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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #085CCD it is the complementary color #F7A332. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #085CCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #085CCD shade: #0D5CC8, #1E6EDB, #2F80EE, #4092FF and #51A4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #085CCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #085CCD shade: #085CCD, #004ABA, #0038A7, #002694 and #001481

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #085CCD shade: #085CCD, #0827CD, #1E08CD, #5308CD and #8908CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #085CCD shade: #085CCD, #0827CD and #0808CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #085CCD shade matches the following richer shades: #085CCD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #085CCD shade: #085CCD, #195FBC, #2B61AA, #3C6499 and #4D6688

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #085CCD shade: #08C7CD, #0892CD, #085DCD, #0829CD and #1C08CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #085CCD shade: #05387E, #064AA6, #085CCD, #0A6EF4 and #3285F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #085CCD shade: #085CCD, #9F08CD and #ACCD08

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #085CCD shade: #085CCD, #CD085D and #5DCD08

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #085CCD shade: #085CCD, #9F08CD, #CD7808 and #36CD08

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #085CCD shade: #085CCD, #CD08C0, #CD7808 and #08CD15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 55 / 0 / 20

HEX #085CCD

RGB 8 92 205

HSL 214.42, 0.92%, 0.42%

LAB 41.4, 22.48, -64.38

 

Complementary color

CMYK 0 / 34 / 80 / 3

HEX #F7A332

RGB 247 163 50

HSL 34.42, 0.92%, 0.58%

LAB 73.67, 22.49, 66.87

 

CMYK 94 / 54 / 0 / 22

HEX #0D5CC8

RGB 13 92 200

HSL 214.65, 0.88%, 0.42%

LAB 41.07, 20.66, -62.01

 

CMYK 86 / 50 / 0 / 14

HEX #1E6EDB

RGB 30 110 219

HSL 214.6, 0.76%, 0.49%

LAB 47.68, 17.35, -62.18

 

CMYK 80 / 46 / 0 / 7

HEX #2F80EE

RGB 47 128 238

HSL 214.55, 0.85%, 0.56%

LAB 54.26, 14.62, -62.22

 

CMYK 75 / 43 / 0 / 0

HEX #4092FF

RGB 64 146 255

HSL 214.24, 1%, 0.63%

LAB 60.66, 11.65, -61.3

 

CMYK 68 / 36 / 0 / 0

HEX #51A4FF

RGB 81 164 255

HSL 211.38, 1%, 0.66%

LAB 66.15, 3.32, -52.53

 

CMYK 96 / 55 / 0 / 20

HEX #085CCD

RGB 8 92 205

HSL 214.42, 0.92%, 0.42%

LAB 41.4, 22.48, -64.38

 

CMYK 100 / 60 / 0 / 27

HEX #004ABA

RGB 0 74 186

HSL 216.13, 1%, 0.36%

LAB 34.89, 26.6, -63.93

 

CMYK 100 / 66 / 0 / 35

HEX #0038A7

RGB 0 56 167

HSL 219.88, 1%, 0.33%

LAB 28.43, 31.12, -63.22

 

CMYK 100 / 74 / 0 / 42

HEX #002694

RGB 0 38 148

HSL 224.59, 1%, 0.29%

LAB 22.03, 35.58, -62.18

 

CMYK 100 / 84 / 0 / 49

HEX #001481

RGB 0 20 129

HSL 230.7, 1%, 0.25%

LAB 15.93, 39.32, -60.41

 

CMYK 96 / 55 / 0 / 20

HEX #085CCD

RGB 8 92 205

HSL 214.42, 0.92%, 0.42%

LAB 41.4, 22.48, -64.38

 

CMYK 96 / 81 / 0 / 20

HEX #0827CD

RGB 8 39 205

HSL 230.56, 0.92%, 0.42%

LAB 29.19, 54.98, -84.48

 

CMYK 85 / 96 / 0 / 20

HEX #1E08CD

RGB 30 8 205

HSL 246.7, 0.92%, 0.42%

LAB 26.32, 65.88, -89.23

 

CMYK 60 / 96 / 0 / 20

HEX #5308CD

RGB 83 8 205

HSL 262.84, 0.92%, 0.42%

LAB 30.45, 68.01, -82.25

 

CMYK 33 / 96 / 0 / 20

HEX #8908CD

RGB 137 8 205

HSL 279.29, 0.92%, 0.42%

LAB 37.66, 72.98, -70.11

 

CMYK 96 / 55 / 0 / 20

HEX #085CCD

RGB 8 92 205

HSL 214.42, 0.92%, 0.42%

LAB 41.4, 22.48, -64.38

 

CMYK 96 / 81 / 0 / 20

HEX #0827CD

RGB 8 39 205

HSL 230.56, 0.92%, 0.42%

LAB 29.19, 54.98, -84.48

 

CMYK 96 / 96 / 0 / 20

HEX #0808CD

RGB 8 8 205

HSL 240, 0.92%, 0.42%

LAB 25.66, 65.6, -90.35

 

CMYK 96 / 55 / 0 / 20

HEX #085CCD

RGB 8 92 205

HSL 214.42, 0.92%, 0.42%

LAB 41.4, 22.48, -64.38

 

CMYK 96 / 55 / 0 / 20

HEX #085CCD

RGB 8 92 205

HSL 214.42, 0.92%, 0.42%

LAB 41.4, 22.48, -64.38

 

CMYK 87 / 49 / 0 / 26

HEX #195FBC

RGB 25 95 188

HSL 214.23, 0.77%, 0.42%

LAB 41.25, 14.56, -54.75

 

