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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AE0D1 it is the complementary color #F51F2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AE0D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AE0D1 shade: #0FE0CC, #20F2DF, #31FFF2, #42FFFF and #53FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AE0D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AE0D1 shade: #0AE0D1, #00CEBE, #00BCAB, #00AA98 and #009885

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AE0D1 shade: #0AE0D1, #0AE097, #0AE05D, #0AE024 and #2AE00A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AE0D1 shade: #0AE0D1, #0AB5E0, #0A7BE0, #0A42E0 and #0A0AE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AE0D1 shade matches the following richer shades: #0AE0D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AE0D1 shade: #0AE0D1, #1DCDC0, #30BAB0, #43A7A0 and #56948F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AE0D1 shade: #0AE05C, #0AE095, #0AE0CE, #0AB8E0 and #0A7FE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AE0D1 shade: #069187, #08B8AC, #0AE0D1, #1FF4E5 and #46F6EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AE0D1 shade: #0AE0D1, #230AE0 and #E0780A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AE0D1 shade: #0AE0D1, #CE0AE0 and #E0CE0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AE0D1 shade: #0AE0D1, #230AE0, #E00A1C and #C7E00A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AE0D1 shade: #0AE0D1, #630AE0, #E00A1C and #87E00A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 7 / 12

HEX #0AE0D1

RGB 10 224 209

HSL 175.79, 0.91%, 0.46%

LAB 80.73, -47.65, -5.43

 

Complementary color

CMYK 0 / 87 / 81 / 4

HEX #F51F2E

RGB 245 31 46

HSL 355.79, 0.91%, 0.54%

LAB 52.5, 75.15, 48.84

 

CMYK 93 / 0 / 9 / 12

HEX #0FE0CC

RGB 15 224 204

HSL 174.26, 0.87%, 0.47%

LAB 80.61, -48.89, -2.93

 

CMYK 87 / 0 / 8 / 5

HEX #20F2DF

RGB 32 242 223

HSL 174.57, 0.89%, 0.54%

LAB 86.57, -50.51, -4.18

 

CMYK 81 / 0 / 5 / 0

HEX #31FFF2

RGB 49 255 242

HSL 176.21, 1%, 0.6%

LAB 91.05, -49.72, -7.47

 

CMYK 74 / 0 / 0 / 0

HEX #42FFFF

RGB 66 255 255

HSL 180, 1%, 0.63%

LAB 91.64, -44.65, -13.3

 

CMYK 67 / 0 / 0 / 0

HEX #53FFFF

RGB 83 255 255

HSL 180, 1%, 0.66%

LAB 91.94, -42.7, -12.81

 

CMYK 96 / 0 / 7 / 12

HEX #0AE0D1

RGB 10 224 209

HSL 175.79, 0.91%, 0.46%

LAB 80.73, -47.65, -5.43

 

CMYK 100 / 0 / 8 / 19

HEX #00CEBE

RGB 0 206 190

HSL 175.34, 1%, 0.4%

LAB 74.74, -45.59, -4.08

 

CMYK 100 / 0 / 9 / 26

HEX #00BCAB

RGB 0 188 171

HSL 174.57, 1%, 0.37%

LAB 68.68, -43.24, -2.64

 

CMYK 100 / 0 / 11 / 33

HEX #00AA98

RGB 0 170 152

HSL 173.65, 1%, 0.33%

LAB 62.52, -40.85, -1.15

 

CMYK 100 / 0 / 13 / 40

HEX #009885

RGB 0 152 133

HSL 172.5, 1%, 0.3%

LAB 56.24, -38.42, 0.41

 

CMYK 96 / 0 / 7 / 12

HEX #0AE0D1

RGB 10 224 209

HSL 175.79, 0.91%, 0.46%

LAB 80.73, -47.65, -5.43

 

CMYK 96 / 0 / 33 / 12

HEX #0AE097

RGB 10 224 151

HSL 159.53, 0.91%, 0.46%

LAB 79.39, -62.01, 23.28

 

