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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09A36D it is the complementary color #F65C92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09A36D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09A36D shade: #0EA368, #1FB57B, #30C78E, #41D9A1 and #52EBB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09A36D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09A36D shade: #09A36D, #00915A, #007F47, #006D34 and #005B21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09A36D shade: #08A46E, #08A443, #08A419, #21A408 and #4BA408

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09A36D shade: #08A46E, #08A498, #0887A4, #085DA4 and #0833A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09A36D shade matches the following richer shades: #08A46E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09A36D shade: #08A46E, #169669, #248865, #327A61 and #406C5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09A36D shade: #08A418, #08A441, #08A46B, #08A495 and #088AA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09A36D shade: #045639, #067D53, #08A46E, #0ACB88 and #0DF2A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09A36D shade: #09A36D, #0822A4 and #A42D08

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09A36D shade: #09A36D, #6B08A4 and #A46B08

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09A36D shade: #09A36D, #0822A4, #A40841 and #A48A08

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09A36D shade: #09A36D, #1D08A4, #A40841 and #8FA408

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 33 / 36

HEX #09A36D

RGB 9 163 109

HSL 158.96, 0.9%, 0.34%

LAB 59.3, -48.68, 18.25

 

Complementary color

CMYK 0 / 63 / 41 / 4

HEX #F65C92

RGB 246 92 146

HSL 338.96, 0.9%, 0.66%

LAB 61.07, 63.27, 2.19

 

CMYK 91 / 0 / 36 / 36

HEX #0EA368

RGB 14 163 104

HSL 156.24, 0.84%, 0.35%

LAB 59.24, -49.52, 20.92

 

CMYK 83 / 0 / 32 / 29

HEX #1FB57B

RGB 31 181 123

HSL 156.8, 0.71%, 0.42%

LAB 65.57, -50.94, 19.22

 

CMYK 76 / 0 / 29 / 22

HEX #30C78E

RGB 48 199 142

HSL 157.35, 0.61%, 0.48%

LAB 71.84, -51.9, 17.69

 

CMYK 70 / 0 / 26 / 15

HEX #41D9A1

RGB 65 217 161

HSL 157.89, 0.67%, 0.55%

LAB 78.07, -52.53, 16.31

 

CMYK 65 / 0 / 23 / 8

HEX #52EBB4

RGB 82 235 180

HSL 158.43, 0.79%, 0.62%

LAB 84.23, -52.92, 15.04

 

CMYK 94 / 0 / 33 / 36

HEX #09A36D

RGB 9 163 109

HSL 158.96, 0.9%, 0.34%

LAB 59.3, -48.68, 18.25

 

CMYK 100 / 0 / 38 / 43

HEX #00915A

RGB 0 145 90

HSL 157.24, 1%, 0.28%

LAB 52.94, -46.51, 20.14

 

CMYK 100 / 0 / 44 / 50

HEX #007F47

RGB 0 127 71

HSL 153.54, 1%, 0.25%

LAB 46.49, -43.79, 22.2

 

CMYK 100 / 0 / 52 / 57

HEX #006D34

RGB 0 109 52

HSL 148.62, 1%, 0.21%

LAB 39.89, -40.85, 24.33

 

CMYK 100 / 0 / 64 / 64

HEX #005B21

RGB 0 91 33

HSL 141.76, 1%, 0.18%

LAB 33.12, -37.57, 26.42

 

CMYK 95 / 0 / 33 / 36

HEX #08A46E

RGB 8 164 110

HSL 159.23, 0.91%, 0.34%

LAB 59.64, -48.88, 18.17

 

CMYK 95 / 0 / 59 / 36

HEX #08A443

RGB 8 164 67

HSL 142.69, 0.91%, 0.34%

LAB 58.98, -56.72, 39.76

 

CMYK 95 / 0 / 85 / 36

HEX #08A419

RGB 8 164 25

HSL 126.54, 0.91%, 0.34%

LAB 58.67, -60.65, 55.47

 

CMYK 80 / 0 / 95 / 36

HEX #21A408

RGB 33 164 8

HSL 110.38, 0.91%, 0.34%

LAB 58.87, -59.01, 59.01

 

CMYK 54 / 0 / 95 / 36

HEX #4BA408

RGB 75 164 8

HSL 94.23, 0.91%, 0.34%

LAB 59.95, -50.01, 60.33

 

CMYK 95 / 0 / 33 / 36

HEX #08A46E

RGB 8 164 110

HSL 159.23, 0.91%, 0.34%

LAB 59.64, -48.88, 18.17

 

CMYK 95 / 0 / 7 / 36

HEX #08A498

RGB 8 164 152

HSL 175.38, 0.91%, 0.34%

LAB 60.67, -37.88, -3.87

 

CMYK 95 / 18 / 0 / 36

HEX #0887A4

RGB 8 135 164

HSL 191.15, 0.91%, 0.34%

LAB 51.9, -19.73, -23.95

 

CMYK 95 / 43 / 0 / 36

HEX #085DA4

RGB 8 93 164

HSL 207.31, 0.91%, 0.34%

LAB 38.83, 5.2, -44.52

 

CMYK 95 / 69 / 0 / 36

HEX #0833A4

RGB 8 51 164

HSL 223.46, 0.91%, 0.34%

LAB 27.02, 33.57, -63.73

 

CMYK 95 / 0 / 33 / 36

HEX #08A46E

RGB 8 164 110

HSL 159.23, 0.91%, 0.34%

LAB 59.64, -48.88, 18.17

 

CMYK 95 / 0 / 33 / 36

HEX #08A46E

RGB 8 164 110

HSL 159.23, 0.91%, 0.34%

LAB 59.64, -48.88, 18.17

 

