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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0782FC it is the complementary color #F87D03. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0782FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0782FC shade: #0C82F7, #1D94FF, #2EA6FF, #3FB8FF and #50CAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0782FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0782FC shade: #0782FC, #0070E9, #005ED6, #004CC3 and #003AB0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0782FC shade: #0782FC, #0740FC, #1007FC, #5207FC and #9407FC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0782FC shade: #0782FC, #0740FC and #0707FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0782FC shade matches the following richer shades: #0782FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0782FC shade: #0782FC, #1B82E8, #3082D4, #4482BF and #5882AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0782FC shade: #07FCF0, #07C7FC, #0786FC, #0744FC and #0B07FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0782FC shade: #0159AF, #026DD8, #0782FC, #3097FC and #59ABFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0782FC shade: #0782FC, #AE07FC and #E8FC07

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0782FC shade: #0782FC, #FC0786 and #86FC07

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0782FC shade: #0782FC, #AE07FC, #FC7D07 and #55FC07

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0782FC shade: #0782FC, #F807FC, #FC7D07 and #0BFC07

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 48 / 0 / 1

HEX #0782FC

RGB 7 130 252

HSL 209.88, 0.98%, 0.51%

LAB 55.11, 16.56, -68.63

 

Complementary color

CMYK 0 / 50 / 99 / 3

HEX #F87D03

RGB 248 125 3

HSL 29.88, 0.98%, 0.49%

LAB 65.46, 41.62, 72.11

 

CMYK 95 / 47 / 0 / 3

HEX #0C82F7

RGB 12 130 247

HSL 209.87, 0.94%, 0.51%

LAB 54.82, 14.76, -66.33

 

CMYK 89 / 42 / 0 / 0

HEX #1D94FF

RGB 29 148 255

HSL 208.41, 1%, 0.56%

LAB 60.48, 7.51, -61.63

 

CMYK 82 / 35 / 0 / 0

HEX #2EA6FF

RGB 46 166 255

HSL 205.55, 1%, 0.59%

LAB 65.81, -1.85, -53.13

 

CMYK 75 / 28 / 0 / 0

HEX #3FB8FF

RGB 63 184 255

HSL 202.19, 1%, 0.62%

LAB 71.25, -10.22, -44.52

 

CMYK 69 / 21 / 0 / 0

HEX #50CAFF

RGB 80 202 255

HSL 198.17, 1%, 0.66%

LAB 76.78, -17.63, -35.89

 

CMYK 97 / 48 / 0 / 1

HEX #0782FC

RGB 7 130 252

HSL 209.88, 0.98%, 0.51%

LAB 55.11, 16.56, -68.63

 

CMYK 100 / 52 / 0 / 9

HEX #0070E9

RGB 0 112 233

HSL 211.16, 1%, 0.46%

LAB 48.85, 20.34, -68.2

 

CMYK 100 / 56 / 0 / 16

HEX #005ED6

RGB 0 94 214

HSL 213.64, 1%, 0.42%

LAB 42.55, 24.5, -67.67

 

CMYK 100 / 61 / 0 / 24

HEX #004CC3

RGB 0 76 195

HSL 216.62, 1%, 0.38%

LAB 36.19, 28.85, -67.07

 

CMYK 100 / 67 / 0 / 31

HEX #003AB0

RGB 0 58 176

HSL 220.23, 1%, 0.35%

LAB 29.81, 33.33, -66.33

 

CMYK 97 / 48 / 0 / 1

HEX #0782FC

RGB 7 130 252

HSL 209.88, 0.98%, 0.51%

LAB 55.11, 16.56, -68.63

 

CMYK 97 / 75 / 0 / 1

HEX #0740FC

RGB 7 64 252

HSL 226.04, 0.98%, 0.51%

LAB 39.14, 57.18, -94.79

 

CMYK 94 / 97 / 0 / 1

HEX #1007FC

RGB 16 7 252

HSL 242.2, 0.98%, 0.51%

LAB 32.46, 77.51, -105.91

 

CMYK 67 / 97 / 0 / 1

HEX #5207FC

RGB 82 7 252

HSL 258.37, 0.98%, 0.51%

LAB 35.93, 79.02, -100.02

 

CMYK 41 / 97 / 0 / 1

HEX #9407FC

RGB 148 7 252

HSL 274.53, 0.98%, 0.51%

LAB 43.47, 83.55, -87.31

 

CMYK 97 / 48 / 0 / 1

HEX #0782FC

RGB 7 130 252

HSL 209.88, 0.98%, 0.51%

LAB 55.11, 16.56, -68.63

 

CMYK 97 / 75 / 0 / 1

HEX #0740FC

RGB 7 64 252

HSL 226.04, 0.98%, 0.51%

LAB 39.14, 57.18, -94.79

 

CMYK 97 / 97 / 0 / 1

HEX #0707FC

RGB 7 7 252

HSL 240, 0.98%, 0.51%

LAB 32.31, 77.46, -106.16

 

CMYK 97 / 48 / 0 / 1

HEX #0782FC

RGB 7 130 252

HSL 209.88, 0.98%, 0.51%

LAB 55.11, 16.56, -68.63

 

CMYK 97 / 48 / 0 / 1

HEX #0782FC

RGB 7 130 252

HSL 209.88, 0.98%, 0.51%

LAB 55.11, 16.56, -68.63

 

CMYK 88 / 44 / 0 / 9

HEX #1B82E8

RGB 27 130 232

HSL 209.85, 0.82%, 0.51%

LAB 54.05, 9.63, -59.22

 