CMYK 96 / 0 / 58 / 12

HEX #0AE05D

RGB 10 224 93

HSL 143.27, 0.91%, 0.46%

LAB 78.56, -71.92, 50.69

 

CMYK 96 / 0 / 84 / 12

HEX #0AE024

RGB 10 224 36

HSL 127.29, 0.91%, 0.46%

LAB 78.17, -76.82, 70.45

 

CMYK 81 / 0 / 96 / 12

HEX #2AE00A

RGB 42 224 10

HSL 111.03, 0.91%, 0.46%

LAB 78.36, -75.36, 74.87

 

CMYK 96 / 0 / 7 / 12

HEX #0AE0D1

RGB 10 224 209

HSL 175.79, 0.91%, 0.46%

LAB 80.73, -47.65, -5.43

 

CMYK 96 / 19 / 0 / 12

HEX #0AB5E0

RGB 10 181 224

HSL 192.06, 0.91%, 0.46%

LAB 68.38, -22.9, -32.21

 

CMYK 96 / 45 / 0 / 12

HEX #0A7BE0

RGB 10 123 224

HSL 208.32, 0.91%, 0.46%

LAB 51.4, 10.14, -59.02

 

CMYK 96 / 71 / 0 / 12

HEX #0A42E0

RGB 10 66 224

HSL 224.3, 0.91%, 0.46%

LAB 36.64, 46.46, -83.09

 

CMYK 96 / 96 / 0 / 12

HEX #0A0AE0

RGB 10 10 224

HSL 240, 0.91%, 0.46%

LAB 28.55, 70.07, -96.54

 

CMYK 96 / 0 / 7 / 12

HEX #0AE0D1

RGB 10 224 209

HSL 175.79, 0.91%, 0.46%

LAB 80.73, -47.65, -5.43

 

CMYK 96 / 0 / 7 / 12

HEX #0AE0D1

RGB 10 224 209

HSL 175.79, 0.91%, 0.46%

LAB 80.73, -47.65, -5.43

 

CMYK 86 / 0 / 6 / 20

HEX #1DCDC0

RGB 29 205 192

HSL 175.57, 0.75%, 0.46%

LAB 74.65, -43.45, -5.27

 

CMYK 74 / 0 / 5 / 27

HEX #30BAB0

RGB 48 186 176

HSL 175.65, 0.59%, 0.46%

LAB 68.66, -37.82, -5.37

 

CMYK 60 / 0 / 4 / 35

HEX #43A7A0

RGB 67 167 160

HSL 175.8, 0.43%, 0.46%

LAB 62.82, -30.53, -5.08

 

CMYK 42 / 0 / 3 / 42

HEX #56948F

RGB 86 148 143

HSL 175.16, 0.26%, 0.46%

LAB 57.21, -21.26, -3.65

 

CMYK 96 / 0 / 59 / 12

HEX #0AE05C

RGB 10 224 92

HSL 142.99, 0.91%, 0.46%

LAB 78.55, -72.04, 51.13

 

CMYK 96 / 0 / 33 / 12

HEX #0AE095

RGB 10 224 149

HSL 158.97, 0.91%, 0.46%

LAB 79.35, -62.43, 24.27

 

CMYK 96 / 0 / 8 / 12

HEX #0AE0CE

RGB 10 224 206

HSL 174.95, 0.91%, 0.46%

LAB 80.65, -48.49, -3.95

 

CMYK 96 / 18 / 0 / 12

HEX #0AB8E0

RGB 10 184 224

HSL 191.21, 0.91%, 0.46%

LAB 69.27, -24.43, -30.83

 

CMYK 96 / 43 / 0 / 12

HEX #0A7FE0

RGB 10 127 224

HSL 207.2, 0.91%, 0.46%

LAB 52.54, 7.66, -57.19

 

