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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0A8D43 it is the complementary color #F572BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0A8D43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0A8D43 shade: #0F8D3E, #209F51, #31B164, #42C377 and #53D58A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0A8D43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0A8D43 shade: #0A8D43, #007B30, #00691D, #00570A and #004500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0A8D43 shade: #098F43, #098F1F, #178F09, #3B8F09 and #5F8F09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0A8D43 shade: #098F43, #098F67, #098F8B, #096E8F and #094A8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0A8D43 shade matches the following richer shades: #098F43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0A8D43 shade: #098F43, #168245, #227647, #2F6948 and #3B5D4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0A8D43 shade: #178F09, #098F20, #098F43, #098F67 and #098F8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0A8D43 shade: #04411F, #076831, #098F43, #0CB556 and #0FDC68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0A8D43 shade: #0A8D43, #093A8F and #8F0E09

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0A8D43 shade: #0A8D43, #43098F and #8F4309

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0A8D43 shade: #0A8D43, #093A8F, #8F0955 and #8F5E09

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0A8D43 shade: #0A8D43, #09128F, #8F0955 and #8F8609

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 52 / 45

HEX #0A8D43

RGB 10 141 67

HSL 146.11, 0.87%, 0.3%

LAB 51.29, -48.89, 30.49

 

Complementary color

CMYK 0 / 53 / 23 / 4

HEX #F572BC

RGB 245 114 188

HSL 326.11, 0.87%, 0.7%

LAB 65.81, 58.27, -14.85

 

CMYK 89 / 0 / 56 / 45

HEX #0F8D3E

RGB 15 141 62

HSL 142.38, 0.81%, 0.31%

LAB 51.27, -49.33, 33.04

 

CMYK 80 / 0 / 49 / 38

HEX #209F51

RGB 32 159 81

HSL 143.15, 0.66%, 0.37%

LAB 57.75, -50.85, 31.31

 

CMYK 72 / 0 / 44 / 31

HEX #31B164

RGB 49 177 100

HSL 143.91, 0.57%, 0.44%

LAB 64.17, -51.75, 29.67

 

CMYK 66 / 0 / 39 / 24

HEX #42C377

RGB 66 195 119

HSL 144.65, 0.52%, 0.51%

LAB 70.54, -52.26, 28.15

 

CMYK 61 / 0 / 35 / 16

HEX #53D58A

RGB 83 213 138

HSL 145.38, 0.61%, 0.58%

LAB 76.84, -52.51, 26.74

 

CMYK 93 / 0 / 52 / 45

HEX #0A8D43

RGB 10 141 67

HSL 146.11, 0.87%, 0.3%

LAB 51.29, -48.89, 30.49

 

CMYK 100 / 0 / 61 / 52

HEX #007B30

RGB 0 123 48

HSL 143.41, 1%, 0.24%

LAB 44.77, -46.39, 32.36

 

CMYK 100 / 0 / 72 / 59

HEX #00691D

RGB 0 105 29

HSL 136.57, 1%, 0.21%

LAB 38.18, -42.85, 34.03

 

CMYK 100 / 0 / 89 / 66

HEX #00570A

RGB 0 87 10

HSL 126.9, 1%, 0.17%

LAB 31.44, -38.71, 34.66

 

CMYK 100 / 0 / 100 / 73

HEX #004500

RGB 0 69 0

HSL 120, 1%, 0.14%

LAB 24.5, -33.65, 32.1

 

CMYK 94 / 0 / 53 / 44

HEX #098F43

RGB 9 143 67

HSL 145.97, 0.88%, 0.3%

LAB 51.96, -49.65, 31.31

 

CMYK 94 / 0 / 78 / 44

HEX #098F1F

RGB 9 143 31

HSL 129.85, 0.88%, 0.3%

LAB 51.61, -53.96, 47.01

 

CMYK 84 / 0 / 94 / 44

HEX #178F09

RGB 23 143 9

HSL 113.73, 0.88%, 0.3%

LAB 51.66, -53.85, 52.77

 

CMYK 59 / 0 / 94 / 44

HEX #3B8F09

RGB 59 143 9

HSL 97.61, 0.88%, 0.3%

LAB 52.5, -46.72, 53.81

 

CMYK 34 / 0 / 94 / 44

HEX #5F8F09

RGB 95 143 9

HSL 81.49, 0.88%, 0.3%

LAB 54.13, -34.56, 55.82

 

CMYK 94 / 0 / 53 / 44

HEX #098F43

RGB 9 143 67

HSL 145.97, 0.88%, 0.3%

LAB 51.96, -49.65, 31.31

 

CMYK 94 / 0 / 28 / 44

HEX #098F67

RGB 9 143 103

HSL 162.09, 0.88%, 0.3%

LAB 52.6, -42.21, 12.36

 

CMYK 94 / 0 / 3 / 44

HEX #098F8B

RGB 9 143 139

HSL 178.21, 0.88%, 0.3%

LAB 53.56, -32.1, -6.97

 

CMYK 94 / 23 / 0 / 44

HEX #096E8F

RGB 9 110 143

HSL 194.78, 0.88%, 0.3%

LAB 43.05, -13.51, -25.33

 

CMYK 94 / 48 / 0 / 44

HEX #094A8F

RGB 9 74 143

HSL 210.9, 0.88%, 0.3%

LAB 31.67, 9.18, -43.36

 

CMYK 94 / 0 / 53 / 44

HEX #098F43

RGB 9 143 67

HSL 145.97, 0.88%, 0.3%

LAB 51.96, -49.65, 31.31

 

CMYK 94 / 0 / 53 / 44

HEX #098F43

RGB 9 143 67

HSL 145.97, 0.88%, 0.3%

LAB 51.96, -49.65, 31.31

 

