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Color name
HEX #0A5B4C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0A5B4C it is the complementary color #F5A4B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0A5B4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0A5B4C shade: #0F5B47, #206D5A, #317F6D, #429180 and #53A393

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0A5B4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0A5B4C shade: #0A5B4C, #004939, #003726, #002513 and #001300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0A5B4C shade: #0A5B4C, #0A5B36, #0A5B20, #0A5B0A and #1F5B0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0A5B4C shade: #0A5B4C, #0A545B, #0A3E5B, #0A285B and #0A125B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0A5B4C shade matches the following richer shades: #0A5B4C and #016451

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0A5B4C shade: #0A5B4C, #125347, #1A4B42, #22433D and #2B3A37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0A5B4C shade: #0A5B1F, #0A5B35, #0A5B4B, #0A565B and #0A405B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0A5B4C shade: #01110E, #06362D, #0A5B4C, #0E806B and #12A68A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0A5B4C shade: #0A5B4C, #0A0A5B and #5B2A0A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0A5B4C shade: #0A5B4C, #4B0A5B and #5B4B0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0A5B4C shade: #0A5B4C, #0A0A5B, #5B0A1A and #5B5B0A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0A5B4C shade: #0A5B4C, #220A5B, #5B0A1A and #435B0A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 16 / 64

HEX #0A5B4C

RGB 10 91 76

HSL 168.89, 0.8%, 0.2%

LAB 34.13, -26.6, 2.23

 

Complementary color

CMYK 0 / 33 / 27 / 4

HEX #F5A4B3

RGB 245 164 179

HSL 348.89, 0.8%, 0.8%

LAB 75.59, 31.92, 4.61

 

CMYK 84 / 0 / 22 / 64

HEX #0F5B47

RGB 15 91 71

HSL 164.21, 0.72%, 0.21%

LAB 34.06, -27.51, 5.27

 

CMYK 71 / 0 / 17 / 57

HEX #206D5A

RGB 32 109 90

HSL 165.19, 0.55%, 0.28%

LAB 41.19, -28.21, 3.87

 

CMYK 61 / 0 / 14 / 50

HEX #317F6D

RGB 49 127 109

HSL 166.15, 0.44%, 0.35%

LAB 48.18, -28.5, 2.7

 

CMYK 54 / 0 / 12 / 43

HEX #429180

RGB 66 145 128

HSL 167.09, 0.37%, 0.41%

LAB 55.04, -28.59, 1.67

 

CMYK 49 / 0 / 10 / 36

HEX #53A393

RGB 83 163 147

HSL 168, 0.33%, 0.48%

LAB 61.77, -28.56, 0.76

 

CMYK 89 / 0 / 16 / 64

HEX #0A5B4C

RGB 10 91 76

HSL 168.89, 0.8%, 0.2%

LAB 34.13, -26.6, 2.23

 

CMYK 100 / 0 / 22 / 71

HEX #004939

RGB 0 73 57

HSL 166.85, 1%, 0.14%

LAB 26.91, -24.83, 3.9

 

CMYK 100 / 0 / 31 / 78

HEX #003726

RGB 0 55 38

HSL 161.45, 1%, 0.11%

LAB 19.53, -21.96, 5.98

 

CMYK 100 / 0 / 49 / 85

HEX #002513

RGB 0 37 19

HSL 150.81, 1%, 0.07%

LAB 11.76, -18.76, 8.26

 

CMYK 100 / 0 / 100 / 93

HEX #001300

RGB 0 19 0

HSL 120, 1%, 0.04%

LAB 4.21, -8.59, 6.14

 

CMYK 89 / 0 / 16 / 64

HEX #0A5B4C

RGB 10 91 76

HSL 168.89, 0.8%, 0.2%

LAB 34.13, -26.6, 2.23

 

CMYK 89 / 0 / 41 / 64

HEX #0A5B36

RGB 10 91 54

HSL 152.59, 0.8%, 0.2%

LAB 33.59, -32.44, 15.05

 