CMYK 77 / 39 / 0 / 17

HEX #3082D4

RGB 48 130 212

HSL 210, 0.66%, 0.51%

LAB 53.33, 3.86, -49.13

 

CMYK 64 / 32 / 0 / 25

HEX #4482BF

RGB 68 130 191

HSL 209.76, 0.49%, 0.51%

LAB 52.9, -0.73, -37.83

 

CMYK 49 / 24 / 0 / 33

HEX #5882AB

RGB 88 130 171

HSL 209.64, 0.33%, 0.51%

LAB 52.93, -2.93, -26.23

 

CMYK 97 / 0 / 5 / 1

HEX #07FCF0

RGB 7 252 240

HSL 177.06, 0.98%, 0.51%

LAB 89.84, -50.9, -8.25

 

CMYK 97 / 21 / 0 / 1

HEX #07C7FC

RGB 7 199 252

HSL 192.98, 0.98%, 0.51%

LAB 74.77, -22.66, -37.47

 

CMYK 97 / 47 / 0 / 1

HEX #0786FC

RGB 7 134 252

HSL 208.9, 0.98%, 0.51%

LAB 56.21, 14.08, -66.86

 

CMYK 97 / 73 / 0 / 1

HEX #0744FC

RGB 7 68 252

HSL 225.06, 0.98%, 0.51%

LAB 39.93, 54.96, -93.48

 

CMYK 96 / 97 / 0 / 1

HEX #0B07FC

RGB 11 7 252

HSL 240.98, 0.98%, 0.51%

LAB 32.37, 77.48, -106.06

 

CMYK 99 / 49 / 0 / 31

HEX #0159AF

RGB 1 89 175

HSL 209.66, 0.99%, 0.35%

LAB 38.28, 12.05, -51.93

 

CMYK 99 / 50 / 0 / 15

HEX #026DD8

RGB 2 109 216

HSL 210, 0.98%, 0.43%

LAB 46.85, 15.62, -61.82

 

CMYK 97 / 48 / 0 / 1

HEX #0782FC

RGB 7 130 252

HSL 209.88, 0.98%, 0.51%

LAB 55.11, 16.56, -68.63

 

CMYK 81 / 40 / 0 / 1

HEX #3097FC

RGB 48 151 252

HSL 209.71, 0.97%, 0.59%

LAB 61.47, 5.95, -58.39

 

CMYK 65 / 32 / 0 / 1

HEX #59ABFD

RGB 89 171 253

HSL 210, 0.98%, 0.67%

LAB 68.27, -0.1, -48.07

 

CMYK 97 / 48 / 0 / 1

HEX #0782FC

RGB 7 130 252

HSL 209.88, 0.98%, 0.51%

LAB 55.11, 16.56, -68.63

 

CMYK 31 / 97 / 0 / 1

HEX #AE07FC

RGB 174 7 252

HSL 280.9, 0.98%, 0.51%

LAB 47.21, 86.28, -81.03

 

CMYK 8 / 0 / 97 / 1

HEX #E8FC07

RGB 232 252 7

HSL 64.9, 0.98%, 0.51%

LAB 94.65, -29.47, 91.39

 

CMYK 97 / 48 / 0 / 1

HEX #0782FC

RGB 7 130 252

HSL 209.88, 0.98%, 0.51%

LAB 55.11, 16.56, -68.63

 

CMYK 0 / 97 / 47 / 1

HEX #FC0786

RGB 252 7 134

HSL 328.9, 0.98%, 0.51%

LAB 54.63, 83.9, 0.02

 

CMYK 47 / 0 / 97 / 1

HEX #86FC07

RGB 134 252 7

HSL 88.9, 0.98%, 0.51%

LAB 89.25, -64.91, 84.88

 

CMYK 97 / 48 / 0 / 1

HEX #0782FC

RGB 7 130 252

HSL 209.88, 0.98%, 0.51%

LAB 55.11, 16.56, -68.63

 

CMYK 31 / 97 / 0 / 1

HEX #AE07FC

RGB 174 7 252

HSL 280.9, 0.98%, 0.51%

LAB 47.21, 86.28, -81.03

 

CMYK 0 / 50 / 97 / 1

HEX #FC7D07

RGB 252 125 7

HSL 28.9, 0.98%, 0.51%

LAB 66.04, 43.2, 72.17

 

CMYK 66 / 0 / 97 / 1

HEX #55FC07

RGB 85 252 7

HSL 100.9, 0.98%, 0.51%

LAB 87.76, -76.99, 83.06

 

CMYK 97 / 48 / 0 / 1

HEX #0782FC

RGB 7 130 252

HSL 209.88, 0.98%, 0.51%

LAB 55.11, 16.56, -68.63

 

CMYK 2 / 97 / 0 / 1

HEX #F807FC

RGB 248 7 252

HSL 299.02, 0.98%, 0.51%

LAB 59.1, 96.35, -61.2

 

CMYK 0 / 50 / 97 / 1

HEX #FC7D07

RGB 252 125 7

HSL 28.9, 0.98%, 0.51%

LAB 66.04, 43.2, 72.17

 

CMYK 96 / 0 / 97 / 1

HEX #0BFC07

RGB 11 252 7

HSL 119.02, 0.98%, 0.51%

LAB 86.85, -85, 81.95

 

Description

Color code: HEX #0782FC | qconv.com Color code: HEX #0782FC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 130 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 130 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 48 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 48% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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