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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09408A it is the complementary color #F6BF75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09408A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09408A shade: #0E4085, #1F5298, #3064AB, #4176BE and #5288D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09408A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09408A shade: #09408A, #002E77, #001C64, #000A51 and #00003E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09408A shade: #08408B, #081D8B, #17088B, #3A088B and #5D088B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09408A shade: #08408B, #081D8B and #08088B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09408A shade matches the following richer shades: #08408B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09408A shade: #08408B, #14427F, #204373, #2C4567 and #38475B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09408A shade: #08868B, #08638B, #08418B, #081E8B and #15088B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09408A shade: #031C3D, #062E64, #08408B, #0B52B1 and #0D64D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09408A shade: #09408A, #6C088B and #758B08

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09408A shade: #09408A, #8B0841 and #418B08

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09408A shade: #09408A, #6C088B, #8B5208 and #278B08

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09408A shade: #09408A, #8B0882, #8B5208 and #088B11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 54 / 0 / 46

HEX #09408A

RGB 9 64 138

HSL 214.42, 0.88%, 0.29%

LAB 28.27, 13.99, -45.76

 

Complementary color

CMYK 0 / 22 / 52 / 4

HEX #F6BF75

RGB 246 191 117

HSL 34.42, 0.88%, 0.71%

LAB 80.82, 11.24, 44.62

 

CMYK 89 / 52 / 0 / 48

HEX #0E4085

RGB 14 64 133

HSL 214.79, 0.81%, 0.29%

LAB 27.99, 12.18, -43.12

 

CMYK 80 / 46 / 0 / 40

HEX #1F5298

RGB 31 82 152

HSL 214.71, 0.66%, 0.36%

LAB 35.19, 9.35, -43.14

 

CMYK 72 / 42 / 0 / 33

HEX #3064AB

RGB 48 100 171

HSL 214.63, 0.56%, 0.43%

LAB 42.28, 7.24, -43.09

 

CMYK 66 / 38 / 0 / 25

HEX #4176BE

RGB 65 118 190

HSL 214.56, 0.49%, 0.5%

LAB 49.25, 5.63, -43.03

 

CMYK 61 / 35 / 0 / 18

HEX #5288D1

RGB 82 136 209

HSL 214.49, 0.58%, 0.57%

LAB 56.09, 4.37, -42.97

 

CMYK 93 / 54 / 0 / 46

HEX #09408A

RGB 9 64 138

HSL 214.42, 0.88%, 0.29%

LAB 28.27, 13.99, -45.76

 

CMYK 100 / 61 / 0 / 53

HEX #002E77

RGB 0 46 119

HSL 216.81, 1%, 0.23%

LAB 21.15, 18.11, -45.42

 

CMYK 100 / 72 / 0 / 61

HEX #001C64

RGB 0 28 100

HSL 223.2, 1%, 0.2%

LAB 14.12, 23.03, -44.62

 

CMYK 100 / 88 / 0 / 68

HEX #000A51

RGB 0 10 81

HSL 232.59, 1%, 0.16%

LAB 7.33, 27.43, -43.05

 

CMYK 100 / 100 / 0 / 76

HEX #00003E

RGB 0 0 62

HSL 240, 1%, 0.12%

LAB 3.14, 22.06, -36.55

 

CMYK 94 / 54 / 0 / 45

HEX #08408B

RGB 8 64 139

HSL 214.35, 0.89%, 0.29%

LAB 28.33, 14.35, -46.29

 

CMYK 94 / 79 / 0 / 45

HEX #081D8B

RGB 8 29 139

HSL 230.38, 0.89%, 0.29%

LAB 19.2, 38.08, -61.27

 

CMYK 83 / 94 / 0 / 45

HEX #17088B

RGB 23 8 139

HSL 246.87, 0.89%, 0.29%

LAB 16.6, 48.07, -65.58

 

CMYK 58 / 94 / 0 / 45

HEX #3A088B

RGB 58 8 139

HSL 262.9, 0.89%, 0.29%

LAB 19.79, 50.11, -60.19

 

CMYK 33 / 94 / 0 / 45

HEX #5D088B

RGB 93 8 139

HSL 278.93, 0.89%, 0.29%

LAB 24.84, 54.03, -51.69

 

CMYK 94 / 54 / 0 / 45

HEX #08408B

RGB 8 64 139

HSL 214.35, 0.89%, 0.29%

LAB 28.33, 14.35, -46.29

 

CMYK 94 / 79 / 0 / 45

HEX #081D8B

RGB 8 29 139

HSL 230.38, 0.89%, 0.29%

LAB 19.2, 38.08, -61.27

 

CMYK 94 / 94 / 0 / 45

HEX #08088B

RGB 8 8 139

HSL 240, 0.89%, 0.29%

LAB 15.95, 47.71, -66.68

 

CMYK 94 / 54 / 0 / 45

HEX #08408B

RGB 8 64 139

HSL 214.35, 0.89%, 0.29%

LAB 28.33, 14.35, -46.29

 

CMYK 94 / 54 / 0 / 45

HEX #08408B

RGB 8 64 139

HSL 214.35, 0.89%, 0.29%

LAB 28.33, 14.35, -46.29

 

CMYK 84 / 48 / 0 / 50

HEX #14427F

RGB 20 66 127

HSL 214.21, 0.73%, 0.29%

LAB 28.32, 8.79, -38.84

 

