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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #091CEF it is the complementary color #F6E310. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #091CEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #091CEF shade: #0E1CEA, #1F2EFD, #3040FF, #4152FF and #5264FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #091CEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #091CEF shade: #091CEF, #000ADC, #0000C9, #0000B6 and #0000A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #091CEF shade: #081BF1, #3408F1, #7208F1, #B108F1 and #F008F1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #091CEF shade: #081BF1 and #0808F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #091CEF shade matches the following richer shades: #081BF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #091CEF shade: #081BF1, #1C2CDC, #313DC8, #454EB4 and #595FA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #091CEF shade: #0898F1, #085AF1, #081CF1, #3308F1 and #7108F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #091CEF shade: #0512A1, #0717C9, #081BF1, #2B3CF7 and #5361F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #091CEF shade: #091CEF, #F108D6 and #79F108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #091CEF shade: #091CEF, #F1081C and #1CF108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #091CEF shade: #091CEF, #F108D6, #F1DD08 and #08F123

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #091CEF shade: #091CEF, #F10890, #F1DD08 and #08F169

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 88 / 0 / 6

HEX #091CEF

RGB 9 28 239

HSL 235.04, 0.93%, 0.49%

LAB 32.08, 69.46, -99.2

 

Complementary color

CMYK 0 / 8 / 93 / 4

HEX #F6E310

RGB 246 227 16

HSL 55.04, 0.93%, 0.51%

LAB 89.19, -11.61, 87.02

 

CMYK 94 / 88 / 0 / 8

HEX #0E1CEA

RGB 14 28 234

HSL 236.18, 0.89%, 0.49%

LAB 31.5, 68.14, -97.33

 

CMYK 88 / 82 / 0 / 1

HEX #1F2EFD

RGB 31 46 253

HSL 235.95, 0.98%, 0.56%

LAB 36.63, 66.91, -99.51

 

CMYK 81 / 75 / 0 / 0

HEX #3040FF

RGB 48 64 255

HSL 235.36, 1%, 0.59%

LAB 40.43, 59.51, -94.29

 

CMYK 75 / 68 / 0 / 0

HEX #4152FF

RGB 65 82 255

HSL 234.63, 1%, 0.63%

LAB 44.77, 50.75, -87.11

 

CMYK 68 / 61 / 0 / 0

HEX #5264FF

RGB 82 100 255

HSL 233.76, 1%, 0.66%

LAB 49.65, 41.96, -79.07

 

CMYK 96 / 88 / 0 / 6

HEX #091CEF

RGB 9 28 239

HSL 235.04, 0.93%, 0.49%

LAB 32.08, 69.46, -99.2

 

CMYK 100 / 95 / 0 / 14

HEX #000ADC

RGB 0 10 220

HSL 237.27, 1%, 0.43%

LAB 27.8, 68.99, -95.48

 

CMYK 100 / 100 / 0 / 21

HEX #0000C9

RGB 0 0 201

HSL 240, 1%, 0.39%

LAB 24.38, 66.2, -90.16

 

CMYK 100 / 100 / 0 / 29

HEX #0000B6

RGB 0 0 182

HSL 240, 1%, 0.36%

LAB 21.5, 61.48, -83.73

 

CMYK 100 / 100 / 0 / 36

HEX #0000A3

RGB 0 0 163

HSL 240, 1%, 0.32%

LAB 18.56, 56.66, -77.17

 

CMYK 97 / 89 / 0 / 5

HEX #081BF1

RGB 8 27 241

HSL 235.11, 0.94%, 0.49%

LAB 32.23, 70.31, -100.09

 

CMYK 78 / 97 / 0 / 5

HEX #3408F1

RGB 52 8 241

HSL 251.33, 0.94%, 0.49%

LAB 32.38, 75.26, -99.8

 

CMYK 53 / 97 / 0 / 5

HEX #7208F1

RGB 114 8 241

HSL 267.3, 0.94%, 0.49%

LAB 38.02, 78.28, -90.26

 

CMYK 27 / 97 / 0 / 5

HEX #B108F1

RGB 177 8 241

HSL 283.52, 0.94%, 0.49%

LAB 46.81, 84.55, -75.5

 

CMYK 0 / 97 / 0 / 5

HEX #F008F1

RGB 240 8 241

HSL 299.74, 0.94%, 0.49%

LAB 57.12, 93.49, -58.31

 

CMYK 97 / 89 / 0 / 5

HEX #081BF1

RGB 8 27 241

HSL 235.11, 0.94%, 0.49%

LAB 32.23, 70.31, -100.09

 

CMYK 97 / 97 / 0 / 5

HEX #0808F1

RGB 8 8 241

HSL 240, 0.94%, 0.49%

LAB 30.82, 74.63, -102.44

 

CMYK 97 / 89 / 0 / 5

HEX #081BF1

RGB 8 27 241

HSL 235.11, 0.94%, 0.49%

LAB 32.23, 70.31, -100.09

 

CMYK 97 / 89 / 0 / 5

HEX #081BF1

RGB 8 27 241

HSL 235.11, 0.94%, 0.49%

LAB 32.23, 70.31, -100.09

 

CMYK 87 / 80 / 0 / 14

HEX #1C2CDC

RGB 28 44 220

HSL 235, 0.77%, 0.49%

LAB 32.29, 57.76, -87.98

 

