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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0A7B9E it is the complementary color #F58461. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0A7B9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0A7B9E shade: #0F7B99, #208DAC, #319FBF, #42B1D2 and #53C3E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0A7B9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0A7B9E shade: #0A7B9E, #00698B, #005778, #004565 and #003352

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0A7B9E shade: #0A7B9E, #0A539E, #0A2B9E, #100A9E and #380A9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0A7B9E shade: #0A7B9E, #0A539E, #0A2B9E and #0A0A9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0A7B9E shade matches the following richer shades: #0A7B9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0A7B9E shade: #0A7B9E, #177490, #256C82, #326575 and #405E67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0A7B9E shade: #0A9E71, #0A9E99, #0A7B9E, #0A549E and #0A2C9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0A7B9E shade: #053E50, #075C77, #0A7B9E, #0C99C4 and #0FB7EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0A7B9E shade: #0A7B9E, #4A0A9E and #9E850A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0A7B9E shade: #0A7B9E, #9E0A7B and #7B9E0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0A7B9E shade: #0A7B9E, #4A0A9E, #9E2C0A and #5E9E0A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0A7B9E shade: #0A7B9E, #760A9E, #9E2C0A and #319E0A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 22 / 0 / 38

HEX #0A7B9E

RGB 10 123 158

HSL 194.19, 0.88%, 0.33%

LAB 47.88, -15.24, -26.69

 

Complementary color

CMYK 0 / 46 / 60 / 4

HEX #F58461

RGB 245 132 97

HSL 14.19, 0.88%, 0.67%

LAB 67.11, 40.12, 38.03

 

CMYK 90 / 20 / 0 / 40

HEX #0F7B99

RGB 15 123 153

HSL 193.04, 0.82%, 0.33%

LAB 47.71, -16.8, -24.02

 

CMYK 81 / 18 / 0 / 33

HEX #208DAC

RGB 32 141 172

HSL 193.29, 0.69%, 0.4%

LAB 54.38, -18.56, -24.72

 

CMYK 74 / 17 / 0 / 25

HEX #319FBF

RGB 49 159 191

HSL 193.52, 0.59%, 0.47%

LAB 60.97, -19.87, -25.33

 

CMYK 69 / 16 / 0 / 18

HEX #42B1D2

RGB 66 177 210

HSL 193.75, 0.62%, 0.54%

LAB 67.47, -20.86, -25.86

 

CMYK 64 / 15 / 0 / 10

HEX #53C3E5

RGB 83 195 229

HSL 193.97, 0.74%, 0.61%

LAB 73.89, -21.62, -26.35

 

CMYK 94 / 22 / 0 / 38

HEX #0A7B9E

RGB 10 123 158

HSL 194.19, 0.88%, 0.33%

LAB 47.88, -15.24, -26.69

 

CMYK 100 / 24 / 0 / 45

HEX #00698B

RGB 0 105 139

HSL 194.68, 1%, 0.27%

LAB 41.16, -12.64, -25.88

 

CMYK 100 / 28 / 0 / 53

HEX #005778

RGB 0 87 120

HSL 196.5, 1%, 0.24%

LAB 34.34, -9.43, -24.95

 

CMYK 100 / 32 / 0 / 60

HEX #004565

RGB 0 69 101

HSL 199.01, 1%, 0.2%

LAB 27.29, -6, -24.05

 

CMYK 100 / 38 / 0 / 68

HEX #003352

RGB 0 51 82

HSL 202.68, 1%, 0.16%

LAB 19.95, -2.27, -23.21

 

CMYK 94 / 22 / 0 / 38

HEX #0A7B9E

RGB 10 123 158

HSL 194.19, 0.88%, 0.33%

LAB 47.88, -15.24, -26.69

 

CMYK 94 / 47 / 0 / 38

HEX #0A539E

RGB 10 83 158

HSL 210.41, 0.88%, 0.33%

LAB 35.44, 9.42, -46.38

 

CMYK 94 / 73 / 0 / 38

HEX #0A2B9E

RGB 10 43 158

HSL 226.62, 0.88%, 0.33%

LAB 24.52, 36.54, -64.21

 

CMYK 90 / 94 / 0 / 38

HEX #100A9E

RGB 16 10 158

HSL 242.43, 0.88%, 0.33%

LAB 19.21, 52.65, -73.02

 

CMYK 65 / 94 / 0 / 38

HEX #380A9E

RGB 56 10 158

HSL 258.65, 0.88%, 0.33%

LAB 22.04, 54.34, -68.23

 

CMYK 94 / 22 / 0 / 38

HEX #0A7B9E

RGB 10 123 158

HSL 194.19, 0.88%, 0.33%

LAB 47.88, -15.24, -26.69

 

CMYK 94 / 47 / 0 / 38

HEX #0A539E

RGB 10 83 158

HSL 210.41, 0.88%, 0.33%

LAB 35.44, 9.42, -46.38

 

CMYK 94 / 73 / 0 / 38

HEX #0A2B9E

RGB 10 43 158

HSL 226.62, 0.88%, 0.33%

LAB 24.52, 36.54, -64.21

 

CMYK 94 / 94 / 0 / 38

HEX #0A0A9E

RGB 10 10 158

HSL 240, 0.88%, 0.33%

LAB 19.01, 52.55, -73.35

 

CMYK 94 / 22 / 0 / 38

HEX #0A7B9E

RGB 10 123 158

HSL 194.19, 0.88%, 0.33%

LAB 47.88, -15.24, -26.69

 

CMYK 94 / 22 / 0 / 38

HEX #0A7B9E

RGB 10 123 158

HSL 194.19, 0.88%, 0.33%

LAB 47.88, -15.24, -26.69

 