CMYK 89 / 0 / 65 / 64

HEX #0A5B20

RGB 10 91 32

HSL 136.3, 0.8%, 0.2%

LAB 33.25, -36.52, 27.12

 

CMYK 89 / 0 / 89 / 64

HEX #0A5B0A

RGB 10 91 10

HSL 120, 0.8%, 0.2%

LAB 33.07, -38.73, 36.22

 

CMYK 66 / 0 / 89 / 64

HEX #1F5B0A

RGB 31 91 10

HSL 104.44, 0.8%, 0.2%

LAB 33.55, -34.59, 36.84

 

CMYK 89 / 0 / 16 / 64

HEX #0A5B4C

RGB 10 91 76

HSL 168.89, 0.8%, 0.2%

LAB 34.13, -26.6, 2.23

 

CMYK 89 / 8 / 0 / 64

HEX #0A545B

RGB 10 84 91

HSL 185.19, 0.8%, 0.2%

LAB 32.17, -18.01, -10.12

 

CMYK 89 / 32 / 0 / 64

HEX #0A3E5B

RGB 10 62 91

HSL 201.48, 0.8%, 0.2%

LAB 24.53, -4.69, -21.91

 

CMYK 89 / 56 / 0 / 64

HEX #0A285B

RGB 10 40 91

HSL 217.78, 0.8%, 0.2%

LAB 17.17, 10.95, -33.66

 

CMYK 89 / 80 / 0 / 64

HEX #0A125B

RGB 10 18 91

HSL 234.07, 0.8%, 0.2%

LAB 10.94, 27.02, -43.85

 

CMYK 89 / 0 / 16 / 64

HEX #0A5B4C

RGB 10 91 76

HSL 168.89, 0.8%, 0.2%

LAB 34.13, -26.6, 2.23

 

CMYK 99 / 0 / 19 / 61

HEX #016451

RGB 1 100 81

HSL 168.48, 0.98%, 0.2%

LAB 37.33, -30.16, 3.73

 

CMYK 89 / 0 / 16 / 64

HEX #0A5B4C

RGB 10 91 76

HSL 168.89, 0.8%, 0.2%

LAB 34.13, -26.6, 2.23

 

CMYK 78 / 0 / 14 / 67

HEX #125347

RGB 18 83 71

HSL 168.92, 0.64%, 0.2%

LAB 31.28, -23.17, 1.27

 

CMYK 65 / 0 / 12 / 71

HEX #1A4B42

RGB 26 75 66

HSL 168.98, 0.49%, 0.2%

LAB 28.5, -18.97, 0.46

 

CMYK 49 / 0 / 9 / 74

HEX #22433D

RGB 34 67 61

HSL 169.09, 0.33%, 0.2%

LAB 25.84, -13.84, -0.13

 

CMYK 26 / 0 / 5 / 77

HEX #2B3A37

RGB 43 58 55

HSL 168, 0.15%, 0.2%

LAB 23.05, -6.9, -0.15

 

CMYK 89 / 0 / 66 / 64

HEX #0A5B1F

RGB 10 91 31

HSL 135.56, 0.8%, 0.2%

LAB 33.23, -36.67, 27.63

 

CMYK 89 / 0 / 42 / 64

HEX #0A5B35

RGB 10 91 53

HSL 151.85, 0.8%, 0.2%

LAB 33.57, -32.67, 15.62

 

CMYK 89 / 0 / 18 / 64

HEX #0A5B4B

RGB 10 91 75

HSL 168.15, 0.8%, 0.2%

LAB 34.1, -26.9, 2.81

 

CMYK 89 / 5 / 0 / 64

HEX #0A565B

RGB 10 86 91

HSL 183.7, 0.8%, 0.2%

LAB 32.87, -19.11, -9.06

 

CMYK 89 / 30 / 0 / 64

HEX #0A405B

RGB 10 64 91

HSL 200, 0.8%, 0.2%

LAB 25.22, -6, -20.82

 

