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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #08CD3B it is the complementary color #F732C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #08CD3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #08CD3B shade: #0DCD36, #1EDF49, #2FF15C, #40FF6F and #51FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #08CD3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #08CD3B shade: #08CD3B, #00BB28, #00A915, #009702 and #008500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #08CD3B shade: #08CD3B, #0ACD08, #3FCD08, #74CD08 and #AACD08

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #08CD3B shade: #08CD3B, #08CD70, #08CDA5, #08C0CD and #088BCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #08CD3B shade matches the following richer shades: #08CD3B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #08CD3B shade: #08CD3B, #19BC43, #2BAA4C, #3C9954 and #4D885D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #08CD3B shade: #40CD08, #0BCD08, #08CD39, #08CD6E and #08CDA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #08CD3B shade: #057E24, #06A630, #08CD3B, #0AF447 and #32F665

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #08CD3B shade: #08CD3B, #0874CD and #CD0826

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #08CD3B shade: #08CD3B, #3908CD and #CD3908

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #08CD3B shade: #08CD3B, #0874CD, #CD089C and #CD6108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #08CD3B shade: #08CD3B, #0839CD, #CD089C and #CD9C08

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 71 / 20

HEX #08CD3B

RGB 8 205 59

HSL 135.53, 0.92%, 0.42%

LAB 72.25, -70.07, 57.78

 

Complementary color

CMYK 0 / 80 / 21 / 3

HEX #F732C4

RGB 247 50 196

HSL 315.53, 0.92%, 0.58%

LAB 58.08, 82.88, -31.22

 

CMYK 94 / 0 / 74 / 20

HEX #0DCD36

RGB 13 205 54

HSL 132.81, 0.88%, 0.43%

LAB 72.24, -70.29, 59.58

 

CMYK 87 / 0 / 67 / 13

HEX #1EDF49

RGB 30 223 73

HSL 133.37, 0.76%, 0.5%

LAB 78.19, -72.79, 58.75

 

CMYK 80 / 0 / 62 / 5

HEX #2FF15C

RGB 47 241 92

HSL 133.92, 0.87%, 0.56%

LAB 84.12, -74.66, 57.59

 

CMYK 75 / 0 / 56 / 0

HEX #40FF6F

RGB 64 255 111

HSL 134.76, 1%, 0.63%

LAB 88.81, -74.76, 54.85

 

CMYK 68 / 0 / 49 / 0

HEX #51FF82

RGB 81 255 130

HSL 136.9, 1%, 0.66%

LAB 89.34, -69.66, 46.87

 

CMYK 96 / 0 / 71 / 20

HEX #08CD3B

RGB 8 205 59

HSL 135.53, 0.92%, 0.42%

LAB 72.25, -70.07, 57.78

 

CMYK 100 / 0 / 79 / 27

HEX #00BB28

RGB 0 187 40

HSL 132.83, 1%, 0.37%

LAB 66.29, -66.73, 58.31

 

CMYK 100 / 0 / 88 / 34

HEX #00A915

RGB 0 169 21

HSL 127.46, 1%, 0.33%

LAB 60.28, -62.7, 57.84

 

CMYK 100 / 0 / 99 / 41

HEX #009702

RGB 0 151 2

HSL 120.79, 1%, 0.3%

LAB 54.17, -58.23, 55.94

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 96 / 0 / 71 / 20

HEX #08CD3B

RGB 8 205 59

HSL 135.53, 0.92%, 0.42%

LAB 72.25, -70.07, 57.78

 

CMYK 95 / 0 / 96 / 20

HEX #0ACD08

RGB 10 205 8

HSL 119.39, 0.92%, 0.42%

LAB 72.06, -72.56, 69.79

 

CMYK 69 / 0 / 96 / 20

HEX #3FCD08

RGB 63 205 8

HSL 103.25, 0.92%, 0.42%

LAB 72.72, -66.71, 70.6

 

CMYK 43 / 0 / 96 / 20

HEX #74CD08

RGB 116 205 8

HSL 87.11, 0.92%, 0.42%

LAB 74.44, -52.92, 72.71

 

CMYK 17 / 0 / 96 / 20

HEX #AACD08

RGB 170 205 8

HSL 70.66, 0.92%, 0.42%

LAB 77.42, -32.86, 76.32

 

CMYK 96 / 0 / 71 / 20

HEX #08CD3B

RGB 8 205 59

HSL 135.53, 0.92%, 0.42%

LAB 72.25, -70.07, 57.78

 

CMYK 96 / 0 / 45 / 20

HEX #08CD70

RGB 8 205 112

HSL 151.68, 0.92%, 0.42%

LAB 72.82, -63.08, 34.57

 

CMYK 96 / 0 / 20 / 20

HEX #08CDA5

RGB 8 205 165

HSL 167.82, 0.92%, 0.42%

LAB 73.82, -51.64, 8.08

 

CMYK 96 / 6 / 0 / 20

HEX #08C0CD

RGB 8 192 205

HSL 183.96, 0.92%, 0.42%

LAB 70.98, -34.6, -17.84

 

CMYK 96 / 32 / 0 / 20

HEX #088BCD

RGB 8 139 205

HSL 200.1, 0.92%, 0.42%

LAB 54.99, -6.88, -42.57

 

CMYK 96 / 0 / 71 / 20

HEX #08CD3B

RGB 8 205 59

HSL 135.53, 0.92%, 0.42%

LAB 72.25, -70.07, 57.78

 

CMYK 96 / 0 / 71 / 20

HEX #08CD3B

RGB 8 205 59

HSL 135.53, 0.92%, 0.42%

LAB 72.25, -70.07, 57.78

 

