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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0A3779 it is the complementary color #F5C886. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0A3779. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0A3779 shade: #0F3774, #204987, #315B9A, #426DAD and #537FC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0A3779. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0A3779 shade: #0A3779, #002566, #001353, #000140 and #00002D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0A3779 shade: #09377A, #09197A, #19097A, #37097A and #55097A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0A3779 shade: #09377A, #09197A and #09097A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0A3779 shade matches the following richer shades: #09377A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0A3779 shade: #09377A, #14396F, #1F3B65, #2A3D5A and #343F4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0A3779 shade: #09757A, #09567A, #09387A, #091A7A and #17097A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0A3779 shade: #03152E, #062654, #09377A, #0D48A0 and #105AC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0A3779 shade: #0A3779, #62097A and #657A09

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0A3779 shade: #0A3779, #7A0938 and #387A09

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0A3779 shade: #0A3779, #62097A, #7A4B09 and #227A09

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0A3779 shade: #0A3779, #7A0971, #7A4B09 and #097A13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 55 / 0 / 53

HEX #0A3779

RGB 10 55 121

HSL 215.68, 0.85%, 0.26%

LAB 24.25, 13.14, -41.65

 

Complementary color

CMYK 0 / 18 / 45 / 4

HEX #F5C886

RGB 245 200 134

HSL 35.68, 0.85%, 0.74%

LAB 83.15, 7.7, 38.94

 

CMYK 87 / 53 / 0 / 55

HEX #0F3774

RGB 15 55 116

HSL 216.24, 0.77%, 0.26%

LAB 23.98, 11.39, -38.9

 

CMYK 76 / 46 / 0 / 47

HEX #204987

RGB 32 73 135

HSL 216.12, 0.62%, 0.33%

LAB 31.4, 8.74, -38.84

 

CMYK 68 / 41 / 0 / 40

HEX #315B9A

RGB 49 91 154

HSL 216, 0.52%, 0.4%

LAB 38.67, 6.83, -38.74

 

CMYK 62 / 37 / 0 / 32

HEX #426DAD

RGB 66 109 173

HSL 215.89, 0.45%, 0.47%

LAB 45.79, 5.42, -38.65

 

CMYK 57 / 34 / 0 / 25

HEX #537FC0

RGB 83 127 192

HSL 215.78, 0.46%, 0.54%

LAB 52.76, 4.32, -38.58

 

CMYK 92 / 55 / 0 / 53

HEX #0A3779

RGB 10 55 121

HSL 215.68, 0.85%, 0.26%

LAB 24.25, 13.14, -41.65

 

CMYK 100 / 64 / 0 / 60

HEX #002566

RGB 0 37 102

HSL 218.24, 1%, 0.2%

LAB 16.9, 17.23, -41.37

 

CMYK 100 / 77 / 0 / 67

HEX #001353

RGB 0 19 83

HSL 226.27, 1%, 0.16%

LAB 9.72, 22.26, -40.45

 

CMYK 100 / 98 / 0 / 75

HEX #000140

RGB 0 1 64

HSL 239.06, 1%, 0.13%

LAB 3.54, 22.96, -37.34

 

CMYK 100 / 100 / 0 / 82

HEX #00002D

RGB 0 0 45

HSL 240, 1%, 0.09%

LAB 1.71, 12.03, -26.26

 

CMYK 93 / 55 / 0 / 52

HEX #09377A

RGB 9 55 122

HSL 215.58, 0.86%, 0.26%

LAB 24.31, 13.5, -42.19

 

CMYK 93 / 80 / 0 / 52

HEX #09197A

RGB 9 25 122

HSL 231.5, 0.86%, 0.26%

LAB 16.3, 34.31, -55.33

 

CMYK 80 / 93 / 0 / 52

HEX #19097A

RGB 25 9 122

HSL 248.5, 0.86%, 0.26%

LAB 14.44, 42.87, -58.39

 

CMYK 55 / 93 / 0 / 52

HEX #37097A

RGB 55 9 122

HSL 264.42, 0.86%, 0.26%

LAB 17.52, 45.16, -53.19

 

CMYK 30 / 93 / 0 / 52

HEX #55097A

RGB 85 9 122

HSL 280.35, 0.86%, 0.26%

LAB 22.06, 49.04, -45.56

 

CMYK 93 / 55 / 0 / 52

HEX #09377A

RGB 9 55 122

HSL 215.58, 0.86%, 0.26%

LAB 24.31, 13.5, -42.19

 

CMYK 93 / 80 / 0 / 52

HEX #09197A

RGB 9 25 122

HSL 231.5, 0.86%, 0.26%

LAB 16.3, 34.31, -55.33

 

CMYK 93 / 93 / 0 / 52

HEX #09097A

RGB 9 9 122

HSL 240, 0.86%, 0.26%

LAB 13.58, 42.3, -59.84

 

CMYK 93 / 55 / 0 / 52

HEX #09377A

RGB 9 55 122

HSL 215.58, 0.86%, 0.26%

LAB 24.31, 13.5, -42.19

 

CMYK 93 / 55 / 0 / 52

HEX #09377A

RGB 9 55 122

HSL 215.58, 0.86%, 0.26%

LAB 24.31, 13.5, -42.19

 

CMYK 82 / 49 / 0 / 56

HEX #14396F

RGB 20 57 111

HSL 215.6, 0.69%, 0.26%

LAB 24.39, 8.37, -35.03

 

