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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0B7930 it is the complementary color #F486CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0B7930. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0B7930 shade: #10792B, #218B3E, #329D51, #43AF64 and #54C177

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0B7930. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0B7930 shade: #0B7930, #00671D, #00550A, #004300 and #003100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0B7930 shade: #0B7930, #0B7912, #21790B, #3F790B and #5C790B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0B7930 shade: #0B7930, #0B794D, #0B796B, #0B6979 and #0B4B79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0B7930 shade matches the following richer shades: #0B7930 and #00842C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0B7930 shade: #0B7930, #156E33, #206337, #2B593A and #364E3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0B7930 shade: #21790B, #0B7912, #0B792F, #0B794D and #0B796A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0B7930 shade: #042D12, #075321, #0B7930, #0E9F3F and #12C44E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0B7930 shade: #0B7930, #0B3E79 and #790B12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0B7930 shade: #0B7930, #2F0B79 and #792F0B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0B7930 shade: #0B7930, #0B3E79, #790B54 and #79450B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0B7930 shade: #0B7930, #0B1D79, #790B54 and #79660B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 60 / 53

HEX #0B7930

RGB 11 121 48

HSL 140.18, 0.83%, 0.26%

LAB 44.17, -44.83, 31.68

 

Complementary color

CMYK 0 / 45 / 15 / 4

HEX #F486CF

RGB 244 134 207

HSL 320.18, 0.83%, 0.74%

LAB 70.03, 51.08, -19.12

 

CMYK 87 / 0 / 64 / 53

HEX #10792B

RGB 16 121 43

HSL 135.43, 0.77%, 0.27%

LAB 44.17, -45.04, 34.17

 

CMYK 76 / 0 / 55 / 45

HEX #218B3E

RGB 33 139 62

HSL 136.42, 0.62%, 0.34%

LAB 50.85, -46.48, 32.6

 

CMYK 68 / 0 / 48 / 38

HEX #329D51

RGB 50 157 81

HSL 137.38, 0.52%, 0.41%

LAB 57.45, -47.25, 31.01

 

CMYK 62 / 0 / 43 / 31

HEX #43AF64

RGB 67 175 100

HSL 138.33, 0.45%, 0.47%

LAB 63.98, -47.61, 29.5

 

CMYK 56 / 0 / 38 / 24

HEX #54C177

RGB 84 193 119

HSL 139.27, 0.47%, 0.54%

LAB 70.43, -47.71, 28.09

 

CMYK 91 / 0 / 60 / 53

HEX #0B7930

RGB 11 121 48

HSL 140.18, 0.83%, 0.26%

LAB 44.17, -44.83, 31.68

 

CMYK 100 / 0 / 72 / 60

HEX #00671D

RGB 0 103 29

HSL 136.89, 1%, 0.2%

LAB 37.46, -42.19, 33.25

 

CMYK 100 / 0 / 88 / 67

HEX #00550A

RGB 0 85 10

HSL 127.06, 1%, 0.17%

LAB 30.69, -38.06, 33.96

 

CMYK 100 / 0 / 100 / 74

HEX #004300

RGB 0 67 0

HSL 120, 1%, 0.13%

LAB 23.72, -33, 31.32

 

CMYK 100 / 0 / 100 / 81

HEX #003100

RGB 0 49 0

HSL 120, 1%, 0.1%

LAB 16.49, -26.99, 23.19

 

CMYK 91 / 0 / 60 / 53

HEX #0B7930

RGB 11 121 48

HSL 140.18, 0.83%, 0.26%

LAB 44.17, -44.83, 31.68

 

CMYK 91 / 0 / 85 / 53

HEX #0B7912

RGB 11 121 18

HSL 123.82, 0.83%, 0.26%

LAB 43.93, -47.89, 43.87

 

CMYK 73 / 0 / 91 / 53

HEX #21790B

RGB 33 121 11

HSL 108, 0.83%, 0.26%

LAB 44.26, -45.07, 46.12

 

CMYK 48 / 0 / 91 / 53

HEX #3F790B

RGB 63 121 11

HSL 91.64, 0.83%, 0.26%

LAB 45.3, -36.76, 47.41

 

CMYK 24 / 0 / 91 / 53

HEX #5C790B

RGB 92 121 11

HSL 75.82, 0.83%, 0.26%

LAB 46.94, -25.36, 49.46

 

CMYK 91 / 0 / 60 / 53

HEX #0B7930

RGB 11 121 48

HSL 140.18, 0.83%, 0.26%

LAB 44.17, -44.83, 31.68

 

CMYK 91 / 0 / 36 / 53

HEX #0B794D

RGB 11 121 77

HSL 156, 0.83%, 0.26%

LAB 44.63, -39.39, 16.34

 

CMYK 91 / 0 / 12 / 53

HEX #0B796B

RGB 11 121 107

HSL 172.36, 0.83%, 0.26%

LAB 45.37, -31.43, -0.3

 

CMYK 91 / 13 / 0 / 53

HEX #0B6979

RGB 11 105 121

HSL 188.73, 0.83%, 0.26%

LAB 40.5, -18.71, -16.02

 

CMYK 91 / 38 / 0 / 53

HEX #0B4B79

RGB 11 75 121

HSL 205.09, 0.83%, 0.26%

LAB 30.6, -0.63, -31.45

 

CMYK 91 / 0 / 60 / 53

HEX #0B7930

RGB 11 121 48

HSL 140.18, 0.83%, 0.26%

LAB 44.17, -44.83, 31.68

 

CMYK 100 / 0 / 67 / 48

HEX #00842C

RGB 0 132 44

HSL 140, 1%, 0.26%

LAB 47.86, -49.87, 37.8

 

