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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09A961 it is the complementary color #F6569E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09A961. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09A961 shade: #0EA95C, #1FBB6F, #30CD82, #41DF95 and #52F1A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09A961. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09A961 shade: #09A961, #00974E, #00853B, #007328 and #006115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09A961 shade: #08A961, #08A935, #08A90A, #32A908 and #5DA908

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09A961 shade: #08A961, #08A98C, #089BA9, #086FA9 and #0844A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09A961 shade matches the following richer shades: #08A961

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09A961 shade: #08A961, #179B5F, #258C5E, #347E5C and #426F5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09A961 shade: #08A90B, #08A936, #08A961, #08A98C and #089CA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09A961 shade: #045B34, #06824A, #08A961, #0AD077 and #12F28D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09A961 shade: #09A961, #0831A9 and #A92108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09A961 shade: #09A961, #6108A9 and #A96108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09A961 shade: #09A961, #0831A9, #A90851 and #A98108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09A961 shade: #09A961, #1008A9, #A90851 and #A1A908

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 43 / 34

HEX #09A961

RGB 9 169 97

HSL 153, 0.9%, 0.35%

LAB 61.04, -53.39, 27.08

 

Complementary color

CMYK 0 / 65 / 36 / 4

HEX #F6569E

RGB 246 86 158

HSL 333, 0.9%, 0.65%

LAB 60.53, 66.92, -5.56

 

CMYK 92 / 0 / 46 / 34

HEX #0EA95C

RGB 14 169 92

HSL 150.19, 0.85%, 0.36%

LAB 60.99, -54.08, 29.66

 

CMYK 83 / 0 / 41 / 27

HEX #1FBB6F

RGB 31 187 111

HSL 150.77, 0.72%, 0.43%

LAB 67.26, -55.64, 27.89

 

CMYK 77 / 0 / 37 / 20

HEX #30CD82

RGB 48 205 130

HSL 151.34, 0.62%, 0.5%

LAB 73.48, -56.69, 26.27

 

CMYK 71 / 0 / 33 / 13

HEX #41DF95

RGB 65 223 149

HSL 151.9, 0.71%, 0.56%

LAB 79.65, -57.39, 24.77

 

CMYK 66 / 0 / 30 / 5

HEX #52F1A8

RGB 82 241 168

HSL 152.45, 0.85%, 0.63%

LAB 85.77, -57.82, 23.39

 

CMYK 95 / 0 / 43 / 34

HEX #09A961

RGB 9 169 97

HSL 153, 0.9%, 0.35%

LAB 61.04, -53.39, 27.08

 

CMYK 100 / 0 / 48 / 41

HEX #00974E

RGB 0 151 78

HSL 150.99, 1%, 0.3%

LAB 54.74, -51.06, 29.02

 

CMYK 100 / 0 / 56 / 48

HEX #00853B

RGB 0 133 59

HSL 146.62, 1%, 0.26%

LAB 48.37, -48.09, 31.05

 

CMYK 100 / 0 / 65 / 55

HEX #007328

RGB 0 115 40

HSL 140.87, 1%, 0.23%

LAB 41.87, -44.82, 32.95

 

CMYK 100 / 0 / 78 / 62

HEX #006115

RGB 0 97 21

HSL 132.99, 1%, 0.19%

LAB 35.21, -41.06, 34.34

 

CMYK 95 / 0 / 43 / 34

HEX #08A961

RGB 8 169 97

HSL 153.17, 0.91%, 0.35%

LAB 61.04, -53.44, 27.07

 

CMYK 95 / 0 / 69 / 34

HEX #08A935

RGB 8 169 53

HSL 136.77, 0.91%, 0.35%

LAB 60.5, -59.97, 47.72

 

CMYK 95 / 0 / 94 / 34

HEX #08A90A

RGB 8 169 10

HSL 120.75, 0.91%, 0.35%

LAB 60.29, -62.65, 59.81

 

CMYK 70 / 0 / 95 / 34

HEX #32A908

RGB 50 169 8

HSL 104.35, 0.91%, 0.35%

LAB 60.84, -57.78, 60.77

 

CMYK 45 / 0 / 95 / 34

HEX #5DA908

RGB 93 169 8

HSL 88.32, 0.91%, 0.35%

LAB 62.27, -46.33, 62.52

 

CMYK 95 / 0 / 43 / 34

HEX #08A961

RGB 8 169 97

HSL 153.17, 0.91%, 0.35%

LAB 61.04, -53.44, 27.07

 

CMYK 95 / 0 / 17 / 34

HEX #08A98C

RGB 8 169 140

HSL 169.19, 0.91%, 0.35%

LAB 61.93, -43.44, 4.71

 

CMYK 95 / 8 / 0 / 34

HEX #089BA9

RGB 8 155 169

HSL 185.22, 0.91%, 0.35%

LAB 58.38, -28.32, -16.92

 

CMYK 95 / 34 / 0 / 34

HEX #086FA9

RGB 8 111 169

HSL 201.61, 0.91%, 0.35%

LAB 44.64, -4.12, -38.22

 

CMYK 95 / 60 / 0 / 34

HEX #0844A9

RGB 8 68 169

HSL 217.64, 0.91%, 0.35%

LAB 31.92, 24.08, -58.69

 

CMYK 95 / 0 / 43 / 34

HEX #08A961

RGB 8 169 97

HSL 153.17, 0.91%, 0.35%

LAB 61.04, -53.44, 27.07

 

CMYK 95 / 0 / 43 / 34

HEX #08A961

RGB 8 169 97

HSL 153.17, 0.91%, 0.35%

LAB 61.04, -53.44, 27.07

 

