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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #082D8A it is the complementary color #F7D275. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #082D8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #082D8A shade: #0D2D85, #1E3F98, #2F51AB, #4063BE and #5175D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #082D8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #082D8A shade: #082D8A, #001B77, #000964, #000051 and #00003E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #082D8A shade: #082D8B, #080A8B, #29088B, #4D088B and #70088B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #082D8A shade: #082D8B, #080A8B and #08088B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #082D8A shade matches the following richer shades: #082D8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #082D8A shade: #082D8B, #14327F, #203773, #2C3D67 and #37425B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #082D8A shade: #08758B, #08528B, #082F8B, #080C8B and #26088B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #082D8A shade: #03143D, #052064, #082D8B, #0A3AB2 and #0C47D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #082D8A shade: #082D8A, #7E088B and #648B08

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #082D8A shade: #082D8A, #8B082F and #2F8B08

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #082D8A shade: #082D8A, #7E088B, #8B6408 and #158B08

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #082D8A shade: #082D8A, #8B0871, #8B6408 and #088B22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 67 / 0 / 46

HEX #082D8A

RGB 8 45 138

HSL 222.92, 0.89%, 0.29%

LAB 22.87, 27.3, -54.58

 

Complementary color

CMYK 0 / 15 / 53 / 3

HEX #F7D275

RGB 247 210 117

HSL 42.92, 0.89%, 0.71%

LAB 85.58, 1.8, 50.45

 

CMYK 90 / 66 / 0 / 48

HEX #0D2D85

RGB 13 45 133

HSL 224, 0.82%, 0.29%

LAB 22.5, 25.53, -52.06

 

CMYK 80 / 59 / 0 / 40

HEX #1E3F98

RGB 30 63 152

HSL 223.77, 0.67%, 0.36%

LAB 29.66, 22.14, -52.09

 

CMYK 73 / 53 / 0 / 33

HEX #2F51AB

RGB 47 81 171

HSL 223.55, 0.57%, 0.43%

LAB 36.8, 19.47, -51.9

 

CMYK 66 / 48 / 0 / 25

HEX #4063BE

RGB 64 99 190

HSL 223.33, 0.5%, 0.5%

LAB 43.85, 17.38, -51.66

 

CMYK 61 / 44 / 0 / 18

HEX #5175D1

RGB 81 117 209

HSL 223.13, 0.58%, 0.57%

LAB 50.78, 15.7, -51.42

 

CMYK 94 / 67 / 0 / 46

HEX #082D8A

RGB 8 45 138

HSL 222.92, 0.89%, 0.29%

LAB 22.87, 27.3, -54.58

 

CMYK 100 / 77 / 0 / 53

HEX #001B77

RGB 0 27 119

HSL 226.39, 1%, 0.23%

LAB 16.08, 31.5, -53.76

 

CMYK 100 / 91 / 0 / 61

HEX #000964

RGB 0 9 100

HSL 234.6, 1%, 0.2%

LAB 9.92, 34.93, -51.59

 

CMYK 100 / 100 / 0 / 68

HEX #000051

RGB 0 0 81

HSL 240, 1%, 0.16%

LAB 5.37, 32.91, -46.3

 

CMYK 100 / 100 / 0 / 76

HEX #00003E

RGB 0 0 62

HSL 240, 1%, 0.12%

LAB 3.14, 22.06, -36.55

 

CMYK 94 / 68 / 0 / 45

HEX #082D8B

RGB 8 45 139

HSL 223.05, 0.89%, 0.29%

LAB 22.97, 27.71, -55.04

 

CMYK 94 / 93 / 0 / 45

HEX #080A8B

RGB 8 10 139

HSL 239.08, 0.89%, 0.29%

LAB 16.17, 47.03, -66.32

 

CMYK 71 / 94 / 0 / 45

HEX #29088B

RGB 41 8 139

HSL 255.11, 0.89%, 0.29%

LAB 17.96, 48.89, -63.28

 

CMYK 45 / 94 / 0 / 45

HEX #4D088B

RGB 77 8 139

HSL 271.6, 0.89%, 0.29%

LAB 22.36, 52.02, -55.86

 

CMYK 19 / 94 / 0 / 45

HEX #70088B

RGB 112 8 139

HSL 287.63, 0.89%, 0.29%

LAB 28.07, 56.84, -46.3

 

CMYK 94 / 68 / 0 / 45

HEX #082D8B

RGB 8 45 139

HSL 223.05, 0.89%, 0.29%

LAB 22.97, 27.71, -55.04

 

CMYK 94 / 93 / 0 / 45

HEX #080A8B

RGB 8 10 139

HSL 239.08, 0.89%, 0.29%

LAB 16.17, 47.03, -66.32

 

CMYK 94 / 94 / 0 / 45

HEX #08088B

RGB 8 8 139

HSL 240, 0.89%, 0.29%

LAB 15.95, 47.71, -66.68

 

CMYK 94 / 68 / 0 / 45

HEX #082D8B

RGB 8 45 139

HSL 223.05, 0.89%, 0.29%

LAB 22.97, 27.71, -55.04

 

CMYK 94 / 68 / 0 / 45

HEX #082D8B

RGB 8 45 139

HSL 223.05, 0.89%, 0.29%

LAB 22.97, 27.71, -55.04

 

CMYK 84 / 61 / 0 / 50

HEX #14327F

RGB 20 50 127

HSL 223.18, 0.73%, 0.29%

LAB 23.55, 20.08, -46.57

 

