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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #089A7F it is the complementary color #F76580. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #089A7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #089A7F shade: #0D9A7A, #1EAC8D, #2FBEA0, #40D0B3 and #51E2C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #089A7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #089A7F shade: #089A7F, #00886C, #007659, #006446 and #005233

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #089A7F shade: #089B7F, #089B58, #089B30, #089B09 and #2E9B08

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #089A7F shade: #089B7F, #088E9B, #08669B, #083F9B and #08179B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #089A7F shade matches the following richer shades: #089B7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #089A7F shade: #089B7F, #158D77, #22806F, #2F7366 and #3C665E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #089A7F shade: #089B2F, #089B56, #089B7D, #08919B and #086A9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #089A7F shade: #044C3F, #06735F, #089B7F, #0AC2A0 and #0CE9C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #089A7F shade: #089A7F, #08089B and #9B4208

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #089A7F shade: #089A7F, #7D089B and #9B7D08

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #089A7F shade: #089A7F, #08089B, #9B0825 and #9B9B08

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #089A7F shade: #089A7F, #34089B, #9B0825 and #6E9B08

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 18 / 40

HEX #089A7F

RGB 8 154 127

HSL 168.9, 0.9%, 0.32%

LAB 56.78, -40.6, 4.62

 

Complementary color

CMYK 0 / 59 / 48 / 3

HEX #F76580

RGB 247 101 128

HSL 348.9, 0.9%, 0.68%

LAB 62.2, 58.05, 14.25

 

CMYK 92 / 0 / 21 / 40

HEX #0D9A7A

RGB 13 154 122

HSL 166.38, 0.84%, 0.33%

LAB 56.69, -41.7, 7.33

 

CMYK 83 / 0 / 18 / 33

HEX #1EAC8D

RGB 30 172 141

HSL 166.9, 0.7%, 0.4%

LAB 63.1, -43.07, 5.86

 

CMYK 75 / 0 / 16 / 25

HEX #2FBEA0

RGB 47 190 160

HSL 167.41, 0.6%, 0.46%

LAB 69.45, -44.02, 4.56

 

CMYK 69 / 0 / 14 / 18

HEX #40D0B3

RGB 64 208 179

HSL 167.92, 0.61%, 0.53%

LAB 75.73, -44.67, 3.39

 

CMYK 64 / 0 / 12 / 11

HEX #51E2C6

RGB 81 226 198

HSL 168.41, 0.71%, 0.6%

LAB 81.96, -45.11, 2.32

 

CMYK 95 / 0 / 18 / 40

HEX #089A7F

RGB 8 154 127

HSL 168.9, 0.9%, 0.32%

LAB 56.78, -40.6, 4.62

 

CMYK 100 / 0 / 21 / 47

HEX #00886C

RGB 0 136 108

HSL 167.65, 1%, 0.27%

LAB 50.32, -38.5, 6.26

 

CMYK 100 / 0 / 25 / 54

HEX #007659

RGB 0 118 89

HSL 165.25, 1%, 0.23%

LAB 43.77, -35.96, 8.09

 

CMYK 100 / 0 / 30 / 61

HEX #006446

RGB 0 100 70

HSL 162, 1%, 0.2%

LAB 37.03, -33.31, 10.04

 

CMYK 100 / 0 / 38 / 68

HEX #005233

RGB 0 82 51

HSL 157.32, 1%, 0.16%

LAB 30.09, -30.53, 12.15

 

CMYK 95 / 0 / 18 / 39

HEX #089B7F

RGB 8 155 127

HSL 168.57, 0.9%, 0.32%

LAB 57.1, -41.03, 5.08

 

CMYK 95 / 0 / 43 / 39

HEX #089B58

RGB 8 155 88

HSL 152.65, 0.9%, 0.32%

LAB 56.29, -50.17, 25.68

 

CMYK 95 / 0 / 69 / 39

HEX #089B30

RGB 8 155 48

HSL 136.33, 0.9%, 0.32%

LAB 55.79, -56.17, 44.74

 

CMYK 95 / 0 / 94 / 39

HEX #089B09

RGB 8 155 9

HSL 120.41, 0.9%, 0.32%

LAB 55.6, -58.68, 56.02

 

CMYK 70 / 0 / 95 / 39

HEX #2E9B08

RGB 46 155 8

HSL 104.49, 0.9%, 0.32%

LAB 56.13, -54, 56.83

 

CMYK 95 / 0 / 18 / 39

HEX #089B7F

RGB 8 155 127

HSL 168.57, 0.9%, 0.32%

LAB 57.1, -41.03, 5.08

 

CMYK 95 / 8 / 0 / 39

HEX #088E9B

RGB 8 142 155

HSL 185.31, 0.9%, 0.32%

LAB 53.78, -26.48, -15.89

 

CMYK 95 / 34 / 0 / 39

HEX #08669B

RGB 8 102 155

HSL 201.63, 0.9%, 0.32%

LAB 41.09, -4.14, -35.56

 

CMYK 95 / 59 / 0 / 39

HEX #083F9B

RGB 8 63 155

HSL 217.55, 0.9%, 0.32%

LAB 29.34, 21.77, -54.45

 

CMYK 95 / 85 / 0 / 39

HEX #08179B

RGB 8 23 155

HSL 233.88, 0.9%, 0.32%

LAB 20.17, 46.7, -69.58

 

CMYK 95 / 0 / 18 / 39

HEX #089B7F

RGB 8 155 127

HSL 168.57, 0.9%, 0.32%

LAB 57.1, -41.03, 5.08

 

CMYK 95 / 0 / 18 / 39

HEX #089B7F

RGB 8 155 127

HSL 168.57, 0.9%, 0.32%

LAB 57.1, -41.03, 5.08

 

