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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09E047 it is the complementary color #F61FB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09E047. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09E047 shade: #0EE042, #1FF255, #30FF68, #41FF7B and #52FF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09E047. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09E047 shade: #09E047, #00CE34, #00BC21, #00AA0E and #009800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09E047 shade: #09E147, #09E10D, #3FE109, #79E109 and #B3E109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09E047 shade: #09E147, #09E181, #09E1BC, #09CCE1 and #0992E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09E047 shade matches the following richer shades: #09E147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09E047 shade: #09E147, #1CCE4F, #2FBB57, #42A85F and #559567

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09E047 shade: #3FE109, #09E10C, #09E146, #09E180 and #09E1B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09E047 shade: #06912E, #07B93B, #09E147, #1EF55C and #45F778

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09E047 shade: #09E047, #0978E1 and #E10922

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09E047 shade: #09E047, #4609E1 and #E14609

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09E047 shade: #09E047, #0978E1, #E109A4 and #E17109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09E047 shade: #09E047, #0938E1, #E109A4 and #E1B209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 68 / 12

HEX #09E047

RGB 9 224 71

HSL 137.3, 0.92%, 0.46%

LAB 78.36, -74.4, 59.67

 

Complementary color

CMYK 0 / 87 / 25 / 4

HEX #F61FB8

RGB 246 31 184

HSL 317.3, 0.92%, 0.54%

LAB 56.12, 84.93, -27.34

 

CMYK 94 / 0 / 71 / 12

HEX #0EE042

RGB 14 224 66

HSL 134.86, 0.88%, 0.47%

LAB 78.34, -74.68, 61.54

 

CMYK 87 / 0 / 65 / 5

HEX #1FF255

RGB 31 242 85

HSL 135.36, 0.89%, 0.54%

LAB 84.2, -77.11, 60.52

 

CMYK 81 / 0 / 59 / 0

HEX #30FF68

RGB 48 255 104

HSL 136.23, 1%, 0.59%

LAB 88.52, -77.45, 57.52

 

CMYK 75 / 0 / 52 / 0

HEX #41FF7B

RGB 65 255 123

HSL 138.32, 1%, 0.63%

LAB 88.96, -73.04, 49.6

 

CMYK 68 / 0 / 44 / 0

HEX #52FF8E

RGB 82 255 142

HSL 140.81, 1%, 0.66%

LAB 89.52, -67.67, 41.37

 

CMYK 96 / 0 / 68 / 12

HEX #09E047

RGB 9 224 71

HSL 137.3, 0.92%, 0.46%

LAB 78.36, -74.4, 59.67

 

CMYK 100 / 0 / 75 / 19

HEX #00CE34

RGB 0 206 52

HSL 135.15, 1%, 0.4%

LAB 72.49, -71.24, 60.5

 

CMYK 100 / 0 / 82 / 26

HEX #00BC21

RGB 0 188 33

HSL 130.53, 1%, 0.37%

LAB 66.58, -67.44, 60.61

 

CMYK 100 / 0 / 92 / 33

HEX #00AA0E

RGB 0 170 14

HSL 124.94, 1%, 0.33%

LAB 60.59, -63.24, 59.44

 

CMYK 100 / 0 / 100 / 40

HEX #009800

RGB 0 152 0

HSL 120, 1%, 0.3%

LAB 54.51, -58.58, 56.54

 

CMYK 96 / 0 / 68 / 12

HEX #09E147

RGB 9 225 71

HSL 137.22, 0.92%, 0.46%

LAB 78.67, -74.69, 60.01

 

CMYK 96 / 0 / 94 / 12

HEX #09E10D

RGB 9 225 13

HSL 121.11, 0.92%, 0.46%

LAB 78.43, -77.87, 74.53

 

CMYK 72 / 0 / 96 / 12

HEX #3FE109

RGB 63 225 9

HSL 105, 0.92%, 0.46%

LAB 79, -72.78, 75.62

 

CMYK 46 / 0 / 96 / 12

HEX #79E109

RGB 121 225 9

HSL 88.89, 0.92%, 0.46%

LAB 80.7, -58.92, 77.7

 

CMYK 20 / 0 / 96 / 12

HEX #B3E109

RGB 179 225 9

HSL 72.78, 0.92%, 0.46%

LAB 83.68, -38.34, 81.31

 

CMYK 96 / 0 / 68 / 12

HEX #09E147

RGB 9 225 71

HSL 137.22, 0.92%, 0.46%

LAB 78.67, -74.69, 60.01

 

CMYK 96 / 0 / 43 / 12

HEX #09E181

RGB 9 225 129

HSL 153.33, 0.92%, 0.46%

LAB 79.32, -66.71, 34.43

 

CMYK 96 / 0 / 16 / 12

HEX #09E1BC

RGB 9 225 188

HSL 169.72, 0.92%, 0.46%

LAB 80.48, -53.72, 5.37

 

CMYK 96 / 9 / 0 / 12

HEX #09CCE1

RGB 9 204 225

HSL 185.83, 0.92%, 0.46%

LAB 75.25, -33.94, -22.21

 

CMYK 96 / 35 / 0 / 12

HEX #0992E1

RGB 9 146 225

HSL 201.94, 0.92%, 0.46%

LAB 58.09, -3.39, -48.89

 

CMYK 96 / 0 / 68 / 12

HEX #09E147

RGB 9 225 71

HSL 137.22, 0.92%, 0.46%

LAB 78.67, -74.69, 60.01

 

CMYK 96 / 0 / 68 / 12

HEX #09E147

RGB 9 225 71

HSL 137.22, 0.92%, 0.46%

LAB 78.67, -74.69, 60.01

 

