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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AE04C it is the complementary color #F51FB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AE04C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AE04C shade: #0FE047, #20F25A, #31FF6D, #42FF80 and #53FF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AE04C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AE04C shade: #0AE04C, #00CE39, #00BC26, #00AA13 and #009800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AE04C shade: #0AE04C, #0AE012, #3BE00A, #75E00A and #AFE00A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AE04C shade: #0AE04C, #0AE085, #0AE0BF, #0AC6E0 and #0A8DE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AE04C shade matches the following richer shades: #0AE04C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AE04C shade: #0AE04C, #1DCD53, #30BA5A, #43A762 and #569469

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AE04C shade: #3CE00A, #0AE011, #0AE04A, #0AE083 and #0AE0BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AE04C shade: #069131, #08B83E, #0AE04C, #1FF461 and #46F67C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AE04C shade: #0AE04C, #0A75E0 and #E00A1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AE04C shade: #0AE04C, #4A0AE0 and #E04A0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AE04C shade: #0AE04C, #0A75E0, #E00A9F and #E0750A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AE04C shade: #0AE04C, #0A35E0, #E00A9F and #E0B50A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 66 / 12

HEX #0AE04C

RGB 10 224 76

HSL 138.5, 0.91%, 0.46%

LAB 78.4, -73.87, 57.75

 

Complementary color

CMYK 0 / 87 / 27 / 4

HEX #F51FB3

RGB 245 31 179

HSL 318.5, 0.91%, 0.54%

LAB 55.73, 84.17, -25.05

 

CMYK 93 / 0 / 68 / 12

HEX #0FE047

RGB 15 224 71

HSL 136.08, 0.87%, 0.47%

LAB 78.38, -74.18, 59.71

 

CMYK 87 / 0 / 63 / 5

HEX #20F25A

RGB 32 242 90

HSL 136.57, 0.89%, 0.54%

LAB 84.25, -76.51, 58.54

 

CMYK 81 / 0 / 57 / 0

HEX #31FF6D

RGB 49 255 109

HSL 137.48, 1%, 0.6%

LAB 88.58, -76.75, 55.42

 

CMYK 74 / 0 / 50 / 0

HEX #42FF80

RGB 66 255 128

HSL 139.68, 1%, 0.63%

LAB 89.03, -72.19, 47.37

 

CMYK 67 / 0 / 42 / 0

HEX #53FF93

RGB 83 255 147

HSL 142.33, 1%, 0.66%

LAB 89.61, -66.7, 39.06

 

CMYK 96 / 0 / 66 / 12

HEX #0AE04C

RGB 10 224 76

HSL 138.5, 0.91%, 0.46%

LAB 78.4, -73.87, 57.75

 

CMYK 100 / 0 / 72 / 19

HEX #00CE39

RGB 0 206 57

HSL 136.6, 1%, 0.4%

LAB 72.52, -70.84, 58.78

 

CMYK 100 / 0 / 80 / 26

HEX #00BC26

RGB 0 188 38

HSL 132.13, 1%, 0.37%

LAB 66.6, -67.15, 59.22

 

CMYK 100 / 0 / 89 / 33

HEX #00AA13

RGB 0 170 19

HSL 126.71, 1%, 0.33%

LAB 60.6, -63.06, 58.54

 

CMYK 100 / 0 / 100 / 40

HEX #009800

RGB 0 152 0

HSL 120, 1%, 0.3%

LAB 54.51, -58.58, 56.54

 

CMYK 96 / 0 / 66 / 12

HEX #0AE04C

RGB 10 224 76

HSL 138.5, 0.91%, 0.46%

LAB 78.4, -73.87, 57.75

 

CMYK 96 / 0 / 92 / 12

HEX #0AE012

RGB 10 224 18

HSL 122.24, 0.91%, 0.46%

LAB 78.12, -77.46, 73.68

 

CMYK 74 / 0 / 96 / 12

HEX #3BE00A

RGB 59 224 10

HSL 106.26, 0.91%, 0.46%

LAB 78.61, -73.11, 75.18

 

CMYK 48 / 0 / 96 / 12

HEX #75E00A

RGB 117 224 10

HSL 90, 0.91%, 0.46%

LAB 80.24, -59.75, 77.18

 

CMYK 22 / 0 / 96 / 12

HEX #AFE00A

RGB 175 224 10

HSL 73.74, 0.91%, 0.46%

LAB 83.15, -39.45, 80.71

 

CMYK 96 / 0 / 66 / 12

HEX #0AE04C

RGB 10 224 76

HSL 138.5, 0.91%, 0.46%

LAB 78.4, -73.87, 57.75

 

CMYK 96 / 0 / 41 / 12

HEX #0AE085

RGB 10 224 133

HSL 154.49, 0.91%, 0.46%

LAB 79.08, -65.61, 32.1

 

CMYK 96 / 0 / 15 / 12

HEX #0AE0BF

RGB 10 224 191

HSL 170.75, 0.91%, 0.46%

LAB 80.26, -52.52, 3.45

 

CMYK 96 / 12 / 0 / 12

HEX #0AC6E0

RGB 10 198 224

HSL 187.29, 0.91%, 0.46%

LAB 73.44, -31.36, -24.43

 

CMYK 96 / 37 / 0 / 12

HEX #0A8DE0

RGB 10 141 224

HSL 203.27, 0.91%, 0.46%

LAB 56.58, -0.8, -50.73

 

CMYK 96 / 0 / 66 / 12

HEX #0AE04C

RGB 10 224 76

HSL 138.5, 0.91%, 0.46%

LAB 78.4, -73.87, 57.75

 

CMYK 96 / 0 / 66 / 12

HEX #0AE04C

RGB 10 224 76

HSL 138.5, 0.91%, 0.46%

LAB 78.4, -73.87, 57.75

 

