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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0B75DA it is the complementary color #F48A25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0B75DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0B75DA shade: #1075D5, #2187E8, #3299FB, #43ABFF and #54BDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0B75DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0B75DA shade: #0B75DA, #0063C7, #0051B4, #003FA1 and #002D8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0B75DA shade: #0B75DA, #0B3DDA, #110BDA, #480BDA and #800BDA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0B75DA shade: #0B75DA, #0B3DDA and #0B0BDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0B75DA shade matches the following richer shades: #0B75DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0B75DA shade: #0B75DA, #1E74C7, #3074B4, #4373A2 and #55738F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0B75DA shade: #0BDACF, #0BADDA, #0B76DA, #0B3FDA and #0E0BDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0B75DA shade: #074B8B, #0960B2, #0B75DA, #1B89F3 and #429EF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0B75DA shade: #0B75DA, #980BDA and #C8DA0B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0B75DA shade: #0B75DA, #DA0B76 and #76DA0B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0B75DA shade: #0B75DA, #980BDA, #DA6F0B and #4CDA0B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0B75DA shade: #0B75DA, #D60BDA, #DA6F0B and #0EDA0B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 46 / 0 / 15

HEX #0B75DA

RGB 11 117 218

HSL 209.28, 0.9%, 0.45%

LAB 49.32, 11.59, -58.97

 

Complementary color

CMYK 0 / 43 / 85 / 4

HEX #F48A25

RGB 244 138 37

HSL 29.28, 0.9%, 0.55%

LAB 67.68, 33.93, 65.98

 

CMYK 92 / 45 / 0 / 16

HEX #1075D5

RGB 16 117 213

HSL 209.24, 0.86%, 0.45%

LAB 49.05, 9.81, -56.57

 

CMYK 86 / 42 / 0 / 9

HEX #2187E8

RGB 33 135 232

HSL 209.25, 0.81%, 0.52%

LAB 55.56, 6.95, -56.8

 

CMYK 80 / 39 / 0 / 2

HEX #3299FB

RGB 50 153 251

HSL 209.25, 0.96%, 0.59%

LAB 62.02, 4.59, -56.96

 

CMYK 74 / 33 / 0 / 0

HEX #43ABFF

RGB 67 171 255

HSL 206.81, 1%, 0.63%

LAB 67.68, -2.55, -50.14

 

CMYK 67 / 26 / 0 / 0

HEX #54BDFF

RGB 84 189 255

HSL 203.16, 1%, 0.66%

LAB 73.22, -10.17, -41.41

 

CMYK 95 / 46 / 0 / 15

HEX #0B75DA

RGB 11 117 218

HSL 209.28, 0.9%, 0.45%

LAB 49.32, 11.59, -58.97

 

CMYK 100 / 50 / 0 / 22

HEX #0063C7

RGB 0 99 199

HSL 210.15, 1%, 0.39%

LAB 42.83, 15.22, -58.59

 

CMYK 100 / 55 / 0 / 29

HEX #0051B4

RGB 0 81 180

HSL 213, 1%, 0.35%

LAB 36.33, 19.43, -58.05

 

CMYK 100 / 61 / 0 / 37

HEX #003FA1

RGB 0 63 161

HSL 216.52, 1%, 0.32%

LAB 29.73, 23.9, -57.46

 

CMYK 100 / 68 / 0 / 44

HEX #002D8E

RGB 0 45 142

HSL 220.99, 1%, 0.28%

LAB 23.1, 28.55, -56.7

 

CMYK 95 / 46 / 0 / 15

HEX #0B75DA

RGB 11 117 218

HSL 209.28, 0.9%, 0.45%

LAB 49.32, 11.59, -58.97

 

CMYK 95 / 72 / 0 / 15

HEX #0B3DDA

RGB 11 61 218

HSL 225.51, 0.9%, 0.45%

LAB 34.94, 47.34, -82.45

 

CMYK 92 / 95 / 0 / 15

HEX #110BDA

RGB 17 11 218

HSL 241.74, 0.9%, 0.45%

LAB 27.9, 68.43, -94.16

 

CMYK 67 / 95 / 0 / 15

HEX #480BDA

RGB 72 11 218

HSL 257.68, 0.9%, 0.45%

LAB 31.06, 69.99, -88.8

 

CMYK 41 / 95 / 0 / 15

HEX #800BDA

RGB 128 11 218

HSL 273.91, 0.9%, 0.45%

LAB 37.65, 74.25, -77.7

 

CMYK 95 / 46 / 0 / 15

HEX #0B75DA

RGB 11 117 218

HSL 209.28, 0.9%, 0.45%

LAB 49.32, 11.59, -58.97

 

CMYK 95 / 72 / 0 / 15

HEX #0B3DDA

RGB 11 61 218

HSL 225.51, 0.9%, 0.45%

LAB 34.94, 47.34, -82.45

 

CMYK 95 / 95 / 0 / 15

HEX #0B0BDA

RGB 11 11 218

HSL 240, 0.9%, 0.45%

LAB 27.77, 68.37, -94.38

 

CMYK 95 / 46 / 0 / 15

HEX #0B75DA

RGB 11 117 218

HSL 209.28, 0.9%, 0.45%

LAB 49.32, 11.59, -58.97

 

CMYK 95 / 46 / 0 / 15

HEX #0B75DA

RGB 11 117 218

HSL 209.28, 0.9%, 0.45%

LAB 49.32, 11.59, -58.97

 

CMYK 85 / 42 / 0 / 22

HEX #1E74C7

RGB 30 116 199

HSL 209.47, 0.74%, 0.45%

LAB 48.12, 5.82, -50.06

 

