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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0A6F17 it is the complementary color #F590E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0A6F17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0A6F17 shade: #0F6F12, #208125, #319338, #42A54B and #53B75E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0A6F17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0A6F17 shade: #0A6F17, #005D04, #004B00, #003900 and #002700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0A6F17 shade: #0A6F17, #186F0A, #346F0A, #4F6F0A and #6A6F0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0A6F17 shade: #0A6F17, #0A6F32, #0A6F4E, #0A6F69 and #0A5A6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0A6F17 shade matches the following richer shades: #0A6F17 and #007910

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0A6F17 shade: #0A6F17, #14661E, #1E5C26, #28522D and #324834

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0A6F17 shade: #346F0A, #196F0A, #0A6F16, #0A6F31 and #0A6F4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0A6F17 shade: #032407, #064A0F, #0A6F17, #0D951F and #11BB27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0A6F17 shade: #0A6F17, #0A4F6F and #6F0A27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0A6F17 shade: #0A6F17, #160A6F and #6F160A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0A6F17 shade: #0A6F17, #0A4F6F, #6F0A64 and #6F2A0A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0A6F17 shade: #0A6F17, #0A316F, #6F0A64 and #6F490A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 79 / 56

HEX #0A6F17

RGB 10 111 23

HSL 127.72, 0.83%, 0.24%

LAB 40.4, -44.42, 38.82

 

Complementary color

CMYK 0 / 41 / 5 / 4

HEX #F590E8

RGB 245 144 232

HSL 307.72, 0.83%, 0.76%

LAB 73.01, 50.41, -28.33

 

CMYK 86 / 0 / 84 / 56

HEX #0F6F12

RGB 15 111 18

HSL 121.88, 0.76%, 0.25%

LAB 40.43, -44.26, 40.61

 

CMYK 75 / 0 / 71 / 49

HEX #208125

RGB 32 129 37

HSL 123.09, 0.6%, 0.32%

LAB 47.16, -46.21, 40.25

 

CMYK 67 / 0 / 62 / 42

HEX #319338

RGB 49 147 56

HSL 124.29, 0.5%, 0.38%

LAB 53.82, -47.26, 39.15

 

CMYK 60 / 0 / 55 / 35

HEX #42A54B

RGB 66 165 75

HSL 125.45, 0.43%, 0.45%

LAB 60.41, -47.78, 37.81

 

CMYK 55 / 0 / 49 / 28

HEX #53B75E

RGB 83 183 94

HSL 126.6, 0.41%, 0.52%

LAB 66.91, -47.97, 36.43

 

CMYK 91 / 0 / 79 / 56

HEX #0A6F17

RGB 10 111 23

HSL 127.72, 0.83%, 0.24%

LAB 40.4, -44.42, 38.82

 

CMYK 100 / 0 / 96 / 64

HEX #005D04

RGB 0 93 4

HSL 122.58, 1%, 0.18%

LAB 33.64, -40.99, 38.51

 

CMYK 100 / 0 / 100 / 71

HEX #004B00

RGB 0 75 0

HSL 120, 1%, 0.15%

LAB 26.83, -35.58, 34.26

 

CMYK 100 / 0 / 100 / 78

HEX #003900

RGB 0 57 0

HSL 120, 1%, 0.11%

LAB 19.75, -29.7, 27.07

 

CMYK 100 / 0 / 100 / 85

HEX #002700

RGB 0 39 0

HSL 120, 1%, 0.08%

LAB 12.29, -23.27, 17.74

 

CMYK 91 / 0 / 79 / 56

HEX #0A6F17

RGB 10 111 23

HSL 127.72, 0.83%, 0.24%

LAB 40.4, -44.42, 38.82

 

CMYK 78 / 0 / 91 / 56

HEX #186F0A

RGB 24 111 10

HSL 111.68, 0.83%, 0.24%

LAB 40.55, -43.38, 43.02

 

