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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #098794 it is the complementary color #F6786B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #098794. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #098794 shade: #0E878F, #1F99A2, #30ABB5, #41BDC8 and #52CFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #098794. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #098794 shade: #098794, #007581, #00636E, #00515B and #003F48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #098794 shade: #088895, #086295, #083C95, #081695 and #200895

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #098794 shade: #088895, #086295, #083C95, #081695 and #080895

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #098794 shade matches the following richer shades: #088895

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #098794 shade: #088895, #157D88, #22737B, #2F696F and #3B5E62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #098794 shade: #089556, #08957B, #088995, #086495 and #083E95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #098794 shade: #044147, #06646E, #088895, #0AABBC and #0DCFE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #098794 shade: #098794, #300895 and #956808

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #098794 shade: #098794, #950889 and #899508

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #098794 shade: #098794, #300895, #951408 and #6D9508

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #098794 shade: #098794, #5A0895, #951408 and #439508

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 9 / 0 / 42

HEX #098794

RGB 9 135 148

HSL 185.61, 0.89%, 0.31%

LAB 51.29, -25.24, -15.6

 

Complementary color

CMYK 0 / 51 / 57 / 4

HEX #F6786B

RGB 246 120 107

HSL 5.61, 0.89%, 0.69%

LAB 65.03, 47.17, 29.96

 

CMYK 90 / 6 / 0 / 44

HEX #0E878F

RGB 14 135 143

HSL 183.72, 0.82%, 0.31%

LAB 51.16, -26.66, -12.9

 

CMYK 81 / 6 / 0 / 36

HEX #1F99A2

RGB 31 153 162

HSL 184.12, 0.68%, 0.38%

LAB 57.73, -28.17, -13.89

 

CMYK 73 / 6 / 0 / 29

HEX #30ABB5

RGB 48 171 181

HSL 184.51, 0.58%, 0.45%

LAB 64.23, -29.27, -14.75

 

CMYK 68 / 5 / 0 / 22

HEX #41BDC8

RGB 65 189 200

HSL 184.89, 0.55%, 0.52%

LAB 70.66, -30.07, -15.53

 

CMYK 63 / 5 / 0 / 14

HEX #52CFDB

RGB 82 207 219

HSL 185.26, 0.66%, 0.59%

LAB 77, -30.67, -16.23

 

CMYK 94 / 9 / 0 / 42

HEX #098794

RGB 9 135 148

HSL 185.61, 0.89%, 0.31%

LAB 51.29, -25.24, -15.6

 

CMYK 100 / 9 / 0 / 49

HEX #007581

RGB 0 117 129

HSL 185.58, 1%, 0.25%

LAB 44.67, -22.95, -14.48

 

CMYK 100 / 10 / 0 / 57

HEX #00636E

RGB 0 99 110

HSL 186, 1%, 0.22%

LAB 37.93, -20.16, -13.23

 

CMYK 100 / 11 / 0 / 64

HEX #00515B

RGB 0 81 91

HSL 186.59, 1%, 0.18%

LAB 30.97, -17.26, -11.95

 

CMYK 100 / 13 / 0 / 72

HEX #003F48

RGB 0 63 72

HSL 187.5, 1%, 0.14%

LAB 23.75, -14.24, -10.63

 

CMYK 95 / 9 / 0 / 42

HEX #088895

RGB 8 136 149

HSL 185.53, 0.9%, 0.31%

LAB 51.64, -25.46, -15.66

 

CMYK 95 / 34 / 0 / 42

HEX #086295

RGB 8 98 149

HSL 201.7, 0.9%, 0.31%

LAB 39.51, -4.06, -34.48

 

CMYK 95 / 60 / 0 / 42

HEX #083C95

RGB 8 60 149

HSL 217.87, 0.9%, 0.31%

LAB 27.99, 21.37, -53

 

CMYK 95 / 85 / 0 / 42

HEX #081695

RGB 8 22 149

HSL 234.04, 0.9%, 0.31%

LAB 19.21, 45.24, -67.49

 

CMYK 79 / 95 / 0 / 42

HEX #200895

RGB 32 8 149

HSL 250.21, 0.9%, 0.31%

LAB 18.59, 51.19, -68.49

 

CMYK 95 / 9 / 0 / 42

HEX #088895

RGB 8 136 149

HSL 185.53, 0.9%, 0.31%

LAB 51.64, -25.46, -15.66

 

CMYK 95 / 34 / 0 / 42

HEX #086295

RGB 8 98 149

HSL 201.7, 0.9%, 0.31%

LAB 39.51, -4.06, -34.48

 

CMYK 95 / 60 / 0 / 42

HEX #083C95

RGB 8 60 149

HSL 217.87, 0.9%, 0.31%

LAB 27.99, 21.37, -53

 

CMYK 95 / 85 / 0 / 42

HEX #081695

RGB 8 22 149

HSL 234.04, 0.9%, 0.31%

LAB 19.21, 45.24, -67.49

 

CMYK 95 / 95 / 0 / 42

HEX #080895

RGB 8 8 149

HSL 240, 0.9%, 0.31%

LAB 17.44, 50.57, -70.43

 

CMYK 95 / 9 / 0 / 42

HEX #088895

RGB 8 136 149

HSL 185.53, 0.9%, 0.31%

LAB 51.64, -25.46, -15.66

 

CMYK 95 / 9 / 0 / 42

HEX #088895

RGB 8 136 149

HSL 185.53, 0.9%, 0.31%

LAB 51.64, -25.46, -15.66

 