CMYK 72 / 52 / 0 / 55

HEX #203773

RGB 32 55 115

HSL 223.37, 0.56%, 0.29%

LAB 24.57, 13.19, -37.28

 

CMYK 57 / 41 / 0 / 60

HEX #2C3D67

RGB 44 61 103

HSL 222.71, 0.4%, 0.29%

LAB 26.31, 6.9, -26.77

 

CMYK 40 / 27 / 0 / 64

HEX #37425B

RGB 55 66 91

HSL 221.67, 0.25%, 0.29%

LAB 28.02, 2.63, -16.31

 

CMYK 94 / 16 / 0 / 45

HEX #08758B

RGB 8 117 139

HSL 190.08, 0.89%, 0.29%

LAB 45.13, -18.95, -19.72

 

CMYK 94 / 41 / 0 / 45

HEX #08528B

RGB 8 82 139

HSL 206.11, 0.89%, 0.29%

LAB 33.88, 2.08, -37.36

 

CMYK 94 / 66 / 0 / 45

HEX #082F8B

RGB 8 47 139

HSL 222.14, 0.89%, 0.29%

LAB 23.5, 26.32, -54.17

 

CMYK 94 / 91 / 0 / 45

HEX #080C8B

RGB 8 12 139

HSL 238.17, 0.89%, 0.29%

LAB 16.4, 46.34, -65.93

 

CMYK 73 / 94 / 0 / 45

HEX #26088B

RGB 38 8 139

HSL 253.74, 0.89%, 0.29%

LAB 17.69, 48.72, -63.74

 

CMYK 95 / 67 / 0 / 76

HEX #03143D

RGB 3 20 61

HSL 222.41, 0.91%, 0.13%

LAB 7.74, 11.8, -28.33

 

CMYK 95 / 68 / 0 / 61

HEX #052064

RGB 5 32 100

HSL 222.95, 0.9%, 0.21%

LAB 15.41, 20.48, -42.49

 

CMYK 94 / 68 / 0 / 45

HEX #082D8B

RGB 8 45 139

HSL 223.05, 0.89%, 0.29%

LAB 22.97, 27.71, -55.04

 

CMYK 94 / 67 / 0 / 30

HEX #0A3AB2

RGB 10 58 178

HSL 222.86, 0.89%, 0.37%

LAB 30.17, 34.44, -66.93

 

CMYK 94 / 67 / 0 / 15

HEX #0C47D9

RGB 12 71 217

HSL 222.73, 0.9%, 0.45%

LAB 37.1, 40.88, -78.31

 

CMYK 94 / 67 / 0 / 46

HEX #082D8A

RGB 8 45 138

HSL 222.92, 0.89%, 0.29%

LAB 22.87, 27.3, -54.58

 

CMYK 9 / 94 / 0 / 45

HEX #7E088B

RGB 126 8 139

HSL 294.05, 0.89%, 0.29%

LAB 30.58, 59.15, -42.12

 

CMYK 28 / 0 / 94 / 45

HEX #648B08

RGB 100 139 8

HSL 77.86, 0.89%, 0.29%

LAB 53.16, -30.74, 55.32

 

CMYK 94 / 67 / 0 / 46

HEX #082D8A

RGB 8 45 138

HSL 222.92, 0.89%, 0.29%

LAB 22.87, 27.3, -54.58

 

CMYK 0 / 94 / 66 / 45

HEX #8B082F

RGB 139 8 47

HSL 342.14, 0.89%, 0.29%

LAB 29.08, 51.18, 15.81

 

CMYK 66 / 0 / 94 / 45

HEX #2F8B08

RGB 47 139 8

HSL 102.14, 0.89%, 0.29%

LAB 50.79, -48.36, 52.4

 

CMYK 94 / 67 / 0 / 46

HEX #082D8A

RGB 8 45 138

HSL 222.92, 0.89%, 0.29%

LAB 22.87, 27.3, -54.58

 

CMYK 9 / 94 / 0 / 45

HEX #7E088B

RGB 126 8 139

HSL 294.05, 0.89%, 0.29%

LAB 30.58, 59.15, -42.12

 

CMYK 0 / 28 / 94 / 45

HEX #8B6408

RGB 139 100 8

HSL 42.14, 0.89%, 0.29%

LAB 45.11, 8.28, 50.49

 

CMYK 85 / 0 / 94 / 45

HEX #158B08

RGB 21 139 8

HSL 114.05, 0.89%, 0.29%

LAB 50.27, -52.89, 51.75

 

CMYK 94 / 67 / 0 / 46

HEX #082D8A

RGB 8 45 138

HSL 222.92, 0.89%, 0.29%

LAB 22.87, 27.3, -54.58

 

CMYK 0 / 94 / 19 / 45

HEX #8B0871

RGB 139 8 113

HSL 311.91, 0.89%, 0.29%

LAB 31.47, 57.62, -24.18

 

CMYK 0 / 28 / 94 / 45

HEX #8B6408

RGB 139 100 8

HSL 42.14, 0.89%, 0.29%

LAB 45.11, 8.28, 50.49

 

CMYK 94 / 0 / 76 / 45

HEX #088B22

RGB 8 139 34

HSL 131.91, 0.89%, 0.29%

LAB 50.25, -52.55, 44.56

 

Description

Color code: HEX #082D8A | qconv.com Color code: HEX #082D8A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 45 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 45 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 67 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 67% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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