CMYK 73 / 36 / 0 / 29

HEX #3074B4

RGB 48 116 180

HSL 209.09, 0.58%, 0.45%

LAB 47.51, 0.59, -40.04

 

CMYK 59 / 29 / 0 / 36

HEX #4373A2

RGB 67 115 162

HSL 209.68, 0.41%, 0.45%

LAB 47.06, -1.8, -30.21

 

CMYK 41 / 20 / 0 / 44

HEX #55738F

RGB 85 115 143

HSL 208.97, 0.25%, 0.45%

LAB 47.2, -3.23, -18.7

 

CMYK 95 / 0 / 5 / 15

HEX #0BDACF

RGB 11 218 207

HSL 176.81, 0.9%, 0.45%

LAB 78.88, -45.62, -7.09

 

CMYK 95 / 21 / 0 / 15

HEX #0BADDA

RGB 11 173 218

HSL 193.04, 0.9%, 0.45%

LAB 65.76, -20.79, -32.97

 

CMYK 95 / 46 / 0 / 15

HEX #0B76DA

RGB 11 118 218

HSL 208.99, 0.9%, 0.45%

LAB 49.61, 10.96, -58.51

 

CMYK 95 / 71 / 0 / 15

HEX #0B3FDA

RGB 11 63 218

HSL 224.93, 0.9%, 0.45%

LAB 35.38, 46.15, -81.73

 

CMYK 94 / 95 / 0 / 15

HEX #0E0BDA

RGB 14 11 218

HSL 240.87, 0.9%, 0.45%

LAB 27.83, 68.4, -94.28

 

CMYK 95 / 46 / 0 / 45

HEX #074B8B

RGB 7 75 139

HSL 209.09, 0.9%, 0.29%

LAB 31.67, 6.7, -40.9

 

CMYK 95 / 46 / 0 / 30

HEX #0960B2

RGB 9 96 178

HSL 209.11, 0.9%, 0.37%

LAB 40.64, 9, -49.9

 

CMYK 95 / 46 / 0 / 15

HEX #0B75DA

RGB 11 117 218

HSL 209.28, 0.9%, 0.45%

LAB 49.32, 11.59, -58.97

 

CMYK 89 / 44 / 0 / 5

HEX #1B89F3

RGB 27 137 243

HSL 209.44, 0.9%, 0.53%

LAB 56.68, 9.53, -61.12

 

CMYK 73 / 36 / 0 / 4

HEX #429EF5

RGB 66 158 245

HSL 209.16, 0.9%, 0.61%

LAB 63.51, 1.29, -51.28

 

CMYK 95 / 46 / 0 / 15

HEX #0B75DA

RGB 11 117 218

HSL 209.28, 0.9%, 0.45%

LAB 49.32, 11.59, -58.97

 

CMYK 30 / 95 / 0 / 15

HEX #980BDA

RGB 152 11 218

HSL 280.87, 0.9%, 0.45%

LAB 41.18, 76.96, -71.77

 

CMYK 8 / 0 / 95 / 15

HEX #C8DA0B

RGB 200 218 11

HSL 65.22, 0.9%, 0.45%

LAB 83.15, -26.59, 81.35

 

CMYK 95 / 46 / 0 / 15

HEX #0B75DA

RGB 11 117 218

HSL 209.28, 0.9%, 0.45%

LAB 49.32, 11.59, -58.97

 

CMYK 0 / 95 / 46 / 15

HEX #DA0B76

RGB 218 11 118

HSL 328.99, 0.9%, 0.45%

LAB 47.56, 74.95, -1.41

 

CMYK 46 / 0 / 95 / 15

HEX #76DA0B

RGB 118 218 11

HSL 88.99, 0.9%, 0.45%

LAB 78.47, -57.2, 75.68

 

CMYK 95 / 46 / 0 / 15

HEX #0B75DA

RGB 11 117 218

HSL 209.28, 0.9%, 0.45%

LAB 49.32, 11.59, -58.97

 

CMYK 30 / 95 / 0 / 15

HEX #980BDA

RGB 152 11 218

HSL 280.87, 0.9%, 0.45%

LAB 41.18, 76.96, -71.77

 

CMYK 0 / 49 / 95 / 15

HEX #DA6F0B

RGB 218 111 11

HSL 28.99, 0.9%, 0.45%

LAB 58.32, 36.87, 64.15

 

CMYK 65 / 0 / 95 / 15

HEX #4CDA0B

RGB 76 218 11

HSL 101.16, 0.9%, 0.45%

LAB 77.1, -68.17, 74

 

CMYK 95 / 46 / 0 / 15

HEX #0B75DA

RGB 11 117 218

HSL 209.28, 0.9%, 0.45%

LAB 49.32, 11.59, -58.97

 

CMYK 2 / 95 / 0 / 15

HEX #D60BDA

RGB 214 11 218

HSL 298.84, 0.9%, 0.45%

LAB 51.38, 85.84, -54.76

 

CMYK 0 / 49 / 95 / 15

HEX #DA6F0B

RGB 218 111 11

HSL 28.99, 0.9%, 0.45%

LAB 58.32, 36.87, 64.15

 

CMYK 94 / 0 / 95 / 15

HEX #0EDA0B

RGB 14 218 11

HSL 119.13, 0.9%, 0.45%

LAB 76.23, -75.85, 72.93

 

Description

Color code: HEX #0B75DA | qconv.com Color code: HEX #0B75DA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 117 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 117 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 46 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 46% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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