade: #0B7FB7, #630AB7 and #B7A80A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0B7FB7 shade: #0B7FB7, #B70A80 and #80B70A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0B7FB7 shade: #0B7FB7, #630AB7, #B7410A and #5EB70A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0B7FB7 shade: #0B7FB7, #970AB7, #B7410A and #2AB70A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 31 / 0 / 28

HEX #0B7FB7

RGB 11 127 183

HSL 199.53, 0.89%, 0.38%

LAB 50.3, -8.12, -37.43

 

Complementary color

CMYK 0 / 48 / 70 / 4

HEX #F48048

RGB 244 128 72

HSL 19.53, 0.89%, 0.62%

LAB 65.86, 40.29, 49.48

 

CMYK 91 / 29 / 0 / 30

HEX #107FB2

RGB 16 127 178

HSL 198.89, 0.84%, 0.38%

LAB 50.1, -9.77, -34.85

 

CMYK 83 / 26 / 0 / 23

HEX #2191C5

RGB 33 145 197

HSL 199.02, 0.71%, 0.45%

LAB 56.69, -11.86, -35.37

 

CMYK 77 / 25 / 0 / 15

HEX #32A3D8

RGB 50 163 216

HSL 199.16, 0.68%, 0.52%

LAB 63.2, -13.49, -35.81

 

CMYK 71 / 23 / 0 / 8

HEX #43B5EB

RGB 67 181 235

HSL 199.29, 0.81%, 0.59%

LAB 69.64, -14.78, -36.2

 

CMYK 67 / 22 / 0 / 0

HEX #54C7FE

RGB 84 199 254

HSL 199.41, 0.99%, 0.66%

LAB 76, -15.81, -36.55

 

CMYK 94 / 31 / 0 / 28

HEX #0B7FB7

RGB 11 127 183

HSL 199.53, 0.89%, 0.38%

LAB 50.3, -8.12, -37.43

 

CMYK 100 / 34 / 0 / 36

HEX #006DA4

RGB 0 109 164

HSL 200.12, 1%, 0.32%

LAB 43.68, -5.23, -36.81

 

CMYK 100 / 37 / 0 / 43

HEX #005B91

RGB 0 91 145

HSL 202.34, 1%, 0.28%

LAB 36.98, -1.72, -36.08

 

CMYK 100 / 42 / 0 / 51

HEX #00497E

RGB 0 73 126

HSL 205.24, 1%, 0.25%

LAB 30.09, 2.06, -35.4

 

CMYK 100 / 49 / 0 / 58

HEX #00376B

RGB 0 55 107

HSL 209.16, 1%, 0.21%

LAB 22.98, 6.2, -34.77

 

CMYK 95 / 31 / 0 / 28

HEX #0A7EB7

RGB 10 126 183

HSL 199.77, 0.9%, 0.38%

LAB 49.98, -7.57, -37.92

 

CMYK 95 / 56 / 0 / 28

HEX #0A50B7

RGB 10 80 183

HSL 215.72, 0.9%, 0.38%

LAB 36.41, 21.71, -59.68

 

CMYK 95 / 82 / 0 / 28

HEX #0A21B7

RGB 10 33 183

HSL 232.02, 0.9%, 0.38%

LAB 25.48, 50.93, -77.68

 

CMYK 82 / 95 / 0 / 28

HEX #210AB7

RGB 33 10 183

HSL 247.98, 0.9%, 0.38%

LAB 23.54, 59.84, -80.89

 

CMYK 56 / 95 / 0 / 28

HEX #500AB7

RGB 80 10 183

HSL 264.28, 0.9%, 0.38%

LAB 27.69, 62.28, -73.87

 

CMYK 95 / 31 / 0 / 28

HEX #0A7EB7

RGB 10 126 183

HSL 199.77, 0.9%, 0.38%

LAB 49.98, -7.57, -37.92

 

CMYK 95 / 56 / 0 / 28

HEX #0A50B7

RGB 10 80 183

HSL 215.72, 0.9%, 0.38%

LAB 36.41, 21.71, -59.68

 

CMYK 95 / 82 / 0 / 28

HEX #0A21B7

RGB 10 33 183

HSL 232.02, 0.9%, 0.38%

LAB 25.48, 50.93, -77.68

 

CMYK 95 / 95 / 0 / 28

HEX #0A0AB7

RGB 10 10 183

HSL 240, 0.9%, 0.38%

LAB 22.66, 59.41, -82.38

 

CMYK 95 / 31 / 0 / 28

HEX #0A7EB7

RGB 10 126 183

HSL 199.77, 0.9%, 0.38%

LAB 49.98, -7.57, -37.92

 

CMYK 95 / 31 / 0 / 28

HEX #0A7EB7

RGB 10 126 183

HSL 199.77, 0.9%, 0.38%

LAB 49.98, -7.57, -37.92

 

CMYK 84 / 28 / 0 / 35

HEX #1A79A7

RGB 26 121 167

HSL 199.57, 0.73%, 0.38%

LAB 47.86, -9.71, -31.97

 

CMYK 72 / 23 / 0 / 41

HEX #2A7497

RGB 42 116 151

HSL 199.27, 0.56%, 0.38%

LAB 45.93, -10.75, -25.56

 