CMYK 84 / 19 / 0 / 44

HEX #177490

RGB 23 116 144

HSL 193.88, 0.72%, 0.33%

LAB 45.2, -15.55, -22.58

 

CMYK 72 / 17 / 0 / 49

HEX #256C82

RGB 37 108 130

HSL 194.19, 0.56%, 0.33%

LAB 42.35, -14.27, -18.57

 

CMYK 57 / 14 / 0 / 54

HEX #326575

RGB 50 101 117

HSL 194.33, 0.4%, 0.33%

LAB 40.03, -12.11, -14.21

 

CMYK 38 / 9 / 0 / 60

HEX #405E67

RGB 64 94 103

HSL 193.85, 0.23%, 0.33%

LAB 37.98, -8.49, -8.66

 

CMYK 94 / 0 / 28 / 38

HEX #0A9E71

RGB 10 158 113

HSL 161.76, 0.88%, 0.33%

LAB 57.76, -45.75, 13.91

 

CMYK 94 / 0 / 3 / 38

HEX #0A9E99

RGB 10 158 153

HSL 177.97, 0.88%, 0.33%

LAB 58.81, -34.77, -7.19

 

CMYK 94 / 22 / 0 / 38

HEX #0A7B9E

RGB 10 123 158

HSL 194.19, 0.88%, 0.33%

LAB 47.88, -15.24, -26.69

 

CMYK 94 / 47 / 0 / 38

HEX #0A549E

RGB 10 84 158

HSL 210, 0.88%, 0.33%

LAB 35.74, 8.75, -45.89

 

CMYK 94 / 72 / 0 / 38

HEX #0A2C9E

RGB 10 44 158

HSL 226.22, 0.88%, 0.33%

LAB 24.75, 35.9, -63.82

 

CMYK 94 / 23 / 0 / 69

HEX #053E50

RGB 5 62 80

HSL 194.4, 0.88%, 0.17%

LAB 23.86, -9.79, -15.75

 

CMYK 94 / 23 / 0 / 53

HEX #075C77

RGB 7 92 119

HSL 194.46, 0.89%, 0.25%

LAB 36.04, -12.33, -21.66

 

CMYK 94 / 22 / 0 / 38

HEX #0A7B9E

RGB 10 123 158

HSL 194.19, 0.88%, 0.33%

LAB 47.88, -15.24, -26.69

 

CMYK 94 / 22 / 0 / 23

HEX #0C99C4

RGB 12 153 196

HSL 194.02, 0.88%, 0.41%

LAB 58.83, -17.87, -31.48

 

CMYK 94 / 22 / 0 / 8

HEX #0FB7EB

RGB 15 183 235

HSL 194.18, 0.88%, 0.49%

LAB 69.45, -20.01, -36.56

 

CMYK 94 / 22 / 0 / 38

HEX #0A7B9E

RGB 10 123 158

HSL 194.19, 0.88%, 0.33%

LAB 47.88, -15.24, -26.69

 

CMYK 53 / 94 / 0 / 38

HEX #4A0A9E

RGB 74 10 158

HSL 265.95, 0.88%, 0.33%

LAB 24.13, 55.78, -64.69

 

CMYK 0 / 16 / 94 / 38

HEX #9E850A

RGB 158 133 10

HSL 49.86, 0.88%, 0.33%

LAB 56.15, -1.51, 59.37

 

CMYK 94 / 22 / 0 / 38

HEX #0A7B9E

RGB 10 123 158

HSL 194.19, 0.88%, 0.33%

LAB 47.88, -15.24, -26.69

 

CMYK 0 / 94 / 22 / 38

HEX #9E0A7B

RGB 158 10 123

HSL 314.19, 0.88%, 0.33%

LAB 35.82, 62.61, -23.43

 

CMYK 22 / 0 / 94 / 38

HEX #7B9E0A

RGB 123 158 10

HSL 74.19, 0.88%, 0.33%

LAB 60.5, -30.15, 61.52

 

CMYK 94 / 22 / 0 / 38

HEX #0A7B9E

RGB 10 123 158

HSL 194.19, 0.88%, 0.33%

LAB 47.88, -15.24, -26.69

 

CMYK 53 / 94 / 0 / 38

HEX #4A0A9E

RGB 74 10 158

HSL 265.95, 0.88%, 0.33%

LAB 24.13, 55.78, -64.69

 

CMYK 0 / 72 / 94 / 38

HEX #9E2C0A

RGB 158 44 10

HSL 13.78, 0.88%, 0.33%

LAB 36.16, 45.7, 44.83

 

CMYK 41 / 0 / 94 / 38

HEX #5E9E0A

RGB 94 158 10

HSL 85.95, 0.88%, 0.33%

LAB 58.84, -41.44, 59.48

 

CMYK 94 / 22 / 0 / 38

HEX #0A7B9E

RGB 10 123 158

HSL 194.19, 0.88%, 0.33%

LAB 47.88, -15.24, -26.69

 

CMYK 25 / 94 / 0 / 38

HEX #760A9E

RGB 118 10 158

HSL 283.78, 0.88%, 0.33%

LAB 30.73, 61.07, -53.62

 

CMYK 0 / 72 / 94 / 38

HEX #9E2C0A

RGB 158 44 10

HSL 13.78, 0.88%, 0.33%

LAB 36.16, 45.7, 44.83

 

CMYK 69 / 0 / 94 / 38

HEX #319E0A

RGB 49 158 10

HSL 104.19, 0.88%, 0.33%

LAB 57.2, -54.33, 57.45

 

Description

Color code: HEX #0A7B9E | qconv.com Color code: HEX #0A7B9E | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 123 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 123 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 22 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 22% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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