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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #085C3A it is the complementary color #F7A3C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #085C3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #085C3A shade: #0D5C35, #1E6E48, #2F805B, #40926E and #51A481

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #085C3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #085C3A shade: #085C3A, #004A27, #003814, #002601 and #001400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #085C3A shade: #085D3B, #085D24, #085D0C, #1A5D08 and #315D08

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #085C3A shade: #085D3B, #085D52, #08525D, #083B5D and #08245D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #085C3A shade matches the following richer shades: #085D3B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #085C3A shade: #085D3B, #105539, #184D38, #204536 and #293C34

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #085C3A shade: #085D0C, #085D23, #085D3A, #085D50 and #08535D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #085C3A shade: #01110B, #043723, #085D3B, #0B8353 and #0EA96B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #085C3A shade: #085C3A, #081A5D and #5D1708

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #085C3A shade: #085C3A, #3A085D and #5D3A08

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #085C3A shade: #085C3A, #081A5D, #5D082B and #5D4B08

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #085C3A shade: #085C3A, #0F085D, #5D082B and #565D08

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 37 / 64

HEX #085C3A

RGB 8 92 58

HSL 155.71, 0.84%, 0.2%

LAB 34.01, -32.14, 13.18

 

Complementary color

CMYK 0 / 34 / 20 / 3

HEX #F7A3C5

RGB 247 163 197

HSL 335.71, 0.84%, 0.8%

LAB 76.07, 35.69, -4.53

 

CMYK 86 / 0 / 42 / 64

HEX #0D5C35

RGB 13 92 53

HSL 150.38, 0.75%, 0.21%

LAB 33.98, -32.73, 16.17

 

CMYK 73 / 0 / 35 / 57

HEX #1E6E48

RGB 30 110 72

HSL 151.5, 0.57%, 0.27%

LAB 41.05, -33.55, 14.44

 

CMYK 63 / 0 / 29 / 50

HEX #2F805B

RGB 47 128 91

HSL 152.59, 0.46%, 0.34%

LAB 48, -33.86, 12.96

 

CMYK 56 / 0 / 25 / 43

HEX #40926E

RGB 64 146 110

HSL 153.66, 0.39%, 0.41%

LAB 54.84, -33.89, 11.67

 

CMYK 51 / 0 / 21 / 36

HEX #51A481

RGB 81 164 129

HSL 154.7, 0.34%, 0.48%

LAB 61.56, -33.8, 10.52

 

CMYK 91 / 0 / 37 / 64

HEX #085C3A

RGB 8 92 58

HSL 155.71, 0.84%, 0.2%

LAB 34.01, -32.14, 13.18

 

CMYK 100 / 0 / 47 / 71

HEX #004A27

RGB 0 74 39

HSL 151.62, 1%, 0.15%

LAB 26.86, -30.04, 15.25

 

CMYK 100 / 0 / 64 / 78

HEX #003814

RGB 0 56 20

HSL 141.43, 1%, 0.11%

LAB 19.55, -26.71, 17.59

 

CMYK 100 / 0 / 97 / 85

HEX #002601

RGB 0 38 1

HSL 121.58, 1%, 0.07%

LAB 11.88, -22.59, 16.77

 

CMYK 100 / 0 / 100 / 92

HEX #001400

RGB 0 20 0

HSL 120, 1%, 0.04%

LAB 4.52, -9.23, 6.6

 

CMYK 91 / 0 / 37 / 64

HEX #085D3B

RGB 8 93 59

HSL 156, 0.84%, 0.2%

LAB 34.39, -32.32, 13.09

 

CMYK 91 / 0 / 61 / 64

HEX #085D24

RGB 8 93 36

HSL 139.76, 0.84%, 0.2%

LAB 34, -36.9, 25.89

 

CMYK 91 / 0 / 87 / 64

HEX #085D0C

RGB 8 93 12

HSL 122.82, 0.84%, 0.2%

LAB 33.79, -39.52, 36.26

 

CMYK 72 / 0 / 91 / 64

HEX #1A5D08

RGB 26 93 8

HSL 107.29, 0.84%, 0.2%

LAB 34.12, -36.72, 37.88

 

CMYK 47 / 0 / 91 / 64

HEX #315D08

RGB 49 93 8

HSL 91.06, 0.84%, 0.2%

LAB 35, -29.72, 39

 

CMYK 91 / 0 / 37 / 64

HEX #085D3B

RGB 8 93 59

HSL 156, 0.84%, 0.2%

LAB 34.39, -32.32, 13.09

 

CMYK 91 / 0 / 12 / 64

HEX #085D52

RGB 8 93 82

HSL 172.24, 0.84%, 0.2%

LAB 34.98, -25.92, -0.27

 

CMYK 91 / 12 / 0 / 64

HEX #08525D

RGB 8 82 93

HSL 187.76, 0.84%, 0.2%

LAB 31.52, -16.34, -12.37

 

CMYK 91 / 37 / 0 / 64

HEX #083B5D

RGB 8 59 93

HSL 204, 0.84%, 0.2%

LAB 23.57, -2.03, -24.72

 

CMYK 91 / 61 / 0 / 64

HEX #08245D

RGB 8 36 93

HSL 220.24, 0.84%, 0.2%

LAB 16.02, 14.66, -36.85

 

CMYK 91 / 0 / 37 / 64

HEX #085D3B

RGB 8 93 59

HSL 156, 0.84%, 0.2%

LAB 34.39, -32.32, 13.09

 

CMYK 91 / 0 / 37 / 64

HEX #085D3B

RGB 8 93 59

HSL 156, 0.84%, 0.2%

LAB 34.39, -32.32, 13.09

 

