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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0A5C27 it is the complementary color #F5A3D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0A5C27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0A5C27 shade: #0F5C22, #206E35, #318048, #42925B and #53A46E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0A5C27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0A5C27 shade: #0A5C27, #004A14, #003801, #002600 and #001400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0A5C27 shade: #0A5B27, #0A5B11, #195B0A, #2F5B0A and #455B0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0A5C27 shade: #0A5B27, #0A5B3D, #0A5B53, #0A4E5B and #0A385B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0A5C27 shade matches the following richer shades: #0A5B27 and #016424

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0A5C27 shade: #0A5B27, #125329, #1A4B2B, #22432E and #2B3A30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0A5C27 shade: #195B0A, #0A5B11, #0A5B26, #0A5B3C and #0A5B52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0A5C27 shade: #011107, #063617, #0A5B27, #0E8036 and #12A646

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0A5C27 shade: #0A5C27, #0A2E5B and #5B0A0E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0A5C27 shade: #0A5C27, #260A5B and #5B260A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0A5C27 shade: #0A5C27, #0A2E5B, #5B0A3F and #5B370A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0A5C27 shade: #0A5C27, #0A165B, #5B0A3F and #5B4F0A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 58 / 64

HEX #0A5C27

RGB 10 92 39

HSL 141.22, 0.8%, 0.2%

LAB 33.7, -35.81, 23.91

 

Complementary color

CMYK 0 / 33 / 12 / 4

HEX #F5A3D8

RGB 245 163 216

HSL 321.22, 0.8%, 0.8%

LAB 76.41, 37.95, -14.42

 

CMYK 84 / 0 / 63 / 64

HEX #0F5C22

RGB 15 92 34

HSL 134.81, 0.72%, 0.21%

LAB 33.71, -35.94, 26.64

 

CMYK 71 / 0 / 52 / 57

HEX #206E35

RGB 32 110 53

HSL 136.15, 0.55%, 0.28%

LAB 40.76, -36.95, 24.98

 

CMYK 62 / 0 / 44 / 50

HEX #318048

RGB 49 128 72

HSL 137.47, 0.45%, 0.35%

LAB 47.7, -37.31, 23.38

 

CMYK 55 / 0 / 38 / 43

HEX #42925B

RGB 66 146 91

HSL 138.75, 0.38%, 0.42%

LAB 54.52, -37.35, 21.92

 

CMYK 49 / 0 / 33 / 36

HEX #53A46E

RGB 83 164 110

HSL 140, 0.33%, 0.48%

LAB 61.23, -37.22, 20.6

 

CMYK 89 / 0 / 58 / 64

HEX #0A5C27

RGB 10 92 39

HSL 141.22, 0.8%, 0.2%

LAB 33.7, -35.81, 23.91

 

CMYK 100 / 0 / 73 / 71

HEX #004A14

RGB 0 74 20

HSL 136.22, 1%, 0.15%

LAB 26.59, -33.39, 25.68

 

CMYK 100 / 0 / 98 / 78

HEX #003801

RGB 0 56 1

HSL 121.07, 1%, 0.11%

LAB 19.35, -29.24, 26.21

 

CMYK 100 / 0 / 100 / 85

HEX #002600

RGB 0 38 0

HSL 120, 1%, 0.07%

LAB 11.87, -22.75, 17.15

 

CMYK 100 / 0 / 100 / 92

HEX #001400

RGB 0 20 0

HSL 120, 1%, 0.04%

LAB 4.52, -9.23, 6.6

 

CMYK 89 / 0 / 57 / 64

HEX #0A5B27

RGB 10 91 39

HSL 141.48, 0.8%, 0.2%

LAB 33.34, -35.43, 23.46

 

CMYK 89 / 0 / 81 / 64

HEX #0A5B11

RGB 10 91 17

HSL 125.19, 0.8%, 0.2%

LAB 33.11, -38.23, 33.86

 