CMYK 58 / 19 / 0 / 47

HEX #396E88

RGB 57 110 136

HSL 199.75, 0.41%, 0.38%

LAB 43.94, -9.6, -19.67

 

CMYK 39 / 13 / 0 / 53

HEX #496978

RGB 73 105 120

HSL 199.15, 0.24%, 0.38%

LAB 42.58, -7.43, -12.06

 

CMYK 95 / 0 / 21 / 28

HEX #0AB791

RGB 10 183 145

HSL 166.82, 0.9%, 0.38%

LAB 66.5, -47.83, 8.5

 

CMYK 95 / 5 / 0 / 28

HEX #0AAEB7

RGB 10 174 183

HSL 183.12, 0.9%, 0.38%

LAB 64.77, -32.95, -15.11

 

CMYK 95 / 30 / 0 / 28

HEX #0A80B7

RGB 10 128 183

HSL 199.08, 0.9%, 0.38%

LAB 50.6, -8.74, -36.96

 

CMYK 95 / 55 / 0 / 28

HEX #0A52B7

RGB 10 82 183

HSL 215.03, 0.9%, 0.38%

LAB 36.96, 20.36, -58.78

 

CMYK 95 / 80 / 0 / 28

HEX #0A24B7

RGB 10 36 183

HSL 230.98, 0.9%, 0.38%

LAB 26, 49.41, -76.82

 

CMYK 94 / 31 / 0 / 59

HEX #064869

RGB 6 72 105

HSL 200, 0.89%, 0.22%

LAB 28.63, -5.73, -24.49

 

CMYK 94 / 31 / 0 / 44

HEX #086390

RGB 8 99 144

HSL 199.85, 0.89%, 0.3%

LAB 39.56, -6.67, -31.39

 

CMYK 95 / 31 / 0 / 28

HEX #0A7EB7

RGB 10 126 183

HSL 199.77, 0.9%, 0.38%

LAB 49.98, -7.57, -37.92

 

CMYK 95 / 31 / 0 / 13

HEX #0C9ADE

RGB 12 154 222

HSL 199.43, 0.9%, 0.46%

LAB 60.31, -9, -43.72

 

CMYK 86 / 28 / 0 / 5

HEX #22AEF2

RGB 34 174 242

HSL 199.62, 0.89%, 0.54%

LAB 67.29, -11.83, -43.72

 

CMYK 94 / 31 / 0 / 28

HEX #0B7FB7

RGB 11 127 183

HSL 199.53, 0.89%, 0.38%

LAB 50.3, -8.12, -37.43

 

CMYK 46 / 95 / 0 / 28

HEX #630AB7

RGB 99 10 183

HSL 270.87, 0.9%, 0.38%

LAB 30.13, 63.97, -69.76

 

CMYK 0 / 8 / 95 / 28

HEX #B7A80A

RGB 183 168 10

HSL 54.8, 0.9%, 0.38%

LAB 68.09, -8.97, 69.43

 

CMYK 94 / 31 / 0 / 28

HEX #0B7FB7

RGB 11 127 183

HSL 199.53, 0.89%, 0.38%

LAB 50.3, -8.12, -37.43

 

CMYK 0 / 95 / 30 / 28

HEX #B70A80

RGB 183 10 128

HSL 319.08, 0.9%, 0.38%

LAB 40.97, 68.43, -18.19

 

CMYK 30 / 0 / 95 / 28

HEX #80B70A

RGB 128 183 10

HSL 79.08, 0.9%, 0.38%

LAB 68.37, -39.55, 67.91

 

CMYK 94 / 31 / 0 / 28

HEX #0B7FB7

RGB 11 127 183

HSL 199.53, 0.89%, 0.38%

LAB 50.3, -8.12, -37.43

 

CMYK 46 / 95 / 0 / 28

HEX #630AB7

RGB 99 10 183

HSL 270.87, 0.9%, 0.38%

LAB 30.13, 63.97, -69.76

 

CMYK 0 / 64 / 95 / 28

HEX #B7410A

RGB 183 65 10

HSL 19.08, 0.9%, 0.38%

LAB 44.05, 45.71, 52.27

 

CMYK 49 / 0 / 95 / 28

HEX #5EB70A

RGB 94 183 10

HSL 90.87, 0.9%, 0.38%

LAB 66.72, -51.43, 65.9

 

CMYK 94 / 31 / 0 / 28

HEX #0B7FB7

RGB 11 127 183

HSL 199.53, 0.89%, 0.38%

LAB 50.3, -8.12, -37.43

 

CMYK 17 / 95 / 0 / 28

HEX #970AB7

RGB 151 10 183

HSL 288.9, 0.9%, 0.38%

LAB 38.23, 70.53, -56.19

 

CMYK 0 / 64 / 95 / 28

HEX #B7410A

RGB 183 65 10

HSL 19.08, 0.9%, 0.38%

LAB 44.05, 45.71, 52.27

 

CMYK 77 / 0 / 95 / 28

HEX #2AB70A

RGB 42 183 10

HSL 108.9, 0.9%, 0.38%

LAB 65.26, -63.45, 64.1

 

Description

Color code: HEX #0B7FB7 | qconv.com Color code: HEX #0B7FB7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 127 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 127 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 31 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 31% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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