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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #08D67A it is the complementary color #F72985. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #08D67A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #08D67A shade: #0DD675, #1EE888, #2FFA9B, #40FFAE and #51FFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #08D67A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #08D67A shade: #08D67A, #00C467, #00B254, #00A041 and #008E2E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #08D67A shade: #07D87B, #07D843, #07D80A, #3DD807 and #75D807

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #08D67A shade: #07D87B, #07D8B3, #07C5D8, #078CD8 and #0754D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #08D67A shade matches the following richer shades: #07D87B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #08D67A shade: #07D87B, #1AC679, #2CB477, #3EA275 and #508F73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #08D67A shade: #07D80B, #07D842, #07D87A, #07D8B2 and #07C7D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #08D67A shade: #04884D, #06B064, #07D87B, #13F690 and #3BF7A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #08D67A shade: #08D67A, #073CD8 and #D82707

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #08D67A shade: #08D67A, #7A07D8 and #D87A07

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #08D67A shade: #08D67A, #073CD8, #D80765 and #D8A407

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #08D67A shade: #08D67A, #1207D8, #D80765 and #CED807

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 43 / 16

HEX #08D67A

RGB 8 214 122

HSL 153.2, 0.93%, 0.44%

LAB 75.79, -64.32, 33.36

 

Complementary color

CMYK 0 / 83 / 46 / 3

HEX #F72985

RGB 247 41 133

HSL 333.2, 0.93%, 0.56%

LAB 55.13, 78.39, 1.23

 

CMYK 94 / 0 / 45 / 16

HEX #0DD675

RGB 13 214 117

HSL 151.04, 0.89%, 0.45%

LAB 75.74, -65.03, 35.81

 

CMYK 87 / 0 / 41 / 9

HEX #1EE888

RGB 30 232 136

HSL 151.49, 0.81%, 0.51%

LAB 81.71, -66.8, 34.06

 

CMYK 81 / 0 / 38 / 2

HEX #2FFA9B

RGB 47 250 155

HSL 151.92, 0.95%, 0.58%

LAB 87.65, -68.14, 32.42

 

CMYK 75 / 0 / 32 / 0

HEX #40FFAE

RGB 64 255 174

HSL 154.55, 1%, 0.63%

LAB 89.7, -64.44, 25.67

 

CMYK 68 / 0 / 24 / 0

HEX #51FFC1

RGB 81 255 193

HSL 158.62, 1%, 0.66%

LAB 90.38, -58.21, 16.96

 

CMYK 96 / 0 / 43 / 16

HEX #08D67A

RGB 8 214 122

HSL 153.2, 0.93%, 0.44%

LAB 75.79, -64.32, 33.36

 

CMYK 100 / 0 / 47 / 23

HEX #00C467

RGB 0 196 103

HSL 151.53, 1%, 0.38%

LAB 69.8, -61.94, 35.24

 

CMYK 100 / 0 / 53 / 30

HEX #00B254

RGB 0 178 84

HSL 148.31, 1%, 0.35%

LAB 63.74, -59.14, 37.18

 

CMYK 100 / 0 / 59 / 37

HEX #00A041

RGB 0 160 65

HSL 144.38, 1%, 0.31%

LAB 57.58, -56.13, 39.06

 

CMYK 100 / 0 / 68 / 44

HEX #008E2E

RGB 0 142 46

HSL 139.44, 1%, 0.28%

LAB 51.32, -52.82, 40.72

 

CMYK 97 / 0 / 43 / 15

HEX #07D87B

RGB 7 216 123

HSL 153.3, 0.94%, 0.44%

LAB 76.43, -64.84, 33.68

 

CMYK 97 / 0 / 69 / 15

HEX #07D843

RGB 7 216 67

HSL 137.22, 0.94%, 0.44%

LAB 75.8, -72.55, 58.49

 

CMYK 97 / 0 / 95 / 15

HEX #07D80A

RGB 7 216 10

HSL 120.86, 0.94%, 0.44%

LAB 75.56, -75.6, 72.46

 

CMYK 72 / 0 / 97 / 15

HEX #3DD807

RGB 61 216 7

HSL 104.5, 0.94%, 0.44%

LAB 76.14, -70.45, 73.47

 

CMYK 46 / 0 / 97 / 15

HEX #75D807

RGB 117 216 7

HSL 88.42, 0.94%, 0.44%

LAB 77.82, -56.82, 75.52

 

CMYK 97 / 0 / 43 / 15

HEX #07D87B

RGB 7 216 123

HSL 153.3, 0.94%, 0.44%

LAB 76.43, -64.84, 33.68

 

CMYK 97 / 0 / 17 / 15

HEX #07D8B3

RGB 7 216 179

HSL 169.38, 0.94%, 0.44%

LAB 77.53, -52.49, 5.89

 

CMYK 97 / 9 / 0 / 15

HEX #07C5D8

RGB 7 197 216

HSL 185.45, 0.94%, 0.44%

LAB 72.85, -33.52, -21

 

CMYK 97 / 35 / 0 / 15

HEX #078CD8

RGB 7 140 216

HSL 201.82, 0.94%, 0.44%

LAB 55.85, -3.34, -47.42

 

CMYK 97 / 61 / 0 / 15

HEX #0754D8

RGB 7 84 216

HSL 217.89, 0.94%, 0.44%

LAB 40.15, 32.02, -72.73

 

CMYK 97 / 0 / 43 / 15

HEX #07D87B

RGB 7 216 123

HSL 153.3, 0.94%, 0.44%

LAB 76.43, -64.84, 33.68

 

CMYK 97 / 0 / 43 / 15

HEX #07D87B

RGB 7 216 123

HSL 153.3, 0.94%, 0.44%

LAB 76.43, -64.84, 33.68

 

