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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09F2B8 it is the complementary color #F60D47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09F2B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09F2B8 shade: #0EF2B3, #1FFFC6, #30FFD9, #41FFEC and #52FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09F2B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09F2B8 shade: #09F2B8, #00E0A5, #00CE92, #00BC7F and #00AA6C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09F2B8 shade: #08F1B7, #08F178, #08F139, #16F108 and #54F108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09F2B8 shade: #08F1B7, #08ECF1, #08ADF1, #086FF1 and #0830F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09F2B8 shade matches the following richer shades: #08F1B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09F2B8 shade: #08F1B7, #1CDCAD, #31C8A2, #45B498 and #59A08E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09F2B8 shade: #08F13B, #08F179, #08F1B7, #08EDF1 and #08AFF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09F2B8 shade: #05A17A, #07C999, #08F1B7, #2BF7C4 and #53F8CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09F2B8 shade: #09F2B8, #0814F1 and #F15A08

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09F2B8 shade: #09F2B8, #B708F1 and #F1B708

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09F2B8 shade: #09F2B8, #0814F1, #F10842 and #F1E508

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09F2B8 shade: #09F2B8, #4208F1, #F10842 and #B7F108

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 24 / 5

HEX #09F2B8

RGB 9 242 184

HSL 165.06, 0.93%, 0.49%

LAB 85.52, -61.27, 14.64

 

Complementary color

CMYK 0 / 95 / 71 / 4

HEX #F60D47

RGB 246 13 71

HSL 345.06, 0.93%, 0.51%

LAB 52.21, 78.43, 34.49

 

CMYK 94 / 0 / 26 / 5

HEX #0EF2B3

RGB 14 242 179

HSL 163.42, 0.9%, 0.5%

LAB 85.43, -62.28, 17.12

 

CMYK 88 / 0 / 22 / 0

HEX #1FFFC6

RGB 31 255 198

HSL 164.73, 1%, 0.56%

LAB 89.81, -62.04, 13.49

 

CMYK 81 / 0 / 15 / 0

HEX #30FFD9

RGB 48 255 217

HSL 168.99, 1%, 0.59%

LAB 90.39, -56.31, 4.54

 

CMYK 75 / 0 / 7 / 0

HEX #41FFEC

RGB 65 255 236

HSL 174, 1%, 0.63%

LAB 91.1, -49.88, -4.25

 

CMYK 68 / 0 / 0 / 0

HEX #52FFFF

RGB 82 255 255

HSL 180, 1%, 0.66%

LAB 91.92, -42.83, -12.85

 

CMYK 96 / 0 / 24 / 5

HEX #09F2B8

RGB 9 242 184

HSL 165.06, 0.93%, 0.49%

LAB 85.52, -61.27, 14.64

 

CMYK 100 / 0 / 26 / 12

HEX #00E0A5

RGB 0 224 165

HSL 164.2, 1%, 0.44%

LAB 79.63, -59.2, 16.29

 

CMYK 100 / 0 / 29 / 19

HEX #00CE92

RGB 0 206 146

HSL 162.52, 1%, 0.4%

LAB 73.69, -56.85, 18.05

 

CMYK 100 / 0 / 32 / 26

HEX #00BC7F

RGB 0 188 127

HSL 160.53, 1%, 0.37%

LAB 67.65, -54.43, 19.88

 

CMYK 100 / 0 / 36 / 33

HEX #00AA6C

RGB 0 170 108

HSL 158.12, 1%, 0.33%

LAB 61.51, -51.93, 21.79

 

CMYK 97 / 0 / 24 / 5

HEX #08F1B7

RGB 8 241 183

HSL 165.06, 0.94%, 0.49%

LAB 85.19, -61.15, 14.7

 

CMYK 97 / 0 / 50 / 5

HEX #08F178

RGB 8 241 120

HSL 148.84, 0.94%, 0.49%

LAB 84.13, -73.4, 44.94

 

CMYK 97 / 0 / 76 / 5

HEX #08F139

RGB 8 241 57

HSL 132.62, 0.94%, 0.49%

LAB 83.58, -80.32, 69.84

 

CMYK 91 / 0 / 97 / 5

HEX #16F108

RGB 22 241 8

HSL 116.39, 0.94%, 0.49%

LAB 83.49, -81.64, 79.16

 

CMYK 65 / 0 / 97 / 5

HEX #54F108

RGB 84 241 8

HSL 100.43, 0.94%, 0.49%

LAB 84.39, -73.79, 80.25

 

CMYK 97 / 0 / 24 / 5

HEX #08F1B7

RGB 8 241 183

HSL 165.06, 0.94%, 0.49%

LAB 85.19, -61.15, 14.7

 

CMYK 97 / 2 / 0 / 5

HEX #08ECF1

RGB 8 236 241

HSL 181.29, 0.94%, 0.49%

LAB 85.2, -43.71, -15.7

 

CMYK 97 / 28 / 0 / 5

HEX #08ADF1

RGB 8 173 241

HSL 197.51, 0.94%, 0.49%

LAB 66.74, -12.76, -44.06

 

CMYK 97 / 54 / 0 / 5

HEX #086FF1

RGB 8 111 241

HSL 213.48, 0.94%, 0.49%

LAB 49.22, 24.3, -72.08

 

CMYK 97 / 80 / 0 / 5

HEX #0830F1

RGB 8 48 241

HSL 229.7, 0.94%, 0.49%

LAB 35.04, 61.92, -95.41

 

CMYK 97 / 0 / 24 / 5

HEX #08F1B7

RGB 8 241 183

HSL 165.06, 0.94%, 0.49%

LAB 85.19, -61.15, 14.7

 

