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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AECF4 it is the complementary color #F5130B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AECF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AECF4 shade: #0FECEF, #20FEFF, #31FFFF, #42FFFF and #53FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AECF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AECF4 shade: #0AECF4, #00DAE1, #00C8CE, #00B6BB and #00A4A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AECF4 shade: #0AECF4, #0AADF4, #0A6EF4, #0A2EF4 and #240AF4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AECF4 shade: #0AECF4, #0AADF4, #0A6EF4, #0A2EF4 and #0A0AF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AECF4 shade matches the following richer shades: #0AECF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AECF4 shade: #0AECF4, #1ED9E0, #33C6CB, #48B3B6 and #5C9FA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AECF4 shade: #0AF47F, #0AF4BE, #0AECF4, #0AAEF4 and #0A6FF4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AECF4 shade: #06A0A5, #08C6CD, #0AECF4, #31EFF6 and #59F2F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AECF4 shade: #0AECF4, #400AF4 and #F49E0A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AECF4 shade: #0AECF4, #F40AEC and #ECF40A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AECF4 shade: #0AECF4, #400AF4, #F4120A and #BEF40A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AECF4 shade: #0AECF4, #870AF4, #F4120A and #77F40A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 3 / 0 / 4

HEX #0AECF4

RGB 10 236 244

HSL 182.05, 0.92%, 0.5%

LAB 85.29, -42.78, -17.13

 

Complementary color

CMYK 0 / 92 / 96 / 4

HEX #F5130B

RGB 245 19 11

HSL 2.05, 0.92%, 0.5%

LAB 51.73, 76.25, 62.65

 

CMYK 94 / 1 / 0 / 6

HEX #0FECEF

RGB 15 236 239

HSL 180.8, 0.88%, 0.5%

LAB 85.16, -44.13, -14.7

 

CMYK 87 / 0 / 0 / 0

HEX #20FEFF

RGB 32 254 255

HSL 180.27, 1%, 0.56%

LAB 90.97, -46.73, -14.35

 

CMYK 81 / 0 / 0 / 0

HEX #31FFFF

RGB 49 255 255

HSL 180, 1%, 0.6%

LAB 91.41, -46.13, -13.67

 

CMYK 74 / 0 / 0 / 0

HEX #42FFFF

RGB 66 255 255

HSL 180, 1%, 0.63%

LAB 91.64, -44.65, -13.3

 

CMYK 67 / 0 / 0 / 0

HEX #53FFFF

RGB 83 255 255

HSL 180, 1%, 0.66%

LAB 91.94, -42.7, -12.81

 

CMYK 96 / 3 / 0 / 4

HEX #0AECF4

RGB 10 236 244

HSL 182.05, 0.92%, 0.5%

LAB 85.29, -42.78, -17.13

 

CMYK 100 / 3 / 0 / 12

HEX #00DAE1

RGB 0 218 225

HSL 181.87, 1%, 0.44%

LAB 79.37, -40.62, -15.98

 

CMYK 100 / 3 / 0 / 19

HEX #00C8CE

RGB 0 200 206

HSL 181.75, 1%, 0.4%

LAB 73.39, -38.22, -14.75

 

CMYK 100 / 3 / 0 / 27

HEX #00B6BB

RGB 0 182 187

HSL 181.6, 1%, 0.37%

LAB 67.31, -35.78, -13.5

 

CMYK 100 / 2 / 0 / 34

HEX #00A4A8

RGB 0 164 168

HSL 181.43, 1%, 0.33%

LAB 61.11, -33.3, -12.22

 

CMYK 96 / 3 / 0 / 4

HEX #0AECF4

RGB 10 236 244

HSL 182.05, 0.92%, 0.5%

LAB 85.29, -42.78, -17.13

 

CMYK 96 / 29 / 0 / 4

HEX #0AADF4

RGB 10 173 244

HSL 198.21, 0.92%, 0.5%

LAB 66.89, -11.63, -45.46

 

