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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AC070 it is the complementary color #F53F8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AC070. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AC070 shade: #0FC06B, #20D27E, #31E491, #42F6A4 and #53FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AC070. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AC070 shade: #0AC070, #00AE5D, #009C4A, #008A37 and #007824

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AC070 shade: #0AC171, #0AC13F, #0AC10E, #37C10A and #69C10A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AC070 shade: #0AC171, #0AC1A2, #0AAFC1, #0A7DC1 and #0A4CC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AC070 shade matches the following richer shades: #0AC171

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AC070 shade: #0AC171, #1AB16F, #2BA06D, #3B906B and #4C7F69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AC070 shade: #0AC10D, #0AC13E, #0AC16F, #0AC1A0 and #0AB2C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AC070 shade: #067343, #089A5A, #0AC171, #0CE887 and #2AF39B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AC070 shade: #0AC070, #0A38C1 and #C1250A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AC070 shade: #0AC070, #6F0AC1 and #C16F0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AC070 shade: #0AC070, #0A38C1, #C10A5C and #C1930A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AC070 shade: #0AC070, #130AC1, #C10A5C and #B8C10A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 42 / 25

HEX #0AC070

RGB 10 192 112

HSL 153.63, 0.9%, 0.4%

LAB 68.7, -58.57, 29.23

 

Complementary color

CMYK 0 / 74 / 42 / 4

HEX #F53F8F

RGB 245 63 143

HSL 333.63, 0.9%, 0.6%

LAB 57.03, 73.16, -1.97

 

CMYK 92 / 0 / 44 / 25

HEX #0FC06B

RGB 15 192 107

HSL 151.19, 0.86%, 0.41%

LAB 68.65, -59.28, 31.76

 

CMYK 85 / 0 / 40 / 18

HEX #20D27E

RGB 32 210 126

HSL 151.69, 0.74%, 0.47%

LAB 74.77, -60.9, 30.01

 

CMYK 79 / 0 / 36 / 11

HEX #31E491

RGB 49 228 145

HSL 152.18, 0.77%, 0.54%

LAB 80.84, -62.06, 28.39

 

CMYK 73 / 0 / 33 / 4

HEX #42F6A4

RGB 66 246 164

HSL 152.67, 0.91%, 0.61%

LAB 86.87, -62.88, 26.89

 

CMYK 67 / 0 / 28 / 0

HEX #53FFB7

RGB 83 255 183

HSL 154.88, 1%, 0.66%

LAB 90.22, -60.02, 21.86

 

CMYK 95 / 0 / 42 / 25

HEX #0AC070

RGB 10 192 112

HSL 153.63, 0.9%, 0.4%

LAB 68.7, -58.57, 29.23

 

CMYK 100 / 0 / 47 / 32

HEX #00AE5D

RGB 0 174 93

HSL 152.07, 1%, 0.34%

LAB 62.56, -56.29, 31.13

 

CMYK 100 / 0 / 53 / 39

HEX #009C4A

RGB 0 156 74

HSL 148.46, 1%, 0.31%

LAB 56.36, -53.45, 33.12

 

CMYK 100 / 0 / 60 / 46

HEX #008A37

RGB 0 138 55

HSL 143.91, 1%, 0.27%

LAB 50.04, -50.38, 35.06

 

CMYK 100 / 0 / 70 / 53

HEX #007824

RGB 0 120 36

HSL 138, 1%, 0.24%

LAB 43.6, -46.95, 36.74

 

CMYK 95 / 0 / 41 / 24

HEX #0AC171

RGB 10 193 113

HSL 153.77, 0.9%, 0.4%

LAB 69.04, -58.73, 29.15

 

CMYK 95 / 0 / 67 / 24

HEX #0AC13F

RGB 10 193 63

HSL 137.38, 0.9%, 0.4%

LAB 68.43, -66.09, 52.18

 

CMYK 95 / 0 / 93 / 24

HEX #0AC10E

RGB 10 193 14

HSL 121.31, 0.9%, 0.4%

LAB 68.19, -69.15, 65.89

 

CMYK 72 / 0 / 95 / 24

HEX #37C10A

RGB 55 193 10

HSL 105.25, 0.9%, 0.4%

LAB 68.73, -64.4, 67.06

 

CMYK 46 / 0 / 95 / 24

HEX #69C10A

RGB 105 193 10

HSL 88.85, 0.9%, 0.4%

LAB 70.29, -51.8, 68.97

 

CMYK 95 / 0 / 41 / 24

HEX #0AC171

RGB 10 193 113

HSL 153.77, 0.9%, 0.4%

LAB 69.04, -58.73, 29.15

 

CMYK 95 / 0 / 16 / 24

HEX #0AC1A2

RGB 10 193 162

HSL 169.84, 0.9%, 0.4%

LAB 70.04, -47.49, 4.28

 

CMYK 95 / 9 / 0 / 24

HEX #0AAFC1

RGB 10 175 193

HSL 185.9, 0.9%, 0.4%

LAB 65.42, -30.23, -19.68

 

CMYK 95 / 35 / 0 / 24

HEX #0A7DC1

RGB 10 125 193

HSL 202.3, 0.9%, 0.4%

LAB 50.19, -3.14, -43.33

 

CMYK 95 / 61 / 0 / 24

HEX #0A4CC1

RGB 10 76 193

HSL 218.36, 0.9%, 0.4%

LAB 36.14, 28.38, -65.98

 

CMYK 95 / 0 / 41 / 24

HEX #0AC171

RGB 10 193 113

HSL 153.77, 0.9%, 0.4%

LAB 69.04, -58.73, 29.15

 

CMYK 95 / 0 / 41 / 24

HEX #0AC171

RGB 10 193 113

HSL 153.77, 0.9%, 0.4%

LAB 69.04, -58.73, 29.15

 