CMYK 76 / 70 / 0 / 22

HEX #313DC8

RGB 49 61 200

HSL 235.23, 0.61%, 0.49%

LAB 34.32, 43.1, -73.03

 

CMYK 62 / 57 / 0 / 29

HEX #454EB4

RGB 69 78 180

HSL 235.14, 0.45%, 0.49%

LAB 37.86, 28.19, -55.46

 

CMYK 44 / 41 / 0 / 37

HEX #595FA0

RGB 89 95 160

HSL 234.93, 0.29%, 0.49%

LAB 42.53, 15.23, -36.05

 

CMYK 97 / 37 / 0 / 5

HEX #0898F1

RGB 8 152 241

HSL 202.92, 0.94%, 0.49%

LAB 60.66, -0.9, -53.67

 

CMYK 97 / 63 / 0 / 5

HEX #085AF1

RGB 8 90 241

HSL 218.88, 0.94%, 0.49%

LAB 43.82, 37.72, -80.89

 

CMYK 97 / 88 / 0 / 5

HEX #081CF1

RGB 8 28 241

HSL 234.85, 0.94%, 0.49%

LAB 32.33, 69.99, -99.92

 

CMYK 79 / 97 / 0 / 5

HEX #3308F1

RGB 51 8 241

HSL 251.07, 0.94%, 0.49%

LAB 32.32, 75.24, -99.9

 

CMYK 53 / 97 / 0 / 5

HEX #7108F1

RGB 113 8 241

HSL 267.04, 0.94%, 0.49%

LAB 37.91, 78.2, -90.46

 

CMYK 97 / 89 / 0 / 37

HEX #0512A1

RGB 5 18 161

HSL 235, 0.94%, 0.33%

LAB 20.2, 50.65, -73.21

 

CMYK 97 / 89 / 0 / 21

HEX #0717C9

RGB 7 23 201

HSL 235.05, 0.93%, 0.41%

LAB 26.38, 60.54, -86.82

 

CMYK 97 / 89 / 0 / 5

HEX #081BF1

RGB 8 27 241

HSL 235.11, 0.94%, 0.49%

LAB 32.23, 70.31, -100.09

 

CMYK 83 / 76 / 0 / 3

HEX #2B3CF7

RGB 43 60 247

HSL 235, 0.93%, 0.57%

LAB 38.66, 58.8, -92.76

 

CMYK 67 / 61 / 0 / 3

HEX #5361F8

RGB 83 97 248

HSL 234.91, 0.92%, 0.65%

LAB 48.47, 41.56, -77.11

 

CMYK 96 / 88 / 0 / 6

HEX #091CEF

RGB 9 28 239

HSL 235.04, 0.93%, 0.49%

LAB 32.08, 69.46, -99.2

 

CMYK 0 / 97 / 11 / 5

HEX #F108D6

RGB 241 8 214

HSL 306.95, 0.94%, 0.49%

LAB 55.82, 90, -45.13

 

CMYK 50 / 0 / 97 / 5

HEX #79F108

RGB 121 241 8

HSL 90.9, 0.94%, 0.49%

LAB 85.5, -64.74, 81.61

 

CMYK 96 / 88 / 0 / 6

HEX #091CEF

RGB 9 28 239

HSL 235.04, 0.93%, 0.49%

LAB 32.08, 69.46, -99.2

 

CMYK 0 / 97 / 88 / 5

HEX #F1081C

RGB 241 8 28

HSL 354.85, 0.94%, 0.49%

LAB 50.64, 76.44, 55.65

 

CMYK 88 / 0 / 97 / 5

HEX #1CF108

RGB 28 241 8

HSL 114.85, 0.94%, 0.49%

LAB 83.53, -81.27, 79.21

 

CMYK 96 / 88 / 0 / 6

HEX #091CEF

RGB 9 28 239

HSL 235.04, 0.93%, 0.49%

LAB 32.08, 69.46, -99.2

 

CMYK 0 / 97 / 11 / 5

HEX #F108D6

RGB 241 8 214

HSL 306.95, 0.94%, 0.49%

LAB 55.82, 90, -45.13

 

CMYK 0 / 8 / 97 / 5

HEX #F1DD08

RGB 241 221 8

HSL 54.85, 0.94%, 0.49%

LAB 87.21, -10.82, 86.09

 

CMYK 97 / 0 / 85 / 5

HEX #08F123

RGB 8 241 35

HSL 126.95, 0.94%, 0.49%

LAB 83.49, -81.5, 75.41

 

CMYK 96 / 88 / 0 / 6

HEX #091CEF

RGB 9 28 239

HSL 235.04, 0.93%, 0.49%

LAB 32.08, 69.46, -99.2

 

CMYK 0 / 97 / 40 / 5

HEX #F10890

RGB 241 8 144

HSL 324.98, 0.94%, 0.49%

LAB 52.83, 82.34, -8.87

 

CMYK 0 / 8 / 97 / 5

HEX #F1DD08

RGB 241 221 8

HSL 54.85, 0.94%, 0.49%

LAB 87.21, -10.82, 86.09

 

CMYK 97 / 0 / 56 / 5

HEX #08F169

RGB 8 241 105

HSL 144.98, 0.94%, 0.49%

LAB 83.96, -75.54, 51.67

 

Description

Color code: HEX #091CEF | qconv.com Color code: HEX #091CEF | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 28 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 28 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 88 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 88% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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