CMYK 86 / 0 / 62 / 19

HEX #1CCE4F

RGB 28 206 79

HSL 137.19, 0.76%, 0.46%

LAB 72.86, -67.16, 50.35

 

CMYK 75 / 0 / 53 / 27

HEX #2FBB57

RGB 47 187 87

HSL 137.14, 0.6%, 0.46%

LAB 67.15, -57.77, 39.99

 

CMYK 61 / 0 / 43 / 34

HEX #42A85F

RGB 66 168 95

HSL 137.06, 0.44%, 0.46%

LAB 61.65, -45.88, 29.11

 

CMYK 43 / 0 / 31 / 42

HEX #559567

RGB 85 149 103

HSL 136.88, 0.27%, 0.46%

LAB 56.49, -31.07, 18.04

 

CMYK 72 / 0 / 96 / 12

HEX #3FE109

RGB 63 225 9

HSL 105, 0.92%, 0.46%

LAB 79, -72.78, 75.62

 

CMYK 96 / 0 / 95 / 12

HEX #09E10C

RGB 9 225 12

HSL 120.83, 0.92%, 0.46%

LAB 78.42, -77.89, 74.63

 

CMYK 96 / 0 / 69 / 12

HEX #09E146

RGB 9 225 70

HSL 136.94, 0.92%, 0.46%

LAB 78.67, -74.78, 60.38

 

CMYK 96 / 0 / 43 / 12

HEX #09E180

RGB 9 225 128

HSL 153.06, 0.92%, 0.46%

LAB 79.31, -66.89, 34.92

 

CMYK 96 / 0 / 18 / 12

HEX #09E1B9

RGB 9 225 185

HSL 168.89, 0.92%, 0.46%

LAB 80.41, -54.49, 6.85

 

CMYK 96 / 0 / 68 / 43

HEX #06912E

RGB 6 145 46

HSL 137.27, 0.92%, 0.3%

LAB 52.38, -53.38, 41.9

 

CMYK 96 / 0 / 68 / 27

HEX #07B93B

RGB 7 185 59

HSL 137.53, 0.93%, 0.38%

LAB 65.79, -64.23, 50.96

 

CMYK 96 / 0 / 68 / 12

HEX #09E147

RGB 9 225 71

HSL 137.22, 0.92%, 0.46%

LAB 78.67, -74.69, 60.01

 

CMYK 88 / 0 / 62 / 4

HEX #1EF55C

RGB 30 245 92

HSL 137.3, 0.91%, 0.54%

LAB 85.18, -77.32, 58.74

 

CMYK 72 / 0 / 51 / 3

HEX #45F778

RGB 69 247 120

HSL 137.19, 0.92%, 0.62%

LAB 86.57, -70.25, 48.09

 

CMYK 96 / 0 / 68 / 12

HEX #09E047

RGB 9 224 71

HSL 137.3, 0.92%, 0.46%

LAB 78.36, -74.4, 59.67

 

CMYK 96 / 47 / 0 / 12

HEX #0978E1

RGB 9 120 225

HSL 209.17, 0.92%, 0.46%

LAB 50.6, 12.38, -60.86

 

CMYK 0 / 96 / 85 / 12

HEX #E10922

RGB 225 9 34

HSL 353.06, 0.92%, 0.46%

LAB 47.39, 72.56, 48.84

 

CMYK 96 / 0 / 68 / 12

HEX #09E047

RGB 9 224 71

HSL 137.3, 0.92%, 0.46%

LAB 78.36, -74.4, 59.67

 

CMYK 69 / 96 / 0 / 12

HEX #4609E1

RGB 70 9 225

HSL 256.94, 0.92%, 0.46%

LAB 31.66, 71.89, -91.85

 

CMYK 0 / 69 / 96 / 12

HEX #E14609

RGB 225 70 9

HSL 16.94, 0.92%, 0.46%

LAB 52.29, 58.08, 61.34

 

CMYK 96 / 0 / 68 / 12

HEX #09E047

RGB 9 224 71

HSL 137.3, 0.92%, 0.46%

LAB 78.36, -74.4, 59.67

 

CMYK 96 / 47 / 0 / 12

HEX #0978E1

RGB 9 120 225

HSL 209.17, 0.92%, 0.46%

LAB 50.6, 12.38, -60.86

 

CMYK 0 / 96 / 27 / 12

HEX #E109A4

RGB 225 9 164

HSL 316.94, 0.92%, 0.46%

LAB 50.55, 81, -24.54

 

CMYK 0 / 50 / 96 / 12

HEX #E17109

RGB 225 113 9

HSL 28.89, 0.92%, 0.46%

LAB 59.74, 38.63, 65.92

 

CMYK 96 / 0 / 68 / 12

HEX #09E047

RGB 9 224 71

HSL 137.3, 0.92%, 0.46%

LAB 78.36, -74.4, 59.67

 

CMYK 96 / 75 / 0 / 12

HEX #0938E1

RGB 9 56 225

HSL 226.94, 0.92%, 0.46%

LAB 34.65, 52.6, -86.96

 

CMYK 0 / 96 / 27 / 12

HEX #E109A4

RGB 225 9 164

HSL 316.94, 0.92%, 0.46%

LAB 50.55, 81, -24.54

 

CMYK 0 / 21 / 96 / 12

HEX #E1B209

RGB 225 178 9

HSL 46.94, 0.92%, 0.46%

LAB 74.74, 4.32, 76.26

 

Description

Color code: HEX #09E047 | qconv.com Color code: HEX #09E047 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 224 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 224 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 68 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 68% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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