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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #089A7A it is the complementary color #F76585. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #089A7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #089A7A shade: #0D9A75, #1EAC88, #2FBE9B, #40D0AE and #51E2C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #089A7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #089A7A shade: #089A7A, #008867, #007654, #006441 and #00522E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #089A7A shade: #089B7A, #089B53, #089B2B, #0C9B08 and #339B08

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #089A7A shade: #089B7A, #08939B, #086C9B, #08449B and #081C9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #089A7A shade matches the following richer shades: #089B7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #089A7A shade: #089B7A, #158D73, #22806C, #2F7364 and #3C665D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #089A7A shade: #089B2A, #089B51, #089B78, #08969B and #086E9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #089A7A shade: #044C3C, #06735B, #089B7A, #0AC299 and #0CE9B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #089A7A shade: #089A7A, #080D9B and #9B3E08

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #089A7A shade: #089A7A, #78089B and #9B7808

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #089A7A shade: #089A7A, #080D9B, #9B082A and #9B9608

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #089A7A shade: #089A7A, #2F089B, #9B082A and #739B08

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 21 / 40

HEX #089A7A

RGB 8 154 122

HSL 166.85, 0.9%, 0.32%

LAB 56.65, -41.95, 7.27

 

Complementary color

CMYK 0 / 59 / 46 / 3

HEX #F76585

RGB 247 101 133

HSL 346.85, 0.9%, 0.68%

LAB 62.32, 58.5, 11.52

 

CMYK 92 / 0 / 24 / 40

HEX #0D9A75

RGB 13 154 117

HSL 164.26, 0.84%, 0.33%

LAB 56.57, -42.99, 9.99

 

CMYK 83 / 0 / 21 / 33

HEX #1EAC88

RGB 30 172 136

HSL 164.79, 0.7%, 0.4%

LAB 62.98, -44.36, 8.46

 

CMYK 75 / 0 / 18 / 25

HEX #2FBE9B

RGB 47 190 155

HSL 165.31, 0.6%, 0.46%

LAB 69.33, -45.29, 7.11

 

CMYK 69 / 0 / 16 / 18

HEX #40D0AE

RGB 64 208 174

HSL 165.83, 0.61%, 0.53%

LAB 75.61, -45.92, 5.9

 

CMYK 64 / 0 / 15 / 11

HEX #51E2C1

RGB 81 226 193

HSL 166.34, 0.71%, 0.6%

LAB 81.83, -46.33, 4.79

 

CMYK 95 / 0 / 21 / 40

HEX #089A7A

RGB 8 154 122

HSL 166.85, 0.9%, 0.32%

LAB 56.65, -41.95, 7.27

 

CMYK 100 / 0 / 24 / 47

HEX #008867

RGB 0 136 103

HSL 165.44, 1%, 0.27%

LAB 50.2, -39.84, 8.98

 

CMYK 100 / 0 / 29 / 54

HEX #007654

RGB 0 118 84

HSL 162.71, 1%, 0.23%

LAB 43.65, -37.27, 10.88

 

CMYK 100 / 0 / 35 / 61

HEX #006441

RGB 0 100 65

HSL 159, 1%, 0.2%

LAB 36.92, -34.59, 12.91

 

CMYK 100 / 0 / 44 / 68

HEX #00522E

RGB 0 82 46

HSL 153.66, 1%, 0.16%

LAB 29.99, -31.72, 15.09

 

CMYK 95 / 0 / 21 / 39

HEX #089B7A

RGB 8 155 122

HSL 166.53, 0.9%, 0.32%

LAB 56.98, -42.36, 7.74

 

CMYK 95 / 0 / 46 / 39

HEX #089B53

RGB 8 155 83

HSL 150.61, 0.9%, 0.32%

LAB 56.21, -51.12, 28.25

 

CMYK 95 / 0 / 72 / 39

HEX #089B2B

RGB 8 155 43

HSL 134.29, 0.9%, 0.32%

LAB 55.75, -56.67, 46.74

 

CMYK 92 / 0 / 95 / 39

HEX #0C9B08

RGB 12 155 8

HSL 118.37, 0.9%, 0.32%

LAB 55.62, -58.47, 56.21

 

CMYK 67 / 0 / 95 / 39

HEX #339B08

RGB 51 155 8

HSL 102.45, 0.9%, 0.32%

LAB 56.25, -52.96, 56.99

 

CMYK 95 / 0 / 21 / 39

HEX #089B7A

RGB 8 155 122

HSL 166.53, 0.9%, 0.32%

LAB 56.98, -42.36, 7.74

 

CMYK 95 / 5 / 0 / 39

HEX #08939B

RGB 8 147 155

HSL 183.27, 0.9%, 0.32%

LAB 55.37, -28.97, -13.49

 

CMYK 95 / 30 / 0 / 39

HEX #086C9B

RGB 8 108 155

HSL 199.18, 0.9%, 0.32%

LAB 42.98, -7.79, -32.58

 

CMYK 95 / 56 / 0 / 39

HEX #08449B

RGB 8 68 155

HSL 215.51, 0.9%, 0.32%

LAB 30.77, 18.31, -52.13

 

CMYK 95 / 82 / 0 / 39

HEX #081C9B

RGB 8 28 155

HSL 231.84, 0.9%, 0.32%

LAB 21.01, 44.21, -68.18

 

CMYK 95 / 0 / 21 / 39

HEX #089B7A

RGB 8 155 122

HSL 166.53, 0.9%, 0.32%

LAB 56.98, -42.36, 7.74

 

CMYK 95 / 0 / 21 / 39

HEX #089B7A

RGB 8 155 122

HSL 166.53, 0.9%, 0.32%

LAB 56.98, -42.36, 7.74

 