CMYK 73 / 0 / 89 / 64

HEX #195B0A

RGB 25 91 10

HSL 108.89, 0.8%, 0.2%

LAB 33.37, -36.09, 36.61

 

CMYK 48 / 0 / 89 / 64

HEX #2F5B0A

RGB 47 91 10

HSL 92.59, 0.8%, 0.2%

LAB 34.21, -29.46, 37.68

 

CMYK 24 / 0 / 89 / 64

HEX #455B0A

RGB 69 91 10

HSL 76.3, 0.8%, 0.2%

LAB 35.54, -20.32, 39.36

 

CMYK 89 / 0 / 57 / 64

HEX #0A5B27

RGB 10 91 39

HSL 141.48, 0.8%, 0.2%

LAB 33.34, -35.43, 23.46

 

CMYK 89 / 0 / 33 / 64

HEX #0A5B3D

RGB 10 91 61

HSL 157.78, 0.8%, 0.2%

LAB 33.74, -30.76, 10.99

 

CMYK 89 / 0 / 9 / 64

HEX #0A5B53

RGB 10 91 83

HSL 174.07, 0.8%, 0.2%

LAB 34.34, -24.43, -1.84

 

CMYK 89 / 14 / 0 / 64

HEX #0A4E5B

RGB 10 78 91

HSL 189.63, 0.8%, 0.2%

LAB 30.08, -14.61, -13.3

 

CMYK 89 / 38 / 0 / 64

HEX #0A385B

RGB 10 56 91

HSL 205.93, 0.8%, 0.2%

LAB 22.47, -0.64, -25.15

 

CMYK 89 / 0 / 57 / 64

HEX #0A5B27

RGB 10 91 39

HSL 141.48, 0.8%, 0.2%

LAB 33.34, -35.43, 23.46

 

CMYK 99 / 0 / 64 / 61

HEX #016424

RGB 1 100 36

HSL 141.21, 0.98%, 0.2%

LAB 36.46, -40.17, 28.75

 

CMYK 89 / 0 / 57 / 64

HEX #0A5B27

RGB 10 91 39

HSL 141.48, 0.8%, 0.2%

LAB 33.34, -35.43, 23.46

 

CMYK 78 / 0 / 51 / 67

HEX #125329

RGB 18 83 41

HSL 141.23, 0.64%, 0.2%

LAB 30.58, -30.67, 18.91

 

CMYK 65 / 0 / 43 / 71

HEX #1A4B2B

RGB 26 75 43

HSL 140.82, 0.49%, 0.2%

LAB 27.92, -24.9, 14.29

 

CMYK 49 / 0 / 31 / 74

HEX #22432E

RGB 34 67 46

HSL 141.82, 0.33%, 0.2%

LAB 25.42, -17.75, 9.07

 

CMYK 26 / 0 / 17 / 77

HEX #2B3A30

RGB 43 58 48

HSL 140, 0.15%, 0.2%

LAB 22.84, -8.64, 4.23

 

CMYK 73 / 0 / 89 / 64

HEX #195B0A

RGB 25 91 10

HSL 108.89, 0.8%, 0.2%

LAB 33.37, -36.09, 36.61

 

CMYK 89 / 0 / 81 / 64

HEX #0A5B11

RGB 10 91 17

HSL 125.19, 0.8%, 0.2%

LAB 33.11, -38.23, 33.86

 

CMYK 89 / 0 / 58 / 64

HEX #0A5B26

RGB 10 91 38

HSL 140.74, 0.8%, 0.2%

LAB 33.32, -35.6, 24

 

CMYK 89 / 0 / 34 / 64

HEX #0A5B3C

RGB 10 91 60

HSL 157.04, 0.8%, 0.2%

LAB 33.72, -31.01, 11.57

 

CMYK 89 / 0 / 10 / 64

HEX #0A5B52

RGB 10 91 82

HSL 173.33, 0.8%, 0.2%

LAB 34.31, -24.75, -1.26

 