CMYK 96 / 55 / 0 / 4

HEX #0A6EF4

RGB 10 110 244

HSL 214.36, 0.92%, 0.5%

LAB 49.19, 26.15, -73.8

 

CMYK 96 / 81 / 0 / 4

HEX #0A2EF4

RGB 10 46 244

HSL 230.77, 0.92%, 0.5%

LAB 35.1, 63.8, -96.99

 

CMYK 85 / 96 / 0 / 4

HEX #240AF4

RGB 36 10 244

HSL 246.67, 0.92%, 0.5%

LAB 32.09, 75.35, -102.01

 

CMYK 96 / 3 / 0 / 4

HEX #0AECF4

RGB 10 236 244

HSL 182.05, 0.92%, 0.5%

LAB 85.29, -42.78, -17.13

 

CMYK 96 / 29 / 0 / 4

HEX #0AADF4

RGB 10 173 244

HSL 198.21, 0.92%, 0.5%

LAB 66.89, -11.63, -45.46

 

CMYK 96 / 55 / 0 / 4

HEX #0A6EF4

RGB 10 110 244

HSL 214.36, 0.92%, 0.5%

LAB 49.19, 26.15, -73.8

 

CMYK 96 / 81 / 0 / 4

HEX #0A2EF4

RGB 10 46 244

HSL 230.77, 0.92%, 0.5%

LAB 35.1, 63.8, -96.99

 

CMYK 96 / 96 / 0 / 4

HEX #0A0AF4

RGB 10 10 244

HSL 240, 0.92%, 0.5%

LAB 31.38, 75.06, -103.21

 

CMYK 96 / 3 / 0 / 4

HEX #0AECF4

RGB 10 236 244

HSL 182.05, 0.92%, 0.5%

LAB 85.29, -42.78, -17.13

 

CMYK 96 / 3 / 0 / 4

HEX #0AECF4

RGB 10 236 244

HSL 182.05, 0.92%, 0.5%

LAB 85.29, -42.78, -17.13

 

CMYK 87 / 3 / 0 / 12

HEX #1ED9E0

RGB 30 217 224

HSL 182.16, 0.76%, 0.5%

LAB 79.2, -39.45, -15.68

 

CMYK 75 / 2 / 0 / 20

HEX #33C6CB

RGB 51 198 203

HSL 181.97, 0.6%, 0.5%

LAB 73.16, -35.24, -13.43

 

CMYK 60 / 2 / 0 / 29

HEX #48B3B6

RGB 72 179 182

HSL 181.64, 0.43%, 0.5%

LAB 67.27, -29.3, -10.69

 

CMYK 43 / 2 / 0 / 36

HEX #5C9FA2

RGB 92 159 162

HSL 182.57, 0.28%, 0.5%

LAB 61.38, -20.45, -8.24

 

CMYK 96 / 0 / 48 / 4

HEX #0AF47F

RGB 10 244 127

HSL 150, 0.92%, 0.5%

LAB 85.15, -73.2, 42.88

 

CMYK 96 / 0 / 22 / 4

HEX #0AF4BE

RGB 10 244 190

HSL 166.15, 0.92%, 0.5%

LAB 86.25, -60.58, 12.56

 

CMYK 96 / 3 / 0 / 4

HEX #0AECF4

RGB 10 236 244

HSL 182.05, 0.92%, 0.5%

LAB 85.29, -42.78, -17.13

 

CMYK 96 / 29 / 0 / 4

HEX #0AAEF4

RGB 10 174 244

HSL 197.95, 0.92%, 0.5%

LAB 67.18, -12.18, -45.01

 

CMYK 96 / 55 / 0 / 4

HEX #0A6FF4

RGB 10 111 244

HSL 214.1, 0.92%, 0.5%

LAB 49.45, 25.51, -73.37

 

