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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06F3E7 it is the complementary color #F90C18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06F3E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06F3E7 shade: #0BF3E2, #1CFFF5, #2DFFFF, #3EFFFF and #4FFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06F3E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06F3E7 shade: #06F3E7, #00E1D4, #00CFC1, #00BDAE and #00AB9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06F3E7 shade: #06F3E7, #06F3A7, #06F367, #06F327 and #24F306

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06F3E7 shade: #06F3E7, #06BFF3, #067FF3, #063FF3 and #0606F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06F3E7 shade matches the following richer shades: #06F3E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06F3E7 shade: #06F3E7, #1ADFD5, #2ECBC3, #42B7B1 and #57A29E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06F3E7 shade: #06F365, #06F3A4, #06F3E3, #06C4F3 and #0684F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06F3E7 shade: #04A39B, #05CBC1, #06F3E7, #29F9EE and #51FAF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06F3E7 shade: #06F3E7, #2506F3 and #F38406

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06F3E7 shade: #06F3E7, #E306F3 and #F3E306

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06F3E7 shade: #06F3E7, #2506F3, #F30616 and #D3F306

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06F3E7 shade: #06F3E7, #6D06F3, #F30616 and #8CF306

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 5 / 5

HEX #06F3E7

RGB 6 243 231

HSL 176.96, 0.95%, 0.49%

LAB 86.95, -49.64, -7.83

 

Complementary color

CMYK 0 / 95 / 90 / 2

HEX #F90C18

RGB 249 12 24

HSL 356.96, 0.95%, 0.51%

LAB 52.36, 78.03, 59.26

 

CMYK 95 / 0 / 7 / 5

HEX #0BF3E2

RGB 11 243 226

HSL 175.6, 0.91%, 0.5%

LAB 86.83, -50.91, -5.39

 

CMYK 89 / 0 / 4 / 0

HEX #1CFFF5

RGB 28 255 245

HSL 177.36, 1%, 0.55%

LAB 90.94, -50.15, -9.2

 

CMYK 82 / 0 / 0 / 0

HEX #2DFFFF

RGB 45 255 255

HSL 180, 1%, 0.59%

LAB 91.37, -46.41, -13.73

 

CMYK 76 / 0 / 0 / 0

HEX #3EFFFF

RGB 62 255 255

HSL 180, 1%, 0.62%

LAB 91.58, -45.04, -13.4

 

CMYK 69 / 0 / 0 / 0

HEX #4FFFFF

RGB 79 255 255

HSL 180, 1%, 0.65%

LAB 91.87, -43.2, -12.94

 

CMYK 98 / 0 / 5 / 5

HEX #06F3E7

RGB 6 243 231

HSL 176.96, 0.95%, 0.49%

LAB 86.95, -49.64, -7.83

 

CMYK 100 / 0 / 6 / 12

HEX #00E1D4

RGB 0 225 212

HSL 176.53, 1%, 0.44%

LAB 81.07, -47.48, -6.51

 

CMYK 100 / 0 / 7 / 19

HEX #00CFC1

RGB 0 207 193

HSL 175.94, 1%, 0.41%

LAB 75.12, -45.16, -5.13

 

CMYK 100 / 0 / 8 / 26

HEX #00BDAE

RGB 0 189 174

HSL 175.24, 1%, 0.37%

LAB 69.08, -42.81, -3.71

 

CMYK 100 / 0 / 9 / 33

HEX #00AB9B

RGB 0 171 155

HSL 174.39, 1%, 0.34%

LAB 62.92, -40.43, -2.24

 

CMYK 98 / 0 / 5 / 5

HEX #06F3E7

RGB 6 243 231

HSL 176.96, 0.95%, 0.49%

LAB 86.95, -49.64, -7.83

 

CMYK 98 / 0 / 31 / 5

HEX #06F3A7

RGB 6 243 167

HSL 160.76, 0.95%, 0.49%

LAB 85.47, -65.5, 23.35

 

CMYK 98 / 0 / 58 / 5

HEX #06F367

RGB 6 243 103

HSL 144.56, 0.95%, 0.49%

LAB 84.55, -76.46, 53.25

 

CMYK 98 / 0 / 84 / 5

HEX #06F327

RGB 6 243 39

HSL 128.35, 0.95%, 0.49%

LAB 84.11, -81.92, 75.11

 

CMYK 85 / 0 / 98 / 5

HEX #24F306

RGB 36 243 6

HSL 112.41, 0.95%, 0.49%

LAB 84.22, -81.23, 79.95

 

CMYK 98 / 0 / 5 / 5

HEX #06F3E7

RGB 6 243 231

HSL 176.96, 0.95%, 0.49%

LAB 86.95, -49.64, -7.83

 

CMYK 98 / 21 / 0 / 5

HEX #06BFF3

RGB 6 191 243

HSL 193.16, 0.95%, 0.49%

LAB 72.08, -21.65, -36.81

 

CMYK 98 / 48 / 0 / 5

HEX #067FF3

RGB 6 127 243

HSL 209.37, 0.95%, 0.49%

LAB 53.69, 14.93, -65.94

 

CMYK 98 / 74 / 0 / 5

HEX #063FF3

RGB 6 63 243

HSL 225.57, 0.95%, 0.49%

LAB 37.96, 54.71, -91.69

 

CMYK 98 / 98 / 0 / 5

HEX #0606F3

RGB 6 6 243

HSL 240, 0.95%, 0.49%

LAB 30.97, 75.42, -103.32

 

CMYK 98 / 0 / 5 / 5

HEX #06F3E7

RGB 6 243 231

HSL 176.96, 0.95%, 0.49%

LAB 86.95, -49.64, -7.83

 

