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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0CC445 it is the complementary color #F33BBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0CC445. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0CC445 shade: #11C440, #22D653, #33E866, #44FA79 and #55FF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0CC445. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0CC445 shade: #0CC445, #00B232, #00A01F, #008E0C and #007C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0CC445 shade: #0CC445, #0CC413, #36C40C, #68C40C and #9AC40C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0CC445 shade: #0CC445, #0CC477, #0CC4A8, #0CAEC4 and #0C7DC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0CC445 shade matches the following richer shades: #0CC445

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0CC445 shade: #0CC445, #1DB34B, #2EA252, #3F9158 and #50805F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0CC445 shade: #37C40C, #0CC412, #0CC443, #0CC474 and #0CC4A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0CC445 shade: #07762A, #0A9D37, #0CC445, #0FEB53 and #31F16D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0CC445 shade: #0CC445, #0C68C4 and #C40C1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0CC445 shade: #0CC445, #430CC4 and #C4430C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0CC445 shade: #0CC445, #0C68C4, #C40C8D and #C4680C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0CC445 shade: #0CC445, #0C31C4, #C40C8D and #C49F0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 65 / 23

HEX #0CC445

RGB 12 196 69

HSL 138.59, 0.88%, 0.41%

LAB 69.46, -66.26, 50.81

 

Complementary color

CMYK 0 / 76 / 23 / 5

HEX #F33BBA

RGB 243 59 186

HSL 318.59, 0.88%, 0.59%

LAB 57.78, 78.47, -25.98

 

CMYK 91 / 0 / 67 / 23

HEX #11C440

RGB 17 196 64

HSL 135.75, 0.84%, 0.42%

LAB 69.45, -66.53, 52.88

 

CMYK 84 / 0 / 61 / 16

HEX #22D653

RGB 34 214 83

HSL 136.33, 0.73%, 0.49%

LAB 75.49, -68.66, 51.61

 

CMYK 78 / 0 / 56 / 9

HEX #33E866

RGB 51 232 102

HSL 136.91, 0.8%, 0.55%

LAB 81.5, -70.18, 50.19

 

CMYK 73 / 0 / 52 / 2

HEX #44FA79

RGB 68 250 121

HSL 137.47, 0.95%, 0.62%

LAB 87.48, -71.26, 48.73

 

CMYK 67 / 0 / 45 / 0

HEX #55FF8C

RGB 85 255 140

HSL 139.41, 1%, 0.67%

LAB 89.55, -67.48, 42.4

 

CMYK 94 / 0 / 65 / 23

HEX #0CC445

RGB 12 196 69

HSL 138.59, 0.88%, 0.41%

LAB 69.46, -66.26, 50.81

 

CMYK 100 / 0 / 72 / 30

HEX #00B232

RGB 0 178 50

HSL 136.85, 1%, 0.35%

LAB 63.4, -63.35, 51.97

 

CMYK 100 / 0 / 81 / 37

HEX #00A01F

RGB 0 160 31

HSL 131.63, 1%, 0.31%

LAB 57.31, -59.58, 52.5

 

CMYK 100 / 0 / 92 / 44

HEX #008E0C

RGB 0 142 12

HSL 125.07, 1%, 0.28%

LAB 51.12, -55.34, 51.69

 

CMYK 100 / 0 / 100 / 51

HEX #007C00

RGB 0 124 0

HSL 120, 1%, 0.24%

LAB 44.82, -50.53, 48.77

 

CMYK 94 / 0 / 65 / 23

HEX #0CC445

RGB 12 196 69

HSL 138.59, 0.88%, 0.41%

LAB 69.46, -66.26, 50.81

 

CMYK 94 / 0 / 90 / 23

HEX #0CC413

RGB 12 196 19

HSL 122.28, 0.88%, 0.41%

LAB 69.19, -69.75, 65.98

 

CMYK 72 / 0 / 94 / 23

HEX #36C40C

RGB 54 196 12

HSL 106.3, 0.88%, 0.41%

LAB 69.68, -65.46, 67.59

 

CMYK 47 / 0 / 94 / 23

HEX #68C40C

RGB 104 196 12

HSL 90, 0.88%, 0.41%

LAB 71.18, -53.23, 69.45

 

CMYK 21 / 0 / 94 / 23

HEX #9AC40C

RGB 154 196 12

HSL 73.7, 0.88%, 0.41%

LAB 73.79, -35.13, 72.63

 

CMYK 94 / 0 / 65 / 23

HEX #0CC445

RGB 12 196 69

HSL 138.59, 0.88%, 0.41%

LAB 69.46, -66.26, 50.81

 

CMYK 94 / 0 / 39 / 23

HEX #0CC477

RGB 12 196 119

HSL 154.89, 0.88%, 0.41%

LAB 70.1, -58.54, 27.43

 

CMYK 94 / 0 / 14 / 23

HEX #0CC4A8

RGB 12 196 168

HSL 170.87, 0.88%, 0.41%

LAB 71.14, -47.07, 2.59

 

CMYK 94 / 11 / 0 / 23

HEX #0CAEC4

RGB 12 174 196

HSL 187.17, 0.88%, 0.41%

LAB 65.23, -28.69, -21.63

 

CMYK 94 / 36 / 0 / 23

HEX #0C7DC4

RGB 12 125 196

HSL 203.15, 0.88%, 0.41%

LAB 50.37, -1.91, -44.77

 

CMYK 94 / 0 / 65 / 23

HEX #0CC445

RGB 12 196 69

HSL 138.59, 0.88%, 0.41%

LAB 69.46, -66.26, 50.81

 

CMYK 94 / 0 / 65 / 23

HEX #0CC445

RGB 12 196 69

HSL 138.59, 0.88%, 0.41%

LAB 69.46, -66.26, 50.81

 