CMYK 85 / 0 / 39 / 39

HEX #179B5F

RGB 23 155 95

HSL 152.73, 0.74%, 0.35%

LAB 56.54, -47.72, 22.23

 

CMYK 74 / 0 / 33 / 45

HEX #258C5E

RGB 37 140 94

HSL 153.2, 0.58%, 0.35%

LAB 51.79, -40.24, 16.41

 

CMYK 59 / 0 / 27 / 51

HEX #347E5C

RGB 52 126 92

HSL 152.43, 0.42%, 0.35%

LAB 47.53, -31.58, 11.74

 

CMYK 41 / 0 / 18 / 56

HEX #426F5B

RGB 66 111 91

HSL 153.33, 0.25%, 0.35%

LAB 43.19, -20.5, 6.31

 

CMYK 95 / 0 / 93 / 34

HEX #08A90B

RGB 8 169 11

HSL 121.12, 0.91%, 0.35%

LAB 60.29, -62.62, 59.67

 

CMYK 95 / 0 / 68 / 34

HEX #08A936

RGB 8 169 54

HSL 137.14, 0.91%, 0.35%

LAB 60.51, -59.86, 47.32

 

CMYK 95 / 0 / 43 / 34

HEX #08A961

RGB 8 169 97

HSL 153.17, 0.91%, 0.35%

LAB 61.04, -53.44, 27.07

 

CMYK 95 / 0 / 17 / 34

HEX #08A98C

RGB 8 169 140

HSL 169.19, 0.91%, 0.35%

LAB 61.93, -43.44, 4.71

 

CMYK 95 / 8 / 0 / 34

HEX #089CA9

RGB 8 156 169

HSL 184.84, 0.91%, 0.35%

LAB 58.69, -28.82, -16.44

 

CMYK 96 / 0 / 43 / 64

HEX #045B34

RGB 4 91 52

HSL 153.1, 0.92%, 0.19%

LAB 33.47, -33.55, 16.08

 

CMYK 95 / 0 / 43 / 49

HEX #06824A

RGB 6 130 74

HSL 152.9, 0.91%, 0.27%

LAB 47.62, -43.88, 22.02

 

CMYK 95 / 0 / 43 / 34

HEX #08A961

RGB 8 169 97

HSL 153.17, 0.91%, 0.35%

LAB 61.04, -53.44, 27.07

 

CMYK 95 / 0 / 43 / 18

HEX #0AD077

RGB 10 208 119

HSL 153.03, 0.91%, 0.43%

LAB 73.87, -62.77, 32.39

 

CMYK 93 / 0 / 42 / 5

HEX #12F28D

RGB 18 242 141

HSL 152.95, 0.9%, 0.51%

LAB 84.77, -69.9, 35.56

 

CMYK 95 / 0 / 43 / 34

HEX #09A961

RGB 9 169 97

HSL 153, 0.9%, 0.35%

LAB 61.04, -53.39, 27.08

 

CMYK 95 / 71 / 0 / 34

HEX #0831A9

RGB 8 49 169

HSL 224.72, 0.91%, 0.35%

LAB 27.05, 36.78, -66.68

 

CMYK 0 / 80 / 95 / 34

HEX #A92108

RGB 169 33 8

HSL 9.32, 0.91%, 0.35%

LAB 37, 52.97, 47.15

 

CMYK 95 / 0 / 43 / 34

HEX #09A961

RGB 9 169 97

HSL 153, 0.9%, 0.35%

LAB 61.04, -53.39, 27.08

 

CMYK 43 / 95 / 0 / 34

HEX #6108A9

RGB 97 8 169

HSL 273.17, 0.91%, 0.35%

LAB 28.33, 61.01, -64.35

 

CMYK 0 / 43 / 95 / 34

HEX #A96108

RGB 169 97 8

HSL 33.17, 0.91%, 0.35%

LAB 48.26, 23.74, 54.55

 

CMYK 95 / 0 / 43 / 34

HEX #09A961

RGB 9 169 97

HSL 153, 0.9%, 0.35%

LAB 61.04, -53.39, 27.08

 

CMYK 95 / 71 / 0 / 34

HEX #0831A9

RGB 8 49 169

HSL 224.72, 0.91%, 0.35%

LAB 27.05, 36.78, -66.68

 

CMYK 0 / 95 / 52 / 34

HEX #A90851

RGB 169 8 81

HSL 332.8, 0.91%, 0.35%

LAB 36.37, 61.04, 4.43

 

CMYK 0 / 24 / 95 / 34

HEX #A98108

RGB 169 129 8

HSL 45.09, 0.91%, 0.35%

LAB 56.24, 5.77, 60.28

 

CMYK 95 / 0 / 43 / 34

HEX #09A961

RGB 9 169 97

HSL 153, 0.9%, 0.35%

LAB 61.04, -53.39, 27.08

 

CMYK 91 / 95 / 0 / 34

HEX #1008A9

RGB 16 8 169

HSL 242.98, 0.91%, 0.35%

LAB 20.63, 56.21, -77.35

 

CMYK 0 / 95 / 52 / 34

HEX #A90851

RGB 169 8 81

HSL 332.8, 0.91%, 0.35%

LAB 36.37, 61.04, 4.43

 

CMYK 5 / 0 / 95 / 34

HEX #A1A908

RGB 161 169 8

HSL 62.98, 0.91%, 0.35%

LAB 66.5, -19.26, 67.65

 

Description

Color code: HEX #09A961 | qconv.com Color code: HEX #09A961 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 169 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 169 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 43 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 43% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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