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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06EDC0 it is the complementary color #F9123F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06EDC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06EDC0 shade: #0BEDBB, #1CFFCE, #2DFFE1, #3EFFF4 and #4FFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06EDC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06EDC0 shade: #06EDC0, #00DBAD, #00C99A, #00B787 and #00A574

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06EDC0 shade: #06EEC1, #06EE82, #06EE43, #07EE06 and #45EE06

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06EDC0 shade: #06EEC1, #06DDEE, #069EEE, #065FEE and #0621EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06EDC0 shade matches the following richer shades: #06EEC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06EDC0 shade: #06EEC1, #19DAB5, #2DC7A9, #41B39D and #559F91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06EDC0 shade: #06EE44, #06EE82, #06EEC0, #06DFEE and #06A1EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06EDC0 shade: #049E80, #05C6A0, #06EEC1, #24F9CF and #4CFAD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06EDC0 shade: #06EDC0, #0606EE and #EE6306

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06EDC0 shade: #06EDC0, #C006EE and #EEC006

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06EDC0 shade: #06EDC0, #0606EE, #EE0634 and #EEEE06

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06EDC0 shade: #06EDC0, #4B06EE, #EE0634 and #A8EE06

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 19 / 7

HEX #06EDC0

RGB 6 237 192

HSL 168.31, 0.95%, 0.48%

LAB 84.18, -57.51, 8.57

 

Complementary color

CMYK 0 / 93 / 75 / 2

HEX #F9123F

RGB 249 18 63

HSL 348.31, 0.95%, 0.52%

LAB 52.87, 78.39, 40.09

 

CMYK 95 / 0 / 21 / 7

HEX #0BEDBB

RGB 11 237 187

HSL 166.73, 0.91%, 0.49%

LAB 84.08, -58.61, 11.05

 

CMYK 89 / 0 / 19 / 0

HEX #1CFFCE

RGB 28 255 206

HSL 167.05, 1%, 0.55%

LAB 89.96, -60.29, 9.58

 

CMYK 82 / 0 / 12 / 0

HEX #2DFFE1

RGB 45 255 225

HSL 171.43, 1%, 0.59%

LAB 90.56, -54.51, 0.63

 

CMYK 76 / 0 / 4 / 0

HEX #3EFFF4

RGB 62 255 244

HSL 176.58, 1%, 0.62%

LAB 91.27, -48.06, -8.16

 

CMYK 69 / 0 / 0 / 0

HEX #4FFFFF

RGB 79 255 255

HSL 180, 1%, 0.65%

LAB 91.87, -43.2, -12.94

 

CMYK 97 / 0 / 19 / 7

HEX #06EDC0

RGB 6 237 192

HSL 168.31, 0.95%, 0.48%

LAB 84.18, -57.51, 8.57

 

CMYK 100 / 0 / 21 / 14

HEX #00DBAD

RGB 0 219 173

HSL 167.4, 1%, 0.43%

LAB 78.27, -55.38, 10.16

 

CMYK 100 / 0 / 23 / 21

HEX #00C99A

RGB 0 201 154

HSL 165.97, 1%, 0.39%

LAB 72.3, -53.06, 11.83

 

CMYK 100 / 0 / 26 / 28

HEX #00B787

RGB 0 183 135

HSL 164.26, 1%, 0.36%

LAB 66.23, -50.69, 13.57

 

CMYK 100 / 0 / 30 / 35

HEX #00A574

RGB 0 165 116

HSL 162.18, 1%, 0.32%

LAB 60.04, -48.24, 15.4

 

CMYK 97 / 0 / 19 / 7

HEX #06EEC1

RGB 6 238 193

HSL 168.36, 0.95%, 0.48%

LAB 84.5, -57.65, 8.51

 

CMYK 97 / 0 / 45 / 7

HEX #06EE82

RGB 6 238 130

HSL 152.07, 0.95%, 0.48%

LAB 83.34, -70.89, 39.12

 

CMYK 97 / 0 / 72 / 7

HEX #06EE43

RGB 6 238 67

HSL 135.78, 0.95%, 0.48%

LAB 82.7, -78.81, 65.67

 

CMYK 97 / 0 / 97 / 7

HEX #07EE06

RGB 7 238 6

HSL 119.74, 0.95%, 0.48%

LAB 82.49, -81.48, 78.48

 

CMYK 71 / 0 / 97 / 7

HEX #45EE06

RGB 69 238 6

HSL 103.71, 0.95%, 0.48%

LAB 83.14, -75.69, 79.28

 

CMYK 97 / 0 / 19 / 7

HEX #06EEC1

RGB 6 238 193

HSL 168.36, 0.95%, 0.48%

LAB 84.5, -57.65, 8.51

 

CMYK 97 / 7 / 0 / 7

HEX #06DDEE

RGB 6 221 238

HSL 184.4, 0.95%, 0.48%

LAB 80.7, -37.89, -20.9

 

CMYK 97 / 34 / 0 / 7

HEX #069EEE

RGB 6 158 238

HSL 200.69, 0.95%, 0.48%

LAB 62.22, -5.54, -49.54

 

CMYK 97 / 60 / 0 / 7

HEX #065FEE

RGB 6 95 238

HSL 216.98, 0.95%, 0.48%

LAB 44.8, 33.35, -77.61

 

CMYK 97 / 86 / 0 / 7

HEX #0621EE

RGB 6 33 238

HSL 233.02, 0.95%, 0.48%

LAB 32.48, 67.41, -97.97

 

CMYK 97 / 0 / 19 / 7

HEX #06EEC1

RGB 6 238 193

HSL 168.36, 0.95%, 0.48%

LAB 84.5, -57.65, 8.51

 