CMYK 97 / 0 / 24 / 5

HEX #08F1B7

RGB 8 241 183

HSL 165.06, 0.94%, 0.49%

LAB 85.19, -61.15, 14.7

 

CMYK 87 / 0 / 21 / 14

HEX #1CDCAD

RGB 28 220 173

HSL 165.31, 0.77%, 0.49%

LAB 78.72, -54.7, 10.81

 

CMYK 76 / 0 / 19 / 22

HEX #31C8A2

RGB 49 200 162

HSL 164.9, 0.61%, 0.49%

LAB 72.61, -47.49, 8.01

 

CMYK 62 / 0 / 16 / 29

HEX #45B498

RGB 69 180 152

HSL 164.86, 0.45%, 0.49%

LAB 66.65, -38.3, 4.98

 

CMYK 44 / 0 / 11 / 37

HEX #59A08E

RGB 89 160 142

HSL 164.79, 0.29%, 0.49%

LAB 60.97, -26.79, 2.44

 

CMYK 97 / 0 / 76 / 5

HEX #08F13B

RGB 8 241 59

HSL 133.13, 0.94%, 0.49%

LAB 83.59, -80.18, 69.23

 

CMYK 97 / 0 / 50 / 5

HEX #08F179

RGB 8 241 121

HSL 149.1, 0.94%, 0.49%

LAB 84.14, -73.25, 44.48

 

CMYK 97 / 0 / 24 / 5

HEX #08F1B7

RGB 8 241 183

HSL 165.06, 0.94%, 0.49%

LAB 85.19, -61.15, 14.7

 

CMYK 97 / 2 / 0 / 5

HEX #08EDF1

RGB 8 237 241

HSL 181.03, 0.94%, 0.49%

LAB 85.49, -44.15, -15.26

 

CMYK 97 / 27 / 0 / 5

HEX #08AFF1

RGB 8 175 241

HSL 197, 0.94%, 0.49%

LAB 67.32, -13.85, -43.14

 

CMYK 97 / 0 / 24 / 37

HEX #05A17A

RGB 5 161 122

HSL 165, 0.94%, 0.33%

LAB 58.91, -44.97, 10.47

 

CMYK 97 / 0 / 24 / 21

HEX #07C999

RGB 7 201 153

HSL 165.15, 0.93%, 0.41%

LAB 72.31, -53.08, 12.38

 

CMYK 97 / 0 / 24 / 5

HEX #08F1B7

RGB 8 241 183

HSL 165.06, 0.94%, 0.49%

LAB 85.19, -61.15, 14.7

 

CMYK 83 / 0 / 21 / 3

HEX #2BF7C4

RGB 43 247 196

HSL 165, 0.93%, 0.57%

LAB 87.5, -58.66, 11.25

 

CMYK 67 / 0 / 17 / 3

HEX #53F8CF

RGB 83 248 207

HSL 165.09, 0.92%, 0.65%

LAB 88.68, -51.92, 7.32

 

CMYK 96 / 0 / 24 / 5

HEX #09F2B8

RGB 9 242 184

HSL 165.06, 0.93%, 0.49%

LAB 85.52, -61.27, 14.64

 

CMYK 97 / 92 / 0 / 5

HEX #0814F1

RGB 8 20 241

HSL 236.91, 0.94%, 0.49%

LAB 31.58, 72.27, -101.17

 

CMYK 0 / 63 / 97 / 5

HEX #F15A08

RGB 241 90 8

HSL 21.12, 0.94%, 0.49%

LAB 58.07, 55.37, 66.32

 

CMYK 96 / 0 / 24 / 5

HEX #09F2B8

RGB 9 242 184

HSL 165.06, 0.93%, 0.49%

LAB 85.52, -61.27, 14.64

 

CMYK 24 / 97 / 0 / 5

HEX #B708F1

RGB 183 8 241

HSL 285.06, 0.94%, 0.49%

LAB 47.74, 85.31, -73.93

 

CMYK 0 / 24 / 97 / 5

HEX #F1B708

RGB 241 183 8

HSL 45.06, 0.94%, 0.49%

LAB 77.63, 8.62, 79.18

 

CMYK 96 / 0 / 24 / 5

HEX #09F2B8

RGB 9 242 184

HSL 165.06, 0.93%, 0.49%

LAB 85.52, -61.27, 14.64

 

CMYK 97 / 92 / 0 / 5

HEX #0814F1

RGB 8 20 241

HSL 236.91, 0.94%, 0.49%

LAB 31.58, 72.27, -101.17

 

CMYK 0 / 97 / 73 / 5

HEX #F10842

RGB 241 8 66

HSL 345.06, 0.94%, 0.49%

LAB 51, 77.43, 35.76

 

CMYK 0 / 5 / 97 / 5

HEX #F1E508

RGB 241 229 8

HSL 56.91, 0.94%, 0.49%

LAB 89.28, -14.77, 87.62

 

CMYK 96 / 0 / 24 / 5

HEX #09F2B8

RGB 9 242 184

HSL 165.06, 0.93%, 0.49%

LAB 85.52, -61.27, 14.64

 

CMYK 73 / 97 / 0 / 5

HEX #4208F1

RGB 66 8 241

HSL 254.94, 0.94%, 0.49%

LAB 33.31, 75.69, -98.22

 

CMYK 0 / 97 / 73 / 5

HEX #F10842

RGB 241 8 66

HSL 345.06, 0.94%, 0.49%

LAB 51, 77.43, 35.76

 

CMYK 24 / 0 / 97 / 5

HEX #B7F108

RGB 183 241 8

HSL 74.94, 0.94%, 0.49%

LAB 88.45, -43.82, 85.19

 

Description

Color code: HEX #09F2B8 | qconv.com Color code: HEX #09F2B8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 242 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 242 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 24 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 24% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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