CMYK 81 / 0 / 33 / 67

HEX #105539

RGB 16 85 57

HSL 155.65, 0.68%, 0.2%

LAB 31.58, -28.32, 10.51

 

CMYK 69 / 0 / 27 / 70

HEX #184D38

RGB 24 77 56

HSL 156.23, 0.52%, 0.2%

LAB 28.87, -23.27, 7.4

 

CMYK 54 / 0 / 22 / 73

HEX #204536

RGB 32 69 54

HSL 155.68, 0.37%, 0.2%

LAB 26.24, -17.51, 5.03

 

CMYK 32 / 0 / 13 / 76

HEX #293C34

RGB 41 60 52

HSL 154.74, 0.19%, 0.2%

LAB 23.51, -9.69, 2.5

 

CMYK 91 / 0 / 87 / 64

HEX #085D0C

RGB 8 93 12

HSL 122.82, 0.84%, 0.2%

LAB 33.79, -39.52, 36.26

 

CMYK 91 / 0 / 62 / 64

HEX #085D23

RGB 8 93 35

HSL 139.06, 0.84%, 0.2%

LAB 33.99, -37.05, 26.41

 

CMYK 91 / 0 / 38 / 64

HEX #085D3A

RGB 8 93 58

HSL 155.29, 0.84%, 0.2%

LAB 34.37, -32.56, 13.67

 

CMYK 91 / 0 / 14 / 64

HEX #085D50

RGB 8 93 80

HSL 170.82, 0.84%, 0.2%

LAB 34.92, -26.54, 0.89

 

CMYK 91 / 11 / 0 / 64

HEX #08535D

RGB 8 83 93

HSL 187.06, 0.84%, 0.2%

LAB 31.87, -16.91, -11.84

 

CMYK 94 / 0 / 35 / 93

HEX #01110B

RGB 1 17 11

HSL 157.5, 0.89%, 0.04%

LAB 3.9, -5.6, 1.21

 

CMYK 93 / 0 / 36 / 78

HEX #043723

RGB 4 55 35

HSL 156.47, 0.86%, 0.12%

LAB 19.55, -21.99, 8.05

 

CMYK 91 / 0 / 37 / 64

HEX #085D3B

RGB 8 93 59

HSL 156, 0.84%, 0.2%

LAB 34.39, -32.32, 13.09

 

CMYK 92 / 0 / 37 / 49

HEX #0B8353

RGB 11 131 83

HSL 156, 0.85%, 0.28%

LAB 48.17, -42.01, 17.68

 

CMYK 92 / 0 / 37 / 34

HEX #0EA96B

RGB 14 169 107

HSL 156, 0.85%, 0.36%

LAB 61.25, -51.12, 21.99

 

CMYK 91 / 0 / 37 / 64

HEX #085C3A

RGB 8 92 58

HSL 155.71, 0.84%, 0.2%

LAB 34.01, -32.14, 13.18

 

CMYK 91 / 72 / 0 / 64

HEX #081A5D

RGB 8 26 93

HSL 227.29, 0.84%, 0.2%

LAB 13.11, 22.12, -41.61

 

CMYK 0 / 75 / 91 / 64

HEX #5D1708

RGB 93 23 8

HSL 10.59, 0.84%, 0.2%

LAB 19.87, 31.01, 26.48

 

CMYK 91 / 0 / 37 / 64

HEX #085C3A

RGB 8 92 58

HSL 155.71, 0.84%, 0.2%

LAB 34.01, -32.14, 13.18

 

CMYK 38 / 91 / 0 / 64

HEX #3A085D

RGB 58 8 93

HSL 275.29, 0.84%, 0.2%

LAB 14.75, 38.52, -38.73

 

CMYK 0 / 38 / 91 / 64

HEX #5D3A08

RGB 93 58 8

HSL 35.29, 0.84%, 0.2%

LAB 27.77, 11.22, 34.34

 

CMYK 91 / 0 / 37 / 64

HEX #085C3A

RGB 8 92 58

HSL 155.71, 0.84%, 0.2%

LAB 34.01, -32.14, 13.18

 

CMYK 91 / 72 / 0 / 64

HEX #081A5D

RGB 8 26 93

HSL 227.29, 0.84%, 0.2%

LAB 13.11, 22.12, -41.61

 

CMYK 0 / 91 / 54 / 64

HEX #5D082B

RGB 93 8 43

HSL 335.29, 0.84%, 0.2%

LAB 18.69, 38.27, 2.7

 

CMYK 0 / 19 / 91 / 64

HEX #5D4B08

RGB 93 75 8

HSL 47.29, 0.84%, 0.2%

LAB 32.65, 0.62, 38.39

 

CMYK 91 / 0 / 37 / 64

HEX #085C3A

RGB 8 92 58

HSL 155.71, 0.84%, 0.2%

LAB 34.01, -32.14, 13.18

 

CMYK 84 / 91 / 0 / 64

HEX #0F085D

RGB 15 8 93

HSL 244.94, 0.84%, 0.2%

LAB 9.53, 33.74, -47.54

 

CMYK 0 / 91 / 54 / 64

HEX #5D082B

RGB 93 8 43

HSL 335.29, 0.84%, 0.2%

LAB 18.69, 38.27, 2.7

 

CMYK 8 / 0 / 91 / 64

HEX #565D08

RGB 86 93 8

HSL 64.94, 0.84%, 0.2%

LAB 37.53, -13.47, 42.15

 

Description

Color code: HEX #085C3A | qconv.com Color code: HEX #085C3A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 92 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 92 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 37 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 37% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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