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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0864D6 it is the complementary color #F79B29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0864D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0864D6 shade: #0D64D1, #1E76E4, #2F88F7, #409AFF and #51ACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0864D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0864D6 shade: #0864D6, #0052C3, #0040B0, #002E9D and #001C8A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0864D6 shade: #0765D8, #072CD8, #1B07D8, #5307D8 and #8B07D8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0864D6 shade: #0765D8, #072CD8 and #0707D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0864D6 shade matches the following richer shades: #0765D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0864D6 shade: #0765D8, #1A67C6, #2C68B4, #3E6AA2 and #506C8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0864D6 shade: #07D5D8, #079DD8, #0765D8, #072ED8 and #1907D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0864D6 shade: #043F88, #0652B0, #0765D8, #1378F6 and #3B8FF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0864D6 shade: #0864D6, #A407D8 and #B9D807

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0864D6 shade: #0864D6, #D80765 and #65D807

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0864D6 shade: #0864D6, #A407D8, #D87A07 and #3CD807

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0864D6 shade: #0864D6, #D807CE, #D87A07 and #07D812

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 53 / 0 / 16

HEX #0864D6

RGB 8 100 214

HSL 213.2, 0.93%, 0.44%

LAB 44.26, 20.82, -64.88

 

Complementary color

CMYK 0 / 37 / 83 / 3

HEX #F79B29

RGB 247 155 41

HSL 33.2, 0.93%, 0.56%

LAB 71.81, 26.42, 68.3

 

CMYK 94 / 52 / 0 / 18

HEX #0D64D1

RGB 13 100 209

HSL 213.37, 0.88%, 0.44%

LAB 43.95, 19, -62.53

 

CMYK 87 / 48 / 0 / 11

HEX #1E76E4

RGB 30 118 228

HSL 213.33, 0.79%, 0.51%

LAB 50.49, 15.75, -62.71

 

CMYK 81 / 45 / 0 / 3

HEX #2F88F7

RGB 47 136 247

HSL 213.3, 0.93%, 0.58%

LAB 57.01, 13.05, -62.79

 

CMYK 75 / 40 / 0 / 0

HEX #409AFF

RGB 64 154 255

HSL 211.73, 1%, 0.63%

LAB 62.86, 6.9, -57.79

 

CMYK 68 / 33 / 0 / 0

HEX #51ACFF

RGB 81 172 255

HSL 208.62, 1%, 0.66%

LAB 68.37, -1.24, -49.02

 

CMYK 96 / 53 / 0 / 16

HEX #0864D6

RGB 8 100 214

HSL 213.2, 0.93%, 0.44%

LAB 44.26, 20.82, -64.88

 

CMYK 100 / 58 / 0 / 24

HEX #0052C3

RGB 0 82 195

HSL 214.77, 1%, 0.38%

LAB 37.8, 24.85, -64.45

 

CMYK 100 / 64 / 0 / 31

HEX #0040B0

RGB 0 64 176

HSL 218.18, 1%, 0.35%

LAB 31.35, 29.32, -63.81

 

CMYK 100 / 71 / 0 / 38

HEX #002E9D

RGB 0 46 157

HSL 222.42, 1%, 0.31%

LAB 24.92, 33.85, -62.94

 

CMYK 100 / 80 / 0 / 46

HEX #001C8A

RGB 0 28 138

HSL 227.83, 1%, 0.27%

LAB 18.65, 38.02, -61.56

 

CMYK 97 / 53 / 0 / 15

HEX #0765D8

RGB 7 101 216

HSL 213.01, 0.94%, 0.44%

LAB 44.67, 20.93, -65.35

 

CMYK 97 / 80 / 0 / 15

HEX #072CD8

RGB 7 44 216

HSL 229.38, 0.94%, 0.44%

LAB 31.36, 55.99, -87.25

 

CMYK 88 / 97 / 0 / 15

HEX #1B07D8

RGB 27 7 216

HSL 245.74, 0.94%, 0.44%

LAB 27.69, 68.78, -93.35

 

CMYK 62 / 97 / 0 / 15

HEX #5307D8

RGB 83 7 216

HSL 261.82, 0.94%, 0.44%

LAB 31.69, 70.73, -86.58

 

CMYK 36 / 97 / 0 / 15

HEX #8B07D8

RGB 139 7 216

HSL 277.89, 0.94%, 0.44%

LAB 38.9, 75.49, -74.44

 

CMYK 97 / 53 / 0 / 15

HEX #0765D8

RGB 7 101 216

HSL 213.01, 0.94%, 0.44%

LAB 44.67, 20.93, -65.35

 

CMYK 97 / 80 / 0 / 15

HEX #072CD8

RGB 7 44 216

HSL 229.38, 0.94%, 0.44%

LAB 31.36, 55.99, -87.25

 

CMYK 97 / 97 / 0 / 15

HEX #0707D8

RGB 7 7 216

HSL 240, 0.94%, 0.44%

LAB 27.17, 68.58, -94.23

 

CMYK 97 / 53 / 0 / 15

HEX #0765D8

RGB 7 101 216

HSL 213.01, 0.94%, 0.44%

LAB 44.67, 20.93, -65.35

 

CMYK 97 / 53 / 0 / 15

HEX #0765D8

RGB 7 101 216

HSL 213.01, 0.94%, 0.44%

LAB 44.67, 20.93, -65.35

 

CMYK 87 / 48 / 0 / 22

HEX #1A67C6

RGB 26 103 198

HSL 213.14, 0.77%, 0.44%

LAB 44.23, 13.38, -55.74

 