CMYK 85 / 8 / 0 / 47

HEX #157D88

RGB 21 125 136

HSL 185.74, 0.73%, 0.31%

LAB 47.76, -23.38, -13.93

 

CMYK 72 / 7 / 0 / 52

HEX #22737B

RGB 34 115 123

HSL 185.39, 0.57%, 0.31%

LAB 44.28, -20.94, -11.44

 

CMYK 58 / 5 / 0 / 56

HEX #2F696F

RGB 47 105 111

HSL 185.63, 0.41%, 0.31%

LAB 40.99, -16.95, -9.12

 

CMYK 40 / 4 / 0 / 62

HEX #3B5E62

RGB 59 94 98

HSL 186.15, 0.25%, 0.31%

LAB 37.51, -11.43, -6.29

 

CMYK 95 / 0 / 42 / 42

HEX #089556

RGB 8 149 86

HSL 153.19, 0.9%, 0.31%

LAB 54.26, -48.38, 24.11

 

CMYK 95 / 0 / 17 / 42

HEX #08957B

RGB 8 149 123

HSL 168.94, 0.9%, 0.31%

LAB 55.05, -39.55, 4.41

 

CMYK 95 / 8 / 0 / 42

HEX #088995

RGB 8 137 149

HSL 185.11, 0.9%, 0.31%

LAB 51.96, -25.97, -15.17

 

CMYK 95 / 33 / 0 / 42

HEX #086495

RGB 8 100 149

HSL 200.85, 0.9%, 0.31%

LAB 40.14, -5.3, -33.48

 

CMYK 95 / 58 / 0 / 42

HEX #083E95

RGB 8 62 149

HSL 217.02, 0.9%, 0.31%

LAB 28.56, 19.97, -52.07

 

CMYK 94 / 8 / 0 / 72

HEX #044147

RGB 4 65 71

HSL 185.37, 0.89%, 0.15%

LAB 24.52, -15.28, -8.79

 

CMYK 95 / 9 / 0 / 57

HEX #06646E

RGB 6 100 110

HSL 185.77, 0.9%, 0.23%

LAB 38.34, -20.27, -12.6

 

CMYK 95 / 9 / 0 / 42

HEX #088895

RGB 8 136 149

HSL 185.53, 0.9%, 0.31%

LAB 51.64, -25.46, -15.66

 

CMYK 95 / 9 / 0 / 26

HEX #0AABBC

RGB 10 171 188

HSL 185.73, 0.9%, 0.39%

LAB 64.02, -29.9, -19.03

 

CMYK 94 / 9 / 0 / 11

HEX #0DCFE3

RGB 13 207 227

HSL 185.61, 0.89%, 0.47%

LAB 76.23, -34.62, -21.8

 

CMYK 94 / 9 / 0 / 42

HEX #098794

RGB 9 135 148

HSL 185.61, 0.89%, 0.31%

LAB 51.29, -25.24, -15.6

 

CMYK 68 / 95 / 0 / 42

HEX #300895

RGB 48 8 149

HSL 257.02, 0.9%, 0.31%

LAB 19.93, 51.98, -66.21

 

CMYK 0 / 30 / 95 / 42

HEX #956808

RGB 149 104 8

HSL 40.85, 0.9%, 0.31%

LAB 47.38, 10.67, 52.72

 

CMYK 94 / 9 / 0 / 42

HEX #098794

RGB 9 135 148

HSL 185.61, 0.89%, 0.31%

LAB 51.29, -25.24, -15.6

 

CMYK 0 / 95 / 8 / 42

HEX #950889

RGB 149 8 137

HSL 305.11, 0.9%, 0.31%

LAB 34.74, 62.98, -33.97

 

CMYK 8 / 0 / 95 / 42

HEX #899508

RGB 137 149 8

HSL 65.11, 0.9%, 0.31%

LAB 58.82, -19.7, 60.91

 

CMYK 94 / 9 / 0 / 42

HEX #098794

RGB 9 135 148

HSL 185.61, 0.89%, 0.31%

LAB 51.29, -25.24, -15.6

 

CMYK 68 / 95 / 0 / 42

HEX #300895

RGB 48 8 149

HSL 257.02, 0.9%, 0.31%

LAB 19.93, 51.98, -66.21

 

CMYK 0 / 87 / 95 / 42

HEX #951408

RGB 149 20 8

HSL 5.11, 0.9%, 0.31%

LAB 31.6, 50.39, 41.68

 

CMYK 27 / 0 / 95 / 42

HEX #6D9508

RGB 109 149 8

HSL 77.02, 0.9%, 0.31%

LAB 56.84, -31.73, 58.51

 

CMYK 94 / 9 / 0 / 42

HEX #098794

RGB 9 135 148

HSL 185.61, 0.89%, 0.31%

LAB 51.29, -25.24, -15.6

 

CMYK 40 / 95 / 0 / 42

HEX #5A0895

RGB 90 8 149

HSL 274.89, 0.9%, 0.31%

LAB 25.31, 55.81, -57.14

 

CMYK 0 / 87 / 95 / 42

HEX #951408

RGB 149 20 8

HSL 5.11, 0.9%, 0.31%

LAB 31.6, 50.39, 41.68

 

CMYK 55 / 0 / 95 / 42

HEX #439508

RGB 67 149 8

HSL 94.89, 0.9%, 0.31%

LAB 54.77, -46.72, 55.96

 

Description

Color code: HEX #098794 | qconv.com Color code: HEX #098794 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 135 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 135 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 9 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 9% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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