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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09E027 it is the complementary color #F61FD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09E027. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09E027 shade: #0EE022, #1FF235, #30FF48, #41FF5B and #52FF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09E027. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09E027 shade: #09E027, #00CE14, #00BC01, #00AA00 and #009800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09E027 shade: #09E127, #25E109, #5FE109, #99E109 and #D4E109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09E027 shade: #09E127, #09E161, #09E19B, #09E1D6 and #09B2E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09E027 shade matches the following richer shades: #09E127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09E027 shade: #09E127, #1CCE35, #2FBB42, #42A850 and #55955E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09E027 shade: #5FE109, #26E109, #09E126, #09E15F and #09E199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09E027 shade: #069119, #07B920, #09E127, #1EF53C and #45F75E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09E027 shade: #09E027, #0999E1 and #E10942

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09E027 shade: #09E027, #2609E1 and #E12609

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09E027 shade: #09E027, #0999E1, #E109C4 and #E15109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09E027 shade: #09E027, #0958E1, #E109C4 and #E19209

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 83 / 12

HEX #09E027

RGB 9 224 39

HSL 128.37, 0.92%, 0.46%

LAB 78.18, -76.71, 69.74

 

Complementary color

CMYK 0 / 87 / 12 / 4

HEX #F61FD8

RGB 246 31 216

HSL 308.37, 0.92%, 0.54%

LAB 57.59, 88.82, -43.41

 

CMYK 94 / 0 / 85 / 12

HEX #0EE022

RGB 14 224 34

HSL 125.71, 0.88%, 0.47%

LAB 78.18, -76.76, 70.92

 

CMYK 87 / 0 / 78 / 5

HEX #1FF235

RGB 31 242 53

HSL 126.26, 0.89%, 0.54%

LAB 83.99, -79.73, 71.47

 

CMYK 81 / 0 / 72 / 0

HEX #30FF48

RGB 48 255 72

HSL 126.96, 1%, 0.59%

LAB 88.26, -80.59, 69.72

 

CMYK 75 / 0 / 64 / 0

HEX #41FF5B

RGB 65 255 91

HSL 128.21, 1%, 0.63%

LAB 88.64, -76.87, 63.11

 

CMYK 68 / 0 / 57 / 0

HEX #52FF6E

RGB 82 255 110

HSL 129.71, 1%, 0.66%

LAB 89.13, -72.14, 55.76

 

CMYK 96 / 0 / 83 / 12

HEX #09E027

RGB 9 224 39

HSL 128.37, 0.92%, 0.46%

LAB 78.18, -76.71, 69.74

 

CMYK 100 / 0 / 90 / 19

HEX #00CE14

RGB 0 206 20

HSL 125.83, 1%, 0.4%

LAB 72.36, -72.94, 68.5

 

CMYK 100 / 0 / 99 / 26

HEX #00BC01

RGB 0 188 1

HSL 120.32, 1%, 0.37%

LAB 66.5, -68.51, 66.03

 

CMYK 100 / 0 / 100 / 33

HEX #00AA00

RGB 0 170 0

HSL 120, 1%, 0.33%

LAB 60.56, -63.61, 61.39

 

CMYK 100 / 0 / 100 / 40

HEX #009800

RGB 0 152 0

HSL 120, 1%, 0.3%

LAB 54.51, -58.58, 56.54

 

CMYK 96 / 0 / 83 / 12

HEX #09E127

RGB 9 225 39

HSL 128.33, 0.92%, 0.46%

LAB 78.49, -76.99, 70.03

 

CMYK 84 / 0 / 96 / 12

HEX #25E109

RGB 37 225 9

HSL 112.22, 0.92%, 0.46%

LAB 78.62, -76.17, 75.14

 

CMYK 58 / 0 / 96 / 12

HEX #5FE109

RGB 95 225 9

HSL 96.11, 0.92%, 0.46%

LAB 79.79, -66.15, 76.58

 

CMYK 32 / 0 / 96 / 12

HEX #99E109

RGB 153 225 9

HSL 80, 0.92%, 0.46%

LAB 82.19, -48.17, 79.51

 

CMYK 6 / 0 / 96 / 12

HEX #D4E109

RGB 212 225 9

HSL 63.61, 0.92%, 0.46%

LAB 85.94, -24.96, 84.03

 

CMYK 96 / 0 / 83 / 12

HEX #09E127

RGB 9 225 39

HSL 128.33, 0.92%, 0.46%

LAB 78.49, -76.99, 70.03

 

CMYK 96 / 0 / 57 / 12

HEX #09E161

RGB 9 225 97

HSL 144.44, 0.92%, 0.46%

LAB 78.91, -71.73, 49.3

 

CMYK 96 / 0 / 31 / 12

HEX #09E19B

RGB 9 225 155

HSL 160.56, 0.92%, 0.46%

LAB 79.77, -61.54, 21.72

 

CMYK 96 / 0 / 5 / 12

HEX #09E1D6

RGB 9 225 214

HSL 176.94, 0.92%, 0.46%

LAB 81.16, -46.7, -7.44

 

CMYK 96 / 21 / 0 / 12

HEX #09B2E1

RGB 9 178 225

HSL 193.06, 0.92%, 0.46%

LAB 67.53, -21.03, -34.08

 

CMYK 96 / 0 / 83 / 12

HEX #09E127

RGB 9 225 39

HSL 128.33, 0.92%, 0.46%

LAB 78.49, -76.99, 70.03

 

CMYK 96 / 0 / 83 / 12

HEX #09E127

RGB 9 225 39

HSL 128.33, 0.92%, 0.46%

LAB 78.49, -76.99, 70.03

 

