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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #08697D it is the complementary color #F79682. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #08697D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #08697D shade: #0D6978, #1E7B8B, #2F8D9E, #409FB1 and #51B1C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #08697D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #08697D shade: #08697D, #00576A, #004557, #003344 and #002131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #08697D shade: #07687C, #07497C, #07297C, #070A7C and #25077C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #08697D shade: #07687C, #07497C, #07297C, #070A7C and #07077C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #08697D shade matches the following richer shades: #07687C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #08697D shade: #07687C, #126171, #1D5A67, #28535C and #324C51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #08697D shade: #077C51, #077C70, #07697C, #074A7C and #072A7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #08697D shade: #03272F, #054855, #07687C, #0A89A3 and #0CA9CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #08697D shade: #08697D, #32077C and #7C6107

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #08697D shade: #08697D, #7C0769 and #697C07

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #08697D shade: #08697D, #32077C, #7C1B07 and #517C07

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #08697D shade: #08697D, #55077C, #7C1B07 and #2E7C07

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 16 / 0 / 51

HEX #08697D

RGB 8 105 125

HSL 190.26, 0.88%, 0.26%

LAB 40.63, -17.45, -18.25

 

Complementary color

CMYK 0 / 39 / 47 / 3

HEX #F79682

RGB 247 150 130

HSL 10.26, 0.88%, 0.74%

LAB 71.69, 34.33, 26.09

 

CMYK 89 / 13 / 0 / 53

HEX #0D6978

RGB 13 105 120

HSL 188.41, 0.8%, 0.26%

LAB 40.48, -18.93, -15.43

 

CMYK 78 / 12 / 0 / 45

HEX #1E7B8B

RGB 30 123 139

HSL 188.81, 0.64%, 0.33%

LAB 47.37, -20.4, -16.27

 

CMYK 70 / 11 / 0 / 38

HEX #2F8D9E

RGB 47 141 158

HSL 189.19, 0.54%, 0.4%

LAB 54.16, -21.41, -16.99

 

CMYK 64 / 10 / 0 / 31

HEX #409FB1

RGB 64 159 177

HSL 189.56, 0.47%, 0.47%

LAB 60.84, -22.12, -17.62

 

CMYK 59 / 10 / 0 / 23

HEX #51B1C4

RGB 81 177 196

HSL 189.91, 0.49%, 0.54%

LAB 67.41, -22.62, -18.19

 

CMYK 94 / 16 / 0 / 51

HEX #08697D

RGB 8 105 125

HSL 190.26, 0.88%, 0.26%

LAB 40.63, -17.45, -18.25

 

CMYK 100 / 18 / 0 / 58

HEX #00576A

RGB 0 87 106

HSL 190.75, 1%, 0.21%

LAB 33.68, -14.96, -17.25

 

CMYK 100 / 21 / 0 / 66

HEX #004557

RGB 0 69 87

HSL 192.41, 1%, 0.17%

LAB 26.58, -11.82, -16.13

 

CMYK 100 / 25 / 0 / 73

HEX #003344

RGB 0 51 68

HSL 195, 1%, 0.13%

LAB 19.16, -8.48, -15.01

 

CMYK 100 / 33 / 0 / 81

HEX #002131

RGB 0 33 49

HSL 199.59, 1%, 0.1%

LAB 11.34, -4.81, -13.93

 

CMYK 94 / 16 / 0 / 51

HEX #07687C

RGB 7 104 124

HSL 190.26, 0.89%, 0.26%

LAB 40.25, -17.32, -18.23

 

CMYK 94 / 41 / 0 / 51

HEX #07497C

RGB 7 73 124

HSL 206.15, 0.89%, 0.26%

LAB 30.07, 1.69, -34.17

 

CMYK 94 / 67 / 0 / 51

HEX #07297C

RGB 7 41 124

HSL 222.56, 0.89%, 0.26%

LAB 20.39, 24.29, -49.86

 

CMYK 94 / 92 / 0 / 51

HEX #070A7C

RGB 7 10 124

HSL 238.46, 0.89%, 0.26%

LAB 13.93, 42.48, -60.55

 

CMYK 70 / 94 / 0 / 51

HEX #25077C

RGB 37 7 124

HSL 255.38, 0.89%, 0.26%

LAB 15.49, 44.84, -57.9

 

CMYK 94 / 16 / 0 / 51

HEX #07687C

RGB 7 104 124

HSL 190.26, 0.89%, 0.26%

LAB 40.25, -17.32, -18.23

 

CMYK 94 / 41 / 0 / 51

HEX #07497C

RGB 7 73 124

HSL 206.15, 0.89%, 0.26%

LAB 30.07, 1.69, -34.17

 

CMYK 94 / 67 / 0 / 51

HEX #07297C

RGB 7 41 124

HSL 222.56, 0.89%, 0.26%

LAB 20.39, 24.29, -49.86

 

CMYK 94 / 92 / 0 / 51

HEX #070A7C

RGB 7 10 124

HSL 238.46, 0.89%, 0.26%

LAB 13.93, 42.48, -60.55

 

CMYK 94 / 94 / 0 / 51

HEX #07077C

RGB 7 7 124

HSL 240, 0.89%, 0.26%

LAB 13.55, 43.64, -61.19

 

CMYK 94 / 16 / 0 / 51

HEX #07687C

RGB 7 104 124

HSL 190.26, 0.89%, 0.26%

LAB 40.25, -17.32, -18.23

 

CMYK 94 / 16 / 0 / 51

HEX #07687C

RGB 7 104 124

HSL 190.26, 0.89%, 0.26%

LAB 40.25, -17.32, -18.23

 

