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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #076BD9 it is the complementary color #F89426. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #076BD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #076BD9 shade: #0C6BD4, #1D7DE7, #2E8FFA, #3FA1FF and #50B3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #076BD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #076BD9 shade: #076BD9, #0059C6, #0047B3, #0035A0 and #00238D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #076BD9 shade: #066BD9, #0632D9, #1406D9, #4C06D9 and #8506D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #076BD9 shade: #066BD9, #0632D9 and #0606D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #076BD9 shade matches the following richer shades: #066BD9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #076BD9 shade: #066BD9, #186CC7, #2B6CB5, #3D6DA3 and #4F6E91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #076BD9 shade: #06D9D6, #06A4D9, #066CD9, #0634D9 and #1106D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #076BD9 shade: #044389, #0557B1, #066BD9, #117FF7 and #3A94F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #076BD9 shade: #076BD9, #9D06D9 and #C1D906

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #076BD9 shade: #076BD9, #D9066C and #6CD906

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #076BD9 shade: #076BD9, #9D06D9, #D97306 and #42D906

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #076BD9 shade: #076BD9, #D906D6, #D97306 and #06D90A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 51 / 0 / 15

HEX #076BD9

RGB 7 107 217

HSL 211.43, 0.94%, 0.44%

LAB 46.41, 17.45, -63.11

 

Complementary color

CMYK 0 / 40 / 85 / 3

HEX #F89426

RGB 248 148 38

HSL 31.43, 0.94%, 0.56%

LAB 70.37, 30.41, 68.1

 

CMYK 94 / 50 / 0 / 17

HEX #0C6BD4

RGB 12 107 212

HSL 211.5, 0.89%, 0.44%

LAB 46.11, 15.62, -60.75

 

CMYK 87 / 46 / 0 / 9

HEX #1D7DE7

RGB 29 125 231

HSL 211.49, 0.81%, 0.51%

LAB 52.62, 12.45, -60.97

 

CMYK 82 / 43 / 0 / 2

HEX #2E8FFA

RGB 46 143 250

HSL 211.47, 0.95%, 0.58%

LAB 59.09, 9.83, -61.1

 

CMYK 75 / 37 / 0 / 0

HEX #3FA1FF

RGB 63 161 255

HSL 209.38, 1%, 0.62%

LAB 64.78, 2.69, -54.74

 

CMYK 69 / 30 / 0 / 0

HEX #50B3FF

RGB 80 179 255

HSL 206.06, 1%, 0.66%

LAB 70.29, -5.3, -46

 

CMYK 97 / 51 / 0 / 15

HEX #076BD9

RGB 7 107 217

HSL 211.43, 0.94%, 0.44%

LAB 46.41, 17.45, -63.11

 

CMYK 100 / 55 / 0 / 22

HEX #0059C6

RGB 0 89 198

HSL 213.03, 1%, 0.39%

LAB 39.95, 21.4, -62.68

 

CMYK 100 / 60 / 0 / 30

HEX #0047B3

RGB 0 71 179

HSL 216.2, 1%, 0.35%

LAB 33.48, 25.79, -62.1

 

CMYK 100 / 67 / 0 / 37

HEX #0035A0

RGB 0 53 160

HSL 220.13, 1%, 0.31%

LAB 26.97, 30.35, -61.38

 

CMYK 100 / 75 / 0 / 45

HEX #00238D

RGB 0 35 141

HSL 225.11, 1%, 0.28%

LAB 20.54, 34.83, -60.31

 

CMYK 97 / 51 / 0 / 15

HEX #066BD9

RGB 6 107 217

HSL 211.28, 0.95%, 0.44%

LAB 46.4, 17.42, -63.13

 

CMYK 97 / 77 / 0 / 15

HEX #0632D9

RGB 6 50 217

HSL 227.49, 0.95%, 0.44%

LAB 32.55, 53.16, -85.85

 

CMYK 91 / 97 / 0 / 15

HEX #1406D9

RGB 20 6 217

HSL 243.98, 0.95%, 0.44%

LAB 27.54, 69.13, -94.18

 

CMYK 65 / 97 / 0 / 15

HEX #4C06D9

RGB 76 6 217

HSL 259.91, 0.95%, 0.44%

LAB 31.06, 70.74, -88.22

 

CMYK 39 / 97 / 0 / 15

HEX #8506D9

RGB 133 6 217

HSL 276.11, 0.95%, 0.44%

LAB 38.07, 75.16, -76.4

 

CMYK 97 / 51 / 0 / 15

HEX #066BD9

RGB 6 107 217

HSL 211.28, 0.95%, 0.44%

LAB 46.4, 17.42, -63.13

 

CMYK 97 / 77 / 0 / 15

HEX #0632D9

RGB 6 50 217

HSL 227.49, 0.95%, 0.44%

LAB 32.55, 53.16, -85.85

 

CMYK 97 / 97 / 0 / 15

HEX #0606D9

RGB 6 6 217

HSL 240, 0.95%, 0.44%

LAB 27.24, 69.01, -94.69

 

CMYK 97 / 51 / 0 / 15

HEX #066BD9

RGB 6 107 217

HSL 211.28, 0.95%, 0.44%

LAB 46.4, 17.42, -63.13

 

CMYK 97 / 51 / 0 / 15

HEX #066BD9

RGB 6 107 217

HSL 211.28, 0.95%, 0.44%

LAB 46.4, 17.42, -63.13

 