CMYK 75 / 43 / 0 / 33

HEX #2B61AA

RGB 43 97 170

HSL 214.49, 0.6%, 0.42%

LAB 41.16, 8.07, -44.3

 

CMYK 61 / 35 / 0 / 40

HEX #3C6499

RGB 60 100 153

HSL 214.19, 0.44%, 0.42%

LAB 41.81, 2.85, -33.15

 

CMYK 43 / 25 / 0 / 47

HEX #4D6688

RGB 77 102 136

HSL 214.58, 0.28%, 0.42%

LAB 42.55, 0.24, -21.73

 

CMYK 96 / 3 / 0 / 20

HEX #08C7CD

RGB 8 199 205

HSL 181.83, 0.92%, 0.42%

LAB 73.09, -37.85, -14.66

 

CMYK 96 / 29 / 0 / 20

HEX #0892CD

RGB 8 146 205

HSL 197.97, 0.92%, 0.42%

LAB 57.09, -10.88, -39.27

 

CMYK 96 / 55 / 0 / 20

HEX #085DCD

RGB 8 93 205

HSL 214.11, 0.92%, 0.42%

LAB 41.67, 21.83, -63.93

 

CMYK 96 / 80 / 0 / 20

HEX #0829CD

RGB 8 41 205

HSL 229.95, 0.92%, 0.42%

LAB 29.53, 53.99, -83.91

 

CMYK 86 / 96 / 0 / 20

HEX #1C08CD

RGB 28 8 205

HSL 246.09, 0.92%, 0.42%

LAB 26.24, 65.84, -89.37

 

CMYK 96 / 56 / 0 / 51

HEX #05387E

RGB 5 56 126

HSL 214.71, 0.92%, 0.26%

LAB 24.85, 14.26, -43.84

 

CMYK 96 / 55 / 0 / 35

HEX #064AA6

RGB 6 74 166

HSL 214.5, 0.93%, 0.34%

LAB 33.33, 18.66, -54.6

 

CMYK 96 / 55 / 0 / 20

HEX #085CCD

RGB 8 92 205

HSL 214.42, 0.92%, 0.42%

LAB 41.4, 22.48, -64.38

 

CMYK 96 / 55 / 0 / 4

HEX #0A6EF4

RGB 10 110 244

HSL 214.36, 0.92%, 0.5%

LAB 49.19, 26.15, -73.8

 

CMYK 80 / 46 / 0 / 4

HEX #3285F6

RGB 50 133 246

HSL 214.59, 0.92%, 0.58%

LAB 56.19, 14.79, -63.54

 

CMYK 96 / 55 / 0 / 20

HEX #085CCD

RGB 8 92 205

HSL 214.42, 0.92%, 0.42%

LAB 41.4, 22.48, -64.38

 

CMYK 22 / 96 / 0 / 20

HEX #9F08CD

RGB 159 8 205

HSL 285.99, 0.92%, 0.42%

LAB 41.14, 75.78, -64.28

 

CMYK 16 / 0 / 96 / 20

HEX #ACCD08

RGB 172 205 8

HSL 70.05, 0.92%, 0.42%

LAB 77.55, -32.04, 76.48

 

CMYK 96 / 55 / 0 / 20

HEX #085CCD

RGB 8 92 205

HSL 214.42, 0.92%, 0.42%

LAB 41.4, 22.48, -64.38

 

CMYK 0 / 96 / 55 / 20

HEX #CD085D

RGB 205 8 93

HSL 334.11, 0.92%, 0.42%

LAB 44.15, 70.38, 8.87

 

CMYK 55 / 0 / 96 / 20

HEX #5DCD08

RGB 93 205 8

HSL 94.11, 0.92%, 0.42%

LAB 73.55, -59.81, 71.62

 

CMYK 96 / 55 / 0 / 20

HEX #085CCD

RGB 8 92 205

HSL 214.42, 0.92%, 0.42%

LAB 41.4, 22.48, -64.38

 

CMYK 22 / 96 / 0 / 20

HEX #9F08CD

RGB 159 8 205

HSL 285.99, 0.92%, 0.42%

LAB 41.14, 75.78, -64.28

 

CMYK 0 / 41 / 96 / 20

HEX #CD7808

RGB 205 120 8

HSL 34.11, 0.92%, 0.42%

LAB 58.44, 26.73, 63.87

 

CMYK 74 / 0 / 96 / 20

HEX #36CD08

RGB 54 205 8

HSL 105.99, 0.92%, 0.42%

LAB 72.54, -68.27, 70.38

 

CMYK 96 / 55 / 0 / 20

HEX #085CCD

RGB 8 92 205

HSL 214.42, 0.92%, 0.42%

LAB 41.4, 22.48, -64.38

 

CMYK 0 / 96 / 6 / 20

HEX #CD08C0

RGB 205 8 192

HSL 303.96, 0.92%, 0.42%

LAB 48.21, 80.87, -44.93

 

CMYK 0 / 41 / 96 / 20

HEX #CD7808

RGB 205 120 8

HSL 34.11, 0.92%, 0.42%

LAB 58.44, 26.73, 63.87

 

CMYK 96 / 0 / 90 / 20

HEX #08CD15

RGB 8 205 21

HSL 123.96, 0.92%, 0.42%

LAB 72.07, -72.32, 68.1

 

Description

Color code: HEX #085CCD | qconv.com Color code: HEX #085CCD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 92 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 92 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 55 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 55% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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