CMYK 94 / 0 / 18 / 93

HEX #01110E

RGB 1 17 14

HSL 168.75, 0.89%, 0.04%

LAB 3.97, -5.12, -0.1

 

CMYK 89 / 0 / 17 / 79

HEX #06362D

RGB 6 54 45

HSL 168.75, 0.8%, 0.12%

LAB 19.5, -18.09, 1.23

 

CMYK 89 / 0 / 16 / 64

HEX #0A5B4C

RGB 10 91 76

HSL 168.89, 0.8%, 0.2%

LAB 34.13, -26.6, 2.23

 

CMYK 89 / 0 / 16 / 50

HEX #0E806B

RGB 14 128 107

HSL 168.95, 0.8%, 0.28%

LAB 47.74, -34.43, 3.15

 

CMYK 89 / 0 / 17 / 35

HEX #12A68A

RGB 18 166 138

HSL 168.65, 0.8%, 0.36%

LAB 60.99, -42.22, 4.48

 

CMYK 89 / 0 / 16 / 64

HEX #0A5B4C

RGB 10 91 76

HSL 168.89, 0.8%, 0.2%

LAB 34.13, -26.6, 2.23

 

CMYK 89 / 89 / 0 / 64

HEX #0A0A5B

RGB 10 10 91

HSL 240, 0.8%, 0.2%

LAB 9.3, 31.76, -46.58

 

CMYK 0 / 54 / 89 / 64

HEX #5B2A0A

RGB 91 42 10

HSL 23.7, 0.8%, 0.2%

LAB 23.34, 20.19, 29.29

 

CMYK 89 / 0 / 16 / 64

HEX #0A5B4C

RGB 10 91 76

HSL 168.89, 0.8%, 0.2%

LAB 34.13, -26.6, 2.23

 

CMYK 18 / 89 / 0 / 64

HEX #4B0A5B

RGB 75 10 91

HSL 288.15, 0.8%, 0.2%

LAB 17.77, 40.49, -32.35

 

CMYK 0 / 18 / 89 / 64

HEX #5B4B0A

RGB 91 75 10

HSL 48.15, 0.8%, 0.2%

LAB 32.43, -0.33, 37.45

 

CMYK 89 / 0 / 16 / 64

HEX #0A5B4C

RGB 10 91 76

HSL 168.89, 0.8%, 0.2%

LAB 34.13, -26.6, 2.23

 

CMYK 89 / 89 / 0 / 64

HEX #0A0A5B

RGB 10 10 91

HSL 240, 0.8%, 0.2%

LAB 9.3, 31.76, -46.58

 

CMYK 0 / 89 / 71 / 64

HEX #5B0A1A

RGB 91 10 26

HSL 348.15, 0.8%, 0.2%

LAB 17.99, 35.83, 13.85

 

CMYK 0 / 0 / 89 / 64

HEX #5B5B0A

RGB 91 91 10

HSL 60, 0.8%, 0.2%

LAB 37.35, -9.83, 41.63

 

CMYK 89 / 0 / 16 / 64

HEX #0A5B4C

RGB 10 91 76

HSL 168.89, 0.8%, 0.2%

LAB 34.13, -26.6, 2.23

 

CMYK 63 / 89 / 0 / 64

HEX #220A5B

RGB 34 10 91

HSL 257.78, 0.8%, 0.2%

LAB 11.36, 33.8, -43.09

 

CMYK 0 / 89 / 71 / 64

HEX #5B0A1A

RGB 91 10 26

HSL 348.15, 0.8%, 0.2%

LAB 17.99, 35.83, 13.85

 

CMYK 26 / 0 / 89 / 64

HEX #435B0A

RGB 67 91 10

HSL 77.78, 0.8%, 0.2%

LAB 35.39, -21.23, 39.18

 

Description

Color code: HEX #0A5B4C | qconv.com Color code: HEX #0A5B4C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 91 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 91 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 16 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 16% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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