CMYK 85 / 0 / 37 / 31

HEX #1AB16F

RGB 26 177 111

HSL 153.77, 0.74%, 0.4%

LAB 64.01, -52.42, 23.56

 

CMYK 73 / 0 / 32 / 37

HEX #2BA06D

RGB 43 160 109

HSL 153.85, 0.58%, 0.4%

LAB 58.75, -44.25, 17.57

 

CMYK 59 / 0 / 26 / 44

HEX #3B906B

RGB 59 144 107

HSL 153.88, 0.42%, 0.4%

LAB 53.96, -34.82, 12.12

 

CMYK 40 / 0 / 17 / 50

HEX #4C7F69

RGB 76 127 105

HSL 154.12, 0.25%, 0.4%

LAB 49.17, -22.52, 6.62

 

CMYK 95 / 0 / 93 / 24

HEX #0AC10D

RGB 10 193 13

HSL 120.98, 0.9%, 0.4%

LAB 68.19, -69.18, 66.02

 

CMYK 95 / 0 / 68 / 24

HEX #0AC13E

RGB 10 193 62

HSL 137.05, 0.9%, 0.4%

LAB 68.43, -66.19, 52.58

 

CMYK 95 / 0 / 42 / 24

HEX #0AC16F

RGB 10 193 111

HSL 153.11, 0.9%, 0.4%

LAB 69.01, -59.11, 30.15

 

CMYK 95 / 0 / 17 / 24

HEX #0AC1A0

RGB 10 193 160

HSL 169.18, 0.9%, 0.4%

LAB 70, -48.02, 5.3

 

CMYK 95 / 8 / 0 / 24

HEX #0AB2C1

RGB 10 178 193

HSL 184.92, 0.9%, 0.4%

LAB 66.33, -31.68, -18.29

 

CMYK 95 / 0 / 42 / 55

HEX #067343

RGB 6 115 67

HSL 153.58, 0.9%, 0.24%

LAB 42.32, -39.62, 18.99

 

CMYK 95 / 0 / 42 / 40

HEX #089A5A

RGB 8 154 90

HSL 153.7, 0.9%, 0.32%

LAB 55.99, -49.41, 24.21

 

CMYK 95 / 0 / 41 / 24

HEX #0AC171

RGB 10 193 113

HSL 153.77, 0.9%, 0.4%

LAB 69.04, -58.73, 29.15

 

CMYK 95 / 0 / 42 / 9

HEX #0CE887

RGB 12 232 135

HSL 153.55, 0.9%, 0.48%

LAB 81.59, -67.87, 34.38

 

CMYK 83 / 0 / 36 / 5

HEX #2AF39B

RGB 42 243 155

HSL 153.73, 0.89%, 0.56%

LAB 85.48, -66.13, 29.52

 

CMYK 95 / 0 / 42 / 25

HEX #0AC070

RGB 10 192 112

HSL 153.63, 0.9%, 0.4%

LAB 68.7, -58.57, 29.23

 

CMYK 95 / 71 / 0 / 24

HEX #0A38C1

RGB 10 56 193

HSL 224.92, 0.9%, 0.4%

LAB 31.21, 41.36, -74.08

 

CMYK 0 / 81 / 95 / 24

HEX #C1250A

RGB 193 37 10

HSL 8.85, 0.9%, 0.4%

LAB 42.28, 59.05, 52.14

 

CMYK 95 / 0 / 42 / 25

HEX #0AC070

RGB 10 192 112

HSL 153.63, 0.9%, 0.4%

LAB 68.7, -58.57, 29.23

 

CMYK 42 / 95 / 0 / 24

HEX #6F0AC1

RGB 111 10 193

HSL 273.11, 0.9%, 0.4%

LAB 32.8, 67.37, -71.21

 

CMYK 0 / 42 / 95 / 24

HEX #C16F0A

RGB 193 111 10

HSL 33.11, 0.9%, 0.4%

LAB 54.79, 26.49, 60.25

 

CMYK 95 / 0 / 42 / 25

HEX #0AC070

RGB 10 192 112

HSL 153.63, 0.9%, 0.4%

LAB 68.7, -58.57, 29.23

 

CMYK 95 / 71 / 0 / 24

HEX #0A38C1

RGB 10 56 193

HSL 224.92, 0.9%, 0.4%

LAB 31.21, 41.36, -74.08

 

CMYK 0 / 95 / 52 / 24

HEX #C10A5C

RGB 193 10 92

HSL 333.11, 0.9%, 0.4%

LAB 41.73, 67.33, 5.72

 

CMYK 0 / 24 / 95 / 24

HEX #C1930A

RGB 193 147 10

HSL 44.92, 0.9%, 0.4%

LAB 63.53, 6.77, 66.49

 

CMYK 95 / 0 / 42 / 25

HEX #0AC070

RGB 10 192 112

HSL 153.63, 0.9%, 0.4%

LAB 68.7, -58.57, 29.23

 

CMYK 90 / 95 / 0 / 24

HEX #130AC1

RGB 19 10 193

HSL 242.95, 0.9%, 0.4%

LAB 24.34, 62.18, -85.5

 

CMYK 0 / 95 / 52 / 24

HEX #C10A5C

RGB 193 10 92

HSL 333.11, 0.9%, 0.4%

LAB 41.73, 67.33, 5.72

 

CMYK 5 / 0 / 95 / 24

HEX #B8C10A

RGB 184 193 10

HSL 62.95, 0.9%, 0.4%

LAB 75.05, -21.24, 74.74

 

Description

Color code: HEX #0AC070 | qconv.com Color code: HEX #0AC070 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 192 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 192 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 42 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 42% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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