CMYK 69 / 42 / 0 / 60

HEX #1F3B65

RGB 31 59 101

HSL 216, 0.53%, 0.26%

LAB 24.82, 4.62, -27.89

 

CMYK 53 / 32 / 0 / 65

HEX #2A3D5A

RGB 42 61 90

HSL 216.25, 0.36%, 0.26%

LAB 25.47, 1.73, -19.69

 

CMYK 34 / 20 / 0 / 69

HEX #343F4F

RGB 52 63 79

HSL 215.56, 0.21%, 0.26%

LAB 26.3, -0.06, -11.15

 

CMYK 93 / 4 / 0 / 52

HEX #09757A

RGB 9 117 122

HSL 182.65, 0.86%, 0.26%

LAB 44.5, -24.83, -10.55

 

CMYK 93 / 30 / 0 / 52

HEX #09567A

RGB 9 86 122

HSL 199.12, 0.86%, 0.26%

LAB 34.23, -7.39, -26.35

 

CMYK 93 / 54 / 0 / 52

HEX #09387A

RGB 9 56 122

HSL 215.04, 0.86%, 0.26%

LAB 24.61, 12.79, -41.69

 

CMYK 93 / 79 / 0 / 52

HEX #091A7A

RGB 9 26 122

HSL 230.97, 0.86%, 0.26%

LAB 16.51, 33.7, -54.97

 

CMYK 81 / 93 / 0 / 52

HEX #17097A

RGB 23 9 122

HSL 247.43, 0.86%, 0.26%

LAB 14.3, 42.78, -58.62

 

CMYK 93 / 54 / 0 / 82

HEX #03152E

RGB 3 21 46

HSL 214.88, 0.88%, 0.1%

LAB 6.8, 3.41, -18.92

 

CMYK 93 / 55 / 0 / 67

HEX #062654

RGB 6 38 84

HSL 215.38, 0.87%, 0.18%

LAB 15.82, 8.87, -31.14

 

CMYK 93 / 55 / 0 / 52

HEX #09377A

RGB 9 55 122

HSL 215.58, 0.86%, 0.26%

LAB 24.31, 13.5, -42.19

 

CMYK 92 / 55 / 0 / 37

HEX #0D48A0

RGB 13 72 160

HSL 215.92, 0.85%, 0.34%

LAB 32.39, 17.87, -52.52

 

CMYK 92 / 55 / 0 / 22

HEX #105AC6

RGB 16 90 198

HSL 215.6, 0.85%, 0.42%

LAB 40.41, 21.31, -61.93

 

CMYK 92 / 55 / 0 / 53

HEX #0A3779

RGB 10 55 121

HSL 215.68, 0.85%, 0.26%

LAB 24.25, 13.14, -41.65

 

CMYK 20 / 93 / 0 / 52

HEX #62097A

RGB 98 9 122

HSL 287.26, 0.86%, 0.26%

LAB 24.31, 51.12, -41.8

 

CMYK 17 / 0 / 93 / 52

HEX #657A09

RGB 101 122 9

HSL 71.15, 0.86%, 0.26%

LAB 47.89, -21.95, 50.9

 

CMYK 92 / 55 / 0 / 53

HEX #0A3779

RGB 10 55 121

HSL 215.68, 0.85%, 0.26%

LAB 24.25, 13.14, -41.65

 

CMYK 0 / 93 / 54 / 52

HEX #7A0938

RGB 122 9 56

HSL 335.04, 0.86%, 0.26%

LAB 25.62, 47.13, 4.36

 

CMYK 54 / 0 / 93 / 52

HEX #387A09

RGB 56 122 9

HSL 95.04, 0.86%, 0.26%

LAB 45.33, -39.54, 47.74

 

CMYK 92 / 55 / 0 / 53

HEX #0A3779

RGB 10 55 121

HSL 215.68, 0.85%, 0.26%

LAB 24.25, 13.14, -41.65

 

CMYK 20 / 93 / 0 / 52

HEX #62097A

RGB 98 9 122

HSL 287.26, 0.86%, 0.26%

LAB 24.31, 51.12, -41.8

 

CMYK 0 / 39 / 93 / 52

HEX #7A4B09

RGB 122 75 9

HSL 35.04, 0.86%, 0.26%

LAB 36.35, 14.98, 42.59

 

CMYK 72 / 0 / 93 / 52

HEX #227A09

RGB 34 122 9

HSL 106.73, 0.86%, 0.26%

LAB 44.63, -45.28, 46.87

 

CMYK 92 / 55 / 0 / 53

HEX #0A3779

RGB 10 55 121

HSL 215.68, 0.85%, 0.26%

LAB 24.25, 13.14, -41.65

 

CMYK 0 / 93 / 7 / 52

HEX #7A0971

RGB 122 9 113

HSL 304.78, 0.86%, 0.26%

LAB 28.18, 53.99, -29.59

 

CMYK 0 / 39 / 93 / 52

HEX #7A4B09

RGB 122 75 9

HSL 35.04, 0.86%, 0.26%

LAB 36.35, 14.98, 42.59

 

CMYK 93 / 0 / 84 / 52

HEX #097A13

RGB 9 122 19

HSL 125.31, 0.86%, 0.26%

LAB 44.27, -48.31, 43.88

 

Description

Color code: HEX #0A3779 | qconv.com Color code: HEX #0A3779 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 55 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 55 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 55 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 55% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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