CMYK 85 / 0 / 30 / 41

HEX #169669

RGB 22 150 105

HSL 158.91, 0.74%, 0.34%

LAB 55.08, -43.65, 14.69

 

CMYK 74 / 0 / 26 / 47

HEX #248865

RGB 36 136 101

HSL 159, 0.58%, 0.34%

LAB 50.6, -37.06, 10.76

 

CMYK 59 / 0 / 20 / 52

HEX #327A61

RGB 50 122 97

HSL 159.17, 0.42%, 0.34%

LAB 46.26, -28.96, 7.02

 

CMYK 41 / 0 / 14 / 58

HEX #406C5D

RGB 64 108 93

HSL 159.55, 0.26%, 0.34%

LAB 42.16, -19.05, 3.62

 

CMYK 95 / 0 / 85 / 36

HEX #08A418

RGB 8 164 24

HSL 126.15, 0.91%, 0.34%

LAB 58.67, -60.7, 55.72

 

CMYK 95 / 0 / 60 / 36

HEX #08A441

RGB 8 164 65

HSL 141.92, 0.91%, 0.34%

LAB 58.96, -56.99, 40.68

 

CMYK 95 / 0 / 35 / 36

HEX #08A46B

RGB 8 164 107

HSL 158.08, 0.91%, 0.34%

LAB 59.58, -49.55, 19.73

 

CMYK 95 / 0 / 9 / 36

HEX #08A495

RGB 8 164 149

HSL 174.23, 0.91%, 0.34%

LAB 60.58, -38.76, -2.3

 

CMYK 95 / 16 / 0 / 36

HEX #088AA4

RGB 8 138 164

HSL 190, 0.91%, 0.34%

LAB 52.85, -21.33, -22.5

 

CMYK 95 / 0 / 34 / 66

HEX #045639

RGB 4 86 57

HSL 158.78, 0.91%, 0.18%

LAB 31.75, -30.25, 10.71

 

CMYK 95 / 0 / 34 / 51

HEX #067D53

RGB 6 125 83

HSL 158.82, 0.91%, 0.26%

LAB 46.08, -39.96, 14.83

 

CMYK 95 / 0 / 33 / 36

HEX #08A46E

RGB 8 164 110

HSL 159.23, 0.91%, 0.34%

LAB 59.64, -48.88, 18.17

 

CMYK 95 / 0 / 33 / 20

HEX #0ACB88

RGB 10 203 136

HSL 159.17, 0.91%, 0.42%

LAB 72.6, -57.62, 21.86

 

CMYK 95 / 0 / 33 / 5

HEX #0DF2A2

RGB 13 242 162

HSL 159.04, 0.9%, 0.5%

LAB 85.1, -66.01, 25.4

 

CMYK 94 / 0 / 33 / 36

HEX #09A36D

RGB 9 163 109

HSL 158.96, 0.9%, 0.34%

LAB 59.3, -48.68, 18.25

 

CMYK 95 / 79 / 0 / 36

HEX #0822A4

RGB 8 34 164

HSL 230, 0.91%, 0.34%

LAB 23.26, 44.03, -69.94

 

CMYK 0 / 73 / 95 / 36

HEX #A42D08

RGB 164 45 8

HSL 14.23, 0.91%, 0.34%

LAB 37.46, 47.33, 46.93

 

CMYK 94 / 0 / 33 / 36

HEX #09A36D

RGB 9 163 109

HSL 158.96, 0.9%, 0.34%

LAB 59.3, -48.68, 18.25

 

CMYK 35 / 95 / 0 / 36

HEX #6B08A4

RGB 107 8 164

HSL 278.08, 0.91%, 0.34%

LAB 29.36, 61.1, -59.57

 

CMYK 0 / 35 / 95 / 36

HEX #A46B08

RGB 164 107 8

HSL 38.08, 0.91%, 0.34%

LAB 50.01, 15.88, 55.49

 

CMYK 94 / 0 / 33 / 36

HEX #09A36D

RGB 9 163 109

HSL 158.96, 0.9%, 0.34%

LAB 59.3, -48.68, 18.25

 

CMYK 95 / 79 / 0 / 36

HEX #0822A4

RGB 8 34 164

HSL 230, 0.91%, 0.34%

LAB 23.26, 44.03, -69.94

 

CMYK 0 / 95 / 60 / 36

HEX #A40841

RGB 164 8 65

HSL 338.08, 0.91%, 0.34%

LAB 34.9, 58.69, 12.63

 

CMYK 0 / 16 / 95 / 36

HEX #A48A08

RGB 164 138 8

HSL 50, 0.91%, 0.34%

LAB 58.12, -1.52, 61.44

 

CMYK 94 / 0 / 33 / 36

HEX #09A36D

RGB 9 163 109

HSL 158.96, 0.9%, 0.34%

LAB 59.3, -48.68, 18.25

 

CMYK 82 / 95 / 0 / 36

HEX #1D08A4

RGB 29 8 164

HSL 248.08, 0.91%, 0.34%

LAB 20.5, 55.16, -74.51

 

CMYK 0 / 95 / 60 / 36

HEX #A40841

RGB 164 8 65

HSL 338.08, 0.91%, 0.34%

LAB 34.9, 58.69, 12.63

 

CMYK 13 / 0 / 95 / 36

HEX #8FA408

RGB 143 164 8

HSL 68.08, 0.91%, 0.34%

LAB 63.68, -24.6, 64.88

 

Description

Color code: HEX #09A36D | qconv.com Color code: HEX #09A36D | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 163 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 163 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 33 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 33% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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