CMYK 87 / 0 / 64 / 26

HEX #19BC43

RGB 25 188 67

HSL 135.46, 0.77%, 0.42%

LAB 66.96, -63.21, 48.91

 

CMYK 75 / 0 / 55 / 33

HEX #2BAA4C

RGB 43 170 76

HSL 135.59, 0.6%, 0.42%

LAB 61.47, -54.01, 38.46

 

CMYK 61 / 0 / 45 / 40

HEX #3C9954

RGB 60 153 84

HSL 135.48, 0.44%, 0.42%

LAB 56.47, -43.04, 28.24

 

CMYK 43 / 0 / 32 / 47

HEX #4D885D

RGB 77 136 93

HSL 136.27, 0.28%, 0.42%

LAB 51.81, -29.24, 17.23

 

CMYK 69 / 0 / 96 / 20

HEX #40CD08

RGB 64 205 8

HSL 102.94, 0.92%, 0.42%

LAB 72.74, -66.52, 70.63

 

CMYK 95 / 0 / 96 / 20

HEX #0BCD08

RGB 11 205 8

HSL 119.09, 0.92%, 0.42%

LAB 72.06, -72.52, 69.79

 

CMYK 96 / 0 / 72 / 20

HEX #08CD39

RGB 8 205 57

HSL 134.92, 0.92%, 0.42%

LAB 72.23, -70.24, 58.5

 

CMYK 96 / 0 / 46 / 20

HEX #08CD6E

RGB 8 205 110

HSL 151.07, 0.92%, 0.42%

LAB 72.79, -63.43, 35.54

 

CMYK 96 / 0 / 21 / 20

HEX #08CDA2

RGB 8 205 162

HSL 166.9, 0.92%, 0.42%

LAB 73.75, -52.4, 9.6

 

CMYK 96 / 0 / 71 / 51

HEX #057E24

RGB 5 126 36

HSL 135.37, 0.92%, 0.26%

LAB 45.75, -48.47, 39.06

 

CMYK 96 / 0 / 71 / 35

HEX #06A630

RGB 6 166 48

HSL 135.75, 0.93%, 0.34%

LAB 59.46, -59.66, 48.63

 

CMYK 96 / 0 / 71 / 20

HEX #08CD3B

RGB 8 205 59

HSL 135.53, 0.92%, 0.42%

LAB 72.25, -70.07, 57.78

 

CMYK 96 / 0 / 71 / 4

HEX #0AF447

RGB 10 244 71

HSL 135.64, 0.92%, 0.5%

LAB 84.6, -80.02, 66.22

 

CMYK 80 / 0 / 59 / 4

HEX #32F665

RGB 50 246 101

HSL 135.61, 0.92%, 0.58%

LAB 85.77, -74.84, 55.64

 

CMYK 96 / 0 / 71 / 20

HEX #08CD3B

RGB 8 205 59

HSL 135.53, 0.92%, 0.42%

LAB 72.25, -70.07, 57.78

 

CMYK 96 / 43 / 0 / 20

HEX #0874CD

RGB 8 116 205

HSL 207.11, 0.92%, 0.42%

LAB 48.2, 7, -53.39

 

CMYK 0 / 96 / 81 / 20

HEX #CD0826

RGB 205 8 38

HSL 350.86, 0.92%, 0.42%

LAB 43.2, 67.78, 41.33

 

CMYK 96 / 0 / 71 / 20

HEX #08CD3B

RGB 8 205 59

HSL 135.53, 0.92%, 0.42%

LAB 72.25, -70.07, 57.78

 

CMYK 72 / 96 / 0 / 20

HEX #3908CD

RGB 57 8 205

HSL 254.92, 0.92%, 0.42%

LAB 27.98, 66.66, -86.42

 

CMYK 0 / 72 / 96 / 20

HEX #CD3908

RGB 205 57 8

HSL 14.92, 0.92%, 0.42%

LAB 46.87, 56.39, 56.56

 

CMYK 96 / 0 / 71 / 20

HEX #08CD3B

RGB 8 205 59

HSL 135.53, 0.92%, 0.42%

LAB 72.25, -70.07, 57.78

 

CMYK 96 / 43 / 0 / 20

HEX #0874CD

RGB 8 116 205

HSL 207.11, 0.92%, 0.42%

LAB 48.2, 7, -53.39

 

CMYK 0 / 96 / 24 / 20

HEX #CD089C

RGB 205 8 156

HSL 314.92, 0.92%, 0.42%

LAB 46.38, 76.26, -26.52

 

CMYK 0 / 53 / 96 / 20

HEX #CD6108

RGB 205 97 8

HSL 27.11, 0.92%, 0.42%

LAB 53.54, 38.76, 60.63

 

CMYK 96 / 0 / 71 / 20

HEX #08CD3B

RGB 8 205 59

HSL 135.53, 0.92%, 0.42%

LAB 72.25, -70.07, 57.78

 

CMYK 96 / 72 / 0 / 20

HEX #0839CD

RGB 8 57 205

HSL 225.08, 0.92%, 0.42%

LAB 32.67, 45.05, -78.7

 

CMYK 0 / 96 / 24 / 20

HEX #CD089C

RGB 205 8 156

HSL 314.92, 0.92%, 0.42%

LAB 46.38, 76.26, -26.52

 

CMYK 0 / 24 / 96 / 20

HEX #CD9C08

RGB 205 156 8

HSL 45.08, 0.92%, 0.42%

LAB 67.11, 7.22, 69.93

 

Description

Color code: HEX #08CD3B | qconv.com Color code: HEX #08CD3B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 205 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 205 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 71 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 71% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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