CMYK 76 / 42 / 0 / 29

HEX #2C68B4

RGB 44 104 180

HSL 213.53, 0.61%, 0.44%

LAB 43.85, 7.53, -45.88

 

CMYK 62 / 35 / 0 / 36

HEX #3E6AA2

RGB 62 106 162

HSL 213.6, 0.45%, 0.44%

LAB 44.15, 2.66, -34.79

 

CMYK 44 / 24 / 0 / 44

HEX #506C8F

RGB 80 108 143

HSL 213.33, 0.28%, 0.44%

LAB 44.82, -0.45, -22.4

 

CMYK 97 / 1 / 0 / 15

HEX #07D5D8

RGB 7 213 216

HSL 180.86, 0.94%, 0.44%

LAB 77.63, -40.9, -13.77

 

CMYK 97 / 27 / 0 / 15

HEX #079DD8

RGB 7 157 216

HSL 196.94, 0.94%, 0.44%

LAB 60.88, -13.02, -39.47

 

CMYK 97 / 53 / 0 / 15

HEX #0765D8

RGB 7 101 216

HSL 213.01, 0.94%, 0.44%

LAB 44.67, 20.93, -65.35

 

CMYK 97 / 79 / 0 / 15

HEX #072ED8

RGB 7 46 216

HSL 228.8, 0.94%, 0.44%

LAB 31.71, 54.97, -86.66

 

CMYK 88 / 97 / 0 / 15

HEX #1907D8

RGB 25 7 216

HSL 245.17, 0.94%, 0.44%

LAB 27.62, 68.76, -93.47

 

CMYK 97 / 54 / 0 / 47

HEX #043F88

RGB 4 63 136

HSL 213.18, 0.94%, 0.27%

LAB 27.73, 13.54, -45.41

 

CMYK 97 / 53 / 0 / 31

HEX #0652B0

RGB 6 82 176

HSL 213.18, 0.93%, 0.36%

LAB 36.38, 17.35, -55.59

 

CMYK 97 / 53 / 0 / 15

HEX #0765D8

RGB 7 101 216

HSL 213.01, 0.94%, 0.44%

LAB 44.67, 20.93, -65.35

 

CMYK 92 / 51 / 0 / 4

HEX #1378F6

RGB 19 120 246

HSL 213.3, 0.93%, 0.52%

LAB 52.09, 20.86, -70.19

 

CMYK 76 / 42 / 0 / 3

HEX #3B8FF7

RGB 59 143 247

HSL 213.19, 0.92%, 0.6%

LAB 59.24, 10.01, -59.19

 

CMYK 96 / 53 / 0 / 16

HEX #0864D6

RGB 8 100 214

HSL 213.2, 0.93%, 0.44%

LAB 44.26, 20.82, -64.88

 

CMYK 24 / 97 / 0 / 15

HEX #A407D8

RGB 164 7 216

HSL 285.07, 0.94%, 0.44%

LAB 42.77, 78.52, -67.95

 

CMYK 14 / 0 / 97 / 15

HEX #B9D807

RGB 185 216 7

HSL 68.9, 0.94%, 0.44%

LAB 81.53, -31.86, 80.01

 

CMYK 96 / 53 / 0 / 16

HEX #0864D6

RGB 8 100 214

HSL 213.2, 0.93%, 0.44%

LAB 44.26, 20.82, -64.88

 

CMYK 0 / 97 / 53 / 15

HEX #D80765

RGB 216 7 101

HSL 333.01, 0.94%, 0.44%

LAB 46.57, 73.54, 7.6

 

CMYK 53 / 0 / 97 / 15

HEX #65D807

RGB 101 216 7

HSL 93.01, 0.94%, 0.44%

LAB 77.22, -61.51, 74.78

 

CMYK 96 / 53 / 0 / 16

HEX #0864D6

RGB 8 100 214

HSL 213.2, 0.93%, 0.44%

LAB 44.26, 20.82, -64.88

 

CMYK 24 / 97 / 0 / 15

HEX #A407D8

RGB 164 7 216

HSL 285.07, 0.94%, 0.44%

LAB 42.77, 78.52, -67.95

 

CMYK 0 / 44 / 97 / 15

HEX #D87A07

RGB 216 122 7

HSL 33.01, 0.94%, 0.44%

LAB 60.37, 30.29, 66.04

 

CMYK 72 / 0 / 97 / 15

HEX #3CD807

RGB 60 216 7

HSL 104.78, 0.94%, 0.44%

LAB 76.12, -70.61, 73.44

 

CMYK 96 / 53 / 0 / 16

HEX #0864D6

RGB 8 100 214

HSL 213.2, 0.93%, 0.44%

LAB 44.26, 20.82, -64.88

 

CMYK 0 / 97 / 5 / 15

HEX #D807CE

RGB 216 7 206

HSL 302.87, 0.94%, 0.44%

LAB 50.93, 84.75, -48.59

 

CMYK 0 / 44 / 97 / 15

HEX #D87A07

RGB 216 122 7

HSL 33.01, 0.94%, 0.44%

LAB 60.37, 30.29, 66.04

 

CMYK 97 / 0 / 92 / 15

HEX #07D812

RGB 7 216 18

HSL 123.16, 0.94%, 0.44%

LAB 75.58, -75.42, 71.54

 

Description

Color code: HEX #0864D6 | qconv.com Color code: HEX #0864D6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 100 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 100 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 53 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 53% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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