CMYK 86 / 0 / 60 / 20

HEX #1DCD53

RGB 29 205 83

HSL 138.41, 0.75%, 0.46%

LAB 72.59, -66.28, 48.27

 

CMYK 74 / 0 / 52 / 27

HEX #30BA5A

RGB 48 186 90

HSL 138.26, 0.59%, 0.46%

LAB 66.89, -56.82, 38.2

 

CMYK 60 / 0 / 41 / 35

HEX #43A762

RGB 67 167 98

HSL 138.6, 0.43%, 0.46%

LAB 61.41, -44.73, 27.21

 

CMYK 42 / 0 / 29 / 42

HEX #569469

RGB 86 148 105

HSL 138.39, 0.26%, 0.46%

LAB 56.27, -29.9, 16.61

 

CMYK 73 / 0 / 96 / 12

HEX #3CE00A

RGB 60 224 10

HSL 105.98, 0.91%, 0.46%

LAB 78.63, -72.95, 75.2

 

CMYK 96 / 0 / 92 / 12

HEX #0AE011

RGB 10 224 17

HSL 121.96, 0.91%, 0.46%

LAB 78.12, -77.49, 73.81

 

CMYK 96 / 0 / 67 / 12

HEX #0AE04A

RGB 10 224 74

HSL 137.94, 0.91%, 0.46%

LAB 78.39, -74.08, 58.53

 

CMYK 96 / 0 / 42 / 12

HEX #0AE083

RGB 10 224 131

HSL 153.93, 0.91%, 0.46%

LAB 79.05, -65.98, 33.07

 

CMYK 96 / 0 / 16 / 12

HEX #0AE0BC

RGB 10 224 188

HSL 169.91, 0.91%, 0.46%

LAB 80.18, -53.3, 4.94

 

CMYK 96 / 0 / 66 / 43

HEX #069131

RGB 6 145 49

HSL 138.56, 0.92%, 0.3%

LAB 52.41, -53.03, 40.6

 

CMYK 96 / 0 / 66 / 28

HEX #08B83E

RGB 8 184 62

HSL 138.41, 0.92%, 0.38%

LAB 65.5, -63.57, 49.4

 

CMYK 96 / 0 / 66 / 12

HEX #0AE04C

RGB 10 224 76

HSL 138.5, 0.91%, 0.46%

LAB 78.4, -73.87, 57.75

 

CMYK 87 / 0 / 60 / 4

HEX #1FF461

RGB 31 244 97

HSL 138.59, 0.91%, 0.54%

LAB 84.92, -76.38, 56.34

 

CMYK 72 / 0 / 50 / 4

HEX #46F67C

RGB 70 246 124

HSL 138.41, 0.91%, 0.62%

LAB 86.34, -69.19, 45.93

 

CMYK 96 / 0 / 66 / 12

HEX #0AE04C

RGB 10 224 76

HSL 138.5, 0.91%, 0.46%

LAB 78.4, -73.87, 57.75

 

CMYK 96 / 48 / 0 / 12

HEX #0A75E0

RGB 10 117 224

HSL 210, 0.91%, 0.46%

LAB 49.7, 13.91, -61.75

 

CMYK 0 / 96 / 86 / 12

HEX #E00A1F

RGB 224 10 31

HSL 354.11, 0.91%, 0.46%

LAB 47.19, 72.17, 50.07

 

CMYK 96 / 0 / 66 / 12

HEX #0AE04C

RGB 10 224 76

HSL 138.5, 0.91%, 0.46%

LAB 78.4, -73.87, 57.75

 

CMYK 67 / 96 / 0 / 12

HEX #4A0AE0

RGB 74 10 224

HSL 257.94, 0.91%, 0.46%

LAB 31.93, 71.69, -90.81

 

CMYK 0 / 67 / 96 / 12

HEX #E04A0A

RGB 224 74 10

HSL 17.94, 0.91%, 0.46%

LAB 52.69, 56.19, 61.27

 

CMYK 96 / 0 / 66 / 12

HEX #0AE04C

RGB 10 224 76

HSL 138.5, 0.91%, 0.46%

LAB 78.4, -73.87, 57.75

 

CMYK 96 / 48 / 0 / 12

HEX #0A75E0

RGB 10 117 224

HSL 210, 0.91%, 0.46%

LAB 49.7, 13.91, -61.75

 

CMYK 0 / 96 / 29 / 12

HEX #E00A9F

RGB 224 10 159

HSL 318.22, 0.91%, 0.46%

LAB 50.18, 80.19, -22.16

 

CMYK 0 / 48 / 96 / 12

HEX #E0750A

RGB 224 117 10

HSL 30, 0.91%, 0.46%

LAB 60.42, 36.2, 66.13

 

CMYK 96 / 0 / 66 / 12

HEX #0AE04C

RGB 10 224 76

HSL 138.5, 0.91%, 0.46%

LAB 78.4, -73.87, 57.75

 

CMYK 96 / 76 / 0 / 12

HEX #0A35E0

RGB 10 53 224

HSL 227.94, 0.91%, 0.46%

LAB 33.97, 53.94, -87.51

 

CMYK 0 / 96 / 29 / 12

HEX #E00A9F

RGB 224 10 159

HSL 318.22, 0.91%, 0.46%

LAB 50.18, 80.19, -22.16

 

CMYK 0 / 19 / 96 / 12

HEX #E0B50A

RGB 224 181 10

HSL 47.94, 0.91%, 0.46%

LAB 75.4, 2.32, 76.58

 

Description

Color code: HEX #0AE04C | qconv.com Color code: HEX #0AE04C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 224 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 224 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 66 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 66% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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