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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0A896F it is the complementary color #F57690. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0A896F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0A896F shade: #0F896A, #209B7D, #31AD90, #42BFA3 and #53D1B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0A896F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0A896F shade: #0A896F, #00775C, #006549, #005336 and #004123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0A896F shade: #0A896F, #0A894D, #0A892A, #0C890A and #2E890A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0A896F shade: #0A896F, #0A8189, #0A5E89, #0A3C89 and #0A1A89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0A896F shade matches the following richer shades: #0A896F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0A896F shade: #0A896F, #167D68, #227161, #2E655A and #3A5953

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0A896F shade: #0A892A, #0A894C, #0A896D, #0A8389 and #0A6189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0A896F shade: #043C31, #076350, #0A896F, #0DAF8E and #10D6AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0A896F shade: #0A896F, #0A0C89 and #893B0A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0A896F shade: #0A896F, #6D0A89 and #896D0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0A896F shade: #0A896F, #0A0C89, #890A25 and #89870A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0A896F shade: #0A896F, #2E0A89, #890A25 and #65890A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 19 / 46

HEX #0A896F

RGB 10 137 111

HSL 167.72, 0.86%, 0.29%

LAB 50.81, -37.55, 5.22

 

Complementary color

CMYK 0 / 52 / 41 / 4

HEX #F57690

RGB 245 118 144

HSL 347.72, 0.86%, 0.71%

LAB 65.27, 51.1, 9.35

 

CMYK 89 / 0 / 23 / 46

HEX #0F896A

RGB 15 137 106

HSL 164.75, 0.8%, 0.3%

LAB 50.73, -38.58, 8.01

 

CMYK 79 / 0 / 19 / 39

HEX #209B7D

RGB 32 155 125

HSL 165.37, 0.66%, 0.37%

LAB 57.3, -39.76, 6.53

 

CMYK 72 / 0 / 17 / 32

HEX #31AD90

RGB 49 173 144

HSL 165.97, 0.56%, 0.44%

LAB 63.8, -40.52, 5.24

 

CMYK 65 / 0 / 15 / 25

HEX #42BFA3

RGB 66 191 163

HSL 166.56, 0.49%, 0.5%

LAB 70.22, -40.99, 4.08

 

CMYK 60 / 0 / 13 / 18

HEX #53D1B6

RGB 83 209 182

HSL 167.14, 0.58%, 0.57%

LAB 76.57, -41.26, 3.04

 

CMYK 93 / 0 / 19 / 46

HEX #0A896F

RGB 10 137 111

HSL 167.72, 0.86%, 0.29%

LAB 50.81, -37.55, 5.22

 

CMYK 100 / 0 / 23 / 53

HEX #00775C

RGB 0 119 92

HSL 166.39, 1%, 0.23%

LAB 44.18, -35.57, 6.9

 

CMYK 100 / 0 / 28 / 60

HEX #006549

RGB 0 101 73

HSL 163.37, 1%, 0.2%

LAB 37.46, -32.95, 8.81

 

CMYK 100 / 0 / 35 / 67

HEX #005336

RGB 0 83 54

HSL 159.04, 1%, 0.16%

LAB 30.53, -30.2, 10.88

 

CMYK 100 / 0 / 46 / 75

HEX #004123

RGB 0 65 35

HSL 152.31, 1%, 0.13%

LAB 23.34, -27.23, 13.13

 

CMYK 93 / 0 / 19 / 46

HEX #0A896F

RGB 10 137 111

HSL 167.72, 0.86%, 0.29%

LAB 50.81, -37.55, 5.22

 

CMYK 93 / 0 / 44 / 46

HEX #0A894D

RGB 10 137 77

HSL 151.65, 0.86%, 0.29%

LAB 50.09, -45.63, 23.58

 

CMYK 93 / 0 / 69 / 46

HEX #0A892A

RGB 10 137 42

HSL 135.12, 0.86%, 0.29%

LAB 49.64, -51, 40.67

 

CMYK 91 / 0 / 93 / 46

HEX #0C890A

RGB 12 137 10

HSL 119.06, 0.86%, 0.29%

LAB 49.49, -53.09, 50.69

 

CMYK 66 / 0 / 93 / 46

HEX #2E890A

RGB 46 137 10

HSL 102.99, 0.86%, 0.29%

LAB 50.09, -47.83, 51.45

 

CMYK 93 / 0 / 19 / 46

HEX #0A896F

RGB 10 137 111

HSL 167.72, 0.86%, 0.29%

LAB 50.81, -37.55, 5.22

 

CMYK 93 / 6 / 0 / 46

HEX #0A8189

RGB 10 129 137

HSL 183.78, 0.86%, 0.29%

LAB 48.97, -25.84, -12.69

 

CMYK 93 / 31 / 0 / 46

HEX #0A5E89

RGB 10 94 137

HSL 200.31, 0.86%, 0.29%

LAB 37.62, -6.27, -30.21

 

CMYK 93 / 56 / 0 / 46

HEX #0A3C89

RGB 10 60 137

HSL 216.38, 0.86%, 0.29%

LAB 27.02, 16.43, -47.17

 

CMYK 93 / 81 / 0 / 46

HEX #0A1A89

RGB 10 26 137

HSL 232.44, 0.86%, 0.29%

LAB 18.41, 39.17, -61.33

 

CMYK 93 / 0 / 19 / 46

HEX #0A896F

RGB 10 137 111

HSL 167.72, 0.86%, 0.29%

LAB 50.81, -37.55, 5.22

 

CMYK 93 / 0 / 19 / 46

HEX #0A896F

RGB 10 137 111

HSL 167.72, 0.86%, 0.29%

LAB 50.81, -37.55, 5.22

 