CMYK 85 / 0 / 18 / 45

HEX #158D73

RGB 21 141 115

HSL 167, 0.74%, 0.32%

LAB 52.34, -37.42, 5.12

 

CMYK 73 / 0 / 16 / 50

HEX #22806C

RGB 34 128 108

HSL 167.23, 0.58%, 0.32%

LAB 48.08, -31.93, 3.1

 

CMYK 59 / 0 / 13 / 55

HEX #2F7364

RGB 47 115 100

HSL 166.76, 0.42%, 0.32%

LAB 43.92, -25.42, 1.87

 

CMYK 41 / 0 / 9 / 60

HEX #3C665D

RGB 60 102 93

HSL 167.14, 0.26%, 0.32%

LAB 40, -17.01, 0.47

 

CMYK 95 / 0 / 73 / 39

HEX #089B2A

RGB 8 155 42

HSL 133.88, 0.9%, 0.32%

LAB 55.75, -56.77, 47.12

 

CMYK 95 / 0 / 48 / 39

HEX #089B51

RGB 8 155 81

HSL 149.8, 0.9%, 0.32%

LAB 56.18, -51.48, 29.27

 

CMYK 95 / 0 / 23 / 39

HEX #089B78

RGB 8 155 120

HSL 165.71, 0.9%, 0.32%

LAB 56.93, -42.88, 8.8

 

CMYK 95 / 3 / 0 / 39

HEX #08969B

RGB 8 150 155

HSL 182.04, 0.9%, 0.32%

LAB 56.32, -30.43, -12.05

 

CMYK 95 / 29 / 0 / 39

HEX #086E9B

RGB 8 110 155

HSL 198.37, 0.9%, 0.32%

LAB 43.61, -8.98, -31.59

 

CMYK 95 / 0 / 21 / 70

HEX #044C3C

RGB 4 76 60

HSL 166.67, 0.9%, 0.16%

LAB 28.17, -24.84, 3.79

 

CMYK 95 / 0 / 21 / 55

HEX #06735B

RGB 6 115 91

HSL 166.79, 0.9%, 0.24%

LAB 42.85, -33.67, 5.59

 

CMYK 95 / 0 / 21 / 39

HEX #089B7A

RGB 8 155 122

HSL 166.53, 0.9%, 0.32%

LAB 56.98, -42.36, 7.74

 

CMYK 95 / 0 / 21 / 24

HEX #0AC299

RGB 10 194 153

HSL 166.63, 0.9%, 0.4%

LAB 70.14, -50.22, 9.31

 

CMYK 95 / 0 / 21 / 9

HEX #0CE9B8

RGB 12 233 184

HSL 166.7, 0.9%, 0.48%

LAB 82.82, -57.77, 10.82

 

CMYK 95 / 0 / 21 / 40

HEX #089A7A

RGB 8 154 122

HSL 166.85, 0.9%, 0.32%

LAB 56.65, -41.95, 7.27

 

CMYK 95 / 92 / 0 / 39

HEX #080D9B

RGB 8 13 155

HSL 237.96, 0.9%, 0.32%

LAB 18.83, 50.73, -71.82

 

CMYK 0 / 60 / 95 / 39

HEX #9B3E08

RGB 155 62 8

HSL 22.04, 0.9%, 0.32%

LAB 38.61, 36.53, 46.88

 

CMYK 95 / 0 / 21 / 40

HEX #089A7A

RGB 8 154 122

HSL 166.85, 0.9%, 0.32%

LAB 56.65, -41.95, 7.27

 

CMYK 23 / 95 / 0 / 39

HEX #78089B

RGB 120 8 155

HSL 285.71, 0.9%, 0.32%

LAB 30.72, 61.09, -51.79

 

CMYK 0 / 23 / 95 / 39

HEX #9B7808

RGB 155 120 8

HSL 45.71, 0.9%, 0.32%

LAB 52.31, 4.34, 56.69

 

CMYK 95 / 0 / 21 / 40

HEX #089A7A

RGB 8 154 122

HSL 166.85, 0.9%, 0.32%

LAB 56.65, -41.95, 7.27

 

CMYK 95 / 92 / 0 / 39

HEX #080D9B

RGB 8 13 155

HSL 237.96, 0.9%, 0.32%

LAB 18.83, 50.73, -71.82

 

CMYK 0 / 95 / 73 / 39

HEX #9B082A

RGB 155 8 42

HSL 346.12, 0.9%, 0.32%

LAB 32.5, 55.14, 24.15

 

CMYK 0 / 3 / 95 / 39

HEX #9B9608

RGB 155 150 8

HSL 57.96, 0.9%, 0.32%

LAB 60.6, -12.12, 62.93

 

CMYK 95 / 0 / 21 / 40

HEX #089A7A

RGB 8 154 122

HSL 166.85, 0.9%, 0.32%

LAB 56.65, -41.95, 7.27

 

CMYK 70 / 95 / 0 / 39

HEX #2F089B

RGB 47 8 155

HSL 255.92, 0.9%, 0.32%

LAB 20.61, 53.5, -68.78

 

CMYK 0 / 95 / 73 / 39

HEX #9B082A

RGB 155 8 42

HSL 346.12, 0.9%, 0.32%

LAB 32.5, 55.14, 24.15

 

CMYK 26 / 0 / 95 / 39

HEX #739B08

RGB 115 155 8

HSL 76.33, 0.9%, 0.32%

LAB 59.07, -32.08, 60.45

 

Description

Color code: HEX #089A7A | qconv.com Color code: HEX #089A7A | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 154 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 154 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 21 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 21% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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