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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #08F3A8 it is the complementary color #F70C57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #08F3A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #08F3A8 shade: #0DF3A3, #1EFFB6, #2FFFC9, #40FFDC and #51FFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #08F3A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #08F3A8 shade: #08F3A8, #00E195, #00CF82, #00BD6F and #00AB5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #08F3A8 shade: #07F2A7, #07F268, #07F228, #25F207 and #64F207

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #08F3A8 shade: #07F2A7, #07F2E6, #07BEF2, #077FF2 and #073FF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #08F3A8 shade matches the following richer shades: #07F2A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #08F3A8 shade: #07F2A7, #1BDEA0, #2FC998, #44B591 and #58A18A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #08F3A8 shade: #07F226, #07F265, #07F2A4, #07F2E2 and #07C3F2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #08F3A8 shade: #05A270, #06CA8B, #07F2A7, #2AF8B6 and #52F9C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #08F3A8 shade: #08F3A8, #0726F2 and #F24607

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #08F3A8 shade: #08F3A8, #A407F2 and #F2A407

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #08F3A8 shade: #08F3A8, #0726F2, #F20755 and #F2D307

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #08F3A8 shade: #08F3A8, #2E07F2, #F20755 and #CBF207

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 31 / 5

HEX #08F3A8

RGB 8 243 168

HSL 160.85, 0.94%, 0.49%

LAB 85.49, -65.23, 22.87

 

Complementary color

CMYK 0 / 95 / 65 / 3

HEX #F70C57

RGB 247 12 87

HSL 340.85, 0.94%, 0.51%

LAB 52.65, 79.45, 25.5

 

CMYK 95 / 0 / 33 / 5

HEX #0DF3A3

RGB 13 243 163

HSL 159.13, 0.91%, 0.5%

LAB 85.42, -66.15, 25.33

 

CMYK 88 / 0 / 29 / 0

HEX #1EFFB6

RGB 30 255 182

HSL 160.53, 1%, 0.56%

LAB 89.47, -65.69, 21.22

 

CMYK 82 / 0 / 21 / 0

HEX #2FFFC9

RGB 47 255 201

HSL 164.42, 1%, 0.59%

LAB 90.02, -60.26, 12.26

 

CMYK 75 / 0 / 14 / 0

HEX #40FFDC

RGB 64 255 220

HSL 169.01, 1%, 0.63%

LAB 90.68, -54.07, 3.42

 

CMYK 68 / 0 / 6 / 0

HEX #51FFEF

RGB 81 255 239

HSL 174.48, 1%, 0.66%

LAB 91.46, -47.21, -5.24

 

CMYK 97 / 0 / 31 / 5

HEX #08F3A8

RGB 8 243 168

HSL 160.85, 0.94%, 0.49%

LAB 85.49, -65.23, 22.87

 

CMYK 100 / 0 / 34 / 12

HEX #00E195

RGB 0 225 149

HSL 159.73, 1%, 0.44%

LAB 79.63, -63.08, 24.63

 

CMYK 100 / 0 / 37 / 19

HEX #00CF82

RGB 0 207 130

HSL 157.68, 1%, 0.41%

LAB 73.7, -60.64, 26.49

 

CMYK 100 / 0 / 41 / 26

HEX #00BD6F

RGB 0 189 111

HSL 155.24, 1%, 0.37%

LAB 67.68, -58.11, 28.41

 

CMYK 100 / 0 / 46 / 33

HEX #00AB5C

RGB 0 171 92

HSL 152.28, 1%, 0.34%

LAB 61.57, -55.45, 30.38

 

CMYK 97 / 0 / 31 / 5

HEX #07F2A7

RGB 7 242 167

HSL 160.85, 0.94%, 0.49%

LAB 85.17, -65.12, 22.94

 

CMYK 97 / 0 / 57 / 5

HEX #07F268

RGB 7 242 104

HSL 144.77, 0.94%, 0.49%

LAB 84.25, -76.01, 52.46

 

CMYK 97 / 0 / 83 / 5

HEX #07F228

RGB 7 242 40

HSL 128.43, 0.94%, 0.49%

LAB 83.81, -81.58, 74.61

 

CMYK 85 / 0 / 97 / 5

HEX #25F207

RGB 37 242 7

HSL 112.34, 0.94%, 0.49%

LAB 83.92, -80.86, 79.63

 

CMYK 59 / 0 / 97 / 5

HEX #64F207

RGB 100 242 7

HSL 96.26, 0.94%, 0.49%

LAB 85.11, -70.6, 81.09

 

CMYK 97 / 0 / 31 / 5

HEX #07F2A7

RGB 7 242 167

HSL 160.85, 0.94%, 0.49%

LAB 85.17, -65.12, 22.94

 

CMYK 97 / 0 / 5 / 5

HEX #07F2E6

RGB 7 242 230

HSL 176.94, 0.94%, 0.49%

LAB 86.63, -49.48, -7.78

 

CMYK 97 / 21 / 0 / 5

HEX #07BEF2

RGB 7 190 242

HSL 193.28, 0.94%, 0.49%

LAB 71.75, -21.45, -36.78

 

CMYK 97 / 48 / 0 / 5

HEX #077FF2

RGB 7 127 242

HSL 209.36, 0.94%, 0.49%

LAB 53.64, 14.56, -65.47

 

CMYK 97 / 74 / 0 / 5

HEX #073FF2

RGB 7 63 242

HSL 225.7, 0.94%, 0.49%

LAB 37.86, 54.39, -91.28

 

CMYK 97 / 0 / 31 / 5

HEX #07F2A7

RGB 7 242 167

HSL 160.85, 0.94%, 0.49%

LAB 85.17, -65.12, 22.94

 