CMYK 82 / 0 / 17 / 51

HEX #167D68

RGB 22 125 104

HSL 167.77, 0.7%, 0.29%

LAB 46.76, -33.2, 3.51

 

CMYK 70 / 0 / 14 / 56

HEX #227161

RGB 34 113 97

HSL 167.85, 0.54%, 0.29%

LAB 42.78, -27.85, 1.96

 

CMYK 54 / 0 / 11 / 60

HEX #2E655A

RGB 46 101 90

HSL 168, 0.37%, 0.29%

LAB 38.94, -21.18, 0.68

 

CMYK 35 / 0 / 7 / 65

HEX #3A5953

RGB 58 89 83

HSL 168.39, 0.21%, 0.29%

LAB 35.34, -12.92, -0.17

 

CMYK 93 / 0 / 69 / 46

HEX #0A892A

RGB 10 137 42

HSL 135.12, 0.86%, 0.29%

LAB 49.64, -51, 40.67

 

CMYK 93 / 0 / 45 / 46

HEX #0A894C

RGB 10 137 76

HSL 151.18, 0.86%, 0.29%

LAB 50.07, -45.83, 24.11

 

CMYK 93 / 0 / 20 / 46

HEX #0A896D

RGB 10 137 109

HSL 166.77, 0.86%, 0.29%

LAB 50.76, -38.1, 6.31

 

CMYK 93 / 4 / 0 / 46

HEX #0A8389

RGB 10 131 137

HSL 182.83, 0.86%, 0.29%

LAB 49.62, -26.85, -11.71

 

CMYK 93 / 29 / 0 / 46

HEX #0A6189

RGB 10 97 137

HSL 198.9, 0.86%, 0.29%

LAB 38.59, -8.11, -28.69

 

CMYK 93 / 0 / 18 / 76

HEX #043C31

RGB 4 60 49

HSL 168.21, 0.88%, 0.13%

LAB 21.87, -20.3, 1.94

 

CMYK 93 / 0 / 19 / 61

HEX #076350

RGB 7 99 80

HSL 167.61, 0.87%, 0.21%

LAB 37.02, -29.47, 3.92

 

CMYK 93 / 0 / 19 / 46

HEX #0A896F

RGB 10 137 111

HSL 167.72, 0.86%, 0.29%

LAB 50.81, -37.55, 5.22

 

CMYK 93 / 0 / 19 / 31

HEX #0DAF8E

RGB 13 175 142

HSL 167.78, 0.86%, 0.37%

LAB 63.92, -45.21, 6.46

 

CMYK 93 / 0 / 19 / 16

HEX #10D6AD

RGB 16 214 173

HSL 167.58, 0.86%, 0.45%

LAB 76.81, -52.93, 8.08

 

CMYK 93 / 0 / 19 / 46

HEX #0A896F

RGB 10 137 111

HSL 167.72, 0.86%, 0.29%

LAB 50.81, -37.55, 5.22

 

CMYK 93 / 91 / 0 / 46

HEX #0A0C89

RGB 10 12 137

HSL 239.06, 0.86%, 0.29%

LAB 16.17, 45.78, -65.05

 

CMYK 0 / 57 / 93 / 46

HEX #893B0A

RGB 137 59 10

HSL 23.15, 0.86%, 0.29%

LAB 34.94, 30.81, 42.2

 

CMYK 93 / 0 / 19 / 46

HEX #0A896F

RGB 10 137 111

HSL 167.72, 0.86%, 0.29%

LAB 50.81, -37.55, 5.22

 

CMYK 20 / 93 / 0 / 46

HEX #6D0A89

RGB 109 10 137

HSL 286.77, 0.86%, 0.29%

LAB 27.5, 55.64, -45.99

 

CMYK 0 / 20 / 93 / 46

HEX #896D0A

RGB 137 109 10

HSL 46.77, 0.86%, 0.29%

LAB 47.34, 2.15, 51.65

 

CMYK 93 / 0 / 19 / 46

HEX #0A896F

RGB 10 137 111

HSL 167.72, 0.86%, 0.29%

LAB 50.81, -37.55, 5.22

 

CMYK 93 / 91 / 0 / 46

HEX #0A0C89

RGB 10 12 137

HSL 239.06, 0.86%, 0.29%

LAB 16.17, 45.78, -65.05

 

CMYK 0 / 93 / 73 / 46

HEX #890A25

RGB 137 10 37

HSL 347.24, 0.86%, 0.29%

LAB 28.56, 49.79, 21.73

 

CMYK 0 / 1 / 93 / 46

HEX #89870A

RGB 137 135 10

HSL 59.06, 0.86%, 0.29%

LAB 54.73, -12.33, 57.4

 

CMYK 93 / 0 / 19 / 46

HEX #0A896F

RGB 10 137 111

HSL 167.72, 0.86%, 0.29%

LAB 50.81, -37.55, 5.22

 

CMYK 66 / 93 / 0 / 46

HEX #2E0A89

RGB 46 10 137

HSL 257.01, 0.86%, 0.29%

LAB 18.38, 48.09, -61.31

 

CMYK 0 / 93 / 73 / 46

HEX #890A25

RGB 137 10 37

HSL 347.24, 0.86%, 0.29%

LAB 28.56, 49.79, 21.73

 

CMYK 26 / 0 / 93 / 46

HEX #65890A

RGB 101 137 10

HSL 77.01, 0.86%, 0.29%

LAB 52.6, -29.33, 54.55

 

Description

Color code: HEX #0A896F | qconv.com Color code: HEX #0A896F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 137 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 137 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 19 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 19% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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