CMYK 87 / 0 / 39 / 22

HEX #1AC679

RGB 26 198 121

HSL 153.14, 0.77%, 0.44%

LAB 70.86, -58.07, 27.42

 

CMYK 76 / 0 / 34 / 29

HEX #2CB477

RGB 44 180 119

HSL 153.09, 0.61%, 0.44%

LAB 65.37, -49.94, 21.13

 

CMYK 62 / 0 / 28 / 36

HEX #3EA275

RGB 62 162 117

HSL 153, 0.45%, 0.44%

LAB 60.02, -39.93, 14.96

 

CMYK 44 / 0 / 20 / 44

HEX #508F73

RGB 80 143 115

HSL 153.33, 0.28%, 0.44%

LAB 54.65, -27.14, 8.64

 

CMYK 97 / 0 / 95 / 15

HEX #07D80B

RGB 7 216 11

HSL 121.15, 0.94%, 0.44%

LAB 75.56, -75.58, 72.37

 

CMYK 97 / 0 / 69 / 15

HEX #07D842

RGB 7 216 66

HSL 136.94, 0.94%, 0.44%

LAB 75.79, -72.64, 58.86

 

CMYK 97 / 0 / 44 / 15

HEX #07D87A

RGB 7 216 122

HSL 153.01, 0.94%, 0.44%

LAB 76.41, -65.02, 34.17

 

CMYK 97 / 0 / 18 / 15

HEX #07D8B2

RGB 7 216 178

HSL 169.09, 0.94%, 0.44%

LAB 77.5, -52.75, 6.39

 

CMYK 97 / 8 / 0 / 15

HEX #07C7D8

RGB 7 199 216

HSL 184.88, 0.94%, 0.44%

LAB 73.45, -34.47, -20.09

 

CMYK 97 / 0 / 43 / 47

HEX #04884D

RGB 4 136 77

HSL 153.18, 0.94%, 0.27%

LAB 49.7, -45.64, 23.07

 

CMYK 97 / 0 / 43 / 31

HEX #06B064

RGB 6 176 100

HSL 153.18, 0.93%, 0.36%

LAB 63.35, -55.43, 28.51

 

CMYK 97 / 0 / 43 / 15

HEX #07D87B

RGB 7 216 123

HSL 153.3, 0.94%, 0.44%

LAB 76.43, -64.84, 33.68

 

CMYK 92 / 0 / 41 / 4

HEX #13F690

RGB 19 246 144

HSL 153.04, 0.93%, 0.52%

LAB 86.04, -70.64, 35.73

 

CMYK 76 / 0 / 34 / 3

HEX #3BF7A3

RGB 59 247 163

HSL 153.19, 0.92%, 0.6%

LAB 87.04, -64.3, 27.61

 

CMYK 96 / 0 / 43 / 16

HEX #08D67A

RGB 8 214 122

HSL 153.2, 0.93%, 0.44%

LAB 75.79, -64.32, 33.36

 

CMYK 97 / 72 / 0 / 15

HEX #073CD8

RGB 7 60 216

HSL 224.78, 0.94%, 0.44%

LAB 34.47, 47.14, -82.09

 

CMYK 0 / 82 / 97 / 15

HEX #D82707

RGB 216 39 7

HSL 9.19, 0.94%, 0.44%

LAB 47.06, 65.12, 58.07

 

CMYK 96 / 0 / 43 / 16

HEX #08D67A

RGB 8 214 122

HSL 153.2, 0.93%, 0.44%

LAB 75.79, -64.32, 33.36

 

CMYK 44 / 97 / 0 / 15

HEX #7A07D8

RGB 122 7 216

HSL 273.01, 0.94%, 0.44%

LAB 36.46, 73.73, -78.54

 

CMYK 0 / 44 / 97 / 15

HEX #D87A07

RGB 216 122 7

HSL 33.01, 0.94%, 0.44%

LAB 60.37, 30.29, 66.04

 

CMYK 96 / 0 / 43 / 16

HEX #08D67A

RGB 8 214 122

HSL 153.2, 0.93%, 0.44%

LAB 75.79, -64.32, 33.36

 

CMYK 97 / 72 / 0 / 15

HEX #073CD8

RGB 7 60 216

HSL 224.78, 0.94%, 0.44%

LAB 34.47, 47.14, -82.09

 

CMYK 0 / 97 / 53 / 15

HEX #D80765

RGB 216 7 101

HSL 333.01, 0.94%, 0.44%

LAB 46.57, 73.54, 7.6

 

CMYK 0 / 24 / 97 / 15

HEX #D8A407

RGB 216 164 7

HSL 45.07, 0.94%, 0.44%

LAB 70.29, 7.78, 72.87

 

CMYK 96 / 0 / 43 / 16

HEX #08D67A

RGB 8 214 122

HSL 153.2, 0.93%, 0.44%

LAB 75.79, -64.32, 33.36

 

CMYK 92 / 97 / 0 / 15

HEX #1207D8

RGB 18 7 216

HSL 243.16, 0.94%, 0.44%

LAB 27.4, 68.67, -93.83

 

CMYK 0 / 97 / 53 / 15

HEX #D80765

RGB 216 7 101

HSL 333.01, 0.94%, 0.44%

LAB 46.57, 73.54, 7.6

 

CMYK 5 / 0 / 97 / 15

HEX #CED807

RGB 206 216 7

HSL 62.87, 0.94%, 0.44%

LAB 83.05, -23.16, 81.82

 

Description

Color code: HEX #08D67A | qconv.com Color code: HEX #08D67A | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 214 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 214 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 43 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 43% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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