CMYK 97 / 0 / 19 / 7

HEX #06EEC1

RGB 6 238 193

HSL 168.36, 0.95%, 0.48%

LAB 84.5, -57.65, 8.51

 

CMYK 89 / 0 / 17 / 15

HEX #19DAB5

RGB 25 218 181

HSL 168.5, 0.79%, 0.48%

LAB 78.28, -52.09, 5.92

 

CMYK 77 / 0 / 15 / 22

HEX #2DC7A9

RGB 45 199 169

HSL 168.31, 0.63%, 0.48%

LAB 72.41, -45.76, 3.93

 

CMYK 64 / 0 / 12 / 30

HEX #41B39D

RGB 65 179 157

HSL 168.42, 0.47%, 0.48%

LAB 66.37, -37.31, 1.79

 

CMYK 47 / 0 / 9 / 38

HEX #559F91

RGB 85 159 145

HSL 168.65, 0.3%, 0.48%

LAB 60.58, -26.59, 0.15

 

CMYK 97 / 0 / 71 / 7

HEX #06EE44

RGB 6 238 68

HSL 136.03, 0.95%, 0.48%

LAB 82.7, -78.72, 65.33

 

CMYK 97 / 0 / 45 / 7

HEX #06EE82

RGB 6 238 130

HSL 152.07, 0.95%, 0.48%

LAB 83.34, -70.89, 39.12

 

CMYK 97 / 0 / 19 / 7

HEX #06EEC0

RGB 6 238 192

HSL 168.1, 0.95%, 0.48%

LAB 84.48, -57.9, 9

 

CMYK 97 / 6 / 0 / 7

HEX #06DFEE

RGB 6 223 238

HSL 183.88, 0.95%, 0.48%

LAB 81.28, -38.81, -20.01

 

CMYK 97 / 32 / 0 / 7

HEX #06A1EE

RGB 6 161 238

HSL 199.91, 0.95%, 0.48%

LAB 63.1, -7.24, -48.16

 

CMYK 97 / 0 / 19 / 38

HEX #049E80

RGB 4 158 128

HSL 168.31, 0.95%, 0.32%

LAB 58.07, -42.21, 5.91

 

CMYK 97 / 0 / 19 / 22

HEX #05C6A0

RGB 5 198 160

HSL 168.19, 0.95%, 0.4%

LAB 71.53, -50.21, 7.49

 

CMYK 97 / 0 / 19 / 7

HEX #06EEC1

RGB 6 238 193

HSL 168.36, 0.95%, 0.48%

LAB 84.5, -57.65, 8.51

 

CMYK 86 / 0 / 17 / 2

HEX #24F9CF

RGB 36 249 207

HSL 168.17, 0.95%, 0.56%

LAB 88.27, -57.27, 6.65

 

CMYK 70 / 0 / 14 / 2

HEX #4CFAD8

RGB 76 250 216

HSL 168.28, 0.95%, 0.64%

LAB 89.33, -51.57, 3.57

 

CMYK 97 / 0 / 19 / 7

HEX #06EDC0

RGB 6 237 192

HSL 168.31, 0.95%, 0.48%

LAB 84.18, -57.51, 8.57

 

CMYK 97 / 97 / 0 / 7

HEX #0606EE

RGB 6 6 238

HSL 240, 0.95%, 0.48%

LAB 30.26, 74.2, -101.68

 

CMYK 0 / 58 / 97 / 7

HEX #EE6306

RGB 238 99 6

HSL 24.05, 0.95%, 0.48%

LAB 59.08, 50.31, 67.03

 

CMYK 97 / 0 / 19 / 7

HEX #06EDC0

RGB 6 237 192

HSL 168.31, 0.95%, 0.48%

LAB 84.18, -57.51, 8.57

 

CMYK 19 / 97 / 0 / 7

HEX #C006EE

RGB 192 6 238

HSL 288.1, 0.95%, 0.48%

LAB 48.9, 86.13, -70.3

 

CMYK 0 / 19 / 97 / 7

HEX #EEC006

RGB 238 192 6

HSL 48.1, 0.95%, 0.48%

LAB 79.55, 2.62, 80.61

 

CMYK 97 / 0 / 19 / 7

HEX #06EDC0

RGB 6 237 192

HSL 168.31, 0.95%, 0.48%

LAB 84.18, -57.51, 8.57

 

CMYK 97 / 97 / 0 / 7

HEX #0606EE

RGB 6 6 238

HSL 240, 0.95%, 0.48%

LAB 30.26, 74.2, -101.68

 

CMYK 0 / 97 / 78 / 7

HEX #EE0634

RGB 238 6 52

HSL 348.1, 0.95%, 0.48%

LAB 50.16, 76.39, 42.76

 

CMYK 0 / 0 / 97 / 7

HEX #EEEE06

RGB 238 238 6

HSL 60, 0.95%, 0.48%

LAB 91.39, -20.41, 89.22

 

CMYK 97 / 0 / 19 / 7

HEX #06EDC0

RGB 6 237 192

HSL 168.31, 0.95%, 0.48%

LAB 84.18, -57.51, 8.57

 

CMYK 68 / 97 / 0 / 7

HEX #4B06EE

RGB 75 6 238

HSL 257.84, 0.95%, 0.48%

LAB 33.56, 75.61, -96.09

 

CMYK 0 / 97 / 78 / 7

HEX #EE0634

RGB 238 6 52

HSL 348.1, 0.95%, 0.48%

LAB 50.16, 76.39, 42.76

 

CMYK 29 / 0 / 97 / 7

HEX #A8EE06

RGB 168 238 6

HSL 78.1, 0.95%, 0.48%

LAB 86.74, -48.16, 83.66

 

Description

Color code: HEX #06EDC0 | qconv.com Color code: HEX #06EDC0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 237 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 237 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 19 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 19% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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