CMYK 84 / 0 / 58 / 30

HEX #1DB34B

RGB 29 179 75

HSL 138.4, 0.72%, 0.41%

LAB 64.17, -58.97, 42.11

 

CMYK 72 / 0 / 49 / 36

HEX #2EA252

RGB 46 162 82

HSL 138.62, 0.56%, 0.41%

LAB 59, -49.71, 32.43

 

CMYK 57 / 0 / 39 / 43

HEX #3F9158

RGB 63 145 88

HSL 138.29, 0.39%, 0.41%

LAB 54.04, -38.24, 22.92

 

CMYK 38 / 0 / 26 / 50

HEX #50805F

RGB 80 128 95

HSL 138.75, 0.23%, 0.41%

LAB 49.46, -23.93, 12.87

 

CMYK 72 / 0 / 94 / 23

HEX #37C40C

RGB 55 196 12

HSL 105.98, 0.88%, 0.41%

LAB 69.7, -65.29, 67.62

 

CMYK 94 / 0 / 91 / 23

HEX #0CC412

RGB 12 196 18

HSL 121.96, 0.88%, 0.41%

LAB 69.18, -69.78, 66.14

 

CMYK 94 / 0 / 66 / 23

HEX #0CC443

RGB 12 196 67

HSL 137.93, 0.88%, 0.41%

LAB 69.44, -66.48, 51.63

 

CMYK 94 / 0 / 41 / 23

HEX #0CC474

RGB 12 196 116

HSL 153.91, 0.88%, 0.41%

LAB 70.05, -59.12, 28.93

 

CMYK 94 / 0 / 16 / 23

HEX #0CC4A5

RGB 12 196 165

HSL 169.89, 0.88%, 0.41%

LAB 71.06, -47.87, 4.11

 

CMYK 94 / 0 / 64 / 54

HEX #07762A

RGB 7 118 42

HSL 138.92, 0.89%, 0.25%

LAB 43.02, -44.96, 33.31

 

CMYK 94 / 0 / 65 / 38

HEX #0A9D37

RGB 10 157 55

HSL 138.37, 0.88%, 0.33%

LAB 56.54, -55.91, 42.52

 

CMYK 94 / 0 / 65 / 23

HEX #0CC445

RGB 12 196 69

HSL 138.59, 0.88%, 0.41%

LAB 69.46, -66.26, 50.81

 

CMYK 94 / 0 / 65 / 8

HEX #0FEB53

RGB 15 235 83

HSL 138.55, 0.88%, 0.49%

LAB 81.92, -76.16, 58.78

 

CMYK 80 / 0 / 55 / 5

HEX #31F16D

RGB 49 241 109

HSL 138.75, 0.87%, 0.57%

LAB 84.31, -72.36, 50.35

 

CMYK 94 / 0 / 65 / 23

HEX #0CC445

RGB 12 196 69

HSL 138.59, 0.88%, 0.41%

LAB 69.46, -66.26, 50.81

 

CMYK 94 / 47 / 0 / 23

HEX #0C68C4

RGB 12 104 196

HSL 210, 0.88%, 0.41%

LAB 44.18, 11.19, -54.67

 

CMYK 0 / 94 / 85 / 23

HEX #C40C1E

RGB 196 12 30

HSL 354.13, 0.88%, 0.41%

LAB 41.36, 64.91, 43.27

 

CMYK 94 / 0 / 65 / 23

HEX #0CC445

RGB 12 196 69

HSL 138.59, 0.88%, 0.41%

LAB 69.46, -66.26, 50.81

 

CMYK 66 / 94 / 0 / 23

HEX #430CC4

RGB 67 12 196

HSL 257.93, 0.88%, 0.41%

LAB 27.96, 64.18, -81.16

 

CMYK 0 / 66 / 94 / 23

HEX #C4430C

RGB 196 67 12

HSL 17.93, 0.88%, 0.41%

LAB 46.68, 49.5, 54.57

 

CMYK 94 / 0 / 65 / 23

HEX #0CC445

RGB 12 196 69

HSL 138.59, 0.88%, 0.41%

LAB 69.46, -66.26, 50.81

 

CMYK 94 / 47 / 0 / 23

HEX #0C68C4

RGB 12 104 196

HSL 210, 0.88%, 0.41%

LAB 44.18, 11.19, -54.67

 

CMYK 0 / 94 / 28 / 23

HEX #C40C8D

RGB 196 12 141

HSL 317.93, 0.88%, 0.41%

LAB 44.12, 72.38, -21.1

 

CMYK 0 / 47 / 94 / 23

HEX #C4680C

RGB 196 104 12

HSL 30, 0.88%, 0.41%

LAB 53.67, 31.53, 59.28

 

CMYK 94 / 0 / 65 / 23

HEX #0CC445

RGB 12 196 69

HSL 138.59, 0.88%, 0.41%

LAB 69.46, -66.26, 50.81

 

CMYK 94 / 75 / 0 / 23

HEX #0C31C4

RGB 12 49 196

HSL 227.93, 0.88%, 0.41%

LAB 30.06, 46.7, -77.76

 

CMYK 0 / 94 / 28 / 23

HEX #C40C8D

RGB 196 12 141

HSL 317.93, 0.88%, 0.41%

LAB 44.12, 72.38, -21.1

 

CMYK 0 / 19 / 94 / 23

HEX #C49F0C

RGB 196 159 12

HSL 47.93, 0.88%, 0.41%

LAB 66.94, 1.64, 68.86

 

Description

Color code: HEX #0CC445 | qconv.com Color code: HEX #0CC445 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 196 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 196 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 65 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 65% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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