CMYK 97 / 0 / 31 / 5

HEX #07F2A7

RGB 7 242 167

HSL 160.85, 0.94%, 0.49%

LAB 85.17, -65.12, 22.94

 

CMYK 88 / 0 / 28 / 13

HEX #1BDEA0

RGB 27 222 160

HSL 160.92, 0.78%, 0.49%

LAB 79.05, -58.56, 18.13

 

CMYK 77 / 0 / 24 / 21

HEX #2FC998

RGB 47 201 152

HSL 160.91, 0.62%, 0.49%

LAB 72.66, -50.54, 13.47

 

CMYK 62 / 0 / 20 / 29

HEX #44B591

RGB 68 181 145

HSL 160.88, 0.45%, 0.49%

LAB 66.76, -40.63, 8.99

 

CMYK 45 / 0 / 14 / 37

HEX #58A18A

RGB 88 161 138

HSL 161.1, 0.29%, 0.49%

LAB 61.13, -28.49, 4.91

 

CMYK 97 / 0 / 84 / 5

HEX #07F226

RGB 7 242 38

HSL 127.91, 0.94%, 0.49%

LAB 83.8, -81.67, 75.05

 

CMYK 97 / 0 / 58 / 5

HEX #07F265

RGB 7 242 101

HSL 144, 0.94%, 0.49%

LAB 84.22, -76.39, 53.75

 

CMYK 97 / 0 / 32 / 5

HEX #07F2A4

RGB 7 242 164

HSL 160.09, 0.94%, 0.49%

LAB 85.11, -65.75, 24.4

 

CMYK 97 / 0 / 7 / 5

HEX #07F2E2

RGB 7 242 226

HSL 175.91, 0.94%, 0.49%

LAB 86.52, -50.59, -5.84

 

CMYK 97 / 19 / 0 / 5

HEX #07C3F2

RGB 7 195 242

HSL 192, 0.94%, 0.49%

LAB 73.21, -24.01, -34.51

 

CMYK 97 / 0 / 31 / 36

HEX #05A270

RGB 5 162 112

HSL 160.89, 0.94%, 0.33%

LAB 59.01, -47.79, 16.2

 

CMYK 97 / 0 / 31 / 21

HEX #06CA8B

RGB 6 202 139

HSL 160.71, 0.94%, 0.41%

LAB 72.32, -56.74, 19.89

 

CMYK 97 / 0 / 31 / 5

HEX #07F2A7

RGB 7 242 167

HSL 160.85, 0.94%, 0.49%

LAB 85.17, -65.12, 22.94

 

CMYK 83 / 0 / 27 / 3

HEX #2AF8B6

RGB 42 248 182

HSL 160.78, 0.94%, 0.57%

LAB 87.49, -62.33, 18.48

 

CMYK 67 / 0 / 21 / 2

HEX #52F9C4

RGB 82 249 196

HSL 160.96, 0.93%, 0.65%

LAB 88.7, -55.01, 13.05

 

CMYK 97 / 0 / 31 / 5

HEX #08F3A8

RGB 8 243 168

HSL 160.85, 0.94%, 0.49%

LAB 85.49, -65.23, 22.87

 

CMYK 97 / 84 / 0 / 5

HEX #0726F2

RGB 7 38 242

HSL 232.09, 0.94%, 0.49%

LAB 33.65, 66.63, -98.28

 

CMYK 0 / 71 / 97 / 5

HEX #F24607

RGB 242 70 7

HSL 16.09, 0.94%, 0.49%

LAB 55.35, 63.5, 65.09

 

CMYK 97 / 0 / 31 / 5

HEX #08F3A8

RGB 8 243 168

HSL 160.85, 0.94%, 0.49%

LAB 85.49, -65.23, 22.87

 

CMYK 32 / 97 / 0 / 5

HEX #A407F2

RGB 164 7 242

HSL 280.09, 0.94%, 0.49%

LAB 44.88, 83.29, -79.29

 

CMYK 0 / 32 / 97 / 5

HEX #F2A407

RGB 242 164 7

HSL 40.09, 0.94%, 0.49%

LAB 73.18, 19.03, 76.24

 

CMYK 97 / 0 / 31 / 5

HEX #08F3A8

RGB 8 243 168

HSL 160.85, 0.94%, 0.49%

LAB 85.49, -65.23, 22.87

 

CMYK 97 / 84 / 0 / 5

HEX #0726F2

RGB 7 38 242

HSL 232.09, 0.94%, 0.49%

LAB 33.65, 66.63, -98.28

 

CMYK 0 / 97 / 65 / 5

HEX #F20755

RGB 242 7 85

HSL 340.09, 0.94%, 0.49%

LAB 51.48, 78.56, 25

 

CMYK 0 / 13 / 97 / 5

HEX #F2D307

RGB 242 211 7

HSL 52.09, 0.94%, 0.49%

LAB 84.73, -5.39, 84.41

 

CMYK 97 / 0 / 31 / 5

HEX #08F3A8

RGB 8 243 168

HSL 160.85, 0.94%, 0.49%

LAB 85.49, -65.23, 22.87

 

CMYK 81 / 97 / 0 / 5

HEX #2E07F2

RGB 46 7 242

HSL 249.96, 0.94%, 0.49%

LAB 32.13, 75.51, -100.79

 

CMYK 0 / 97 / 65 / 5

HEX #F20755

RGB 242 7 85

HSL 340.09, 0.94%, 0.49%

LAB 51.48, 78.56, 25

 

CMYK 16 / 0 / 97 / 5

HEX #CBF207

RGB 203 242 7

HSL 69.96, 0.94%, 0.49%

LAB 89.96, -36.51, 86.96

 

Description

Color code: HEX #08F3A8 | qconv.com Color code: HEX #08F3A8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 243 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 243 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 31 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 31% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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