CMYK 91 / 0 / 60 / 53

HEX #0B7930

RGB 11 121 48

HSL 140.18, 0.83%, 0.26%

LAB 44.17, -44.83, 31.68

 

CMYK 81 / 0 / 54 / 57

HEX #156E33

RGB 21 110 51

HSL 140.22, 0.68%, 0.26%

LAB 40.49, -39.21, 25.69

 

CMYK 68 / 0 / 44 / 61

HEX #206337

RGB 32 99 55

HSL 140.6, 0.51%, 0.26%

LAB 36.94, -31.95, 18.97

 

CMYK 52 / 0 / 35 / 65

HEX #2B593A

RGB 43 89 58

HSL 139.57, 0.35%, 0.26%

LAB 33.91, -23.71, 13.21

 

CMYK 31 / 0 / 21 / 69

HEX #364E3E

RGB 54 78 62

HSL 140, 0.18%, 0.26%

LAB 30.83, -13.09, 6.56

 

CMYK 73 / 0 / 91 / 53

HEX #21790B

RGB 33 121 11

HSL 108, 0.83%, 0.26%

LAB 44.26, -45.07, 46.12

 

CMYK 91 / 0 / 85 / 53

HEX #0B7912

RGB 11 121 18

HSL 123.82, 0.83%, 0.26%

LAB 43.93, -47.89, 43.87

 

CMYK 91 / 0 / 61 / 53

HEX #0B792F

RGB 11 121 47

HSL 139.64, 0.83%, 0.26%

LAB 44.16, -44.97, 32.17

 

CMYK 91 / 0 / 36 / 53

HEX #0B794D

RGB 11 121 77

HSL 156, 0.83%, 0.26%

LAB 44.63, -39.39, 16.34

 

CMYK 91 / 0 / 12 / 53

HEX #0B796A

RGB 11 121 106

HSL 171.82, 0.83%, 0.26%

LAB 45.34, -31.73, 0.25

 

CMYK 91 / 0 / 60 / 82

HEX #042D12

RGB 4 45 18

HSL 140.49, 0.84%, 0.1%

LAB 15.2, -21.48, 13.48

 

CMYK 92 / 0 / 60 / 67

HEX #075321

RGB 7 83 33

HSL 140.53, 0.84%, 0.18%

LAB 30.26, -33.75, 23.06

 

CMYK 91 / 0 / 60 / 53

HEX #0B7930

RGB 11 121 48

HSL 140.18, 0.83%, 0.26%

LAB 44.17, -44.83, 31.68

 

CMYK 91 / 0 / 60 / 38

HEX #0E9F3F

RGB 14 159 63

HSL 140.28, 0.84%, 0.34%

LAB 57.32, -55.3, 39.72

 

CMYK 91 / 0 / 60 / 23

HEX #12C44E

RGB 18 196 78

HSL 140.22, 0.83%, 0.42%

LAB 69.58, -64.88, 47.01

 

CMYK 91 / 0 / 60 / 53

HEX #0B7930

RGB 11 121 48

HSL 140.18, 0.83%, 0.26%

LAB 44.17, -44.83, 31.68

 

CMYK 91 / 49 / 0 / 53

HEX #0B3E79

RGB 11 62 121

HSL 212.18, 0.83%, 0.26%

LAB 26.44, 8.24, -38.11

 

CMYK 0 / 91 / 85 / 53

HEX #790B12

RGB 121 11 18

HSL 356.18, 0.83%, 0.26%

LAB 24.79, 44.34, 28.67

 

CMYK 91 / 0 / 60 / 53

HEX #0B7930

RGB 11 121 48

HSL 140.18, 0.83%, 0.26%

LAB 44.17, -44.83, 31.68

 

CMYK 61 / 91 / 0 / 53

HEX #2F0B79

RGB 47 11 121

HSL 259.64, 0.83%, 0.26%

LAB 16.62, 43.47, -54.06

 

CMYK 0 / 61 / 91 / 53

HEX #792F0B

RGB 121 47 11

HSL 19.64, 0.83%, 0.26%

LAB 29.72, 30.51, 36.58

 

CMYK 91 / 0 / 60 / 53

HEX #0B7930

RGB 11 121 48

HSL 140.18, 0.83%, 0.26%

LAB 44.17, -44.83, 31.68

 

CMYK 91 / 49 / 0 / 53

HEX #0B3E79

RGB 11 62 121

HSL 212.18, 0.83%, 0.26%

LAB 26.44, 8.24, -38.11

 

CMYK 0 / 91 / 31 / 53

HEX #790B54

RGB 121 11 84

HSL 320.18, 0.83%, 0.26%

LAB 26.58, 49.38, -13.18

 

CMYK 0 / 43 / 91 / 53

HEX #79450B

RGB 121 69 11

HSL 31.64, 0.83%, 0.26%

LAB 34.69, 18.12, 40.58

 

CMYK 91 / 0 / 60 / 53

HEX #0B7930

RGB 11 121 48

HSL 140.18, 0.83%, 0.26%

LAB 44.17, -44.83, 31.68

 

CMYK 91 / 76 / 0 / 53

HEX #0B1D79

RGB 11 29 121

HSL 230.18, 0.83%, 0.26%

LAB 17.13, 31.51, -53.3

 

CMYK 0 / 91 / 31 / 53

HEX #790B54

RGB 121 11 84

HSL 320.18, 0.83%, 0.26%

LAB 26.58, 49.38, -13.18

 

CMYK 0 / 16 / 91 / 53

HEX #79660B

RGB 121 102 11

HSL 49.64, 0.83%, 0.26%

LAB 43.64, -1.48, 47.78

 

Description

Color code: HEX #0B7930 | qconv.com Color code: HEX #0B7930 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 121 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 121 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 60 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 60% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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