CMYK 83 / 0 / 47 / 49

HEX #168245

RGB 22 130 69

HSL 146.11, 0.71%, 0.3%

LAB 47.71, -43.48, 24.93

 

CMYK 71 / 0 / 40 / 54

HEX #227647

RGB 34 118 71

HSL 146.43, 0.55%, 0.3%

LAB 43.87, -36.47, 18.84

 

CMYK 55 / 0 / 31 / 59

HEX #2F6948

RGB 47 105 72

HSL 145.86, 0.38%, 0.3%

LAB 39.87, -27.4, 12.92

 

CMYK 37 / 0 / 20 / 64

HEX #3B5D4A

RGB 59 93 74

HSL 146.47, 0.22%, 0.3%

LAB 36.47, -17.03, 7.05

 

CMYK 84 / 0 / 94 / 44

HEX #178F09

RGB 23 143 9

HSL 113.73, 0.88%, 0.3%

LAB 51.66, -53.85, 52.77

 

CMYK 94 / 0 / 78 / 44

HEX #098F20

RGB 9 143 32

HSL 130.3, 0.88%, 0.3%

LAB 51.62, -53.89, 46.66

 

CMYK 94 / 0 / 53 / 44

HEX #098F43

RGB 9 143 67

HSL 145.97, 0.88%, 0.3%

LAB 51.96, -49.65, 31.31

 

CMYK 94 / 0 / 28 / 44

HEX #098F67

RGB 9 143 103

HSL 162.09, 0.88%, 0.3%

LAB 52.6, -42.21, 12.36

 

CMYK 94 / 0 / 3 / 44

HEX #098F8A

RGB 9 143 138

HSL 177.76, 0.88%, 0.3%

LAB 53.53, -32.41, -6.44

 

CMYK 94 / 0 / 52 / 75

HEX #04411F

RGB 4 65 31

HSL 146.56, 0.88%, 0.14%

LAB 23.36, -27.41, 15.66

 

CMYK 93 / 0 / 53 / 59

HEX #076831

RGB 7 104 49

HSL 145.98, 0.87%, 0.22%

LAB 38.14, -38.9, 23.82

 

CMYK 94 / 0 / 53 / 44

HEX #098F43

RGB 9 143 67

HSL 145.97, 0.88%, 0.3%

LAB 51.96, -49.65, 31.31

 

CMYK 93 / 0 / 52 / 29

HEX #0CB556

RGB 12 181 86

HSL 146.27, 0.88%, 0.38%

LAB 64.8, -59.28, 37.51

 

CMYK 93 / 0 / 53 / 14

HEX #0FDC68

RGB 15 220 104

HSL 146.05, 0.87%, 0.46%

LAB 77.45, -68.98, 44.3

 

CMYK 93 / 0 / 52 / 45

HEX #0A8D43

RGB 10 141 67

HSL 146.11, 0.87%, 0.3%

LAB 51.29, -48.89, 30.49

 

CMYK 94 / 59 / 0 / 44

HEX #093A8F

RGB 9 58 143

HSL 218.06, 0.88%, 0.3%

LAB 26.93, 20.32, -51.04

 

CMYK 0 / 90 / 94 / 44

HEX #8F0E09

RGB 143 14 9

HSL 2.24, 0.88%, 0.3%

LAB 29.85, 49.93, 39.41

 

CMYK 93 / 0 / 52 / 45

HEX #0A8D43

RGB 10 141 67

HSL 146.11, 0.87%, 0.3%

LAB 51.29, -48.89, 30.49

 

CMYK 53 / 94 / 0 / 44

HEX #43098F

RGB 67 9 143

HSL 265.97, 0.88%, 0.3%

LAB 21.48, 51.68, -59.86

 

CMYK 0 / 53 / 94 / 44

HEX #8F4309

RGB 143 67 9

HSL 25.97, 0.88%, 0.3%

LAB 37.61, 29.03, 44.94

 

CMYK 93 / 0 / 52 / 45

HEX #0A8D43

RGB 10 141 67

HSL 146.11, 0.87%, 0.3%

LAB 51.29, -48.89, 30.49

 

CMYK 94 / 59 / 0 / 44

HEX #093A8F

RGB 9 58 143

HSL 218.06, 0.88%, 0.3%

LAB 26.93, 20.32, -51.04

 

CMYK 0 / 94 / 41 / 44

HEX #8F0955

RGB 143 9 85

HSL 325.97, 0.88%, 0.3%

LAB 31.09, 55.06, -6.56

 

CMYK 0 / 34 / 94 / 44

HEX #8F5E09

RGB 143 94 9

HSL 38.06, 0.88%, 0.3%

LAB 44.04, 13.68, 49.68

 

CMYK 93 / 0 / 52 / 45

HEX #0A8D43

RGB 10 141 67

HSL 146.11, 0.87%, 0.3%

LAB 51.29, -48.89, 30.49

 

CMYK 94 / 87 / 0 / 44

HEX #09128F

RGB 9 18 143

HSL 235.97, 0.88%, 0.3%

LAB 17.8, 45.17, -66.1

 

CMYK 0 / 94 / 41 / 44

HEX #8F0955

RGB 143 9 85

HSL 325.97, 0.88%, 0.3%

LAB 31.09, 55.06, -6.56

 

CMYK 0 / 6 / 94 / 44

HEX #8F8609

RGB 143 134 9

HSL 55.97, 0.88%, 0.3%

LAB 54.98, -9.04, 58

 

Description

Color code: HEX #0A8D43 | qconv.com Color code: HEX #0A8D43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 141 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 141 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 52 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 52% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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