CMYK 72 / 42 / 0 / 55

HEX #204373

RGB 32 67 115

HSL 214.7, 0.56%, 0.29%

LAB 28.27, 4.85, -31.35

 

CMYK 57 / 33 / 0 / 60

HEX #2C4567

RGB 44 69 103

HSL 214.58, 0.4%, 0.29%

LAB 28.83, 1.51, -22.81

 

CMYK 38 / 22 / 0 / 64

HEX #38475B

RGB 56 71 91

HSL 214.29, 0.24%, 0.29%

LAB 29.67, -0.32, -13.76

 

CMYK 94 / 4 / 0 / 45

HEX #08868B

RGB 8 134 139

HSL 182.29, 0.89%, 0.29%

LAB 50.65, -27.79, -11.34

 

CMYK 94 / 29 / 0 / 45

HEX #08638B

RGB 8 99 139

HSL 198.32, 0.89%, 0.29%

LAB 39.31, -8.64, -28.77

 

CMYK 94 / 53 / 0 / 45

HEX #08418B

RGB 8 65 139

HSL 213.89, 0.89%, 0.29%

LAB 28.63, 13.65, -45.8

 

CMYK 94 / 78 / 0 / 45

HEX #081E8B

RGB 8 30 139

HSL 229.92, 0.89%, 0.29%

LAB 19.41, 37.49, -60.93

 

CMYK 85 / 94 / 0 / 45

HEX #15088B

RGB 21 8 139

HSL 245.95, 0.89%, 0.29%

LAB 16.49, 48.01, -65.77

 

CMYK 95 / 54 / 0 / 76

HEX #031C3D

RGB 3 28 61

HSL 214.14, 0.91%, 0.13%

LAB 10.46, 5.37, -23.91

 

CMYK 94 / 54 / 0 / 61

HEX #062E64

RGB 6 46 100

HSL 214.47, 0.89%, 0.21%

LAB 19.69, 10.13, -35.52

 

CMYK 94 / 54 / 0 / 45

HEX #08408B

RGB 8 64 139

HSL 214.35, 0.89%, 0.29%

LAB 28.33, 14.35, -46.29

 

CMYK 94 / 54 / 0 / 31

HEX #0B52B1

RGB 11 82 177

HSL 214.34, 0.88%, 0.37%

LAB 36.52, 17.96, -55.96

 

CMYK 94 / 54 / 0 / 15

HEX #0D64D8

RGB 13 100 216

HSL 214.29, 0.89%, 0.45%

LAB 44.46, 21.77, -65.7

 

CMYK 93 / 54 / 0 / 46

HEX #09408A

RGB 9 64 138

HSL 214.42, 0.88%, 0.29%

LAB 28.27, 13.99, -45.76

 

CMYK 22 / 94 / 0 / 45

HEX #6C088B

RGB 108 8 139

HSL 285.8, 0.89%, 0.29%

LAB 27.37, 56.22, -47.46

 

CMYK 16 / 0 / 94 / 45

HEX #758B08

RGB 117 139 8

HSL 70.08, 0.89%, 0.29%

LAB 54.31, -23.49, 56.72

 

CMYK 93 / 54 / 0 / 46

HEX #09408A

RGB 9 64 138

HSL 214.42, 0.88%, 0.29%

LAB 28.27, 13.99, -45.76

 

CMYK 0 / 94 / 53 / 45

HEX #8B0841

RGB 139 8 65

HSL 333.89, 0.89%, 0.29%

LAB 29.52, 52.42, 4.33

 

CMYK 53 / 0 / 94 / 45

HEX #418B08

RGB 65 139 8

HSL 93.89, 0.89%, 0.29%

LAB 51.39, -43.49, 53.14

 

CMYK 93 / 54 / 0 / 46

HEX #09408A

RGB 9 64 138

HSL 214.42, 0.88%, 0.29%

LAB 28.27, 13.99, -45.76

 

CMYK 22 / 94 / 0 / 45

HEX #6C088B

RGB 108 8 139

HSL 285.8, 0.89%, 0.29%

LAB 27.37, 56.22, -47.46

 

CMYK 0 / 41 / 94 / 45

HEX #8B5208

RGB 139 82 8

HSL 33.89, 0.89%, 0.29%

LAB 40.48, 18.78, 47.05

 

CMYK 72 / 0 / 94 / 45

HEX #278B08

RGB 39 139 8

HSL 105.8, 0.89%, 0.29%

LAB 50.59, -50.08, 52.15

 

CMYK 93 / 54 / 0 / 46

HEX #09408A

RGB 9 64 138

HSL 214.42, 0.88%, 0.29%

LAB 28.27, 13.99, -45.76

 

CMYK 0 / 94 / 6 / 45

HEX #8B0882

RGB 139 8 130

HSL 304.12, 0.89%, 0.29%

LAB 32.42, 60.05, -33.42

 

CMYK 0 / 41 / 94 / 45

HEX #8B5208

RGB 139 82 8

HSL 33.89, 0.89%, 0.29%

LAB 40.48, 18.78, 47.05

 

CMYK 94 / 0 / 88 / 45

HEX #088B11

RGB 8 139 17

HSL 124.12, 0.89%, 0.29%

LAB 50.17, -53.69, 49.8

 

Description

Color code: HEX #09408A | qconv.com Color code: HEX #09408A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 64 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 64 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 54 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 54% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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