CMYK 96 / 0 / 7 / 43

HEX #069187

RGB 6 145 135

HSL 175.68, 0.92%, 0.3%

LAB 54.07, -34.4, -3.92

 

CMYK 96 / 0 / 7 / 28

HEX #08B8AC

RGB 8 184 172

HSL 175.91, 0.92%, 0.38%

LAB 67.51, -40.94, -4.92

 

CMYK 96 / 0 / 7 / 12

HEX #0AE0D1

RGB 10 224 209

HSL 175.79, 0.91%, 0.46%

LAB 80.73, -47.65, -5.43

 

CMYK 87 / 0 / 6 / 4

HEX #1FF4E5

RGB 31 244 229

HSL 175.77, 0.91%, 0.54%

LAB 87.31, -49.77, -6.23

 

CMYK 72 / 0 / 5 / 4

HEX #46F6EA

RGB 70 246 234

HSL 175.91, 0.91%, 0.62%

LAB 88.52, -46, -7.01

 

CMYK 96 / 0 / 7 / 12

HEX #0AE0D1

RGB 10 224 209

HSL 175.79, 0.91%, 0.46%

LAB 80.73, -47.65, -5.43

 

CMYK 84 / 96 / 0 / 12

HEX #230AE0

RGB 35 10 224

HSL 247.01, 0.91%, 0.46%

LAB 29.3, 70.39, -95.26

 

CMYK 0 / 46 / 96 / 12

HEX #E0780A

RGB 224 120 10

HSL 30.84, 0.91%, 0.46%

LAB 61.05, 34.66, 66.54

 

CMYK 96 / 0 / 7 / 12

HEX #0AE0D1

RGB 10 224 209

HSL 175.79, 0.91%, 0.46%

LAB 80.73, -47.65, -5.43

 

CMYK 8 / 96 / 0 / 12

HEX #CE0AE0

RGB 206 10 224

HSL 294.95, 0.91%, 0.46%

LAB 50.36, 85.57, -59.89

 

CMYK 0 / 8 / 96 / 12

HEX #E0CE0A

RGB 224 206 10

HSL 54.95, 0.91%, 0.46%

LAB 81.84, -10.55, 81.31

 

CMYK 96 / 0 / 7 / 12

HEX #0AE0D1

RGB 10 224 209

HSL 175.79, 0.91%, 0.46%

LAB 80.73, -47.65, -5.43

 

CMYK 84 / 96 / 0 / 12

HEX #230AE0

RGB 35 10 224

HSL 247.01, 0.91%, 0.46%

LAB 29.3, 70.39, -95.26

 

CMYK 0 / 96 / 88 / 12

HEX #E00A1C

RGB 224 10 28

HSL 354.95, 0.91%, 0.46%

LAB 47.17, 72.11, 51.48

 

CMYK 11 / 0 / 96 / 12

HEX #C7E00A

RGB 199 224 10

HSL 67.01, 0.91%, 0.46%

LAB 84.73, -29.84, 82.61

 

CMYK 96 / 0 / 7 / 12

HEX #0AE0D1

RGB 10 224 209

HSL 175.79, 0.91%, 0.46%

LAB 80.73, -47.65, -5.43

 

CMYK 56 / 96 / 0 / 12

HEX #630AE0

RGB 99 10 224

HSL 264.95, 0.91%, 0.46%

LAB 34.5, 73.17, -86.46

 

CMYK 0 / 96 / 88 / 12

HEX #E00A1C

RGB 224 10 28

HSL 354.95, 0.91%, 0.46%

LAB 47.17, 72.11, 51.48

 

CMYK 40 / 0 / 96 / 12

HEX #87E00A

RGB 135 224 10

HSL 84.95, 0.91%, 0.46%

LAB 81.01, -54.03, 78.11

 

Description

Color code: HEX #0AE0D1 | qconv.com Color code: HEX #0AE0D1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 224 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 224 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 7 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 7% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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Sherwin Williams® to HEX

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