CMYK 94 / 0 / 59 / 93

HEX #011107

RGB 1 17 7

HSL 142.5, 0.89%, 0.04%

LAB 3.82, -6.16, 2.73

 

CMYK 89 / 0 / 57 / 79

HEX #063617

RGB 6 54 23

HSL 141.25, 0.8%, 0.12%

LAB 18.97, -23.95, 15.08

 

CMYK 89 / 0 / 57 / 64

HEX #0A5B27

RGB 10 91 39

HSL 141.48, 0.8%, 0.2%

LAB 33.34, -35.43, 23.46

 

CMYK 89 / 0 / 58 / 50

HEX #0E8036

RGB 14 128 54

HSL 141.05, 0.8%, 0.28%

LAB 46.71, -46.12, 31.64

 

CMYK 89 / 0 / 58 / 35

HEX #12A646

RGB 18 166 70

HSL 141.08, 0.8%, 0.36%

LAB 59.75, -56.35, 39.24

 

CMYK 89 / 0 / 58 / 64

HEX #0A5C27

RGB 10 92 39

HSL 141.22, 0.8%, 0.2%

LAB 33.7, -35.81, 23.91

 

CMYK 89 / 49 / 0 / 64

HEX #0A2E5B

RGB 10 46 91

HSL 213.33, 0.8%, 0.2%

LAB 19.11, 6.49, -30.51

 

CMYK 0 / 89 / 85 / 64

HEX #5B0A0E

RGB 91 10 14

HSL 357.04, 0.8%, 0.2%

LAB 17.8, 35.24, 21.31

 

CMYK 89 / 0 / 58 / 64

HEX #0A5C27

RGB 10 92 39

HSL 141.22, 0.8%, 0.2%

LAB 33.7, -35.81, 23.91

 

CMYK 58 / 89 / 0 / 64

HEX #260A5B

RGB 38 10 91

HSL 260.74, 0.8%, 0.2%

LAB 11.85, 34.29, -42.26

 

CMYK 0 / 58 / 89 / 64

HEX #5B260A

RGB 91 38 10

HSL 20.74, 0.8%, 0.2%

LAB 22.42, 22.53, 28.33

 

CMYK 89 / 0 / 58 / 64

HEX #0A5C27

RGB 10 92 39

HSL 141.22, 0.8%, 0.2%

LAB 33.7, -35.81, 23.91

 

CMYK 89 / 49 / 0 / 64

HEX #0A2E5B

RGB 10 46 91

HSL 213.33, 0.8%, 0.2%

LAB 19.11, 6.49, -30.51

 

CMYK 0 / 89 / 31 / 64

HEX #5B0A3F

RGB 91 10 63

HSL 320.74, 0.8%, 0.2%

LAB 19.22, 39.43, -10.71

 

CMYK 0 / 40 / 89 / 64

HEX #5B370A

RGB 91 55 10

HSL 33.33, 0.8%, 0.2%

LAB 26.67, 12.18, 32.46

 

CMYK 89 / 0 / 58 / 64

HEX #0A5C27

RGB 10 92 39

HSL 141.22, 0.8%, 0.2%

LAB 33.7, -35.81, 23.91

 

CMYK 89 / 76 / 0 / 64

HEX #0A165B

RGB 10 22 91

HSL 231.11, 0.8%, 0.2%

LAB 11.92, 24.3, -42.24

 

CMYK 0 / 89 / 31 / 64

HEX #5B0A3F

RGB 91 10 63

HSL 320.74, 0.8%, 0.2%

LAB 19.22, 39.43, -10.71

 

CMYK 0 / 13 / 89 / 64

HEX #5B4F0A

RGB 91 79 10

HSL 51.11, 0.8%, 0.2%

LAB 33.64, -2.76, 38.49

 

Description

Color code: HEX #0A5C27 | qconv.com Color code: HEX #0A5C27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 92 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 92 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 58 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 58% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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