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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AB5CB it is the complementary color #F54A34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AB5CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AB5CB shade: #0FB5C6, #20C7D9, #31D9EC, #42EBFF and #53FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AB5CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AB5CB shade: #0AB5CB, #00A3B8, #0091A5, #007F92 and #006D7F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AB5CB shade: #09B6CC, #0981CC, #094DCC, #0918CC and #2F09CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AB5CB shade: #09B6CC, #0981CC, #094DCC, #0918CC and #0909CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AB5CB shade matches the following richer shades: #09B6CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AB5CB shade: #09B6CC, #1AA8BB, #2C9BA9, #3D8E98 and #4E8087

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AB5CB shade: #09CC78, #09CCAC, #09B9CC, #0985CC and #0951CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AB5CB shade: #05707D, #0793A5, #09B6CC, #0BD9F3 and #33DFF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AB5CB shade: #0AB5CB, #4409CC and #CC9209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AB5CB shade: #0AB5CB, #CC09B9 and #B9CC09

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AB5CB shade: #0AB5CB, #4409CC, #CC1D09 and #92CC09

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AB5CB shade: #0AB5CB, #7E09CC, #CC1D09 and #57CC09

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 11 / 0 / 20

HEX #0AB5CB

RGB 10 181 203

HSL 186.84, 0.91%, 0.42%

LAB 67.59, -29.91, -21.89

 

Complementary color

CMYK 0 / 70 / 79 / 4

HEX #F54A34

RGB 245 74 52

HSL 6.84, 0.91%, 0.58%

LAB 56.64, 63.83, 49.81

 

CMYK 92 / 9 / 0 / 22

HEX #0FB5C6

RGB 15 181 198

HSL 185.57, 0.86%, 0.42%

LAB 67.45, -31.35, -19.36

 

CMYK 85 / 8 / 0 / 15

HEX #20C7D9

RGB 32 199 217

HSL 185.84, 0.74%, 0.49%

LAB 73.65, -33.09, -20.3

 

CMYK 79 / 8 / 0 / 7

HEX #31D9EC

RGB 49 217 236

HSL 186.1, 0.83%, 0.56%

LAB 79.8, -34.48, -21.16

 

CMYK 74 / 8 / 0 / 0

HEX #42EBFF

RGB 66 235 255

HSL 186.35, 1%, 0.63%

LAB 85.9, -35.6, -21.93

 

CMYK 67 / 1 / 0 / 0

HEX #53FDFF

RGB 83 253 255

HSL 180.7, 1%, 0.66%

LAB 91.37, -41.81, -13.67

 

CMYK 95 / 11 / 0 / 20

HEX #0AB5CB

RGB 10 181 203

HSL 186.84, 0.91%, 0.42%

LAB 67.59, -29.91, -21.89

 

CMYK 100 / 11 / 0 / 28

HEX #00A3B8

RGB 0 163 184

HSL 186.85, 1%, 0.36%

LAB 61.36, -27.61, -20.85

 

CMYK 100 / 12 / 0 / 35

HEX #0091A5

RGB 0 145 165

HSL 187.27, 1%, 0.32%

LAB 55.04, -24.95, -19.72

 

CMYK 100 / 13 / 0 / 43

HEX #007F92

RGB 0 127 146

HSL 187.81, 1%, 0.29%

LAB 48.58, -22.22, -18.58

 

CMYK 100 / 14 / 0 / 50

HEX #006D7F

RGB 0 109 127

HSL 188.5, 1%, 0.25%

LAB 41.95, -19.4, -17.43

 

CMYK 96 / 11 / 0 / 20

HEX #09B6CC

RGB 9 182 204

HSL 186.77, 0.92%, 0.42%

LAB 67.93, -30.1, -21.93

 

CMYK 96 / 37 / 0 / 20

HEX #0981CC

RGB 9 129 204

HSL 203.08, 0.92%, 0.42%

LAB 51.97, -1.33, -46.79

 

CMYK 96 / 62 / 0 / 20

HEX #094DCC

RGB 9 77 204

HSL 219.08, 0.92%, 0.42%

LAB 37.35, 32, -70.42

 

CMYK 96 / 88 / 0 / 20

HEX #0918CC

RGB 9 24 204

HSL 235.38, 0.92%, 0.42%

LAB 26.94, 61.07, -87.64

 

CMYK 77 / 96 / 0 / 20

HEX #2F09CC

RGB 47 9 204

HSL 251.69, 0.92%, 0.42%

LAB 27.18, 65.87, -87.19

 

CMYK 96 / 11 / 0 / 20

HEX #09B6CC

RGB 9 182 204

HSL 186.77, 0.92%, 0.42%

LAB 67.93, -30.1, -21.93

 

CMYK 96 / 37 / 0 / 20

HEX #0981CC

RGB 9 129 204

HSL 203.08, 0.92%, 0.42%

LAB 51.97, -1.33, -46.79

 

CMYK 96 / 62 / 0 / 20

HEX #094DCC

RGB 9 77 204

HSL 219.08, 0.92%, 0.42%

LAB 37.35, 32, -70.42

 

CMYK 96 / 88 / 0 / 20

HEX #0918CC

RGB 9 24 204

HSL 235.38, 0.92%, 0.42%

LAB 26.94, 61.07, -87.64

 

CMYK 96 / 96 / 0 / 20

HEX #0909CC

RGB 9 9 204

HSL 240, 0.92%, 0.42%

LAB 25.6, 65.15, -89.87

 

CMYK 96 / 11 / 0 / 20

HEX #09B6CC

RGB 9 182 204

HSL 186.77, 0.92%, 0.42%

LAB 67.93, -30.1, -21.93

 