CMYK 86 / 0 / 74 / 19

HEX #1CCE35

RGB 28 206 53

HSL 128.43, 0.76%, 0.46%

LAB 72.66, -69.7, 60.38

 

CMYK 75 / 0 / 65 / 27

HEX #2FBB42

RGB 47 187 66

HSL 128.14, 0.6%, 0.46%

LAB 66.93, -60.43, 49.39

 

CMYK 61 / 0 / 52 / 34

HEX #42A850

RGB 66 168 80

HSL 128.24, 0.44%, 0.46%

LAB 61.43, -48.24, 36.57

 

CMYK 43 / 0 / 37 / 42

HEX #55955E

RGB 85 149 94

HSL 128.44, 0.27%, 0.46%

LAB 56.32, -32.73, 22.8

 

CMYK 58 / 0 / 96 / 12

HEX #5FE109

RGB 95 225 9

HSL 96.11, 0.92%, 0.46%

LAB 79.79, -66.15, 76.58

 

CMYK 83 / 0 / 96 / 12

HEX #26E109

RGB 38 225 9

HSL 111.94, 0.92%, 0.46%

LAB 78.63, -76.08, 75.16

 

CMYK 96 / 0 / 83 / 12

HEX #09E126

RGB 9 225 38

HSL 128.06, 0.92%, 0.46%

LAB 78.49, -77.03, 70.27

 

CMYK 96 / 0 / 58 / 12

HEX #09E15F

RGB 9 225 95

HSL 143.89, 0.92%, 0.46%

LAB 78.89, -71.99, 50.18

 

CMYK 96 / 0 / 32 / 12

HEX #09E199

RGB 9 225 153

HSL 160, 0.92%, 0.46%

LAB 79.73, -61.97, 22.71

 

CMYK 96 / 0 / 83 / 43

HEX #069119

RGB 6 145 25

HSL 128.2, 0.92%, 0.3%

LAB 52.24, -55.18, 49.54

 

CMYK 96 / 0 / 83 / 27

HEX #07B920

RGB 7 185 32

HSL 128.43, 0.93%, 0.38%

LAB 65.63, -66.34, 60.01

 

CMYK 96 / 0 / 83 / 12

HEX #09E127

RGB 9 225 39

HSL 128.33, 0.92%, 0.46%

LAB 78.49, -76.99, 70.03

 

CMYK 88 / 0 / 76 / 4

HEX #1EF53C

RGB 30 245 60

HSL 128.37, 0.91%, 0.54%

LAB 84.95, -80.18, 70.29

 

CMYK 72 / 0 / 62 / 3

HEX #45F75E

RGB 69 247 94

HSL 128.43, 0.92%, 0.62%

LAB 86.3, -73.48, 59.31

 

CMYK 96 / 0 / 83 / 12

HEX #09E027

RGB 9 224 39

HSL 128.37, 0.92%, 0.46%

LAB 78.18, -76.71, 69.74

 

CMYK 96 / 32 / 0 / 12

HEX #0999E1

RGB 9 153 225

HSL 200, 0.92%, 0.46%

LAB 60.14, -7.42, -45.65

 

CMYK 0 / 96 / 71 / 12

HEX #E10942

RGB 225 9 66

HSL 344.17, 0.92%, 0.46%

LAB 47.75, 73.54, 31.09

 

CMYK 96 / 0 / 83 / 12

HEX #09E027

RGB 9 224 39

HSL 128.37, 0.92%, 0.46%

LAB 78.18, -76.71, 69.74

 

CMYK 83 / 96 / 0 / 12

HEX #2609E1

RGB 38 9 225

HSL 248.06, 0.92%, 0.46%

LAB 29.52, 70.87, -95.46

 

CMYK 0 / 83 / 96 / 12

HEX #E12609

RGB 225 38 9

HSL 8.06, 0.92%, 0.46%

LAB 48.78, 67.88, 59.41

 

CMYK 96 / 0 / 83 / 12

HEX #09E027

RGB 9 224 39

HSL 128.37, 0.92%, 0.46%

LAB 78.18, -76.71, 69.74

 

CMYK 96 / 32 / 0 / 12

HEX #0999E1

RGB 9 153 225

HSL 200, 0.92%, 0.46%

LAB 60.14, -7.42, -45.65

 

CMYK 0 / 96 / 13 / 12

HEX #E109C4

RGB 225 9 196

HSL 308.06, 0.92%, 0.46%

LAB 52.05, 84.82, -40.94

 

CMYK 0 / 64 / 96 / 12

HEX #E15109

RGB 225 81 9

HSL 20, 0.92%, 0.46%

LAB 53.93, 53.65, 62.3

 

CMYK 96 / 0 / 83 / 12

HEX #09E027

RGB 9 224 39

HSL 128.37, 0.92%, 0.46%

LAB 78.18, -76.71, 69.74

 

CMYK 96 / 61 / 0 / 12

HEX #0958E1

RGB 9 88 225

HSL 218.06, 0.92%, 0.46%

LAB 41.96, 32.95, -74.9

 

CMYK 0 / 96 / 13 / 12

HEX #E109C4

RGB 225 9 196

HSL 308.06, 0.92%, 0.46%

LAB 52.05, 84.82, -40.94

 

CMYK 0 / 35 / 96 / 12

HEX #E19209

RGB 225 146 9

HSL 38.06, 0.92%, 0.46%

LAB 66.96, 21.35, 70.76

 

Description

Color code: HEX #09E027 | qconv.com Color code: HEX #09E027 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 224 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 224 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 83 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 83% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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