CMYK 53 / 0 / 91 / 56

HEX #346F0A

RGB 52 111 10

HSL 95.05, 0.83%, 0.24%

LAB 41.41, -36.32, 44.1

 

CMYK 29 / 0 / 91 / 56

HEX #4F6F0A

RGB 79 111 10

HSL 79.01, 0.83%, 0.24%

LAB 42.84, -26.04, 45.89

 

CMYK 5 / 0 / 91 / 56

HEX #6A6F0A

RGB 106 111 10

HSL 62.97, 0.83%, 0.24%

LAB 44.88, -13.8, 48.41

 

CMYK 91 / 0 / 79 / 56

HEX #0A6F17

RGB 10 111 23

HSL 127.72, 0.83%, 0.24%

LAB 40.4, -44.42, 38.82

 

CMYK 91 / 0 / 55 / 56

HEX #0A6F32

RGB 10 111 50

HSL 143.76, 0.83%, 0.24%

LAB 40.68, -41.04, 26.42

 

CMYK 91 / 0 / 30 / 56

HEX #0A6F4E

RGB 10 111 78

HSL 160.4, 0.83%, 0.24%

LAB 41.19, -35.1, 11.03

 

CMYK 91 / 0 / 5 / 56

HEX #0A6F69

RGB 10 111 105

HSL 176.44, 0.83%, 0.24%

LAB 41.93, -27.33, -4.17

 

CMYK 91 / 19 / 0 / 56

HEX #0A5A6F

RGB 10 90 111

HSL 192.48, 0.83%, 0.24%

LAB 35.05, -14.02, -18.25

 

CMYK 91 / 0 / 79 / 56

HEX #0A6F17

RGB 10 111 23

HSL 127.72, 0.83%, 0.24%

LAB 40.4, -44.42, 38.82

 

CMYK 100 / 0 / 87 / 53

HEX #007910

RGB 0 121 16

HSL 127.93, 1%, 0.24%

LAB 43.82, -48.94, 44.3

 

CMYK 91 / 0 / 79 / 56

HEX #0A6F17

RGB 10 111 23

HSL 127.72, 0.83%, 0.24%

LAB 40.4, -44.42, 38.82

 

CMYK 80 / 0 / 71 / 60

HEX #14661E

RGB 20 102 30

HSL 127.32, 0.67%, 0.24%

LAB 37.38, -39.38, 32.78

 

CMYK 67 / 0 / 59 / 64

HEX #1E5C26

RGB 30 92 38

HSL 127.74, 0.51%, 0.24%

LAB 34.13, -32.39, 25.08

 

CMYK 51 / 0 / 45 / 68

HEX #28522D

RGB 40 82 45

HSL 127.14, 0.34%, 0.24%

LAB 31.06, -23.76, 17.29

 

CMYK 31 / 0 / 28 / 72

HEX #324834

RGB 50 72 52

HSL 125.45, 0.18%, 0.24%

LAB 28.28, -13.34, 9.31

 

CMYK 53 / 0 / 91 / 56

HEX #346F0A

RGB 52 111 10

HSL 95.05, 0.83%, 0.24%

LAB 41.41, -36.32, 44.1

 

CMYK 77 / 0 / 91 / 56

HEX #196F0A

RGB 25 111 10

HSL 111.09, 0.83%, 0.24%

LAB 40.57, -43.21, 43.04

 

CMYK 91 / 0 / 80 / 56

HEX #0A6F16

RGB 10 111 22

HSL 127.13, 0.83%, 0.24%

LAB 40.4, -44.51, 39.18

 

CMYK 91 / 0 / 56 / 56

HEX #0A6F31

RGB 10 111 49

HSL 143.17, 0.83%, 0.24%

LAB 40.66, -41.2, 26.94

 

CMYK 91 / 0 / 32 / 56

HEX #0A6F4C

RGB 10 111 76

HSL 159.21, 0.83%, 0.24%

LAB 41.14, -35.6, 12.15

 