CMYK 85 / 0 / 16 / 45

HEX #158D77

RGB 21 141 119

HSL 169, 0.74%, 0.32%

LAB 52.44, -36.32, 2.96

 

CMYK 73 / 0 / 13 / 50

HEX #22806F

RGB 34 128 111

HSL 169.15, 0.58%, 0.32%

LAB 48.17, -31.1, 1.45

 

CMYK 59 / 0 / 11 / 55

HEX #2F7366

RGB 47 115 102

HSL 168.53, 0.42%, 0.32%

LAB 43.98, -24.87, 0.75

 

CMYK 41 / 0 / 8 / 60

HEX #3C665E

RGB 60 102 94

HSL 168.57, 0.26%, 0.32%

LAB 40.03, -16.75, -0.1

 

CMYK 95 / 0 / 70 / 39

HEX #089B2F

RGB 8 155 47

HSL 135.92, 0.9%, 0.32%

LAB 55.79, -56.28, 45.15

 

CMYK 95 / 0 / 45 / 39

HEX #089B56

RGB 8 155 86

HSL 151.84, 0.9%, 0.32%

LAB 56.25, -50.55, 26.71

 

CMYK 95 / 0 / 19 / 39

HEX #089B7D

RGB 8 155 125

HSL 167.76, 0.9%, 0.32%

LAB 57.05, -41.57, 6.14

 

CMYK 95 / 6 / 0 / 39

HEX #08919B

RGB 8 145 155

HSL 184.08, 0.9%, 0.32%

LAB 54.73, -27.98, -14.45

 

CMYK 95 / 32 / 0 / 39

HEX #086A9B

RGB 8 106 155

HSL 200, 0.9%, 0.32%

LAB 42.35, -6.58, -33.58

 

CMYK 95 / 0 / 17 / 70

HEX #044C3F

RGB 4 76 63

HSL 169.17, 0.9%, 0.16%

LAB 28.26, -23.92, 1.98

 

CMYK 95 / 0 / 17 / 55

HEX #06735F

RGB 6 115 95

HSL 168.99, 0.9%, 0.24%

LAB 42.95, -32.54, 3.35

 

CMYK 95 / 0 / 18 / 39

HEX #089B7F

RGB 8 155 127

HSL 168.57, 0.9%, 0.32%

LAB 57.1, -41.03, 5.08

 

CMYK 95 / 0 / 18 / 24

HEX #0AC2A0

RGB 10 194 160

HSL 168.91, 0.9%, 0.4%

LAB 70.31, -48.43, 5.74

 

CMYK 95 / 0 / 18 / 9

HEX #0CE9C0

RGB 12 233 192

HSL 168.87, 0.9%, 0.48%

LAB 83, -55.8, 6.88

 

CMYK 95 / 0 / 18 / 40

HEX #089A7F

RGB 8 154 127

HSL 168.9, 0.9%, 0.32%

LAB 56.78, -40.6, 4.62

 

CMYK 95 / 95 / 0 / 39

HEX #08089B

RGB 8 8 155

HSL 240, 0.9%, 0.32%

LAB 18.33, 52.25, -72.65

 

CMYK 0 / 57 / 95 / 39

HEX #9B4208

RGB 155 66 8

HSL 23.67, 0.9%, 0.32%

LAB 39.38, 34.51, 47.41

 

CMYK 95 / 0 / 18 / 40

HEX #089A7F

RGB 8 154 127

HSL 168.9, 0.9%, 0.32%

LAB 56.78, -40.6, 4.62

 

CMYK 19 / 95 / 0 / 39

HEX #7D089B

RGB 125 8 155

HSL 287.76, 0.9%, 0.32%

LAB 31.58, 61.84, -50.36

 

CMYK 0 / 19 / 95 / 39

HEX #9B7D08

RGB 155 125 8

HSL 47.76, 0.9%, 0.32%

LAB 53.66, 1.52, 57.69

 

CMYK 95 / 0 / 18 / 40

HEX #089A7F

RGB 8 154 127

HSL 168.9, 0.9%, 0.32%

LAB 56.78, -40.6, 4.62

 

CMYK 95 / 95 / 0 / 39

HEX #08089B

RGB 8 8 155

HSL 240, 0.9%, 0.32%

LAB 18.33, 52.25, -72.65

 

CMYK 0 / 95 / 76 / 39

HEX #9B0825

RGB 155 8 37

HSL 348.16, 0.9%, 0.32%

LAB 32.43, 54.93, 27.26

 

CMYK 0 / 0 / 95 / 39

HEX #9B9B08

RGB 155 155 8

HSL 60, 0.9%, 0.32%

LAB 62.02, -14.74, 64.01

 

CMYK 95 / 0 / 18 / 40

HEX #089A7F

RGB 8 154 127

HSL 168.9, 0.9%, 0.32%

LAB 56.78, -40.6, 4.62

 

CMYK 66 / 95 / 0 / 39

HEX #34089B

RGB 52 8 155

HSL 257.96, 0.9%, 0.32%

LAB 21.1, 53.79, -67.97

 

CMYK 0 / 95 / 76 / 39

HEX #9B0825

RGB 155 8 37

HSL 348.16, 0.9%, 0.32%

LAB 32.43, 54.93, 27.26

 

CMYK 29 / 0 / 95 / 39

HEX #6E9B08

RGB 110 155 8

HSL 78.37, 0.9%, 0.32%

LAB 58.77, -34.1, 60.07

 

Description

Color code: HEX #089A7F | qconv.com Color code: HEX #089A7F | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 154 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 154 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 18 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 18% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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