CMYK 96 / 11 / 0 / 20

HEX #09B6CC

RGB 9 182 204

HSL 186.77, 0.92%, 0.42%

LAB 67.93, -30.1, -21.93

 

CMYK 86 / 10 / 0 / 27

HEX #1AA8BB

RGB 26 168 187

HSL 187.08, 0.76%, 0.42%

LAB 63.19, -27.96, -19.72

 

CMYK 74 / 8 / 0 / 34

HEX #2C9BA9

RGB 44 155 169

HSL 186.72, 0.59%, 0.42%

LAB 58.83, -25.53, -16.19

 

CMYK 60 / 7 / 0 / 40

HEX #3D8E98

RGB 61 142 152

HSL 186.59, 0.43%, 0.42%

LAB 54.66, -21.41, -12.73

 

CMYK 42 / 5 / 0 / 47

HEX #4E8087

RGB 78 128 135

HSL 187.37, 0.27%, 0.42%

LAB 50.46, -14.87, -9.09

 

CMYK 96 / 0 / 41 / 20

HEX #09CC78

RGB 9 204 120

HSL 154.15, 0.92%, 0.42%

LAB 72.63, -61.25, 30.25

 

CMYK 96 / 0 / 16 / 20

HEX #09CCAC

RGB 9 204 172

HSL 170.15, 0.92%, 0.42%

LAB 73.69, -49.4, 4.12

 

CMYK 96 / 9 / 0 / 20

HEX #09B9CC

RGB 9 185 204

HSL 185.85, 0.92%, 0.42%

LAB 68.83, -31.55, -20.55

 

CMYK 96 / 35 / 0 / 20

HEX #0985CC

RGB 9 133 204

HSL 201.85, 0.92%, 0.42%

LAB 53.16, -3.72, -44.9

 

CMYK 96 / 60 / 0 / 20

HEX #0951CC

RGB 9 81 204

HSL 217.85, 0.92%, 0.42%

LAB 38.38, 29.37, -68.72

 

CMYK 96 / 10 / 0 / 51

HEX #05707D

RGB 5 112 125

HSL 186.5, 0.92%, 0.25%

LAB 42.92, -21.43, -14.75

 

CMYK 96 / 11 / 0 / 35

HEX #0793A5

RGB 7 147 165

HSL 186.84, 0.92%, 0.34%

LAB 55.71, -25.68, -18.69

 

CMYK 96 / 11 / 0 / 20

HEX #09B6CC

RGB 9 182 204

HSL 186.77, 0.92%, 0.42%

LAB 67.93, -30.1, -21.93

 

CMYK 95 / 11 / 0 / 5

HEX #0BD9F3

RGB 11 217 243

HSL 186.72, 0.91%, 0.5%

LAB 79.71, -34.35, -25.06

 

CMYK 79 / 9 / 0 / 4

HEX #33DFF5

RGB 51 223 245

HSL 186.8, 0.91%, 0.58%

LAB 81.88, -34.41, -22.79

 

CMYK 95 / 11 / 0 / 20

HEX #0AB5CB

RGB 10 181 203

HSL 186.84, 0.91%, 0.42%

LAB 67.59, -29.91, -21.89

 

CMYK 67 / 96 / 0 / 20

HEX #4409CC

RGB 68 9 204

HSL 258.15, 0.92%, 0.42%

LAB 28.86, 66.74, -84.35

 

CMYK 0 / 28 / 96 / 20

HEX #CC9209

RGB 204 146 9

HSL 42.15, 0.92%, 0.42%

LAB 64.5, 12.2, 67.88

 

CMYK 95 / 11 / 0 / 20

HEX #0AB5CB

RGB 10 181 203

HSL 186.84, 0.91%, 0.42%

LAB 67.59, -29.91, -21.89

 

CMYK 0 / 96 / 9 / 20

HEX #CC09B9

RGB 204 9 185

HSL 305.85, 0.92%, 0.42%

LAB 47.67, 79.65, -41.71

 

CMYK 9 / 0 / 96 / 20

HEX #B9CC09

RGB 185 204 9

HSL 65.85, 0.92%, 0.42%

LAB 78.18, -26.18, 77.26

 

CMYK 95 / 11 / 0 / 20

HEX #0AB5CB

RGB 10 181 203

HSL 186.84, 0.91%, 0.42%

LAB 67.59, -29.91, -21.89

 

CMYK 67 / 96 / 0 / 20

HEX #4409CC

RGB 68 9 204

HSL 258.15, 0.92%, 0.42%

LAB 28.86, 66.74, -84.35

 

CMYK 0 / 86 / 96 / 20

HEX #CC1D09

RGB 204 29 9

HSL 6.15, 0.92%, 0.42%

LAB 43.85, 64.04, 54.5

 

CMYK 28 / 0 / 96 / 20

HEX #92CC09

RGB 146 204 9

HSL 77.85, 0.92%, 0.42%

LAB 75.65, -41.86, 74.2

 

CMYK 95 / 11 / 0 / 20

HEX #0AB5CB

RGB 10 181 203

HSL 186.84, 0.91%, 0.42%

LAB 67.59, -29.91, -21.89

 

CMYK 38 / 96 / 0 / 20

HEX #7E09CC

RGB 126 9 204

HSL 276, 0.92%, 0.42%

LAB 35.97, 71.41, -72.37

 

CMYK 0 / 86 / 96 / 20

HEX #CC1D09

RGB 204 29 9

HSL 6.15, 0.92%, 0.42%

LAB 43.85, 64.04, 54.5

 

CMYK 57 / 0 / 96 / 20

HEX #57CC09

RGB 87 204 9

HSL 96, 0.92%, 0.42%

LAB 73.04, -61.02, 71.03

 

Description

Color code: HEX #0AB5CB | qconv.com Color code: HEX #0AB5CB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 181 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 181 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 11 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 11% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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