CMYK 84 / 14 / 0 / 56

HEX #126171

RGB 18 97 113

HSL 190.11, 0.73%, 0.26%

LAB 37.61, -16.57, -15.54

 

CMYK 72 / 13 / 0 / 60

HEX #1D5A67

RGB 29 90 103

HSL 190.54, 0.56%, 0.26%

LAB 35.11, -14.67, -13.15

 

CMYK 57 / 10 / 0 / 64

HEX #28535C

RGB 40 83 92

HSL 190.38, 0.39%, 0.26%

LAB 32.72, -12.04, -9.83

 

CMYK 38 / 6 / 0 / 68

HEX #324C51

RGB 50 76 81

HSL 189.68, 0.24%, 0.26%

LAB 30.5, -8.39, -6.12

 

CMYK 94 / 0 / 35 / 51

HEX #077C51

RGB 7 124 81

HSL 157.95, 0.89%, 0.26%

LAB 45.71, -39.96, 15.48

 

CMYK 94 / 0 / 10 / 51

HEX #077C70

RGB 7 124 112

HSL 173.85, 0.89%, 0.26%

LAB 46.49, -31.57, -1.64

 

CMYK 94 / 15 / 0 / 51

HEX #07697C

RGB 7 105 124

HSL 189.74, 0.89%, 0.26%

LAB 40.58, -17.87, -17.72

 

CMYK 94 / 40 / 0 / 51

HEX #074A7C

RGB 7 74 124

HSL 205.64, 0.89%, 0.26%

LAB 30.4, 1.02, -33.66

 

CMYK 94 / 66 / 0 / 51

HEX #072A7C

RGB 7 42 124

HSL 222.05, 0.89%, 0.26%

LAB 20.66, 23.58, -49.41

 

CMYK 94 / 17 / 0 / 82

HEX #03272F

RGB 3 39 47

HSL 190.91, 0.88%, 0.1%

LAB 13.68, -9.11, -8.86

 

CMYK 94 / 15 / 0 / 67

HEX #054855

RGB 5 72 85

HSL 189.75, 0.89%, 0.18%

LAB 27.64, -13.88, -13.19

 

CMYK 94 / 16 / 0 / 51

HEX #07687C

RGB 7 104 124

HSL 190.26, 0.89%, 0.26%

LAB 40.25, -17.32, -18.23

 

CMYK 94 / 16 / 0 / 36

HEX #0A89A3

RGB 10 137 163

HSL 190.2, 0.88%, 0.34%

LAB 52.51, -21.06, -22.44

 

CMYK 94 / 16 / 0 / 21

HEX #0CA9CA

RGB 12 169 202

HSL 190.42, 0.89%, 0.42%

LAB 63.93, -24.18, -26.95

 

CMYK 94 / 16 / 0 / 51

HEX #08697D

RGB 8 105 125

HSL 190.26, 0.88%, 0.26%

LAB 40.63, -17.45, -18.25

 

CMYK 60 / 94 / 0 / 51

HEX #32077C

RGB 50 7 124

HSL 262.05, 0.89%, 0.26%

LAB 16.92, 45.82, -55.48

 

CMYK 0 / 22 / 94 / 51

HEX #7C6107

RGB 124 97 7

HSL 46.15, 0.89%, 0.26%

LAB 42.54, 2.8, 48.02

 

CMYK 94 / 16 / 0 / 51

HEX #08697D

RGB 8 105 125

HSL 190.26, 0.88%, 0.26%

LAB 40.63, -17.45, -18.25

 

CMYK 0 / 94 / 15 / 51

HEX #7C0769

RGB 124 7 105

HSL 309.74, 0.89%, 0.26%

LAB 28, 53.55, -24.7

 

CMYK 15 / 0 / 94 / 51

HEX #697C07

RGB 105 124 7

HSL 69.74, 0.89%, 0.26%

LAB 48.8, -21.23, 52.16

 

CMYK 94 / 16 / 0 / 51

HEX #08697D

RGB 8 105 125

HSL 190.26, 0.88%, 0.26%

LAB 40.63, -17.45, -18.25

 

CMYK 60 / 94 / 0 / 51

HEX #32077C

RGB 50 7 124

HSL 262.05, 0.89%, 0.26%

LAB 16.92, 45.82, -55.48

 

CMYK 0 / 78 / 94 / 51

HEX #7C1B07

RGB 124 27 7

HSL 10.26, 0.89%, 0.26%

LAB 26.97, 40.47, 36.18

 

CMYK 35 / 0 / 94 / 51

HEX #517C07

RGB 81 124 7

HSL 82.05, 0.89%, 0.26%

LAB 47.21, -31.49, 50.21

 

CMYK 94 / 16 / 0 / 51

HEX #08697D

RGB 8 105 125

HSL 190.26, 0.88%, 0.26%

LAB 40.63, -17.45, -18.25

 

CMYK 31 / 94 / 0 / 51

HEX #55077C

RGB 85 7 124

HSL 280, 0.89%, 0.26%

LAB 22.08, 49.93, -46.8

 

CMYK 0 / 78 / 94 / 51

HEX #7C1B07

RGB 124 27 7

HSL 10.26, 0.89%, 0.26%

LAB 26.97, 40.47, 36.18

 

CMYK 63 / 0 / 94 / 51

HEX #2E7C07

RGB 46 124 7

HSL 100, 0.89%, 0.26%

LAB 45.65, -43.26, 48.28

 

Description

Color code: HEX #08697D | qconv.com Color code: HEX #08697D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 105 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 105 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 16 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 16% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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