CMYK 88 / 46 / 0 / 22

HEX #186CC7

RGB 24 108 199

HSL 211.2, 0.78%, 0.44%

LAB 45.69, 10.44, -53.96

 

CMYK 76 / 40 / 0 / 29

HEX #2B6CB5

RGB 43 108 181

HSL 211.74, 0.62%, 0.44%

LAB 45.05, 5.25, -44.55

 

CMYK 63 / 33 / 0 / 36

HEX #3D6DA3

RGB 61 109 163

HSL 211.76, 0.46%, 0.44%

LAB 45.04, 0.96, -33.97

 

CMYK 46 / 24 / 0 / 43

HEX #4F6E91

RGB 79 110 145

HSL 211.82, 0.29%, 0.44%

LAB 45.44, -1.33, -22.63

 

CMYK 97 / 0 / 1 / 15

HEX #06D9D6

RGB 6 217 214

HSL 179.15, 0.95%, 0.44%

LAB 78.76, -43.3, -11.01

 

CMYK 97 / 24 / 0 / 15

HEX #06A4D9

RGB 6 164 217

HSL 195.07, 0.95%, 0.44%

LAB 63.01, -16.51, -36.7

 

CMYK 97 / 50 / 0 / 15

HEX #066CD9

RGB 6 108 217

HSL 211, 0.95%, 0.44%

LAB 46.68, 16.77, -62.68

 

CMYK 97 / 76 / 0 / 15

HEX #0634D9

RGB 6 52 217

HSL 226.92, 0.95%, 0.44%

LAB 32.93, 52.07, -85.21

 

CMYK 92 / 97 / 0 / 15

HEX #1106D9

RGB 17 6 217

HSL 243.13, 0.95%, 0.44%

LAB 27.46, 69.09, -94.32

 

CMYK 97 / 51 / 0 / 46

HEX #044389

RGB 4 67 137

HSL 211.58, 0.94%, 0.28%

LAB 29.02, 11.17, -43.94

 

CMYK 97 / 51 / 0 / 31

HEX #0557B1

RGB 5 87 177

HSL 211.4, 0.95%, 0.36%

LAB 37.88, 14.37, -53.75

 

CMYK 97 / 51 / 0 / 15

HEX #066BD9

RGB 6 107 217

HSL 211.28, 0.95%, 0.44%

LAB 46.4, 17.42, -63.13

 

CMYK 93 / 49 / 0 / 3

HEX #117FF7

RGB 17 127 247

HSL 211.3, 0.93%, 0.52%

LAB 54.04, 16.78, -67.59

 

CMYK 77 / 40 / 0 / 3

HEX #3A94F8

RGB 58 148 248

HSL 211.58, 0.93%, 0.6%

LAB 60.65, 7.27, -57.48

 

CMYK 97 / 51 / 0 / 15

HEX #076BD9

RGB 7 107 217

HSL 211.43, 0.94%, 0.44%

LAB 46.41, 17.45, -63.11

 

CMYK 28 / 97 / 0 / 15

HEX #9D06D9

RGB 157 6 217

HSL 282.94, 0.95%, 0.44%

LAB 41.7, 77.9, -70.31

 

CMYK 11 / 0 / 97 / 15

HEX #C1D906

RGB 193 217 6

HSL 66.82, 0.95%, 0.44%

LAB 82.37, -29.06, 80.97

 

CMYK 97 / 51 / 0 / 15

HEX #076BD9

RGB 7 107 217

HSL 211.43, 0.94%, 0.44%

LAB 46.41, 17.45, -63.11

 

CMYK 0 / 97 / 50 / 15

HEX #D9066C

RGB 217 6 108

HSL 331, 0.95%, 0.44%

LAB 46.93, 74.36, 3.81

 

CMYK 50 / 0 / 97 / 15

HEX #6CD906

RGB 108 217 6

HSL 91, 0.95%, 0.44%

LAB 77.77, -59.91, 75.42

 

CMYK 97 / 51 / 0 / 15

HEX #076BD9

RGB 7 107 217

HSL 211.43, 0.94%, 0.44%

LAB 46.41, 17.45, -63.11

 

CMYK 28 / 97 / 0 / 15

HEX #9D06D9

RGB 157 6 217

HSL 282.94, 0.95%, 0.44%

LAB 41.7, 77.9, -70.31

 

CMYK 0 / 47 / 97 / 15

HEX #D97306

RGB 217 115 6

HSL 31, 0.95%, 0.44%

LAB 59, 34.36, 65.38

 

CMYK 70 / 0 / 97 / 15

HEX #42D906

RGB 66 217 6

HSL 102.94, 0.95%, 0.44%

LAB 76.56, -69.89, 73.94

 

CMYK 97 / 51 / 0 / 15

HEX #076BD9

RGB 7 107 217

HSL 211.43, 0.94%, 0.44%

LAB 46.41, 17.45, -63.11

 

CMYK 0 / 97 / 1 / 15

HEX #D906D6

RGB 217 6 214

HSL 300.85, 0.95%, 0.44%

LAB 51.54, 86.12, -52.19

 

CMYK 0 / 47 / 97 / 15

HEX #D97306

RGB 217 115 6

HSL 31, 0.95%, 0.44%

LAB 59, 34.36, 65.38

 

CMYK 97 / 0 / 95 / 15

HEX #06D90A

RGB 6 217 10

HSL 121.14, 0.95%, 0.44%

LAB 75.88, -75.9, 72.72

 

Description

Color code: HEX #076BD9 | qconv.com Color code: HEX #076BD9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 107 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 107 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 51 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 51% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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