CMYK 98 / 0 / 5 / 5

HEX #06F3E7

RGB 6 243 231

HSL 176.96, 0.95%, 0.49%

LAB 86.95, -49.64, -7.83

 

CMYK 88 / 0 / 4 / 13

HEX #1ADFD5

RGB 26 223 213

HSL 176.95, 0.79%, 0.49%

LAB 80.63, -45.51, -7.69

 

CMYK 77 / 0 / 4 / 20

HEX #2ECBC3

RGB 46 203 195

HSL 176.94, 0.63%, 0.49%

LAB 74.34, -40.35, -7.34

 

CMYK 64 / 0 / 3 / 28

HEX #42B7B1

RGB 66 183 177

HSL 176.92, 0.47%, 0.49%

LAB 68.17, -33.64, -6.61

 

CMYK 46 / 0 / 2 / 36

HEX #57A29E

RGB 87 162 158

HSL 176.8, 0.3%, 0.49%

LAB 61.94, -24.28, -5.17

 

CMYK 98 / 0 / 58 / 5

HEX #06F365

RGB 6 243 101

HSL 144.05, 0.95%, 0.49%

LAB 84.52, -76.72, 54.11

 

CMYK 98 / 0 / 33 / 5

HEX #06F3A4

RGB 6 243 164

HSL 160, 0.95%, 0.49%

LAB 85.41, -66.13, 24.81

 

CMYK 98 / 0 / 7 / 5

HEX #06F3E3

RGB 6 243 227

HSL 175.95, 0.95%, 0.49%

LAB 86.84, -50.75, -5.9

 

CMYK 98 / 19 / 0 / 5

HEX #06C4F3

RGB 6 196 243

HSL 191.9, 0.95%, 0.49%

LAB 73.54, -24.2, -34.54

 

CMYK 98 / 46 / 0 / 5

HEX #0684F3

RGB 6 132 243

HSL 208.1, 0.95%, 0.49%

LAB 55.09, 11.83, -63.7

 

CMYK 98 / 0 / 5 / 36

HEX #04A39B

RGB 4 163 155

HSL 176.98, 0.95%, 0.33%

LAB 60.42, -36.7, -5.93

 

CMYK 98 / 0 / 5 / 20

HEX #05CBC1

RGB 5 203 193

HSL 176.97, 0.95%, 0.41%

LAB 73.93, -43.29, -6.9

 

CMYK 98 / 0 / 5 / 5

HEX #06F3E7

RGB 6 243 231

HSL 176.96, 0.95%, 0.49%

LAB 86.95, -49.64, -7.83

 

CMYK 84 / 0 / 4 / 2

HEX #29F9EE

RGB 41 249 238

HSL 176.83, 0.95%, 0.57%

LAB 89.11, -48.83, -8.27

 

CMYK 68 / 0 / 3 / 2

HEX #51FAF2

RGB 81 250 242

HSL 177.16, 0.94%, 0.65%

LAB 90.11, -44.25, -8.81

 

CMYK 98 / 0 / 5 / 5

HEX #06F3E7

RGB 6 243 231

HSL 176.96, 0.95%, 0.49%

LAB 86.95, -49.64, -7.83

 

CMYK 85 / 98 / 0 / 5

HEX #2506F3

RGB 37 6 243

HSL 247.85, 0.95%, 0.49%

LAB 31.79, 75.73, -101.93

 

CMYK 0 / 46 / 98 / 5

HEX #F38406

RGB 243 132 6

HSL 31.9, 0.95%, 0.49%

LAB 66.19, 36.14, 71.78

 

CMYK 98 / 0 / 5 / 5

HEX #06F3E7

RGB 6 243 231

HSL 176.96, 0.95%, 0.49%

LAB 86.95, -49.64, -7.83

 

CMYK 7 / 98 / 0 / 5

HEX #E306F3

RGB 227 6 243

HSL 295.95, 0.95%, 0.49%

LAB 55, 91.91, -62.95

 

CMYK 0 / 7 / 98 / 5

HEX #F3E306

RGB 243 227 6

HSL 55.95, 0.95%, 0.49%

LAB 88.93, -12.96, 87.59

 

CMYK 98 / 0 / 5 / 5

HEX #06F3E7

RGB 6 243 231

HSL 176.96, 0.95%, 0.49%

LAB 86.95, -49.64, -7.83

 

CMYK 85 / 98 / 0 / 5

HEX #2506F3

RGB 37 6 243

HSL 247.85, 0.95%, 0.49%

LAB 31.79, 75.73, -101.93

 

CMYK 0 / 98 / 91 / 5

HEX #F30616

RGB 243 6 22

HSL 355.95, 0.95%, 0.49%

LAB 50.97, 76.98, 58.51

 

CMYK 13 / 0 / 98 / 5

HEX #D3F306

RGB 211 243 6

HSL 68.1, 0.95%, 0.49%

LAB 90.76, -33.79, 87.88

 

CMYK 98 / 0 / 5 / 5

HEX #06F3E7

RGB 6 243 231

HSL 176.96, 0.95%, 0.49%

LAB 86.95, -49.64, -7.83

 

CMYK 55 / 98 / 0 / 5

HEX #6D06F3

RGB 109 6 243

HSL 266.08, 0.95%, 0.49%

LAB 37.58, 78.6, -92.15

 

CMYK 0 / 98 / 91 / 5

HEX #F30616

RGB 243 6 22

HSL 355.95, 0.95%, 0.49%

LAB 50.97, 76.98, 58.51

 

CMYK 42 / 0 / 98 / 5

HEX #8CF306

RGB 140 243 6

HSL 86.08, 0.95%, 0.49%

LAB 86.84, -59.76, 83.16

 

Description

Color code: HEX #06F3E7 | qconv.com Color code: HEX #06F3E7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 243 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 243 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 5 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 5% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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