CMYK 96 / 3 / 0 / 35

HEX #06A0A5

RGB 6 160 165

HSL 181.89, 0.93%, 0.34%

LAB 59.8, -32.12, -12.51

 

CMYK 96 / 3 / 0 / 20

HEX #08C6CD

RGB 8 198 205

HSL 182.13, 0.92%, 0.42%

LAB 72.79, -37.39, -15.11

 

CMYK 96 / 3 / 0 / 4

HEX #0AECF4

RGB 10 236 244

HSL 182.05, 0.92%, 0.5%

LAB 85.29, -42.78, -17.13

 

CMYK 80 / 3 / 0 / 4

HEX #31EFF6

RGB 49 239 246

HSL 182.13, 0.92%, 0.58%

LAB 86.52, -41.63, -16.3

 

CMYK 64 / 2 / 0 / 3

HEX #59F2F8

RGB 89 242 248

HSL 182.26, 0.92%, 0.66%

LAB 88.16, -37.92, -14.81

 

CMYK 96 / 3 / 0 / 4

HEX #0AECF4

RGB 10 236 244

HSL 182.05, 0.92%, 0.5%

LAB 85.29, -42.78, -17.13

 

CMYK 74 / 96 / 0 / 4

HEX #400AF4

RGB 64 10 244

HSL 253.85, 0.92%, 0.5%

LAB 33.64, 76.05, -99.37

 

CMYK 0 / 35 / 96 / 4

HEX #F49E0A

RGB 244 158 10

HSL 37.95, 0.92%, 0.5%

LAB 72.03, 23.07, 75.21

 

CMYK 96 / 3 / 0 / 4

HEX #0AECF4

RGB 10 236 244

HSL 182.05, 0.92%, 0.5%

LAB 85.29, -42.78, -17.13

 

CMYK 0 / 96 / 3 / 4

HEX #F40AEC

RGB 244 10 236

HSL 302.05, 0.92%, 0.5%

LAB 57.57, 93.3, -54.76

 

CMYK 3 / 0 / 96 / 4

HEX #ECF40A

RGB 236 244 10

HSL 62.05, 0.92%, 0.5%

LAB 92.82, -24.07, 89.92

 

CMYK 96 / 3 / 0 / 4

HEX #0AECF4

RGB 10 236 244

HSL 182.05, 0.92%, 0.5%

LAB 85.29, -42.78, -17.13

 

CMYK 74 / 96 / 0 / 4

HEX #400AF4

RGB 64 10 244

HSL 253.85, 0.92%, 0.5%

LAB 33.64, 76.05, -99.37

 

CMYK 0 / 93 / 96 / 4

HEX #F4120A

RGB 244 18 10

HSL 2.05, 0.92%, 0.5%

LAB 51.48, 76.11, 62.66

 

CMYK 22 / 0 / 96 / 4

HEX #BEF40A

RGB 190 244 10

HSL 73.85, 0.92%, 0.5%

LAB 89.71, -42.43, 86.19

 

CMYK 96 / 3 / 0 / 4

HEX #0AECF4

RGB 10 236 244

HSL 182.05, 0.92%, 0.5%

LAB 85.29, -42.78, -17.13

 

CMYK 45 / 96 / 0 / 4

HEX #870AF4

RGB 135 10 244

HSL 272.05, 0.92%, 0.5%

LAB 41.06, 80.42, -86.85

 

CMYK 0 / 93 / 96 / 4

HEX #F4120A

RGB 244 18 10

HSL 2.05, 0.92%, 0.5%

LAB 51.48, 76.11, 62.66

 

CMYK 51 / 0 / 96 / 4

HEX #77F40A

RGB 119 244 10

HSL 92.05, 0.92%, 0.5%

LAB 86.33, -66.33, 82.09

 

Description

Color code: HEX #0AECF4 | qconv.com Color code: HEX #0AECF4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 236 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 236 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 3 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 3% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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