CMYK 92 / 0 / 81 / 86

HEX #032407

RGB 3 36 7

HSL 127.27, 0.85%, 0.08%

LAB 11.25, -19.54, 13.48

 

CMYK 92 / 0 / 80 / 71

HEX #064A0F

RGB 6 74 15

HSL 127.94, 0.85%, 0.16%

LAB 26.65, -32.99, 28.13

 

CMYK 91 / 0 / 79 / 56

HEX #0A6F17

RGB 10 111 23

HSL 127.72, 0.83%, 0.24%

LAB 40.4, -44.42, 38.82

 

CMYK 91 / 0 / 79 / 42

HEX #0D951F

RGB 13 149 31

HSL 127.94, 0.84%, 0.32%

LAB 53.69, -55.52, 49.04

 

CMYK 91 / 0 / 79 / 27

HEX #11BB27

RGB 17 187 39

HSL 127.76, 0.83%, 0.4%

LAB 66.37, -65.98, 58.74

 

CMYK 91 / 0 / 79 / 56

HEX #0A6F17

RGB 10 111 23

HSL 127.72, 0.83%, 0.24%

LAB 40.4, -44.42, 38.82

 

CMYK 91 / 29 / 0 / 56

HEX #0A4F6F

RGB 10 79 111

HSL 199.01, 0.83%, 0.24%

LAB 31.36, -7.38, -23.99

 

CMYK 0 / 91 / 65 / 56

HEX #6F0A27

RGB 111 10 39

HSL 342.77, 0.83%, 0.24%

LAB 22.8, 42.63, 11.85

 

CMYK 91 / 0 / 79 / 56

HEX #0A6F17

RGB 10 111 23

HSL 127.72, 0.83%, 0.24%

LAB 40.4, -44.42, 38.82

 

CMYK 80 / 91 / 0 / 56

HEX #160A6F

RGB 22 10 111

HSL 247.13, 0.83%, 0.24%

LAB 12.83, 38.99, -53.95

 

CMYK 0 / 80 / 91 / 56

HEX #6F160A

RGB 111 22 10

HSL 7.13, 0.83%, 0.24%

LAB 23.59, 37.91, 30.79

 

CMYK 91 / 0 / 79 / 56

HEX #0A6F17

RGB 10 111 23

HSL 127.72, 0.83%, 0.24%

LAB 40.4, -44.42, 38.82

 

CMYK 91 / 29 / 0 / 56

HEX #0A4F6F

RGB 10 79 111

HSL 199.01, 0.83%, 0.24%

LAB 31.36, -7.38, -23.99

 

CMYK 0 / 91 / 10 / 56

HEX #6F0A64

RGB 111 10 100

HSL 306.53, 0.83%, 0.24%

LAB 25.31, 49.53, -25.86

 

CMYK 0 / 62 / 91 / 56

HEX #6F2A0A

RGB 111 42 10

HSL 19.01, 0.83%, 0.24%

LAB 26.9, 28.97, 33.91

 

CMYK 91 / 0 / 79 / 56

HEX #0A6F17

RGB 10 111 23

HSL 127.72, 0.83%, 0.24%

LAB 40.4, -44.42, 38.82

 

CMYK 91 / 56 / 0 / 56

HEX #0A316F

RGB 10 49 111

HSL 216.83, 0.83%, 0.24%

LAB 21.61, 13.13, -39.54

 

CMYK 0 / 91 / 10 / 56

HEX #6F0A64

RGB 111 10 100

HSL 306.53, 0.83%, 0.24%

LAB 25.31, 49.53, -25.86

 

CMYK 0 / 34 / 91 / 56

HEX #6F490A

RGB 111 73 10

HSL 37.43, 0.83%, 0.24%

LAB 34.33, 10.91, 40.03

 

Description

Color code: HEX #0A6F17 | qconv.com Color code: HEX #0A6F17 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 111 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 111 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 79 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 79% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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